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Playing Techniquea & Performance Studies For Trrumpet II PDF
Playing Techniquea & Performance Studies For Trrumpet II PDF
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(¢ = 100-120)
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More Articulations
_ Here is an exercise using a variety of intervals and articulations, ©
(d = 92-112)
en OO aS ri ep Dest
A iit oO abe | ET dba eS FTI) ee te
ey Se BO le A LO dd CU]
N3 Y | bod ed dS La panne
Game eseeepelemeeee en a es |
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ae ag el eed i —————
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fe ee bt ashe ge he
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ACO Ee Ee ee es ee Ht — tt gg tt ge rt
45 —__ tg ACY Pt ge PT ee ee rie, eee Ll) hee Oe CCT hh er
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4 : La : ; : : . — . ste36
- Major Scales
‘In this section are familiar Arban studies and some originals devoted to the study of
“idles in all major keys with various articulations.
Practice these scales with a metronome to establish a definite and stable tempo. The
benefit will be.a clear conception of what a tempo marking means exacrly, Your career
depends on a strong conception of time and being accustomed to keeping a solid tempo
no. matter what rhythmic figures you are playing. Of course, some musical styles require
rubato, accelerando, etc., but daily practice demands the use of the metronome. It helps
you play with the expected basic accuracy of a machine. I consider its use indispensable,
even though I am aware that there are a respectable number of people who do. not think
| likewise. Nowadays, “click tracks” (w hich are electronic metronomes. played over the
tape through headphones) are frequently used during recording sessions. ‘Learning, to play
with the metronome is a must! |
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* Increase gradually to (¢ = 124) for exercises 40-50.Ce .
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x th a AE OO FS | SE A DT AE |
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| pe heen = ae
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Fim [| jy | | | inwae iT ye ;o itl
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Practice legato, then alternating slurred and staccato pairs, then all staccato,40
52.
(e = 120)
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Also practice one step up, one step down, and two steps down.
Wd = 120) ee
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7Chromatic Scales.
Chromatic scales are of great importance for the development of the fingers. Through -
solid rhythm you will become endowed with the required precise coordination between the —
brain’s commands and the fingers’ application to the valves! “Purity and
perfection” should be the terms used to describe the transitions 1 OnS one note to DOME, 5
(= = Tey
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A - 3 vi 4
| evmememepeageeeenmenennemen te et) dpe rope are thier aptaaerrenifl eects oenniiltit A nnd