Performance Notes high the numbers that he preceding group or individual mallet isto be repeated, urenthesis are those of the editor, double eral permucation: 4312, 2134, ete = independent roll 5) The use of independent roll ia places suggested by the editor wi th independent roll on one pitch is more easily executed by posi lets on the cemter and end of the bar, rather than spread of the mallets to be que necessary for any given volume, Three—medium soft; Four—hard. The performer mallets 1 and 3, and 2 and 4 in some of foceduie creates considerable interest in the form of alternating bright and dark tone color. has alternately used combinations I Andante: Although Bach has very few slur and phrase marks i this movement demands a legato performance. Slur the one-handed to the next melodic note whenever possible. Very soft, po slap or contact noise. ‘Mallets: Use of a high ‘dynamic terracing much easier to perform, 19/ BACH 8 MINORGrave * Dipti oe = $— Sy] ————— a 7s ATt “at l i i \ f,sti r “Ah l) th a - ete Pie pe : f= some = = . ea Joa | = i SES fee ae pEaSaeee len i. ia | a Tl Cn A ea as pies aS SSS — a a = ==-S=>ne == SS if pa ae aware a a enh = = ot = =a i. a Fatale aes Sti me =) A a 7 ae SS = =. $ ss + Sa == - 5 _ a 5 iiss bow= ]ie = SS == S= tas “a (et ese a BI yh a f ~~ — + = = — = 4 ; te 7 v . q e i ai = a A=y i SS Ft a ‘a * eh cr jebor ip 7s rr lox (= ee ee 2 sf v ie 4 ase ead 3 = = SS a a pe ir iro jot cr r , i Bay ——— foe ——: , ar a ; 4 ees <— {SS tf eS re SH : a 22 7 = - tS iz = = = s i ’(Pe = —— GS = b al == SS rie st ta) ——— Se , pS faa Se Sete) Se Et, See Te =e —————a eet TS v7 ee eigtore dap elt Ls * petitctrs = ee a be == == = = 5 = op ts feesds to eo pe =i s A a! SSS s Sor eS be 4 oe 7 1 a 4 f