Professional Documents
Culture Documents
Frans Coetzee
Marilyn Shevin-Coetzee
A Teachers Guide to
World War One-. A History in Documents
by Frans Coetzee and Marilyn Shevin-Coetzee
evaluating the demands. Ask questions such as: Set 2: Documents detailing the personal experi-
ences of individual soldiers.
• What kinds of demands did Austria-Hungary
"Answering the Call," diary of French Lt Rene
make?
Nicolas (pp. 46-48); tetters of German soldier
• What is the tone of this document? Franz Blumenfeld (pp. 48-49); "Baptism of Fire/'
• What conclusions can you make about Austria- account by British soldier Donald Hankey (pp.
Hungary and Emperor Franz Joseph? 59-62)/ poem "Attack" by Siegfried Sasson (p.
62),- diary of Benito tviussolini (pp. 64-66).
• Do you think these demands were fair?
• How does the fact that a response was required 1. Working in small groups (although the lesson
in 48 hours affect your response to this docu- can certainly be modified for students to work
ment? individually or as an entire class), students should
each read and analyze a document and then share
• How did this document relate to the outbreak
what they have discovered. You may choose to
of World War I?
give each pupil within a group a different docu-
4. For further enrichment students can: ment that they will share with the group or have
each group work together on an individual docu-
• Rewrite the document to create what they ment that they will later share with the whole
believe is a "better" list of demands. class.
• Draft a possible response from Serbia.
2. For each document students should answer the
• Consider Germany's reaction to this document. following:
How does it relate to their "blank check"?
• Who is the author?
LESSON 2. COMPARING AND • Where is he/she from?
CONTRASTING DOCUMENTS
• Who is his/her intended audience?
This lesson encourages students to think critically
as they compare and contrast several related doc- • What type of document is this?
uments. They have an opportunity to examine • What was the author's purpose in writing?
different perspectives on the same topic. The
• What is the tone of this document?
teacher should help the students draw conclu-
sions across the documents. • What new facts can be collected from reading
this document?
Selections: This collection provides numerous
3. Students' findings from the various documents
possibilities for grouping documents. By examin- should be compiled on a chart displayed on the
ing groups of documents students learn to com- chalkboard and/or a handout.
pare and contrast historical sources. Two poten-
tial sets are: 4. Once the basic information is compiled the
Set 1; Documents demonstrating the experiences students should then be able to draw conclusions
and/or motivations of various nation-states on the across the documents. They should focus first on
outbreak of war. what is similar about the documents in the group
"Europe Mobilizes," selections from The White Book and what is different. After discussing the details,
of the German Foreign Office (pp. 26-28),- writ- the teacher should lead students toward the
ings from Russian Duma member Gregor broader questions raised by these sources. For set
Alexinsky (pp. 29-30)/ addresses to parliament by 1: Why did countries join the war? and for set 2: What
Sir Edward Grey (pp. 30-33),- "Holy War," state- was it like to fight in WWb
ments of Turkish religious leaders (pp. 33—35).
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P A G E S FROM H I S T O R Y
O X F O R D U N I V E R S I T Y P R E S S
5. To take the analysis even further ask students then use it to formulate and support a clear thesis.
to identify which documents within the groups The teacher should guide the students through
they think are most accurate or most useful and the writing process.
why.
I. Selections: "Women Doing Their Part" (pp.
LESSON 3. VISUAL SOURCES 71–79}
Lesson 3 encourages students to broaden their Ask students to write a three- to four-page
awareness of and familiarity with visual docu- essay, using the primary sources provided, to:
Evaluate the impact of World War 1 upon
ments as primary sources. The World War I era is
women.
known for its development of propaganda (a term
that the teacher should review with students), 0. Selections: "African Roots," W.E. B. Du Bois
particularly in the form of posters. (pp.35-37); "Answering the Call," Ludwig
Geiger, (pp. 41–42); "Ignorance and Intolerance,"
Selections: Chapter5"AdvertisingtheWar"(pp. Victor Schmier, a Dutch citizen on French-
African soldiers (pp, 86–87),- and "Dissidence and
109-13). See also the illustrations on PP- 32, 55,
Disorder,"Sir Hamilton Johnston (pp. 87-88);
95, 97, 103, 117,
and Indian National Congress (pp. 123–25).
Ask students to write a three- to four-page
1. Have students choose three or four posters essay, Busing the primary sources provided, to-.
with which to work. For each item ask them to Evaluate the impact of World War I on
answer the following questions: minorities and colonial peoples.
• What do you notice first when looking at this III Selections; 'Dissidence and Disorder," No-
poster? ConscSription fellowship (pp. 125-26); "Dislike of
the Unlike," President's Mediation Commission
• Who or what does the poster portray? How do
(pp. 135–37). and Scott Nearing (pp. 138–39).
you respond to it?
Ask students to write a three- to four-page
• Who designed or produced this work? What essay, using the primary sources provided, to:
was its purpose? Explore the tension between the govern-
ment's need to maintain order in wartime
• Does this poster seem fair and accurate or does
and the importance of civil liberties in a
it exaggerate? If so, how?
P A G E S FROM H I S T O R Y 3
O X F O R D U N I V E R S I T Y P R E S S
SELECTED RESOURCES
Printed Sources
Cooper, Michael L. Hell Fighters-. African American
Soldiers in WWI. New York: Lodestar, 1997.
Written for young readers, this book offers infor-
mation on the experiences of African-American
soldiers.
Higonnet, Margaret R., ed. Lines of Fire: Women Writers
of WWI. New York.- Plume, 1999. This is a collec-
tion of short, contemporary pieces by female
authors from a variety of countries. The works
include political essays, memoirs, and short fiction.
Keegan, John. An Illustrated History of the First World
War. New York: Random House, 2001. Containg
OXFORD
UNIVERSITY PRESS
440 illustrations and photographs, this work
Published by Oxford University Press, Inc.,
places particular emphasis on military history. 198 Madison Avenue, New York, New York 10016
Winter, Jay and Blaine Baggett. The Great War and the www.oup.com
Shaping of the Twentieth Century. New York: Penguin
ISBN 0-19-517374-0 $3.95
Studio, 1996. This book is the companion to the
PBS video series and website.
Video
"The Great War and the Shaping of the Twentieth
Century." KCET, BBC, and Imperial War Museum
of London, 1996. PBS Home Video. Eight hours
on four cassettes.
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PAGES FROM H I S T O R Y