Morel was born in Buenos Aires.

His father taught him the rudiments of classical guitar from age seven.
He went on to study advanced guitar at the internationally renowned academy of Pablo Escobar in
Buenos Aires, and after graduating, joined Escobar in radio and concert performances.

Morel left Argentina to perform in Ecuador, Colombia and Cuba, where he recorded his first solo LP and
was featured in a weekly TV show. Vladimir Bobri, then President of the Classical Guitar Society in New
York, lent his recognition and support to Morel after hearing him perform in Puerto Rico. This led to
concert engagements in California and Hawaii and Morel's eventual debut at Carnegie Hall in 1961. At
this time, he recorded his second LP for Decca Records and subsequently recorded three more albums.
Morel appeared at Lincoln Center's Alice Tully Hall in New York, Queen Elizabeth Hall and Wigmore Hall
in London, National Concert Hall in Dublin, and Suntory Hall in Tokyo. Over the years he performed in
many countries including Argentina, Brazil, Canada, Colombia, Cuba, Ecuador, Puerto Rico, France, Italy,
the Netherlands, Norway, Poland, Scotland, Spain, Sweden, Finland, Greece, Singapore, Germany and
more.

After moving to New York City, Morel performed nightly at the jazz venue The Village Gate, owned by
Art D'Lugoff, who became his manager for a period of three years. During his performances at the
Village Gate, he shared the bill with jazz legends such as Erroll Garner, Stan Kenton, Herbie Mann and
others. Around this time, Morel met Chet Atkins and established what was to become a lifelong
friendship. Chet demonstrated his admiration for Morel in a very tangible way when he helped to
arrange for the recording of another album with RCA Victor. Morel was represented by Columbia Artists
Management for a total of seven years throughout the 1970s and toured all of North America and
Canada performing approximately 70 concerts a year.

Morel continued to solidify his reputation as a performing artist and composer with the premier of Suite
del Sur (a concerto for guitar and orchestra), which he performed as soloist with the Los Angeles
Philharmonic under the direction of Zubin Mehta. He continued his study of composition for a number
of years with teacher, author, conductor and arranger Rudy Schramm.