once upon a MATTRESS | Music by MARY RODGERS Lyrits by MARSHALL BARER Book by JAY THOMPSON MARSHALL BARER DEAN FULLER Vocal Score Price $30.00 Piano reduction by Robert H, Noeltner CHAPPELL MUSIC COMPANY Applisations for profesional and amateur performances ‘or ths ply show be addrased to ‘THE RODGERS ANDFAMMERSTEIN THEATRE LIBRARY, 398 Maginon Aveaut, ‘New York, Now Vouk 100221907 ONCE UPON A Mattress \ Produed by . EDWARD HAMBLETON, NORRIS HOUGHTON & WILLIAM and JEAN ECKART Fics performance May 11, 1959 a the Phoenix Theatre, New York Directed by GEORGE ABBOTT. Dances and Musial Numbers Staged by Joe Layton ‘Scenery and Costumes by Willian and Jean Eckart Lighting by Thason Musset Musical Direction by Hal Hastings Onchestrations by Hersby Kay, Arthur Beck and Carroll Hoxley Dance Masic Arvanged by Roges Adams POOSTBWEG, wanyLan Cast of Characters (Un order of appiarance) i Prologue Minsreet Haccy Saow Panes 22. Jim Maber Pucess Cheis Keener Queen boa05 Gloria Stevens i FORM ee ee a sy Robert Weil Paivcess Nusoer Twetve. | | |) | | ‘Mary Stanton 1 Lap Rowena... Dorothy Aull ' Lape Manny |) | | Patsi King : Puce DaunTiess | Joe Bova Tar Quay DD! Jane White ! Lor Wwous 2)! Luce Ennis Lape Laken, Anne Jones Sm sro | + ++ Jeety Newby ia iio ge ++ Jack Gilford Jeste ‘Mate Mattox : Su Haney a7 Allen Case Pauvcess Wain | |) |) | |! Carol Burnett SR HARD LLL) | paid Newnan Lap Bearuce 22) DS Stevens Sm Luce. | | | Tom Mixon | Lay Masstrz | ||| | « Chtis Keene I Tus Nicirwcats or Sananxano . | | | | | | Ginny Perlowin | Lay Dororny | | Dorothy D’Honau SmCmusromen? 2) ST Christopher Edwacds Low Hows | «Howard Pasker oii, Oca ee +5 + Dorothy Franke SmDawee. Dan Resin Sasmve 2) ) | Jim Stevenson | ees Pare eee Julien Patrick | EIpEARY YEOBESURG stare conzacy FEonce upon a Mattress Synopsis of Stones The Tims: "Many Moons Ago” D & ACT I ey ‘ScENE 1: Throne Room i Scene 2: The Yellow Gallery Ss Scene 3: Courtyard a Scene 4: A Corridor 9 ScENE 5: Winnifred's Dressing Chamber ScENE 6: ‘The Grey Gallery Ss SceNE 7: On the Greensward_ 3 eee eee e SceNE 9: Great Hall 5 3 = ACT I g 3 Scane 1: Castle ; Scene 2: Wianifeed's Dresing Chamber 3 SCENE 3: A Corridor S Scene 4: Wizard's Chamber 3 Scene 5: The Grey Gllery ScaNz 6: The Bed Chamber Scans 7: A Cortidor Scene 8: Breakfast Hall Instrumentation ‘Woodwind No.1: Flute/Piccolo No.2: Cainet/Oboe No.3: Clatnet No.4: Bess Clarinet French Hore, 3 Trumpets, 3 Trombones Pereusson, Harp, Gulte ‘Violins, Violas, Visonclls, Contrabase | |seh Musical Program ACT I . pase Pe OO Ak, Overture a mate 2, ProLoous: Many Moons Ago... ac A. Opening For A Prins ee 7 4. In Alittle While. . : . +24 4 : 9 . 2 bee 1. 8 LA? Senstviy No ee 32 | 8. The Swamps Of Home ee a i 9. FightFight 4 pee ce | 10. — Dance: Spanish Panic... 66 Re reg 6 ! ' 12, (removed from production) \ Normandy ee 70 | Soe ene ee i Seg Olio 1.8 i ACT IT | 16s. Opening Act... Boose po4 Vin Hipp Ber ate sh ml 18, Man To Man Tak ee u7 i \ : 19, Very Soft ShO65 oe ect ee ce tn eT wl —Dance*. . . . hee see ee 132 4} so Tame ie a Bang 2 | ‘21, Yesterday I Loved You”. oe I 22, Nightingale Lullaby. 2. ME | aeWiatd ee 148 | a ha DTLILTt es Vat, Beit Maio see. 182 Bar Numbers in tit score, which appear to be minting, bave bien made to caincide with those in the existing orchestral parts,ONCE UPON A MATTRESS Lyrics by MARSHALL BARER Modereto Overture su. fy _—_______ —————. 2 2 Plano ——. s ———— Music by MARY RODGERS 9166-151 letras Copight Seared ALL RIGHTS RESERVED "Primed nthe US. ‘Unauthorised copying, aan dating, eercng or pb performance ean nega of ope ‘tng are able ender he om; - my : . | i@B Moderato 706-161 W.W.Soit fie (Hp gust) tn706-151Coles, Bells SF Brighly a TT ——e STN 9786-181,a No. 2 Prologue—Many Moons Ago Brightly wa, : we J fie, cs SF supine iF MINSTREL: @ Freely - in2 Coe oe enn Pat. ,calo—, gloom-y face, For he did not have i sighed "a - las" And he pined a ~ las, But a - las, the prince “could-n't Wet, TN -—— 0». 6 i : Copyright © 1069 by Marshall Barer and Mary Rodgers— —- + = For a coe 1 Who would suit his moth ~ ex's del-i-cate thing, Del-i-cate and dain-ty as —37stt:> prin - cess is a tttes 7 (dolce) se. ate. But a el-e-gant air, la-dy_by her {he Youcan re-cog-nize_a. ara-gon fly's wing. Keep moving rem) oras-astdona lass the prince had been wait-ing for."I'm a ea AN en, - a storm -y prin - cess lost" quoth she, Br queen was cool and re ~ mained a SSS Oo ,.. need some proof, I'll pre - pare a ~ Gin, re a - loot And she _ ml sald: "Por = bao but ahetlti test her the old queen said: Tl put twenty down-y mat- tre: Hp. 1 0) 3, Bs. plzz. J placea ti-ny pea. If that [BP 2 tempo pea dis-turbs her slum-ber,thena true prin-cess is she. Bell, Hp. oa ou 2 1 AA) a ei) x83 106-281,18 Now,the bed was soft and ex~treme-ly tall,-But the 1 : Ss = ZT] tones <= =< sleep at all, And she’ told them so next day. 7] Fie —— Said the queen; felt that pea, Then we've proof ——— Slowly Spoken: wed-ding mu-sic play." And the peo-ple shout~ed qui-et -ly:"Hoo-ray|" ‘Tp Fe PF— 9768-251prin - cess Del ~ i - cate and dain - ty ls. Hp St wing, Youcan re-cog-nize a la-dy by her el-e-gant air, But a = mm dra-gon fly’ Slowly jen-u-ine princess te ex - oe srss-as1cy No. 3 Opening For A Princess Cue: QUEEN: Now, don't dilly-dally, Dauntless. It's nearly time for your cocoa. Moderato DAUNTLESS: a LARKEN: DAUNTLESS: ape — THiaby 2nd GIR: must ev - ‘ry prin-cess get the bird? It's just ab-surd.I nev-er DAUNTLESS: hearda test sodif-fi-cultto pass, 4 ob. cena Copyright © 1959 by Maribal Barer and Mary Rodgers LLL LL EEHp. KNIGHTS: last Alass is what Tack, I lack a lass, a - las, LADIES: Oh! ont. ‘the land noone may wed ‘til Daunt - less shares his Piu mosso z mar - riage bed. The lone - ly spin-ster's life, a l.ava ee ES Tut my ALL: 9 and get the prince a roy-al wife, We have an, 76-151 2S SE SSSR NS19 o-pen ~ ing prin-cess, a when you in = tend to this di-lem-ma we're NiGHTS: 3 None of the la ~ dies give cL Me-\ e a pfin-cess,beau-ti- ful, bon-a- fide prin - cess. - Where's the du=ti~ ful knight who'll { 3 ‘i. ji rR uni aie right all the wrong we've been done? we None of the la ~ dies are hav-in' an - y hum, What to do? What to. do? Pity the la ~ dies ~in ~ wait ~ ing. KNIGHTS: ‘What to-do? What to do? sres-182au Go) Laps: Four, eight, ten, © ~lev- en, KNIGHTS: KNIGHTS; Pi-iy the gen-tle-men two, con = ten - ders in a Then swift-ly re-quest-ed to go prin-cess, oe 9786-151gen-u- ine, trum - send us (KNIGHTS:) la - dies yaue-asa pet, cor ~ti~ fled fa girl who can hav - int prin - cess. Sound pass. the fife. ‘Tell and get the prince a roy-al when you Go wife, hav - None of an the fo23 get - ting an-y younger.” And it's been ————— % God__knows how long 9zpen- ing prin-cess Who's good e-nough, nice e -nough, sweet e -nowgh, smart e-nough, pee, 9766-252No. 4 In A Little While ue: LARKEN: Oh! Harry! vy, Ado. won't be long, it won't be long, I: W.W. So = al won't be-cauise it can't be long Be ~ fore our dreamscome true. Be cause you know I don't be-long And fur~ ther more, I shant be-long to ob. Bel ———____ ‘Copyright © 1969 by Maribal Barer and Mary Rodgers vaseeasan-y~one but you, In a little while, Justa Little whi cu. 7 — a 2.06. of ‘You and Iwill be one, two, three, four. In a Uit-tle while, as) cu. I_will see your emile p fil Im) “ On the face of my erhand in glove ew. | ™d way have it planned. But rl ——~ on ~ \ 916-151,LARKEN: Bi : i glove contains your hand. fa a vel-vet gown T'll be com-ing down the cen oot a = + {t's bound to seemas though the, wait~ing's on- ly —~ ; And A, en a 2 GI) BARRY: Have you any idea how soon, my love? been a_lit In lit- tle while. oe H,, Ving. 8 Tes a teri 00 rit Zs Cello, Ha., Tid. (8v8); = LARKEN: HARR November. November? LARKEN: GS) My time is at aprem-i-um,For soon theworld will seeme 2 ma~ <— «== ww. ‘g6-15a7 I know I musi-n't wor-ry, Har - ry. ter -nel bride to be. Ob. Belt I wish you'd hur-ry, Har-xy. Har- ry, mar-ry — — Es 3) marry: - t In @ lit-tle while, Just_a lit-tle while, ‘Youand Iwill be one, two, three, four. wa] the 2 sors: glove“ con-tains your hand, In a vel-vet gown { Tl be com-ing down the gow ic youll Colstva = 400.848 t And it's bound to seem as tho! 0b, Tpe the wait-ing's on - ly —} — I = tm pantomime eto pine rr66-18149 —— ee tele veres = loot) Mase) (Sat gee rere ae — vam rr * King: (pantomimes) no - bod - y (——) But | ¢— — ii +a pte. simile = ) Oh, the cook claims she's misa-ing one choc-"late cream aa colo pize. fish that was read-y to o _— 9186-181King: (Pantomimes) @in-ing on pastry and fillet of SSS FI. — _— Hp. ,Cello plzz. hey! NOn- By non-ay, a jing hey! Non = ny non~ ny, — Sins her v ny, w.w. ove t nee - dle and _thim~ble, Crash us a clash on__ the = (. Ws been sald of our King that bis mor~ als are loose. But the _ = Ceo pe. 766-151,81 Well, what's for the (tp. tacen) TF King: (antomimes) ey. JESTER: The King and the. Minstrel, - ( to the Jest - er, a [Lights ou] 9706-151No. 7 Sensitivity ve: QUEEN: So we must think up a test that Moderato looks and and and isn't fair! Dialogue continues ~ ~ fair sounds fair) seems fair (or'eae) (on xe) este MP ip. Bells, Poo. a QUEEN: I'm just load - ed o76g-18i Copyright © 1959 by Marshall Barer and Mary Rodgers,sen - si - tive stom ~ ach, a, WIZARD: This 9706-151 is the bless ~ ing, QUEEN: al - 50 the of 2. Were 53lite. Common peo~ ple don't know what Ex-quis~ite a - goa Bett W. WeG4va) y is, suf-fered by gen- tle peo ~ ple ike me! Just FF | : a oO B SSS SS get your hands off me, Think up a trick - y test for that wretch -ee as ior a moat swim-ming prin- cess. Ma -dame, may I sug - gest 1766-151QUEEN: May - be we ought to~- Don't ‘take all night, I'm rest. Not that I'll ev - er sleep Be(oups) ChB S 2 -——_——7 = mat - tress; Oh” God, That bed's @ tor ~ ture sx. | LPP 766-16236 Oh, 1 hate to sound grump - y, But my Ha.,Cello sa. nerves are_so__ jump Tam sure I could feel in. FL8ve lump, E if it were un ~der the © mat ~tress and small asa 8 sporen: Sung: pea! That's the an -swer! Un- der the mat“tress--- Well test her to - : ee ee b 1 S Gd £ 1 = &. ed TH 3 if 9766-15187 pea be - neath one thick down - mat - tress. Oh, God! You're bright! AL Prin-cess would feel it~~- if she does~ n't, she's through! Get the i WIZARD: Why not five? t mat - tress-No! Make it 966-15166-152 still, make it vent ¢ give her 41,00. St, Cls a ie think would be — plen twen that's not Batis; sooth ~ ing En. J+ Hp. arg, 4 | #2 Cello ough to in sed - a = tive, And to Fl. Bya Play that won't we? P she You it safe, sleeps, in wentSpoken: WIZARD: QUEEN: drink, Some ~ thing stun- ning; AR ~~ Oh, but you're doy ~ lene 2 Sung: ™ > I love the way you think, She's in - sen ~si - tive, : (tpt. vnis.) ‘poco all. = She'll fall a - sleep, no doubt. God, _but_ “you're clev - Tene (otp.0v9 es =, 4 sla, Cl.8va Bril- ent! Av genius! You are di-vine ~ Get & Tot, wl PF F FF 9706-15160 No. 8 The Swamps Of Home cue: WINNIFRED: Well, I don't like to brag. WINNIFRED: @ Rubato I! of the — fog- gy, fos-gy dew, come from the land Where walk-ing thru'the mead-ow in the = LADIES: 00 The swamps of ike walk- ing through morn-ing is 1 CCopyeight © 1959 by Marshall Barer and Mary Rodgers, 166-151,a wo Be heen ot ome are brushed with green and 5, F Hp. °S LADIES: WINN: SSeS ———— day The swamps of 706-16On J tee SQ | 2 io — a I soul is the beauty of the bog. In my mem'~ ry the mag-ie of che Br. mt. 3 LADIES: WINN: mud, M- U-D. 1 know that blood is thick-er than wa - ter, But the 3 Sf DAUNTLESS: Blk —S Swamps of Home are thick ~er than blood. whi Sere 1 a ® 3 A roam My heart grows dark and e—————— Ww. My Bp. My face grows sels | r ? TF] 188-151 ;sr66-151 — —T P Of the Swamps of Who do you think you are? When _shad- ows fall I hear Girl of the it and I hear the call call - ing me now, You have ‘gone too ao 63far, Maid of the marsh ~ Innd,—_ Give up the Soo eee strug-gle. Lis-ten to the voice of the swamp, Giug~ gle, ug~zle, bd j—__———— ___| LADIES: im WINN: 5 ug gle." Glug gle,ug-gle, ug- ele. Where -e're roam The o. a tempo C= 3 =e of fate = may But deep down in my Betis 766-151Twice as slow One thought will a - bide And will @ —3— 3 3 got ten, ‘Though I search far and wide There is no- land as —_ wu = bie —e Pt 2 —— = = = (as an echo) LADIES: ena Rot~ ten, rot- ten, rot= ten, rob ten, rot-ten, rotten, ‘ror =ten, rotten, ——————————————— ° —__ Se rotten, As the Swamps of — home, ————————__________} ~ : >= — be. We FG ad ad. tp. gs. 9766-1516 No. 9 Fight-Fight cue: LARKEN: I hate you! ae LARKEN: HARRY: LARKEN: HARRY: Goodby: (Dialogue --) Goodbye! Goodbye! Goodbye! AL.0b. ach (2nd time ~ Rit. and fade out) a —_ P Be. No. 10 Spanish Panic ‘cue: QUEEN: Why don't we sll watch while court dancers Sir Harold and Lady Beatrice demonstrate? Broadly Brightly - in 2 Som Piano’ 06-151 Copyright © 1959 by Marshall Barer and Mary Rodgect oi7 6 Canaan) eS = me [oe 1 a aoe ‘68 No. 11 Tents Slowly Celen BP [gf doors @ Gaily Tf 9766-151ee MINSTREL: mea - dow cov-ered with mus - tard— flow - ers, Gold - en asthe eo sun, Where a © won-drous thing can hap~pen When an op.50l — A- pril day is done, There's a = ores-a51#1. Cl. sky am And the world stands hushed and wait - it { stars to con~ vene. that em ~ trald 76-261JESTER: (Spoken) = Keep your. El - dor - a- do! And to hell with Bur - gun - dy! Come fly with 768-251W & LARKEN: ysu, peach los 9766-151MINSTREL: ‘There's jes - sa - mine and - - - White 1 MINSTREL & JESTER: — 3s lace and - ~~ Rows of win — dows fac - ing the —3— T with rows of win dows fac - ing the ck. 38 @r.tace0) 6-1818 9766-151 Ba :so No. 14 Spanish Panic No. 2 JESTER: You'd better not let the Queen eatch you walking. Brightly ee So ated ee WW. tr simile F 166-151, Hi81 simile B Faster 766-152eam! @ Faster oné6-16183. ate dd dd wb fe ssu.baae 9786-151g 4Br.open B —eresc. poco a poco simp, a mo = SEF (ip. gis.) fe a ste8-181No. 15 Song of Love cue: WINNIFRED: You can call me by my nickname, - DAUNTLESS: Winnie? Slowly WINNIPRED: Fred, Dialogue continues ~~ ~ Piano ie OS! Rubato like you, Fred, like you! You're just aay) DAUNTLESs: m say ~ ing those DAUNT: T men, 1 9756-152 Copyright © 1969 by Marshall Barer and Mary Rodgers, love you, Fred!I > se pauyr; 72 out of his me-di-e - val mind. = T'm_—per-fect-ly sane and sound! ‘y~bod-y! Ev-'ry-bod-y! Ev-'ry-bod- y, come and nev-er felt bet-ter in my life! meet my In-cip-i-ent wife! DAUNTLESS: tm in Boo ery up 9766-15387 5 on —— / —— love with a girlnamed Fred! My rea~sons must be clear, pe. 7 shows you all how strong she is You'll stand right up and DAUNT: Foandan R andan £ anda D Andan F-R-E,- D, FRED, Yea! I'm in ‘Ton mo = —~ | love with a girl named Fred, She drinks just like @ lord. | So come 2 706-16188 song And let the wine be [gg] cuorvs: Vine. Fill the bowl to 0 ~ ver flow-ing. Raise the gob~ let tr a4 Sf To E anda D, Andan FRED, —_ Yea! I'm in Bhat? love with a girl named Fred. She sings just lke a bird. You'll be i ny d29 left com~plete~ly speech-less when her gen'- tle voice is heard! tr ee Pad WINN: (vaucously) Ab-ah-- ah, ah,” ah, ah, ab, ab, = CHORUS: oe fos frtii: oly = Fill the bowl to 0 ~ ver-flow~ ing. Raise the gob - let with an Vins, tf 9766-152, RE UPR re creelove with a girl named Fred. She wres-tles like a Greek. You wi i WW, St eee e z clap your hands in won-der At her fab~u - lous tech ~ nique! 4 4223: 2 (GLicuorus: (handclaps) i: (almost Losing control) Ah- ah - eh, 2h, ah, ah, ah, ah, ab, ab, ah, ah, ahhh! 108-181[) CHoRUs: Be 2 ovis. Fill the bowl to 0 ~ ver-flow-ing, Raise the gob - let” | F and an Rand an E enda D And an ED, FRED, ‘Yea! I'm in love with a girl named Fred, Who dime es with suc” grace. You are a ? ia i f _ Cl. W. Se (simile) t bound to sing her prais- es ‘til you're pur- ple in the facef 966-151CHORUS: | bra - vo, bra-vis ~ six mo, 4 (handclaps) WINN: (even wilder) © ~ ver-flow~ing. Raise the gob - SF ror o7se-is1 "ps Ar SSE RE SESS TET EeFoand anR and an E FRED, love witha girl named Fred. Tp. tia, pam. 7 your feet a - tap ~ ping When ghd WINN: (oi tute - ad 18.) EET ores-181 Yea! i'm in237] cHoRus: bra-vis- si- mo, 3 Bra - vo, WINN: (wilder thor ever) CHORUS: (149) ahah, ah, ab, ah, ah, ah, ab, ahhh! Raise the gob - let with an 9786-152 Fill the bowl to 0~ ver-flow ~ ing F and an R and an E anda D And an BREDSERRNNRE976-151, FRED, Yea! I'm in ya tat clev-er clown-ish wit. When she sides are sure to split! WINN: (on lute - ad lib.) 57 DAUNT: (X71) love with a girl named Fred, WW, Str a, Teb,,Cetlo piss. 96 does her fun - ny panto mime Your Ho, ho, ho, ho, Ha, ha, ha, ha, We Waste. Se96 73] ant: 3. Bra~- vo, bra - vo, bra-vis-si-mo, bra- vo, ________ bra - vis~ si- mo, Wet J —I— 145 2 Sf Be 8t. shh 177 | (handclaps) 185] CHORUS: Ah ah ab, ah, Fill the bowl to 0 -ver~ flow ~ ing, 4 Ref rt Raise the gob~ let with an F and anR and an E anda D And an o7s6-151BOD wut fr a7 a CHORES: — DAUNT: 976-362. End Act I98 | No. 16 Entr’acte Slowly - ad lib. Piano ss = Om2 Tp nis St8.Cl.Poa. Coen Tou el a ae ee ~ mf Ha, Tete 2 (cross hands) mb. BCL oree-1815} Largamente Moderately bright 2 TptsaHin, 2 wav.,str8r (57) FR Pn © Co.ove gt 9766-181,Moderate 4 TpA,FL.,Ch |< — 2 tps ba, Hine g Ke ge feeb. 766-151 LL LE NISer, WoW. (48%) ao oan am Le pe ote) mI ~ a a = Cl Gg m2 Ob. Tet. mR 9766-151,to2 FL, Hp.,W.W.(s8ra) oa er. 7 ase (Ge. similg) ot6s-151 aEoa 766-1619708-181, re se. 0b 3 13 4 ' io ot ei. Tse. ,w.nfonaes exesLargemonde py Pao. Ova (Se. em.) Chime HB. accel. ¢ crese. _ 9760-15206 No. 16a Opening-Act II LARKEN sneezes QUEEN: (Shauted) ALL: Qui = ett Qui - ett queen In ~ sists or~ dered twén-ty mat - tress~ es, threat - ened ex - e = cu tion If ver - y spe ~ clal guest. She's or - dered @ Slow 4 QUEEN: (claps), CAST: (off stage) @ Blan—kets! Right. Mat -tress-es! e0-181wor | ALL: (Shouted) | er Bra-vo, bra-vo, bra-vis ~ si- mol cu. = : ne a es @) LADIES: (claps) QUEEN: (scream) (scream) - (scream) Omattresses on stairs] G2) mew: (ctaps) 8 (tg (oot stamp) ALL: Show us how, Jester. Go, go! BB](Finger snaps) JESTER: Not yet. I'll get them out of here. Lay low until the coast is clear. o7s6-181or a, ha, b ALL: (claps) JESTER: Hey-- a (Shouted) To. 17 Happily Ever After o: WINNIFRED picks up book and begins to read: Moderate 4 ‘And go the young Prince ete. pecelens, Hp. WINNIFRED: ‘They all lived Repeat if necessary 199-351 Copyright © 1959 by Marshall Bares and Mary Rodgers109 hap~ pi~ ly, hap~ pi - ly, happily ly leav- ing the chapel e-ter-nal-ly tied. 8. cur- tain de-scends there is noth ~ ing but lov- ing and laugh- ter. piso 7 os SI fair-y tale ends, the her-o-ine's al-waysa bride, m3 3 3 9 OOF UNF OG P r..OUFl COTO F orso-as110 El~ la, the girl of the cin- ders,_ Did the wash and the walls and the win- der: 3 , m3 3— land-ed prince who was brawn-y and blue-eyed and blond. 3a StI I hon-est-ly doubt that she could ev-er have done it with-out that Cra-zy 8 1 i = i wm (Cinderella had outside help!) i 8 i la- ay with the wand. (Spoken:) I. have no-one but me, Fair- y yet pt. Vins. 3s 966-151,un IMmTy Thaven't got d Fairy Codmothe : et God-moth- er, God-moth-er, God-moth-er, Where cam-you be? 4 Le white was so pret-ty, they tell us__ That the queen was in-sult- ed and jeal-ous—- When the 3 3 ce = 5 mir- ror de~clared that Snow-white was the falr-est of all, s— colava 4 9766-15112 32> She was dumped on the bor der But was saved by some men who a -dored her. Ob, I Sa] ns a ‘grant you - ~ they were small. (Spoken:) I'm a-lose in the night, By my- Tp. vias. 3 — a ate Lee) ‘That girl had seven ete. self, Not a dwarf, not an elf, not a gob- lin in (Spoken) 766-163us poison apple, even so - ~ Gal 35 3. She lived hap-pi-ly, hap~pi-ly, hap-pl- ly ev - er se. Ho, A mag-i-cal kiss coun-ter-act-ed the ap-ple e -ven-tu~al - é ly, ‘Though I know!'mnotclev-er,1'll dowhat they tell me I haf-taf Iwantsome .———. —= = Na | ns - er af-ter to hap-pen to 766-151us ae pun-zel had plat-i- num tress-es - That were dou-ble the length of her dress-es. ~ Sh —3— old witeh. for years by a wicked col ove | | na $F OS Sy vail one aight 1a des-peir, down sho soram-led by et-Hngher har down Tist's wha Vins. ) bb * wonder ~ ~~ No, it'll never hold. ewitoh! — (Spokens) 9766-151,SS fin- ished be-fore 1 be- gin SB int witli? ,- T want to live hap-pi ~ ly, bep-pt - ly, hap-pi ~ Ha, "gr. (sacs) 2. a T fe r T want to walk hap-pi~ly out of a chap-el e - ter- nel -ly Know that I'll nev -er live hap-pi-ly ey onee-ast18 = hap =pi- ly bap - py. Br hap- pi ly hap-py! Be, Then I'll be , by = pe S| 3 And thor-ough-ly sat = iee-15.No. 18 JESTER: Do your duty, Sire, Moderate 4 vine —— Piano et eb Man To Man Talk a FL, Ving 8 va r DAUNTLESS: 06-151, cette rize, | Copyright © 1958 by Mardall Bazer and Masy Rodsus a : FL, Bp. Lt anes ea een ‘ el aaa ee, t | ? 4 _ oa t want to _know about what get-ting mar-ried is for. sl ra a = aa 0) from girl flow-er A. eT Fri? 9706-151118, a Ea ot r tell me, tell me, ‘Fa - ther, don't be shy. Tz 813) Fe le Boy: flow-er, girl flow-er A —— onee-is1Hu t. (eee 2 =— e SS oy flow-er, fa ~ ther Gist flow-er, moth~ er. L pa ee > pe . aes = | ee SS SSS + = = 2 z ; 5 +FL 8va Yes, yes, but in- trest ~ ing, but Mer os oT oe Tt (2A) spoken: ch, Faves Vins. CA eo rere ir rr itt fF cet —___| — onge-is1o7ss-151 ws) Boy flow'r dust Vine. Muted Be, fies to girl flow-er-~ Ving, Se still not clear: to Gray be Fate = Dust touch-es girl flow'r, in ~ tlrest - ing, butWoman is like girl flow-er. Manis like bee <= eaharm.) ‘boy flow er-- ‘Man, that's me! But tell me more — mow a- bout what get - ting mar-riedis for. el i i. Te tig ee 7 lu [08 DAUNTLESS: Sounds Iike carry-- Sounds like carry—— Ho, (sopped) mF ate eles 9765-351 and like T've got to — rrU1 (spoken: 3 Broadly | ‘Man and womran get mar-ried-~ Win- ni-fred in white-— Ob. ava, Bos. (88) love each oth~er-~ ‘Yes, then one night, in-t'rest-ing what W. Wey Vins hap - pens in the night, mm eee ected 976-151hap- pens, what bap ~ pens, Oh, ~—telll:«sme, fa -ther, please. Ha. 1, low'se, (frem.) ‘lez. Cel Shall 1 go and pick some flow-ers? Shall I go and catch some bees? t= ‘i fii 1 FL, Ving. ——_—_. t is ee 2 _— s Ss (Spoken): Princess Win-nl-fred Vine. Eas. G+8va) F é o7se-181will get mar-ried—~ isd One night-- (Stork pantomime) Vins. We Wg ‘ g Tp. im cette, Vis, GB FL, Hp. ‘ar t= Bi. St. (Trem.) 9a6-151,126 —3—- I 3 is-n't the stork, it isn't the stork, it is-n't the stork at all! [169] Poco piii mosso f F | Oh, Wfe is grand. It’s ver - y in-rest- ing. I think T un-der ~ Be Vins, W, W, eee stand, I think, T think, I know. Ws ver - ¥ in- 'trest~ ing. col bva FL) ig = fa- ther, And fa ~ ther, I [Back out] o7ee-161No. 19 : Very Soft Shoes Cue: WIZARD goes up steps ~ (Lights fade) Deliberately - in 2 WM, st fF Piano L Bef | rus @ [scene 5] ‘lowly ~ Rubato 1-2 127 JESTER: (spoken) SP PPP 9766-151, Copyright © 10958 by Marihal Barer end Mary Rodgers238 far from sen- ti - men tal or ro~- man - tie. — es ww. —_———~. I. Lad = as calbies au. (sung) like to think I'm strict - ly upto date. But at a. Re a] heo-tic days of four ~teen twen- ty eight. So, in = dulge me we, Bee 9766-181,T pause to raise my RET noo. To a quaint and charming o. danee they used to ee Tn the days when my dear ean : | | r oF Pot ; Poo aliens. T fa~ther played the — pal-ace, Te i $b, oie) amp Ped. And quite as light as ais. 9766-151130 In his ver~y soft shoes. How he could Dip and glide, = t —~ In his ver - y soft shoes. I fo hear the’ = peo - ple say:_ 9766-151ist ET 10>. ova reg- ular dane - ing fool. He bare—=—~Ily.__ Touched a ae A > 7 > 3 -3— nev - er made a sound, But I've no - ticed in all his re- views, That when he oo ol 8 took his bow To the crowdand the crown, | The crowd went era — zy an a mf “3 tr erase. foo a! poco 5S house came down When Dad-dy wore his ver-y FL 0b, — =p 9766-151,Bwwwme , « CoN ae 66-151(G7. ,Poce piu mosso 168-351 133134 07] 45m, Hn. f Ogee JESTER: And when he took bis bow To the pe 9766-151135 crowd and the crown The __ crowd went cra - zy and the house came down No. 20 Three O’clock In The Morning Slowly - in 4 chime = Piano pse. Via. (Ch. cue) cette Vine. Bva Hpgeces 0.0 oom % e = o7se-is1188 | No. 21 Yesterday I Loved You Cue: HARRY: Well, in a way I have, @ Freely HARRY: ‘Yes - ter - day loved you AS + Hp. WW, Bell P cano please don't think me strange-- T've un-der-gone a change And to - F108.) 1 ? py 9765-152 ‘Copyright © 1950 by Marshall Sores and Mary Rodges187 ++ FLO, Vin Freely o = pen - ly Bells Hp. cates ; | Bas (e-em) d f 9786-151138 Bs., Cello pizs. 9766-151, Ge. det) a. | celtd 1 4139 SG That to - day an cf os Pan ere. heart (Cisse) ? 9786-182,Freely HARRY: +00. 9766-151 eerie REN9766-152,142 must have been Hp. 706-152Bing (HARRY:) Yes -ter - day loved you, LARKEN: In a lit-tle while, Just a lit-tle while, 9766-151 You and I will be 143 One, two, three, four,144 ‘That was long In a Lit- tle while Q m2 9768-151 And now. it's best you I will see you smile On the face of my od planned. WM, coneva® sors: +FF.,0b., Vis. Freely +rLve jo d 166-182 sige146 No. 22 Nightingale Lullaby ‘Two starts (First time)-Cue: QUEEN: You were brought here to put a live princess to sleep, not to wake up a dead one. Gecond time-start at) Cue: WINNIFRED: Alright, we'll take it from the top. NIGHTINGALE: (whistteg@ 0 9766-1519766-152,148 Place = ip. y No. 22a Wizard Cue: WINNIFRED: All right, sheep- - I'm ready when you are! ~ pm Wishts fade Piano 766-151 ———No. 23 Finale - Cue: KING: Hop! Skip! SS was -n't the pea, It was - n't the pea at 9186-181180 wm a Prin - cess, oes-151 And — Prin- cess we We ver - y po in-t!rest - ing, We Be (pts. tases) in - trest - ing. a MEN: love you481 a You can re~cog-nize a la- dy by her el ~~ gant Gra-gon fly's wing. You can -re-cog-nize a la-dy by her ef =e - gant ae ae _ FD (snore) gen-u ~ ine prin-cesa [8 ex ~ cead-ing - ly gen-u - ine prin-cess fs ex - ceed-ing - ly o7es-ist REEEeREREEE SO re182 No. 24 Exit Music (29 Moderately bright = cove Fr re6-151(ZZ) Moderate 4 _—_— ‘ped FLL,CL) —————_ ——— Ci ms nb. Ste, WNC 878) Pr 7 q 9766-15103 m2 Oba TEE lk My Vi nn 21) (Gr. simile) onee-181155 monet a gels tare chal Yin, th 9766-151