The Classic Guitar Collection. Volume Iwo. Edited and transcribed by Harvey Vinson. ‘This album was formerly distributed under the title ‘Classic Guitar Pieces, Music for Millions Series Volume 63. Ariel Publications London/New York/Sydney/ColognePublished 1977 by Ariel Publications (A division of Music Sales Limited, 78 Newman Street, London W1P 3LA.) London/New York/Sydney Cover illustration by Adrian George Designed by Pearce Marchbank All arrangements © Copyright 1977 Dorsey Brothers Limited, (a division of Music Sales Limited), 78 Newman Street, London WIP 3LA This album © Copyright 1977 by Ariel Publications (a division of Music Sales Limited), 78 Newman Street, London W1P 3LA Exclusive distributors: Music Sales Limited, 78 Newman Street, London W1P 3LA, England. Music Sales GMBH, Kolner Strasse 199, 500 Cologne 90, West Germany. Music Sales Pty. Limited, 27 Clarendon Street, Artarmon, Sydney, NSW 2064, Australia. Ariel Publications ISBN 0.86001.452.5 AY 15273Anonymous Estampida, 4 Estampida, 6 Anonymous Dove Son Quei Fieri Occhi?, 7 Anonymous Canon, 27 Courante, 17 Dance, 9 Dance, 10 Galliard, 16 Moderato, 16 Nachtanz, 9 Passamezzo, 12 Pavana, 8 Saltarello, 15 Se Io M’accorgo Ben Mio D’un Altro Amante, 10 Veneziana, 11 Barbetta, Giulio Passamezzo, 18 Milan, Luis Pavana, 22 Molinari, Simone Passamezzo, 28 Mudarra, Alonso Fantasia, 23 Narvaéz, Luys de Fantasia, 30 Gostena, Battista Dalla Fantasia, 32 Bach, Johann Sebastian Bourée, 54 Fugue, 48 Gavotte in A Minor, 36 Gavotte in E, 44 Minuet, 34 Prelude and Fugue, 37 Sarabande, 55 Bergen, Count Bourée, 56 Couperin, Francois Le Petit Rien, 34 Weiss, Silvus Leopold Gagliard, 31 Aguado, Dionisio Etude in A, 102 Cano, Albert El Delirio, 103 Carcassi, Matteo Romanza, 94 Study in A, 98 Study in D Minor, 96 Carulli, Ferdinando Allegro Moderato, 65 Andante, 57 Overture, 58 Prelude, 64 Coste, Napoleon Etude in A Minor, 100 Giuliani, Mauro Andante, 90 Etude in A Minor, 86 Etude in C, 88 Etude in E Minor, 92 Molino, Francesco Prelude in A Minor, 70 Prelude in D, 68 Schumann, Robert Adagio, 110 Sor, Fernando Andante Largo, 74 Minuet in C Minor, 78 Minuet in G Minor, 85 Study in A, 76 Study in B, 79 Study in C, 72 Study in E, 71 Study in E, 80 Study in F, 84 Tarrega, Francisco Prelude, 111 Recuerdos De La Alhambra, 112 Bartok, Béla Miniature, 126 Cotton, Elizabeth When I Get Home, 119 Wilson Rag, 120 Hellerman, William Exchanges, 116 Mustang, J. American Flag Rag, 124 Song, 123 Shostakovich, Dmitri March, 121 Stravinsky, Igor An Easy Piece Using Five Notes, 122 Tcherepnine, Alexandre Chanson, 118Estampida. Presto Anonymous (14th Century)Estampida. Presto Anonymous (14th Century) 7 ; 2Dove Son Quei Fieri Occhi? Anonymous (15th Century) Adagio %CIVPavana. Anonymous (16th Century)Dance. ‘Andante Anonymous (16th Century) Anonymous (16th Century) cx—_____ cr 4 3 4 4 4 feet eet reer ror rf r F Per to Tg! FRR TT rrr *This Dance and the following Nachtanz (Ger. after-dance ) are paired dances with the main dance in slow suple meter immediately followed by the quicker Nachtanz. 9Se Io M’accorgo Ben Mio D’un Altro Amante. Moderato %CV cm Anonymous (16th Century) 7 4J.) Ta ale Anony 6th Centr Moderato mous entury))Veneziana. Allegro Anonymous (16th Century) 3Passamezzo. Moderato Anonymous (16th Century) mi * The passamezzo dance (a theme with variations) was frequently followed by the quicker saltarello. reSaltarello. mimimi imi om, 3 23 7 TPGalliard. Anonymous (16th Century) Moderato Pr Moderato. Anonymous (6th Century) C1 Lon— 45CCH Jy ha ‘Cre? - JC CI rr F ca ch CIV 1Courante. Anonymous @-D (6th Century) Allegro 8 cI a y CH 4cr 1 ® 3 ei Wen ee, a eI B11Passamezzo. Giulio Barbetta 6th Century) Moderato kon 4 8c.f errr’ Or Yee Cll cm ¥cu700Pavana. Luis Milan (1500-1561) Moderato r t “al! ~? Fantasia. Alonso Mudarra Allegro (6th Century) m i; : ag. i a es nity Wadd *Orginally written for lute, imitates the melodic texture of the harp. Mudarra said that this piece “es difficil hasta ser entendida”. 3died Wd id id dd) 2 2 goo ed yt cM fe ee ee Cl 8 4c ajbd a DY 4g=> Ss y 2) J —_] 2 CI 4 wii J ba gwd CVKeg td th dod Jd td md did al ba * 4ev cm tidal Fy oS 6Canon. Allegro Anonymous (16th Century) 23 o4gad4 ; oyPassamezzo. I Simone Molinari (16th Century) Moderato a im mimi 3] i mimi 4 n : TT? ett OF aa iz r TT F f rT - a fadyFantasia. Luys de Narvaéz Allegro (6th Century) 30de rr 46 7 ws ate te 6 = s ? 13 > roe Gagliard. Silvus Leopold Weiss (1686 - 1770)Fantasia. Allegro sd Battista Dalla Gostena (17th Century) ded a gd dp sd ® aLe Petit Rien. Frangois Couperin oe. 1668-1733) Tempo di Minuetto ot c cr ° a or 7 7 oF af * r at Fine Johann Sebastian Bach (1685-1750) co 3435Gavotte in A Minor. Johann Sebastian Bach mim Mim imi mig mic, Mim i. i 9 = 9) 4 ith , F we oR fot Fe 26Prelude and Fugue. ycvn m Johann Sebastian Bach* UIFugue Moderato &41CVI 42@a@ cv | | joo ) ) t pf FP FS yes ae 4BGavotte in E. 7 Johann Sebastian Bach Moderato 4, =? oye4546a7Fugue. Moderato yer Johann Sebastian Bach 1 4 4849co 50rr tert cvm—— cvi—— cv52cv cv, 33Bourée. Moderato ° Johann Sebastian Bach pert ore pe FP TPSarabande. Grave co Cll 46CI Johann Sebastian Bach Pree? 55Bourée. Count Bergen Moderato (18th Century) 4 a =Andante. Ferdinando Carulli 4770-1841)Overture. Largo maestoso Introduction ¥CV @ ~ ahah Ferdinando Carulli (1770 ~ 1841. ® al > a = ae POSE a * oa] FaF F EEF Frrle Prem Bi [ie 2 eg Ce 2] wa} 2 addy daa ie fo |* git 7 fo fePrelude. Ferdinando Carulli Allegro 7 (4770-1841) i miAllegro Moderato. Ferdinando Carulli (170-1841) 1d Dyycm CI67Prelude in D. Francisco Molino Allegro (1775-1847) imi 6869Prelude in A Minor. Francisco Molino (1775 - 1847) Andante ——— 10Study in E. Fernando Sor Lento religoso (778 - 1839) : cn / aStudy in C. Fernando Sor Andante (4778-1839) aa Tr od2BAndante Largo. @©-= Fernando Sor a (1778-1839) cvca @. %cu ci DC, Y al Fine 15Study in A. 7 Fernando Sor Andantino (1778-1839) ‘cu 4. "61Minuet in C Minor. Fernando Sor Andantino (1778-1839) a ad: Ssdd oa A i TStudy in B. Fernando Sor (1778-1839) Tempo di marciaStudy in E. Andante cantable Fernando Sor (1778-1838) 4 imaim818283Study in F. Fernando Sor (1778 - 1839) Andantino cantabile cm. 84Minuet in G Minor. D G Fernando Sor Andante (1778-1839) Yov em ® a 1 0 ® ® oa . ecm va ‘ecm wfhe eg ed idEtude in A Minor. Mauro Giuliani Allegro (1780-1840) Pm bm pm 86‘bl Cl 87Etude in C. Mauro Giuliani (1780-1840)Andante. Mauro Giuliani (1780-1840) Yer = 43) 2OLEtude in E Minor. Mauro Giuliani Allegro (1780-1840) 92Romanza. Moderato Matteo Carcassi @. © ® (1792-1853) aaaCVI a @ de 4Study in D Minor. Matteo Carcassi Allegro (1792-1853) 697Study in A. Matteo Carcassi (1792-1853) Allegro om. @. 9899Etude in A Minor. Agitat Napoléon Coste Ttato 1806-1883 7 i_m/ct Yee ‘ > imiDC. al Fine 101Etude in A. ionisic ido a Piemse. ise ig ia as we r— patie Pr ptt etd Coq RErerey POPE a Rp pee SACREEl Delirio. @-D . Albert Cano Adagio (29th Century) cvi dod, Andantino L,CVI. yen ami ami ecu.1043 20 t 223 Lhthoes poems 12 ®. dolce ‘cw2 (i diminuendo. 107108109Adagio. Robert Schumann 1810-1856) 2 110Prelude. Francisco Tarrega (1854-1909) Andante Soatento wmRecuerdos De La Alhambra. Andante i114usExchanges. Quickly & Lightly (J ‘Nat* 20) Nat William Hellermann (1939— ) Pont PP, nf Nat > 7 7 7% 7 1s 2 g id * Pont is an abbreviation for ponticello (It.) meaning to play near the bridge. Nat is an abbreviation for natural meaning to play in the normal or natural fashion (near the soundhole). {© 1969, 1972 William Helleemann {All Rights Reserved, Used by Permission of American Composers Alliance 11647Chanson. (from Episodes for Piano) Alexandre Tcherepnine Andante cu (1899 — it A ‘Used by Permission of Heugel et Cie, Paris copyright owners: ‘xtcact from "Episodes", 12 pices simples post Piano 118When I Get Home. Elizabeth Cotton Moderato ct a a Century ) ; a 119Wilson Rag. Elizabeth Cotton Andante eo ge mom cu ———Dmitri Shostakovich Allegro (1906 -1975) i civ cr ee 7 121An Easy Piece Using Five Notes. Igor Stravinsky Lento (1882-1971) 1 107Song. John Mustang Moderato H12 Fret (20th Century) _—<———— PER OR GR Pipe P rie fit. - - - - - © 1972Conaliated Mai Pulser, In. wo Reseved 123American Flag Rag. Moderato INTRO, Idi dy John Mustang YeCx 3a 739 P39 85 2 abel 2 £89 89 89 BT 84 PIT PI P39 go imgimaim aamal sm 4 3a 585 a pmtimim af Pot oe fe me" OF © 1972 Consolidated Music Publishers, ne ‘All Rights Reserved 104neemal eee il 4 repre ar PF Pa, eas an a lp trey 2 Tere oe fe ° RE is Py nas 94 739 73. B ae ne 7 iN 35 737 734 i) oa. oO | ahal = d be! » hal De ban! a Sept eS ete Te rls ze 0 og 0 trep errr DoS m95 P38 PIS 4 P34 P39 35 35 737 734 rh ft 14 aha z/ F 35 35 34 forge og nT RTF pas a a Pesaa ea oR re il Tf r r = I = Toret rr get tee 125Miniature. (from For Children) Béla Barték Allegro (4881-1945), > > cu tery Coty rer Eker t Foe 2 178 Printed in England by 126 eee oe ee ee eeThe Noad Guitar Library available from Music Sales Limited ‘The Noad Guitar Library is a unique venture in music publishing. Under the authoritative editorship of Frederick Noad, it provides the student and advanced guitarist with outstanding music in three important spheres: Study Series Matteo Carcassi, 25 Melodic and Progressive Studies. Opus 60 Mauro Giuliani, 25 Etudes Fernando Sor, Collected Etudes, VoL Fernando Sor, Collected Etudes, Vol TL “This series consists ofthe finest studies by great Masters. Every study has heen ‘chosen for its contribution to the development of techniat Student wil ind the series invaluable asa means of making technical progress While teachers will have at hand a ready body of material from which they can ‘choose to demonstrate any aspect of technique Performance Series Matteo Carcassi, Three Sonatinas, Opus 1 Ferdinando Carulli, Grand Variations for Two Guitars, Opus 219, Robert de Visée, Suite in G Minor. John Dowland, Selected Works (including lute tablature. Mauro Giuliani, Sonata in C Major, Opus 15. George Frederic Handel, Selected Solos and Duets. J.B. Marella, Selected Works for Two Gultars, Fernando Sor, Variations on Theme of Mozart, Opus 9, and Sonata in C Major, Opus 15 No.2. Fernando Sor, Variations on the air “MarIborough’, Opus 28, Fernando Sor, Elegiac Fantasy, Opus 58, Fernando Sor, LBncouragement, Opus 34, for Two Guitars. ‘This series contains works for the soloist and for two guitars. Each work is suitable for concert performance. Many of the pieces are published, a far as can be ascertained, forthe first time. ‘Others are much-needed new editions of important works for the guitar. Ensemble Series Mauro Giuliani, Grand Duo Concertant, Opus 85, for Fue or Vilin and Guitar Popular Elizabethan Tunes. ‘Arrangements for Recorder and Guitar. Michael Praetorius. Dances from “Terpuichore” arranged for Guitar Ensemble, Because “sharing the work” makes less taxing demands on the individual player, ensemble playing opens up a whole new field of music to the instrumentalist. ‘The Eneemble Sence conane some of tre most charming must in prin for the farand other narament anes en ‘to the performers and delight het audiences Playing this musi ive A feature of the Noad Guitar Library is that each book concentrates on the work of, ‘one composer, or one period. Of the volumes in the Library, Frederick Noad says: “In fingering the works chosen for each series, my aim has been to provide the guitarist with a musical and completely playable version of every piece.”