Duke Ellington In Concert


Maestoso q = 80 Swing (ee=qe) q=152 Arr. Paul Murtha


 
      
       [5] 
  
  
     
Piccolo
 f  
mf    f    
fp      
      
Flute   
 mf
        
f fp f mf
  
Oboe  
 
           
  
 mf   

  
f fp f mf

Bassoon
    
  
  

     
 fp fp 
    
f fp f
                   
Clarinet 1  
 mf
      
f fp f  mf
      
Clarinet 2-3 
          
 mf fp    
f 
fp f mf


Alto Clarinet     
    
in Eb             
 f 
mf fp fp f 


Bass Clarinet
in Bb    
   

 
    f fp f
   
  fp      
               
Alto Sax 1-2   
 mf fp

f f
3
Tenor Sax 
       


 
         
  
f
  mf fp fp f
Baritone Sax  


      
     
 

fp
Trumpet 1 
 fp          f
  
 f
    
 
 mf
 
f fp f 
      
Trumpet 2-3 
            
 mf fp   

f 
fp f
              
Horn 1-2  
     
 
  
 f f    
mf fp
       
 3      
        
Trombone 1-2 
 mf fp f fp f 

   
  
Euphonium 
 fp fp          
f 
fp f

Tuba 

   
 
     

 
  fp 
fp f  f
     
     
String Bass     
                   


                
fp
 fp f f Drum Set


     

Percussion 1 
 mf
SuS. Cym.

Percussion 2  
 
          

  
Bells Vibes
  
Tubular Bells          
 Maestoso q = 80 Swing (ee=qe) q=152 
   
f [5] 
mf

Timpani   
Mark Tree

         
 
f
fp
2

 
[11]

8
       
 
Picc.  div.
  
   
    
               
      
          
Fl.         

               
 
       
Ob.    
  
                   
   
   
      
Bsn.        

     
mf 
                      
Cl.        

      
      
    
                    
Cl.           
 
  
  
 
  
   
Alto Cl.
       

 Bass
String
      
B. Cl.  

 
      
      

  


 
 
Alto Sax. 
   

mf
    


   
  
 
Ten. Sax.         

  



 
  
Bari. Sax.     

     
St. Mute


           
Tpt.              
 
   
St. Mute
      
Tpt.             
         
    
   
  
Hn.          
 
  
 
mf
 
    
Tbn.
      

 
mf

Euph.        
     
   

String Bassmf

 
Tba.
        


  mf
      
       

    (Rim Knocks)
           
S. Bass       

                      mf                         
                Rim Shot Ride Cym.

Perc. 
          
               


  
Perc.       

           

  
  
    
              
Tub. B.          
  
      [11] 
Timp.  
       
 3

  
15 1. 2.

Picc.       
               
 
 
              
Fl.          
3

 
      3
Ob.                                 
 
 

     
            
Bsn.        

 
3
        
Cl.                         
   

3
          
Cl.                        
    
 
   
      
Alto Cl.              
         
 

mf 
     
B. Cl.               
   

     
  
     
  
           
Alto Sax.             

 
mf

  
       


Ten. Sax.                
     
               
  mf 
  
 
     
Bari. Sax.         

   
mf
 3
     
       

       
Tpt.          
   
 
3
       
Tpt.                          
 
 
  
     
   
 
Hn.          
      
 
 
   
       
Tbn.
      

       
 
Euph.               
  

 
Tba.
       

   
            
        
 

 
                
S. Bass        
                                       
S.D.

           
   
Perc.  
                    


  
Perc.      

  
3

                   
Tub. B.              
  1.
 
2.
Timp.      

 
4


[21]

       
 
Picc.

    
  
 
Fl.     

 
mf
   
  
Ob.        
mf
          
Bsn.

 
mf
    
  
Cl.      
mf
     
Cl.    
mf

Alto Cl.       
  
mf
      
B. Cl.       
      


      
             
    
Alto Sax.       
   
mf

Ten. Sax.             

 

mf 


   
Bari. Sax.    

            
open
    
Tpt.          
   
         
open
   
Tpt.          
    
 
Hn.          
 
            
 
  mf
Soli 
 
           
Tbn.    
 
            
Soli
    
Euph.            
       


Tba.
   
     
                   
      
               
S. Bass               
                            
              

Perc.                             

 
Perc.       

  
Tub. B.        

 
[21] mf

Timp.         
 5


28 [29]     
              
Picc.       
     f   
              
Fl.        
f
       
Ob.                               

      
f
             

 

 

Bsn.    
f
         
Cl.                          
f
   
Cl.                              
  f 
     
    
Alto Cl.               
  f   
Play
    
B. Cl.  
 
               
        
    
f 
         
Alto Sax.  
  
 
   
f


   

 

Ten. Sax.     

 
 
   
f
  

   
Bari. Sax.

        
 
     
f

               
Tpt.   

      
f
   
Tpt.                
 
       
 

f
    
Hn.                
       
  
  f 
       

Tbn.
              
f

      
   
Euph.                
     
 



+Tuba f

Tba. 
   
             
         
  f    
            
S. Bass         
                       
         
           
   
     f
Perc.                         
f
 
Perc.      

    
Tub. B.           

 
[29]
 
Timp.      
6
[38]

34    q = 112

Picc.          
f  
    
        
Fl.       
f mf
 
Ob.                     
 
f 
   
mf
                
     
Bsn.
      
   
   mp

Cl.                
 
f mf 
  
Cl.              
   
f mf 
     

  
        
Alto Cl.        
   

mf 
 mp

           
    

B. Cl.   
        
  
          
                   
       
      mp  
       
Alto Sax.   
      
mf mp

            
     
Ten. Sax.      
        
      
    

mf

  mp
   
 
Bari. Sax.  

              
    
                  
 

 
  mp
Tpt.           
f

Tpt.           
f 
      
     

Hn.              
  
                 
   f  mf 
mp
    
Tbn.
       

                   

Euph.            
      
mpBass
String


      
      
   
Tba. 
           

     
     
           
   
          mf 
         
S. Bass 
         
 Hi.Hat
       mp    
     
   
    
H.H. w/Foot 
    
Perc.            
         
  
 
Perc.         
f
Tub. B.       [38]
  

 
q = 112

  
Timp.      
 7


40

Picc.          
    
         
 
            
Fl.      

         
mf
Ob.                           

    
         
mf
    
Bsn.
             
  
  
mf
        
Cl.                        

        
 mf
   
Cl.                          
       
 mf
  

Alto Cl.                 
   
    mf


 
B. Cl.    
   
  
    


 

      
    mf  
    
Alto Sax.     
          
         
 
 
                
 mf
         
Ten. Sax.              

mf

       
   
Bari. Sax.                   


   
mf
 f  

Solo

Tpt.                    
  
mf mf 
 f
    
Tpt.     

      
  


                
mf
 f   
    
Hn.      
f     
    
  mf
 
Tbn.
  
                  

     
f
mf
        
    f

Euph.   
      
  
mf

+Tuba f
  
  
 
Tba.       
    
     
    mf     
 
      
    f  
               
S. Bass  
                       mf
               
    
 H.H. w/Foot f     
 


           
Perc.                     
f mf
mf
 
Perc.       
Xlophone
 
Tub. B.            

 
mf

 
Timp.        
8


47

Picc.          
  
                   
      
Fl.                
  
mf 3 3 mf
3
       
Ob.                                   
 
3
       
mf mf

Bsn.
   
  
      
 
    

      
 
mf  f
            
Cl.         
               
3 3

 
mf mf
                             
Cl.    
3        
mf 3
   
 
Alto Cl.         
         

mf Bass
  f
String Play
    
B. Cl.    
 


   
  
      

  
     

 f
 
Alto Sax. 
mf     

   

          
  
 

  
mf

   
         
Ten. Sax.               

mf


Bari. Sax.        

  
All Solo

Tpt. 
         
            
          
 

    
Tpt.    
        

  

     
      
Hn.
                
   
  
mf  
       
    f
Tbn.
   
            
mf f

     
    
Euph.             
mf  
String Bass Play
  f

Tba.
                  
            

   mf          f
S. Bass          
      
(Rim Knocks)

                             f
           
mf Ride Cym.

Perc.                        
mf
f

 
Perc.       
Xylophone
Vibes
 3
  
Tub. B.                             

 
mf 3  mf

Timp.          
 9


54 [55] Ballad (Straight 8ths) q = 80
 
        

Picc. 
                 
                 


Fl.       


mf
                    
                  
   

Ob.    
    
mp mf

Bsn.
                      


f mp mf
                  
   


Cl.  
mp mf
     
Cl.                           
 mp mf
f

Alto Cl.                 
  
f mp mf
   
B. Cl.    
 
         

     
f mf mp
          
Alto Sax.  

   

    
mp
 mf
Ten. Sax.                    

f mp


 mf
Bari. Sax.               
 
  f
  mf
Tpt.        

  
Tpt.        

     
Hn.    

    
f   
Tbn.
   
              
mp
    
f
  
Euph.        
 
f String Bass
Tba.     
  
         
                
   
 
mp mp
f        
S. Bass
  
              
   f           
                   
mp Brushes mp
  
 



Sus.Cym.
Perc.                       

f Sus. 
Cym. mp

 

Perc.          
mp mf Bells mp
 
Bells               

 
[55]
   
Ballad
Mark Tree (Straight 8ths) q = 80 mf

 
Timp.       
mf
    
10


61 [64] Swing

Picc.         


          
Fl.      
3 f mp

Ob.                     
3 f mp
    
Bsn.
              

    
3 f Solo mp
All
            
Cl.           
3

    
3 f mp
mf
     
Cl.                  
mf mp
3 f

               
Alto Cl.      
mf mp
f
B. Cl.      
  
    
         
       
3       
 mf                f
mf
    mp
Alto Sax.                     

   
3 f
     
       

Ten. Sax.       

      
3 f

  


       
Bari. Sax.        
         
f
 
Tpt.        
mf 33 f mp

Tpt.                       

mf 3 mp
f

Hn.                          
3

              f
 mp

Tbn.
        
mf 3 mp
3
f
Euph.                

f St. Bs. mp
Tuba
Tba. 
 
 
         

      
 
 
      
  

mf  
mf
 Bs.
 

 f St.  Tuba
mp

S. Bass

     
        
                        mp

           
mf   
 f mf

Perc.                              
Sus. 
Cym.

 
 f
Perc.         
mf mp

Bells         

   Mark
[64]

Tree Swing

Timp.          

mf 
 11
[71]Latin q = 182

      
68
 
Picc.          
             
mf

Fl.      


mf f mf mp mf

    
  
Ob.          

    
mf f mf mp mf


   
Bsn.
         

mf f mf mp mf

    
      
Cl.      

 
mf f mf mp mf
 
 
      
Cl.           
mf f mf mp

      
  mf
Alto Cl.             
f mf mp mf

    
mf



B. Cl.     

    
 
f mf
 mf
 mf    mp
Alto Sax.              
f mf mp



Ten. Sax.            



f mf mp

 
Bari. Sax.           

   
f

mf


  
mp
  
Tpt. 
mf f

Tpt.             
mf f
  
Hn.            

mf
    f mf
Tbn.
             
mf f

Euph.            
mf f mf String Bass
Tba. 
 
          
     
                 
          
  mf
   f mf  
mf
        
S. Bass    
           


Toms.
mf mf
f
                  
mf
                                 
    
Perc.     
                       
mf

 
              
    
Perc.                                    
mf mf

Bells         [71]
  Latin q = 182
   

   
Mark Tree mf

 
 
Timp.         
mf
   
12


75           
 
Picc.  
          
 
Fl.   
  
Ob.             
 
Bsn.
            

  
Cl.            


Cl.    
         

Alto Cl.          
  
  
B. Cl.            


Alto Sax.       


Ten. Sax.        


             
Bari. Sax.                        

mf      
Tpt.        


Tpt.        


Hn.        

Tbn.
        


Euph.        


Tba.
        
                              
           
  
           
S. Bass

                 


                             
                             
Perc.       
                             
Perc.  
                       
                                         
Vibes

Bells                 
                              
 

mf
Timp.         
 13


81          
        
Picc.   
                 

Fl.   
   
Ob.                   
                     
Bsn. 
      
Cl.               

Cl.     
              
Alto Cl.                     
      
B. Cl.               

Alto Sax.       


Ten. Sax.        


              
Bari. Sax.                        

     

Tpt.        


Tpt.        


Hn.        

Tbn.
        


Euph.        


Tba.
        
                              
           
  
           
S. Bass

                 


                             
                                    
Perc.       
                             
Perc.  
                       
                                         

Bells                 
                              
 

Mark Tree
Timp.           

mf
14


87
          
Picc.     
mf
          
Fl.     
mf

Ob.      
       
mf
             
Bsn. 
mf

Cl.             
mf

Cl.    
        
 mf
Alto Cl.    
 
      
mf

B. Cl.             
mf
    
Alto Sax.   

      

 

        
 

 
  
 
   
f
mf mf
 
       
 



        
      
   
    
Ten. Sax.        
f
mf mf


   
Bari. Sax.                             
     

    mf  

Growl w/Plunger
   
Growl w/Plunger

Tpt.        
f
Growl w/Plunger f
Growl w/Plunger
    
Tpt.          
f f
      
Hn.                                   
        
 f mf mf
      
Tbn.   
fp f fp f

Euph.         

fp f 
fp f
Tuba
Tba. 
  
   
 

 

    
      
  
              
            mf     
S. Bass
 
                       
  



                               
                         mf
           
Perc.      
                              

 
                        
Perc.                                          

Bells          
           
 
   
 
Timp.  
   
     
    
 
 15


93                 
 
Picc.  
                
 
Fl.   
     
Ob.                
     
Bsn.
              

     
Cl.               


Cl.       
            

Alto Cl.        
          
     
B. Cl.               
                        
Alto Sax. 

                          
     
sim. 
                            
Ten. Sax.                                          
    
sim.



Bari. Sax.    
     
      
      
     
     
  

     

Tpt.        


Tpt.        

      
Hn.                   
   
       
   
       
   
       
    
        
   
sim.

Tbn.
        


Euph.        


Tba.
                      
                   
     
                  
S. Bass

   
  
  
  
  
  



                            
                                
Perc.      
                              
Perc.  
                       
                                           

Bells                 
                              
 

Timp.         
16


99 
           
Picc.   
         
  
Fl.   

Ob.                 
              
Bsn.   

 
Cl.               

Cl.  
           
Alto Cl.               
 
B. Cl.               
                   
Alto Sax. 
                    

     
    
f
  
   
      
   
      
    
    
   
      

      
Ten. Sax.      
 
f


 
Bari. Sax.                        
           

     

Growl w/Plunger
 

Tpt.        
f
Growl w/Plunger
  
Tpt.         
f
      
Hn.                                           
               
f
    
Tbn.     
fp

Euph.         

fp


Tba.
                   
              
         
                 
S. Bass
 
   
  
  
  
          

 
                            
                                 
Perc.      
                               
Perc.  
                       
                                           

Bells           
                       
  Mark Tree
Timp. 

       
 
  
mf  
 
 17
[106]


 Swing
 q=152 [111]
105
    
Picc.           
f
 f
   
Fl.            
f f
  
Ob.     
  
        
f f
    
Bsn.         
f
 
Cl.       
         
f f
  

Cl.              
 f f

Alto Cl.           

f String Bass
 
B. Cl.            


f mf

Alto Sax.        

        

 f
 
  
Ten. Sax.            
f


 
Bari. Sax.              


 
  f
Growl w/Plunger
Tpt.            

  f
Growl w/Plunger
 
Tpt.                
f
 
Hn.

               

f
   
    
Tbn.          
f f mf
 
Euph.                 
f f 
mf 
String Bass
Tba. 
    
         
     
   f mf
    
S. Bass             


 
f            
    
Toms mf
        
Perc.                                
                     
     
 Tambourine
Perc.  
     mf
       
         
mf
 [106]  
Bells         

 
Swing q=152 [111]
    
Timp.        

18


112                

  
 
Picc.         

    mf cresc.  f
      
             

    
Fl.        
   
mf cresc. f
                   
Ob.                    
  


     
mf cresc. f
                
  
Bsn.
          

       
mf f
       cresc.
      
  
Cl.       

    

               
mf cresc. f
       
Cl.                    
     
mf f
                          
cresc.
   
Alto Cl.       
              
mf cresc. f  
       
B. Cl.  
           f   
        
  

                
         
         cresc.
  
Alto Sax.          

                        
mf cresc. f

   
Ten. Sax.           

     
mf     cresc.           f  

Bari. Sax.         

                   
mf
open cresc. f

Tpt.                        
   
                          
open cresc. f
 mf       
Tpt.    
            
mf  
   
cresc. f
   
                              
           f   
Hn.
              
        cresc.
mf
  

                          
Tbn. 

                   
mf cresc. f
                    
Euph.   
          
   
mf cresc. f

Tba. 
         
             
 
     
  
        
 cresc. f  
S. Bass               

 Ride Cym.
    
       S.D.
     cresc.         f 
Perc.                                     
                   
f
 
Perc.               


Bells         

 
 
Timp.        
 19


119               

Picc.            
     mf cresc.
   
           


  
Fl.            
mf cresc.
           
                      
      


Ob.  

mf cresc.
                
Bsn.
             



mf
        cresc.
          
     


Cl.           

mf cresc.
                   
                    


Cl.
    
mf cresc.
    
Alto Cl.                             
              


 mf cresc.
       
B. Cl.         
    
   
     
mf    cresc.         
   
    
                      


Alto Sax.    
 
mf fp mf
       cresc.
          


 
Ten. Sax.                

mf  fp mf


    cresc.
          

Bari. Sax.           
 
     


mf fp mf cresc.
    
           
               
                  


Tpt.
    
mf 3 mf fp mf cresc.
  
           
 
        

      
          


Tpt.
             
mf 3 mf fp mf cresc.
        
    


Hn.                          
             
mf
    
     fp
 
mf
         
cresc.     
Tbn.
                    
     

mf fp mf cresc.
                 
Euph.       

                       
   fp    
mf
mf

 
cresc.
Tba.
         
     
       
  
  
mf
           cresc.
S. Bass              


mf 
 Ride Cym.
Toms         S.D.
     cresc.        
Perc.                                            
                   
Tambourine

 
mf
Perc.                
mf

Bells         

 
 
Timp.        
20


126  [127]
   
Picc.         
f
           

Fl.       

 
f mf
     

Ob.                

   
  
         
f mf
    
Bsn.    

 
f mf
      
             
Cl.   

 
f mf
       
Cl.               

f mf

       
 
Alto Cl.        
f 
mf
       
B. Cl.             
      

       
       
  

f
  mf
mf 
Alto Sax.       

   
f 
    
 mf  
 
Ten. Sax.    
f  
mf


Bari. Sax.         

  
  
f

Tpt.  

      
    

f mf
     
 
Tpt.             
  

f mf
      
 
Hn.          
              
    
f  
    
    
  mf
     
Tbn.  

      
f mf mf
     
        
Euph.          
  
f mf mf

Tba. 
          
                       
   

f
      mf
  
S. Bass
 
 mf                  

          

 
f   
       
         
mf
          mf

Perc. 

                    
mf
f
 
Perc.       

   
Bells
    
Bells            

 
[127] mfCongas   

 
Timp.                
         
     
mf
 21

   [135]

133
   
    
        
     
Picc. 
f f
         
 
Fl.          

              
f f

Ob.          

               
f f
     
 
Bsn.
 
    
 

             
f f
  
Cl.       

             
f f
   
Cl.       
 
f f
           

Alto Cl.       
  


f      f
         
    
B. Cl. 
      
  
               
f
          
   
Alto Sax.          

 
f f

    
Ten. Sax.                 

  
f f
    

      
Bari. Sax.        



  
    
f
f        
                    
Tpt.   
 
  
fp
f   
           
Tpt.                     
         fp 
 
f           
   
Hn.            

  
    
f     fp
        

                    
Tbn.  
fp
    
f    
Euph.                      
          
fp
f
Play
Tba. 
 
 
       
                  
  
  
   f                      
S. Bass 
 
        
    
 
f    
     
             
Perc. 
          
                        
f Tambourine

 
Perc.                      

              
Vibes f Vibes
Bells          

  
[135] 
f
f
  
Timp.         
22

 

140      [141]                
 
          
 
Picc.
            mf
        
 
Fl.          

  
mf
         
Ob.   
   
                  

mf
 
           
           
        
Bsn.        
  
mf 
            
Cl. 
     
            
 

 
mf
                 
         
Cl. 
        
mf 

  
                      
Alto Cl.        
  
mf

  

B. Cl.  
    
  
                  
 
          
 mf     
              

Alto Sax.  
  
 
mf
                
Ten. Sax.                
      
mf


          


               
 
Bari. Sax.


      
  

       mf
    
     
 
Tpt. 
        
 


f fp
  mf        
       

           
 
Tpt.
    
 
f fp 
  mf      


 
    
 
  



        


 
Hn.     
mf
 f     fp
  
 
   
  
                      
 


Tbn.  

 
f fp

       
 mf       
           
  
Euph.
          
f fp
mf
   
 
  
Tba.       
                  

 
           
   mf 
    
       
S. Bass
 

       
 
  
  
            mf    
Perc.               
                 

 
mf 
Perc.                     

  
        
Bells       
   
 
 
 
[141]       
mf 

 
Timp.      
 23


145         

Picc.

            
f
 
ff       
       
Fl.       
f ff
      
    
Ob.           

      
f ff
         
Bsn.
              
  

f ff
    
     
Cl.  
 
          

f ff
      
  

     


Cl.   
   

 
f ff

      
Alto Cl.                       

    
f   ff
    

 
 
 
f   
B. Cl.  
             
 
     
      ff

       
Alto Sax.                  
 

  
ff
       
Ten. Sax.                    

 

 

ff
Bari. Sax.   
   
 
       
            
  f 
   
 ff
       


     
 
Tpt.   
ff
 f 
      
Tpt.                   
  
ff

Hn.       
 f  
 

     
   
            
   
      
f      
  ff          
Tbn. 
           

  
f ff
     
 
Euph.                     

 

 

f ff
Tba. 
  
    
         
       
   f   
        
       
       ff    

 
S. Bass           
 
  
f  
       Fill.......
   
Perc. 
       ff            
                    
 
 
     
 
ff
Perc.
f
                

 
 
    
Bells        
 
    
   
   
 
 
f 
Timp. 
 
     ff
       
    

ff
Piccolo Duke Ellington In Concert
Maestoso q = 80 Arr. Paul Murtha
 
       
     
 


 
mf f fp f

  2.
Swing (ee=qe) q=152

 
[5]  [11]  1.  
 
 
7–10 11–16 17–18 19–20

[21]  [29]                
    

21–28 f
32            
      
34–35 f
q = 112
Ballad (Straight 8ths) q = 80
[38]  [55]
  
 
   

      
38–53 Latin q = 182 55–63
[64] Swing [71]
     
     
77  64–69
        71–73 
     mf
     
   
  

85
                 

        
mf
93
                  

  

99

                     
  
f V.S.
2 Piccolo

[106]
 Swing q=152
 [111]     
 
      
f 107–110 111–114 mf

116             

          
cresc. f 119–122

123                

             
mf cresc. f

[127]        
       
     
127–132 f

[135]      

    


     
135–137 f

[141]                   
         

mf f

146        
   
     
ff
Flute
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80  
      
         


              
mf f fp f
Swing (ee=qe) q=152
[5]         
  
  
div. mf


   

     
10         [11]    
        
            


     
              

   
15 1. 2. 
  
        

20
      [21]       

 

 
 
3 24–26 mf
28      [29]                
      

f
32            
      
34–35 f
q = 112
[38]          
          

     
   
 
mf

   
mf
43                   

       
mf 3
     
2 Flute
49            
 
              
3 mf

54   [55]    8ths) q = 80
Ballad (Straight
              
 
 

          
  
mf


55–56

59              
  

3 f
Swing 
[64]       
 
  
64–66 mp mf f mf

       
Latin q = 182
[71]     
 
     
mp mf

78
            
     
  

85
                

        
mf

92                   
  

99 
               

      
f
 Swing q=152 Flute
 3
[106]   [111]     

 
   
 
f 107–110 111–113 mf

                   
115




            
cresc. f

                   
 
       
120–121 mf cresc.

  
[127]  
126

        
     
f mf 131–132

133

          
 [135]      
  
     
f 135–137 f

140     [141]                  
       

mf

145         

            
f ff
Oboe
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80

                  
 
 mf f fp f

  
[5] Swing (ee=qe) q=152
             
       

            
mf  
   
   
[11]          
                    

 


                             
16 1.    2.  3
    
   

  
[21]  
           
    
24–26 mf
[29]  
             
        
f
33 
               
   
34–35 f
[38] q = 112    
           

        
   
    
mf

   
mf
43
 
                         

mf 3
     
2 Oboe
49 3 
 
                        
 mf

54 [55] Ballad (Straight 8ths) q = 80

       
    
                
            


 
mp mf


58
      
                 
3 f
Swing
[64] 

          
64–66 mp mf f mf


Latin q = 182
[71]
 
                
mp mf

78

       
              

85

                         
mf

92

                        

99
 
                      
f
 Swing q=152 Oboe 3
[106]
  [111]  

       
   


f 107–110 111–113 mf

                 
115
              


 
cresc. f

            
                              

120–121 mf cresc.

   
126  [127]    

      
    
  
f mf 131–132

         
133
  [135] 
       
  

f 135–137 f

                   
140 [141]        

         

mf

145
           
         

f ff
Bassoon
Duke Ellington In Concert
Arr. Paul Murtha

  
Maestoso q = 80
    
    
 



 fp fp f fp f

[5] Swing (ee=qe) q=152

     

 [11]   
     

7–10 mf

       2.
            
14 1.


    
   
[21]
20  
    
        
24–26 mf

         
28 [29]
  
            

  
f

                    
33    
        
   

[38] q = 112
          
  
              

mp mf

          
44
        
    
 
mf
2 Bassoon

         
49 
 
      
     
f 52–53 f

          
[55] Ballad (Straight 8ths) q = 80
           

mp mf
Swing
62
 [64] 
                    
3 f 64–66 mp mf f

     
[71] Latin q = 182
 
70
       
 
mf mp mf
77 
                       


84
                      

mf
91
                 


98
            
     



103 [106] Swing q=152

 
    
   
f 107–110
 Bassoon 3
[111]                
       

111–114 mf cresc.

           
118           
     
f 120–122 mf cresc.

                  
125 [127]
        

f mf

                    
130 
    
131–132 f

[135]          
           

f

                  
[141]            
      
        
mf  f

146  
            

  
   
   
ff
Clarinet 1
Duke Ellington In Concert
Maestoso q = 80 Arr. Paul Murtha

     
           
 mf f fp f

        
[5] Swing (ee=qe) q=152    
    
 
mf

   
  
[11]           

               


 
           
16 1.     2.  3
  
             
  
   

  
[21]          
  
    
24–26 mf
[29]  
                
    
f
33    
    
        
34–35 f
[38] q = 112   
     
             
 
  
mf  
   
mf
43
                  
         

mf 3
     
2 Clarinet 1
49
  
  
                     
3
 mf

54 [55] Ballad (Straight 8ths) q = 80

  
 
          
    


mp mf


59
            
     
3 f

[64] Swing Solo

  
    
   
All
   
     
mp mf f
mf Latin q = 182


      
70
  [71]
     
mf mp mf

77
                   
     

84
           
          
mf

91
            
     

98

                   
 
 Clarinet 1 3
104  [106] Swing q=152
 
          
f f 107–110

[111]                     
        
 
111–113 mf cresc.

118
  
 
      
        



f 120–121 mf

123
                 
           
cresc. f

            
[127]       
       

mf  131–132 f


134
 [135] 
       
     


135–137 f

[141]              

           
 
mf f

146
         
    
   

ff
Clarinet 2
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
   
            
 mf fp f fp f
[5] Swing (ee=qe) q=152
        
     
  
 
mf

   
 
[11]       
                    
 

 
           
16 1.     2.  3
  
             
  
   
[21] 
           

 
  
24–26 mf
[29]  
                
    
f
33   
  
          
 34–35 f
[38]  q = 112      

                  
 
   
mf   mf

    
43

              
           
mf 3
2 Clarinet 2


49
                  
         
3
  
54 [55] Ballad (Straight 8ths) q = 80
     
             
 mp mf
f
59

                
3 f

    
[64] Swing 
   
        
mf mp mf f mf
Latin q = 182


[71]
 
       
    
    
mp
mf
78
 
 
                 
85

   
           
   
mf
92

                      
99
 
  
  
             f
 Clarinet 2 3
[106] Swing q=152 [111]

   
     
     

f 107–110 111–113 mf

                             

115



     
cresc. f

            
                          

120–121 mf cresc.

   
126
 [127]      
      
  
 
f mf 131–132

        
133
  [135] 
      
 

f 135–137 f

               
140 [141]         
 
        
    
mf

145
       
                 

f ff
Clarinet 3
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80

          
  
 mf fp f 
fp f
[5] Swing (ee=qe) q=152
            

         
mf  
   
  
[11]    
                    
      

 
           
16 1.     2.  3
 
             
  
 
  
[21] 
 
   
 
        
24–26 mf  
[29]  
                
    
f
33 
  
              
 34–35 f
[38] q = 112      

                  
 
   
mf   mf

    
43
  
                
        
mf 3
2 Clarinet 3


49
                  
         
3
  
54 [55] Ballad (Straight 8ths) q = 80
    
          
 mp mf
f
59
3
                    
f
[64] Swing
        

      
Latin q = 182mf mp mf f mf


[71]

       
      
    
mp
mf
78
 
 
                 
85

   
           
   
mf
92

                      
99
 
  
  
             f
 Clarinet 3 3
[106] Swing q=152 [111]

      
        

f 107–110 111–113 mf

                             
115

  


    
cresc. f

            
                    
    
120–121 mf cresc.

   
126
 [127]      
      
     
f mf 131–132

           
133  [135] 
       
 
f 135–137 f

             
140 [141]         
 
        
    
mf

145
      

  
   
     

 
   
f ff
Alto Clarinet in Eb

Duke Ellington In Concert Arr. Paul Murtha

Maestoso q = 80
 
 
           
  f   
mf fp fp f

 

[5] q=152  [11]
        
 Swing (ee=qe)
 


   
7–10 
 2.
 
15 1.

                  
        
 

20
  
[21] 
         
mf  24–26 mf

         
28
 [29]

      
  

  f  

 
33

  
       
             
    
mf
[38] q = 112
              
      

mp
      mf

44
     

             
   
mf
49 
   
  
         
  f 52–53
2 Alto Clarinet in Eb
54 [55] Ballad (Straight 8ths) q = 80

           
        
f mp mf
61 [64] Swing
 3
               
mf
f
66
 
        
      
Latin q = 182 mp mf f mf


[71]

                
mp mf

78

                    

85
   
               
    mf

92

                    

99

                 

 Swing q=152
[106]  [111]  
     
    

f 107–110 111–113 mf
 Alto Clarinet in Eb 3

                       
115
     
      
             
f


cresc.

   
                          
           
120–121 mf cresc.

            
126 [127] 
  


f  131–132
mf

                
133
 [135]
    
f    

137

              
f
 

[141]
                      

     
          
mf f 

146
     

                    
 ff 
Bass Clarinet in Bb
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80

 
    
 f

fp f
 
fp


[5] Swing (ee=qe) q=152

 [11] String Bass

     
  
 
        
 7–10
mf

 
14 1. 2.


 
  
    
  
            
    

20 [21]
     
     
            


25

     
         
    

[29] Play

   
 
              
f

34

     
   

 
          

[38] q = 112

      

     
     
     


mp   mf
2 Bass Clarinet in Bb
45 String Bass
   
 
      
  

         
 
50
 mf
Play 
      
        
  f 52–53
f
[55] Ballad (Straight 8ths) q = 80
   
             
mf mp mf
63 [64] Swing

   
            

      
mf
  mp mf
f
      
69 [71] Latin q = 182


 
     
   mf
f mf mp
77
 
                        

85

                       
mf
93
                
     

99
          
       
[106] Swing q=152 [111] String Bass
            
   
f 107–110 mf
   
 Bass Clarinet in Bb 3
115
      
    
        
     
 mf
cresc. f

121
      
        
             
cresc. f

[127]
      
          
  
     
 
  
mf mf

133 [135]

  
            
    
     
f

137


               

[141]
   
 
   
           
         
          
mf f   

146
   
      
     

       
ff
Alto Sax 1
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
         
          
 mf fp f f

    
3

         
Swing (ee=qe) q=152


[5]
  [11]
  
  
7–10

                  2.
    
15 
  1.

  
  

         
20
    
[21]   
  
   
mf mf
27
   [29]
              
      
 
f

                          
34   
 
  
 
mf

       
     
[38] q = 112
  
             
 
mp mf

        
44
     
            
mf

          
49 
      
      
52–53
2 Alto Sax 1

      
[55] Ballad (Straight 8ths) q = 80

                
3
mp
mf
 [64]      
62 Swing
           
      
3
f
67 
         
      
mf
f
Latin q = 182


[71]       

   
  
mp 73–87 f

90
      
     
  
         
                      
  
mf mf sim.
94
             
      
    
      
    
      
    
98
             
      
    
      
    
      
    
102
           
    
               
 
f
[106] Swing q=152 [111]     
   
   
   
f 107–110 111–113 mf
 Alto Sax 1 3
115
                   
            


cresc. f

120
         
      
   
mf fp mf cresc.

  [127]
   
125
     
         
f
mf

             

130

         

f

[135]           
 
   
135–137 f

              
     
[141]      
        
 
mf

146 
          
           
ff
Alto Sax 2
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
         
         
 f f

    
mf fp 3

        

[5]
  Swing(ee=qe) q=152  [11]
  
  
7–10

                  2.
    
15 
  1.

  
  

       
20
  [21]

        
mf   
mf 
       

 [29]
27
 
          
 
f

                        
34   
         
 
mf


       
[38] q = 112

    
               
   
mp mf

         
44
    
            

mf

           
49 
      
      
52–53
2 Alto Sax 2
[55] Ballad (Straight 8ths) q = 80

     
      
    
mp
mf


62
 3 [64]  Swing
 
          
             
f
67 
      
         
mf
f
Latin q = 182

[71]       
 
      
mp 73–87 f

90
      
     
  
         
                      
  
mf mf sim.
94
             
      
    
      
    
      
    
98
             
      
    
      
    
      
    
102
           
    
               
 
f

[106] Swing q=152 [111]     

   
   
   
f 107–110 111–113 mf
 Alto Sax 2 3
115
                  
           



cresc. f 

120
          
   
   
               

mf  fp mf cresc.

     
125 [127]
  
     
     
f 
mf

             
    
130
      
 f

[135]           
 
   
135–137 f

              
[141]      
   
      
mf

146 
         
                  

ff
Tenor Sax
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
     
              
 f 
mf fp fp f

           
  
[5] Swing (ee=qe) q=152  [11]
      
7–10


           
15
 
 1. 2.
  
            
 

            
20
 [21]
     
 
mf   
mf 
    
 [29]  
27
  
             
 
f
34

                 

      
            
    mf

   
 
[38]q = 112

          
                    
 
mp mf

        
44
            
    

mf

    
        
49 
     
    
 
52–53
2 Tenor Sax
54 [55] Ballad (Straight 8ths) q = 80
      
         
f mp
mf

     
59

               
 3 f

  
[64]  Swing
  
     
     
f
Latin q = 182
70 [71]       


      
 
 73–87 f
mf mp
89
                       
    
   
          

mf mf sim.
94
                        
                          

98
                        
                          

102
             
   
       
      
f

[106] Swing q=152 [111]

   
     
     

f 107–110 111–113 mf
 Tenor Sax 3

                             

115

      


cresc. f

120
            
   
                 

mf  fp mf cresc.

                
125
      [127]
    
f 
mf


     
130 
             

    
 f

[135] 
            
 


135–137 f

[141]        
               
      
    
       
mf

146
        
 
  

   



 
   

ff
Baritone Sax
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
 
     
    
fp f fp f

    
Swing (ee=qe) q=152


[5]  [11]  
 
  
  
7–10 11–12

           1.          2. 

   
16   

     
 
mf

[21] 

    
24–27 f

     
[29]    

      
  

                
     
34     
       
  

[38] q = 112
      
     
 
           
     mf
mp
44 


         
   47–53
f

2 Baritone Sax
54 [55] Ballad (Straight 8ths) q = 80

     
          
f mf


61

[64]  Swing
    
    
       
f

     
66

 
 
      
f mf
Latin q = 182


[71] 

                 
73–74 mf   
mp
78

                          
    
83
             
                  
    
88
             
                
   mf  
93

                          
    
98

                     
   
 Baritone Sax 3
102
   
     
               
   

[106] Swing q=152 [111]    


  
 

    
107–110 111–114 mf
f

        
116
              
   
  


cresc. f

121
                    
  
    
mf fp mf cresc.

  
126
 [127]   
     
f 127–132

f

[135]          
          

f

              
[141]      
 
     
 
  
       
mf f 
146
   
                    
  
ff
Trumpet 1
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
     
           
 mf f fp f

        
St. Mute
[5] Swing (ee=qe) q=152

 [11]     
 
    
 
7–10 

                 
14
      1. 
            
  

          
19 2.
    
 3 [21]  open
  
      
   
 21–23


   
  
26 [29]
   
     
      
  f

   
32 
      
          
34–35 f
q = 112
[38]      Solo


            
   

38–42 mf mf 
f

    
48 All Solo
                  
        
 
Ballad (Straight 8ths) q = 80
53 [55] 
  
     
55–61
2 Trumpet 1
Swing
62
 [64]     
              
mf 3 f 64–66 mp mf f
70
 [71] Latin q
= 182 Growl w/Plunger
  Growl w/Plunger

       
 
71–86 f f
Growl w/Plunger
90     
Growl w/Plunger


   
     
  
91–102 f
[106] Swing q=152 [111]

      open
   

       

f 107–110 111–114

               
mf
116
          
                     
cresc. f
 mf 3
121
              
                   
   
mf fp mf cresc.

         
 
126
 [127]  
 
        
f 127–130 mf f
[135]
               
                  

   fp
[141]
                   
   
      
f fp
mf f
146
      
           
ff

Trumpet 2
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80

          



 mf 
fp f fp f

        
[5] Swing (ee=qe) q=152 St. Mute

 
 [11]   
       
 
  
7–10 

                 
14 1.
        

        
   

           
19 2.
    
 3 [21]  open
 
      
 
 21–23    

      
26 [29]
   
   
         
  
f


32 

                 
  
34–35 f 
q = 112
[38]    
         
  

38–42 mf 46–49
f


50 
    
            
 52–53

[55] Ballad (Straight 8ths) q = 80 


55–61
2 Trumpet 2
Swing
62 [64] 
                 
mf 3 64–66
f Latin q = 182 mp mf f
Growl w/Plunger Growl w/Plunger
70
 [71]  
    
     
      
71–86 f f
90  Growl w/Plunger Growl w/Plunger
    
          
91–102 f
[106] Swing q=152 [111]
    open
           
  
f 107–110 111–114 mf 
116
        
                               

cresc.   f  mf 3
121

  
                          
           
mf 
fp mf  cresc.

          
126
 [127]    

    
f 127–130 mf      
f
[135]   
                      
   
 
     
   fp
[141]
             
           
   
     

f
 fp
mf f
146
      
            

  
ff

Trumpet 3
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80

         
  
 mf 
fp f 
fp f

     
[5] Swing (ee=qe) q=152 St. Mute

    
 [11] 
 
         
7–10   

                 
14 1.
    
  
        
      

           
19 2.
    
 3 [21]  open
 
      
 
 21–23    

     
26 [29]
   
  
         
   
f


32 
            
   
  34–35
 
f
q = 112
[38]   

   

      
  
38–42 mf 46–49
f


50 
    
            
 52–53

[55] Ballad (Straight 8ths) q = 80 


55–61
2 Trumpet 3
62
3
[64] Swing

                  
mf f
64–66 mp mf f
Latin q = 182
70
 [71]  Growl w/Plunger
 Growl w/Plunger
    
     
      
71–86 f
90 Growl w/Plunger Growl w/Plunger
      
   
     
  
91–102 f
[106] Swing q=152 [111]
    open
           
  
f 107–110 111–114 mf 

                        
116
       
         

cresc.   f   mf 3
121

  
                          
           
mf 
fp mf  cresc.


126 [127] 
            
 

    
f 127–130 mf       
f
[135]     
               
           
    fp

            
[141]
      
       

      
f
 fp
mf f
146 
   
       
 
     

 

ff
Horn 1
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
 

                
  f f
mf fp 3

 
[5] Swing (ee=qe) q=152 
 
 [11]   
       

7–10 mf  

   
          
14 1. 2.
  
     
  
20
  [21]    
            
21–26 mf  

         
[29]
     
    
 
   
f 34–35
q = 112

      
36
 [38]
            
   
f mf mp

         
41
  
            

mf
f
    
         
46
      
   
mf
2 Horn 1
51 
           
   
f 52–53
f
[55] Ballad (Straight 8ths) q = 80

                 
3
55–58 3
Swing
63
 [64] 
                   
64–66
f mp mf f
Latin q = 182
70
 [71]       
    
    

mf
71–87 f
90
                   
             
              
mf mf sim.
94
      

  

  

                
             
98
      
                        
             
102
        


    
        
      
 
 f
[106] Swing q=152
  
      
f 107–110
 Horn 1 3
[111] 
                       
111–114
          
mf cresc.

      
118
    
           

f  mf 
fp

                     

123
      
    
mf     f 
cresc.

       
[127] 
        

 f
mf

 
134
 [135]          

         
135–136  fp

[141]           
140
 
      
     

 
f fp
mf

     
145
   
            
   
f ff
148 
   
           
Horn 2
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
 

                
  f f
mf fp 3

 
[5] Swing (ee=qe) q=152 

 [11]

    
      
7–10 mf  

   
          
14 1. 2.
  
    
  

20
  [21]    
            
21–26 mf  

               
[29]     
 
   
f 34–35

36 [38]q = 112



                 
     
f mf 
mp

  
41

            
  
mf

            
45
    
    
    
mf
f
2 Horn 2

       
49 
  
        

f
 52–53
Ballad (Straight 8ths) q = 80 f
[55]  3
                   
55–58 3
Swing
63 [64] 
                  
64–66
f mp mf f
Latin q = 182
70
 [71] 
           
    
71–87 f
mf
90
    
                                 
     
mf mf sim.
94
     

                                
   
98
  
                                

   
102

   
                      
     
 f
[106] Swing q=152
  
      
f 107–110
 Horn 2 3
[111] 
                       
111–114
          
mf cresc.

      
118
    
           

f  mf 
fp

                     

123
      
    
mf     f 
cresc.

       
[127] 
        

 f
mf

 
134
 [135]          

         
135–136  fp

[141]           
140
 
      
     

 
f fp
mf

     
145
   
            
   
f ff
148 
   
           
Trombone 1
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
           
    

 mf fp f fp f


Swing (ee=qe) q=152
[5]  
   

   
7–10

    
[11]      
    
mf

      2.  
 
16 1.    

  
   

              
[21]
    
Soli 
 

         
 

27
       [29]     
        
f

 
 
32      
        


    
36  
       
  
V.S.
     
2 Trombone 1
[38] q = 112
  
  
          
39–42 mf

              
f
46
      

mf

50 
  
 
            
f 52–53
f
Ballad (Straight 8ths) q = 80
[55]               
  
55–59 mp mf 3
f
[64] Swing
      
      
64–66 mp mf f
Latin q = 182
[71]    
  

71–86 fp f fp

90 
      

f 91–102 fp f
[106] Swing q=152
 
     

f 107–110
 Trombone 1 3
[111]
  

 
           
         

mf mf

116
                    
         

cresc. f mf

120
                    
     

fp mf cresc.

             
[127]
125

    
    
f mf

130
               
         

mf f
[135]
             
         

fp

                 
[141]    
      
      

f fp
mf f
146            
 

        
    
ff
Trombone 2
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
   
         
  
 
 mf fp f fp f


[5] Swing (ee=qe) q=152
  
  

7–10

    
[11]         
 

   
mf

      2.  
    
16 1.  

 
   

    
[21]
              
Soli   
 
  
   
  

  [29]   
27
         
     
f

    
 
32
     
 
    

    
36
          
  
V.S.
2 Trombone 2
[38] q = 112
      

  
         
39–42 fmf f

      
46
     
      

   
mf

50 
  
 
            
f 52–53
f
Ballad (Straight 8ths) q = 80
[55] 
      
           
55–59 mp mf 3
f
Swing
[64]         
      
64–66 mp mf f
Latin q = 182
[71] 
     

71–86 fp f fp

90 
      

f 91–102 fp f

[106] Swing q=152


      

f 107–110
 Trombone 2 3
[111]
  

 
           
         

mf mf

116
                  
             

cresc. f mf

120
          
          
      
fp mf cresc.
[127]
  
   
125
       
       

f mf

                   

130
       

mf f

       
[135]       
         

fp

                  

[141]
           

f fp
mf f
146         
                

ff
Euphonium

Duke Ellington In ConcertArr. Paul Murtha

Maestoso q = 80
  
 
        
 fp 
fp f 
fp f

[5] Swing (ee=qe) q=152




   
7–10


 
[11]
   
         
mf     

 2.
          
16
  
1. 
      
 

          
          
[21]
   
Soli
 
   
     

  
27 [29] 
                
      
f
32

             
  
         
    
37 [38] q = 112

           

  


mp
2 Euphonium

      
41

         
       
mf
f

   
46

             
 
mf     
50 
      
      52–53

f f
Ballad (Straight 8ths) q = 80

     
[55]  3
          
55–59  f
Swing
[64]  
          
64–66 mp mf f
mf
Latin q = 182
[71]   
 
     
71–86 
fp f fp f 91–102
103 [106] Swing q=152
   

      
fp f f 107–110
[111]            
 
            

mf   mf


116
             
 

                           
cresc. f 
mf 
 Euphonium 3
121
           
     
                 
 fp    
mf cresc.

               
126
 [127] 


f  mf


          
131 
     
       
 
mf f

       
[135]    
         
       
       fp

       
                  
[141] 
       
              
f
 
fp
mf f
146
    
  
                
  
ff
Tuba
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
   
        
fp f fp
 f


[5] Swing (ee=qe) q=152

 [11] String Bass

  
     
 
7–10            
mf

 
14 1. 2.


       
        
            
 
20 [21]
    
  
                
 

25
      
     
        

[29] +Tuba
 
   
 
               
f
34

           
  
      
   
  
q = 112

[38] String Bass +Tuba

       
   
     
    

      mf
mf
        
2 Tuba
45 String Bass

 
          
         
     

f  mf
50 Play 
  
  


             
 
f 52–53
Ballad (Straight 8ths) q = 80 f
[55] String Bass

   
      
                   
mp mf
mp [64]
62 St. Bs. Swing Tuba
 
 
      
         
  
      

 
 Latin q = 182 mp
68 f mf [71] String Bass
      
                    
         
mf f mf mf
74
        
                              
           
80
        
                              
           
86 Tuba
          
     
               
 
   
91
                     
                  
     
mf
96
 
                           
    
 Tuba 3
101
          
                   
       
Swing q=152
[106]
  [111] String Bass
        
           
107–110 
f mf
115
        
             
      
mf
cresc. f
121
          
                
     
cresc. f
[127]
         
              
         
mf
mf
133 Play [135]
     
 
     
              

f
139 [141]
   
           
            
 
mf
144

    
   
  
   

          
f

ff
147
    
     
       
String Bass
Duke Ellington In Concert
Arr. Paul Murtha
Maestoso q = 80
       
 
 

fp fp
Swing (ee=qe)fq=152 f

     

[5]  [11]
        
   
7–10
mf

                             
14 1. 2.

20 [21] 
              
 

24
                      

[29] 
                        

                    
34      
 
  

[38]q = 112      

     
       
        
 
mp mf
2 String Bass

             
45
     
      
  
f mf
50 
          
  
    
  


f 52–53

 
f
[55] Ballad (Straight 8ths) q = 80
               
       
mp mp mf
Bs. Swing
   Tuba
  
62    [64]
St.
 
            
  

Latin q = 182
mp
68 f mf [71]     
    
         
        
mf mf
mf f
74  
          

   

   

   


     

79  
                       
     

84
 
  
  
    
 


  
  
           

89
         
       
    
    

    
mf
94  
           
    
    
    

     
 String Bass 3
99  
           
    
    
  
    
    

104 Swing q=152
[106] 
         
        

  107–110
f
[111]
                           

mf cresc.
118
                          

f mf
cresc.
125
  [127]
                
       

f
mf

  
130
   
                 

mf
f
[135] 
                            


                 
[141]    
       
       
       
mf f
146 
           
              
 
ff
Percussion 1

Duke Ellington In Concert

Swing (ee=qe) q=152
Arr. Paul Murtha

           
Maestoso q = 80            
 Drum Set
 [5]
    
 1–3 mf

                     
7
                      RimShot
  
(Rim Knocks)

                              
Ride Cym.

           
[11]
                  

                                 
S.D.

                                
16 1. 2.

[21]                               
                        

               
                 
25
 
       

[29]                             
         
     
   
 
   
 
   
     
    
f
 Hi.Hat

                  
H.H. w/Foot
34
      
  
   
V.S.
2 Percussion 1

                         
                     
[38]q =112
 
   

     
H.H. w/Foot  (Rim Knocks)

  
43
               

                    
              
f mf
mf

                        
48 Ride Cym.
                 
  
mf

        
f

   
Ballad (Straight 8ths) q = 80

       
54  [55] Brushes
    
             
mp
        
f

           

59 
    
  
     
     
 
Swing f
[64]               
                    
Latin q = 182 Toms.
70 [71]  
                   
                      
  
mf
74

                           
                               

78

                           
                               
 Percussion 1 3

82

                           
                               

86

                           
                               

90

                           
                               

94

                           
                               

98

                           
                               

102

                    
                               
       
Swing q=152

[106] Toms 
      
                   
               

110    [111]       

                
           
mf

    
114 
Ride Cym.
 S.D.
                 
    
                        

V.S.
f
4 Percussion 1

119 Toms
       S.D.
                          

                
mf
 Ride Cym.

                 
123
   
                  
f

[127]
                   
                
mf

     
  
        
131
        
            
f

[135]   
   
 
     



            
  
                    


 
140 [141]
                          
  

                  
mf

 
  Fill.......
          
145
          
            
  
   
ff  
f
Percussion 2

Duke Ellington In Concert



Maestoso q = 80 Arr. Paul Murtha
SuS. Cym.
 
       

Swing (ee=qe) q=152

  

[5]  [11]  1.  2. 
 
5–10 11–16 17–18 19–20

[21]  [29]    
     

 Ballad (Straight 8ths) q = 80 Sus.Cym.

 
21–28 29–35 f
Sus. Cym.
[38] q = 112 [55]   
        
Sus. Cym.

38–54 mp mf 57–59 mp mf
Swing
 [64]    
       
62–63 64–66 mp mf
  q = 182
Latin                    
[71]                  
                              
mf
75
                       
                  
                              

79
                       
                  
                              

83
                       
                  
                              
V.S.
2 Percussion 2

87
                       
             
                                  
91
                       
             
                                  
95
                       
             
                                  
99
                       
             
                                  
103
                 
                 
                           

[106] Swing q=152  [111] Tambourine

                   
107–110 mf

 Tambourine 
                
115–118 mf 123–126
[127]  [135] Tambourine
                    
127–134 f
140 [141] 
                     

 
 
145      
               
Tubular Bells

Duke Ellington In Concert

Maestoso q = 80 Swing (ee=qe) q=152 Arr. Paul Murtha

         
     [5] 
  
Bells Vibes
     
 
  
 1–3 f 5–6        
mf

     
  
[11]         
  
   
             
 

 2.        

16 1. 3
                     
 

[21]  
   
 

  
 
21–26 q = 112 mf

[29]  [38]  Xlophone

  Vibes

 
              
 
29–37 38–42 mf 44–46 mf 3
Xylophone
48 3 
 
                     
 50–52 mf
Ballad (Straight 8ths) q = 80
[55] [64] Swing
  Bells   
     
55–57 mf 59–63 64–69 mf

[71] Latin q = 182

 Vibes
 
                               
72–74

 mf
79

              
                        
84 
                 
          88–90
2 Tubular Bells
91

                             
          

96

                   
             

100 
                 
         103–105

Swing q=152
[106]  [111] 
  
  
106–110 111–126

             
[127]
   
Bells
   Vibes
 

       
   
   131–132 f
mf

[135]  Vibes

        

      

135–137
f

[141]
    
 
                
         
 mf  f

 
 
146
   
    
 
    
     
ff
Timpani
Duke Ellington In Concert
Arr. Paul Murtha

   
Maestoso q = 80

 
Mark Tree

      
f
fp

  2.
Swing (ee=qe) q=152

 
[5]   [11]  1.  
 
 
5–6 7–10 11–16 17–18 19–20

[21]  [29] 
  
21–28 29–37
Ballad (Straight 8ths) q = 80
[55]
     
[38] q = 112  Mark Tree  Mark Tree 
  
   
38–54 mf
   
56–60 mf

62–63
 

 
[64] Swing
 Mark Tree

    

64–68 mf

Latin q = 182

[71]  Mark Tree
  
        
   
71–85 mf    
 
90  Mark Tree
 
   
      
 
  

91–101 mf   
Swing q=152
[106]  [111] 
  
  
106–110 111–126
2 Timpani
[127] Congas
                      

mf
131
                


[135]  [141] 
     

135–140 141–145 

 

147 ff
 
   
           
