Magna Carta, written in Latin on vellum, held at the British Library

A vellum deed dated 1638, with pendent seal

attached

Vellum is prepared animal skin or "membrane", typically used as a material for

writing on. Parchment is another term for this material, and if vellum is
distinguished from this, it is by vellum being made from calfskin, as opposed
to that from other animals,[1] or otherwise being of higher quality.[2] Vellum is
prepared for writing or printing on, to produce single pages, scrolls, codices or
books. The word is derived from the Latin word vitulinum meaning "made
from calf", leading to Old French vélin, "calfskin".[3])

Modern scholars and custodians increasingly use only the less specific if
confusing term "membrane".[4][5] Depending on factors such as the method of
preparation it may be very hard to determine the animal species involved (let
alone its age) without using a laboratory,[6] and the term avoids the need to
distinguish between vellum and parchment.[4][5]

Vellum is generally smooth and durable, although there are great variations
depending on preparation and the quality of the skin. The manufacture
involves the cleaning, bleaching, stretching on a frame (a "herse"), and
scraping of the skin with a crescent-shaped knife (a "lunarium" or "lunellum").
To create tension, scraping is alternated with wetting and drying. A final finish
may be achieved by abrading the surface with pumice, and treating with a
preparation of lime or chalk to make it accept writing or printing ink.[1]

Modern "paper vellum" is made of synthetic plant material, and is called such
for its usage and quality similarities. Paper vellum is used for a variety of
purposes including tracing, technical drawings, plans and blueprints.[7][8][9]

Terminology

In Europe, from Roman times, the term "vellum" was used for the best quality
of prepared skin, regardless of the animal from which the hide was obtained,
calf, sheep, and goat all being commonly used (other animals, including pig,
deer, donkey, horse, or camel have been used). Although the term derives from
the French for "calf", animal vellum can include hide from virtually any other
mammal. The best quality, "uterine vellum",[10] was said to be made from the
skins of stillborn or unborn animals, although the term was also applied to
fine quality skins made from young animals.[4] However, there has long been
much blurring of the boundaries between these terms. In 1519, William
Horman could write in his Vulgaria: "That stouffe that we wrytte upon, and is
made of beestis skynnes, is somtyme called parchement, somtyme velem,
somtyme abortyve, somtyme membraan."[11] Writing in 1936, Lee Ustick
explained that:

To-day the distinction, among collectors of manuscripts, is that

vellum is a highly refined form of skin, parchment a cruder form,
usually thick, harsh, less highly polished than vellum, but with no
distinction between skin of calf, or sheep, or of goat.[12]

French sources, closer to the original etymology, tend to define velin as from
calf only, while the British Standards Institution defines parchment as made
from the split skin of several species, and vellum from the unsplit skin.[13] In
the usage of modern practitioners of the artistic crafts of writing, illuminating,
lettering, and bookbinding, "vellum" is normally reserved for calfskin, while any
other skin is called "parchment".[14]

Manufacture
 A portolan chart (map) by Jacobo Russo
(Giacomo Russo) of Messina (1533)

Vellum is a translucent material produced from the skin, often split, of a young
animal. The skin is washed with water and lime (Calcium hydroxide), but not
together. It is then soaked in lime for several days to soften and remove the
hair.[15] Once clear, the two sides of the skin are distinct: the side facing inside
the animal and the hair side. The "inside body side" of the skin is usually the
lighter and more refined of the two. The hair follicles may be visible on the
outer side, together with any scarring made while the animal was alive. The
membrane can also show the pattern of the animal's vein network called the
"veining" of the sheet.[16]

Any remaining hair is removed ("scudding") and the skin is dried by attaching
it to a frame (a "herse").[17] The skin is attached at points around the
circumference with cords; to prevent tearing, the maker wraps the area of the
skin to which the cord is to be attached around a pebble (a "pippin").[17] The
maker then uses a crescent shaped knife, (a "lunarium" or "lunellum"), to clean
off any remaining hairs.

Once the skin is completely dry, it is thoroughly cleaned and processed into
sheets. The number of sheets extracted from the piece of skin depends on
the size of the skin and the given dimensions requested by the order. For
example, the average calfskin could provide roughly three and a half medium
sheets of writing material. This can be doubled when it is folded into two
conjoint leaves, also known as a bifolium. Historians have found evidence of
manuscripts where the scribe wrote down the medieval instructions now
followed by modern membrane makers.[18] The membrane is then rubbed with
a round, flat object ("pouncing") to ensure that the ink would adhere to the
surface.[16]

Manuscripts
  

A Volume Of Treatises on Natural

Science, Philosophy, and Mathematics
(1300) Ink on vellum.

Preparing manuscripts

Once the vellum is prepared, traditionally a quire is formed of a group of

several sheets. Raymond Clemens and Timothy Graham point out, in their
Introduction to Manuscript Studies, that "the quire was the scribe's basic
writing unit throughout the Middle Ages".[19] Guidelines are then made on the
membrane. They note "'pricking' is the process of making holes in a sheet of
parchment (or membrane) in preparation of its ruling. The lines were then
made by ruling between the prick marks...The process of entering ruled lines
on the page to serve as a guide for entering text. Most manuscripts were
ruled with horizontal lines that served as the baselines on which the text was
entered and with vertical bounding lines that marked the boundaries of the
columns".[20]

Usage

Most of the finer sort of medieval manuscripts, whether illuminated or not,

were written on vellum. Some Gandharan Buddhist texts were written on
vellum, and all Sifrei Torah (Hebrew: ‫ ספר תורה‬Sefer Torah; plural: ‫ספרי תורה‬,
Sifrei Torah) are written on kosher klaf or vellum.

A quarter of the 180 copy edition of Johannes Gutenberg's first Bible printed
in 1455 with movable type was also printed on vellum, presumably because
his market expected this for a high-quality book. Paper was used for most
book-printing, as it was cheaper and easier to process through a printing
press and to bind.
In art, vellum was used for paintings, especially if they needed to be sent long
distances, before canvas became widely used in about 1500, and continued to
be used for drawings, and watercolours. Old master prints were sometimes
printed on vellum, especially for presentation copies, until at least the
seventeenth century.

Limp vellum or limp-parchment bindings were used frequently in the 16th and
17th centuries, and were sometimes gilt but were also often not embellished.
In later centuries vellum has been more commonly used like leather, that is, as
the covering for stiff board bindings. Vellum can be stained virtually any color
but seldom is, as a great part of its beauty and appeal rests in its faint grain
and hair markings, as well as its warmth and simplicity.

Lasting in excess of 1,000 years - for example, Pastoral Care (Troyes,

Bibliothèque Municipale, MS 504), dates from about 600 and is in excellent
condition - animal vellum can be far more durable than paper. For this reason,
many important documents are written on animal vellum, such as diplomas.
Referring to a diploma as a "sheepskin" alludes to the time when diplomas
were written on vellum made from animal hides.

Modern usage

British Acts of Parliament are still printed on vellum for archival purposes,[21]
as are those of the Republic of Ireland.[22] In February 2016, the UK House of
Lords announced that legislation would be printed on archive paper instead of
the traditional vellum from April 2016.[23] However, Cabinet Office Minister
Matthew Hancock intervened by agreeing to fund the continued use of vellum
from the Cabinet Office budget.[24]

Today, because of low demand and complicated manufacturing process,

animal vellum is expensive and hard to find. The only UK company still
producing traditional parchment and vellum is William Cowley (established
1870), which is based in Newport Pagnell, Buckinghamshire. A modern
imitation is made of cotton. Known as paper vellum, this material is
considerably cheaper than animal vellum and can be found in most art and
drafting supply stores. Some brands of writing paper and other sorts of paper
use the term "vellum" to suggest quality.

Vellum is still used for Jewish scrolls, of the Torah in particular, for luxury
book-binding, memorial books, and for various documents in calligraphy. It is
also used on instruments such as the banjo and the bodhran, although
synthetic skins are available for these instruments and have become more
commonly used.

Paper vellum

Modern imitation vellum is made from plasticized rag cotton or fibers from
interior tree bark. Terms include: paper vellum, Japanese vellum, and
vegetable vellum.[9][8] Paper vellum is usually translucent and its various sizes
are often used in applications where tracing is required, such as architectural
plans. Its dimensions are more stable than a linen or paper sheet, which is
frequently critical in the development of large scaled drawings such as
blueprints. Paper vellum had also become extremely important in hand or
chemical reproduction technology for dissemination of plan copies. Like a
high-quality traditional vellum, paper vellum could be produced thin enough to
be virtually transparent to strong light, enabling a source drawing to be used
directly in the reproduction of field-used drawings.[25]

Preservation

This article needs additional citations for verification.

Learn more

Vellum is ideally stored in a stable environment with constant temperature

and 30% (± 5%) relative humidity. If vellum is stored in an environment with
less than 11% relative humidity, it becomes fragile, brittle, and susceptible to
mechanical stresses; if it is stored in an environment with greater than 40%
relative humidity, it becomes vulnerable to gelation and to mold or fungus
growth.[26] The optimal temperature for the preservation of vellum is
20 ± 1.5 °C (68 ± 2.7 °F).

See also

History of hide materials

Notes

1. "Differences between Parchment, Vellum and Paper" . archives.gov.

Retrieved 2016-06-16.

2. Stokes, Roy Bishop, Almagno, 114

 3. "vellum" . Online Etymological Dictionary. Retrieved 2014-08-09.

4. Stokes and Almagno 2001, 114

5. Clemens and Graham 2007, pp. 9–10.

6. Cains, Anthony (1994). "The surface examination of skin: a binder's note on

the identification of animal species used in the making of parchment". In
O'Mahony, Felicity (ed.). The Book of Kells: proceedings of a conference at
Trinity College Dublin, 6–9 September 1992. Aldershot: Scolar Press. pp. 172–
4. ISBN 0-85967-967-5.

7. Drafting, 60-61

8. "Japanese vellum - CAMEO" . cameo.mfa.org. Archived from the original on

2017-09-03. Retrieved 2017-09-03.

9. "How Modern Day Vellum Stationery Is Produced" . The Note Pad | Stationery
& Party Etiquette Blog by American Stationery. 2011-07-04. Archived from the
original on 2017-09-03. Retrieved 2017-09-03.

10. Houston, Keith (2016). The Book: A Cover-to-Cover Exploration of the Most
Powerful Object of Our Time . W.W. Norton & Company. ISBN 978-0-393-
24479-3. Archived from the original on 2016-12-02. Retrieved 2 December
2016.

11. William Horman, Vulgaria (1519), fol. 80v; cited in Ustick 1936, p. 440.

12. Ustick 1936, p. 440.

13. Young, Laura, A., Bookbinding & conservation by hand: a working guide, Oak
Knoll Press, 1995, ISBN 1-884718-11-6, ISBN 978-1-884718-11-3, Google
books Archived 2017-01-18 at the Wayback Machine

14. Johnston, E. (1906 et seq.) Writing, Illuminating, and Lettering; Lamb, C.M. (ed.)
(1956) The Calligrapher's Handbook; and publications of Society of Scribes &
Illuminators

15. "The Making of a Medieval Book" . The J. Paul Getty Trust. Archived from
the original on 2010-11-25. Retrieved 2010-11-19.

16. " "Recording the physical features of Codex Sinaiticus". Codex Sinaiticus, in
partnership with the British Library" . Archived from the original on 2012-
05-01. Retrieved 2012-04-02.

17. Clemens and Graham 2007, p. 11.

18. Thompson, Daniel. "Medieval Parchment-Making". The Library 16, no. 4

(1935).
19. Clemens and Graham 2007, p. 14.

20. Clemens and Graham 2007, pp. 15–17.

21. "Goat skin tradition wins the day" . BBC News Online. 1999-11-02. Archived
from the original on 2008-04-09. Retrieved 2016-02-11. "Acts of Parliament
dating back to 1497 recorded on vellum are currently held in the House of
Lords Public Record Office"

22. "Frequently Asked Questions about the Houses of the Oireachtas - Tithe an
Oireachtais" . Oireachtas. Archived from the original on 2012-03-28.
Retrieved 2016-02-11. "Once a Bill has been passed by both Houses, the
Taoiseach presents a vellum copy of the Bill, prepared in the Office of the
Houses of the Oireachtas to the President for signature and promulgation as
law."

23. Hughes, Laura (2016-02-09). "Thousand year old tradition of printing Britain's
laws on vellum has been scrapped to save just £80,000" . The Daily
Telegraph. Archived from the original on 2016-02-12. Retrieved 2016-02-11.

24. Hughes, Laura (2016-02-14). "Vellum should be saved in a bid to 'safeguard

our great traditions', says minister" . The Daily Telegraph. Archived from the
original on 2016-02-13. Retrieved 2016-02-15. "Mr Hancock told The Daily
Telegraph: 'Recording our laws on vellum is a millennium long tradition, and
surprisingly cost effective. While the world around us constantly changes, we
should safeguard some of our great traditions and not let the use of vellum
die out.'"

25. Drafting, 60–61; Yee, Rendow, Architectural Drawing: A Visual Compendium of

Types and Methods, 4th edition, 2012, John Wiley & Sons, ISBN 1118310446,
781118310441, google

26. Eric F. Hansen and Steve N. Lee, "The Effects of Relative Humidity on Some
Physical Properties of Modern Vellum: Implications for the Optimum Relative
Humidity for the Display and Storage of Parchment", The Book and Paper
Group Annual (1991).
References

Clemens, Raymond; Graham, Timothy (2007). Introduction to Manuscript

Studies. Ithaca: Cornell University Press. ISBN 978-0-8014-3863-9.

Hepler, Dana J., Paul Ross Wallach, Donald Hepler, "Drafting" in Drafting and
Design for Architecture & Construction, 9th edition, 2012, Cengage Learning,
ISBN 1111128138, 9781111128135, Google Books

Stokes, Roy Bishop, Almagno, Romano Stephen, Esdaile's Manual of

Bibliography, 6th edition, 2001, Scarecrow Press, ISBN 0810839229,
9780810839229, google books

Ustick, W. Lee (1936). " 'Parchment' and 'vellum' ". The Library. 4th ser. 16 (4):
439–43.

External links

On-line demonstration of the preparation of vellum from the BNF, Paris —text
in French, but mostly visual.