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Midi Drum Mom PDF
Midi Drum Mom PDF
DRUMS MIDI
Want your MIDI drums to sound more like the real thing? There are a number of techniques you
can use to become a drum programming expert.
These 12 tips will help you get realistic sounding drums from digital kits and samples!
But first, be sure to grab our FREE Drum Programming Cheat Sheet. The cheat sheet, along with
this article, will tell you everything you need to know to get your software loops sounding like they
were tracked in a pro studio.
Get it here:
FREE BONUS: Make your MIDI drums sound professional by using this free MIDI drums mixing
cheat sheet.
CONTENTS [SHOW]
Make sure any percussion part you write is something an actual drummer could play.
If you write a part that a real drummer couldn’t play, it’ll be really obvious that you’re using
software.
A drummer probably couldn’t play straight 64th note hi-hats at 140 bpm. (If you are a drummer
who can do this, please message me. We’re going to start the world’s first live trap band).
But they could definitely play a steady “four on the floor” rhythm.
An easy way to do this is to pay close attention to the grooves of songs you like. Listening to real
drummers play will help you instinctively know what’s realistic.
You might even want to try air drumming along. Sure, you’ll look goofy, but it’ll help you get a feel
for what it’s like to play drums.
Here are a few different drum patterns that you’ll hear in tons of music throughout history. These
classic rhythm parts are a great way to get inspired while writing your own loops.
Playing an electronic kit into software like EZdrummer will help you get a human sounding
performance really quickly.
If you aren’t a drum virtuoso, you could also use a drum pad or MIDI keyboard.
If your drum programming is perfectly in time and always at the same volume, it’s a dead
giveaway that you’re using MIDI.
Using a MIDI instrument will automatically vary the timing and the volume of the notes, making
your track sound way more realistic.
You can still get the same results if you’re writing the pattern in by hand. It’ll just take a little more
time and effort to get it right.
If a note has a low velocity, it’ll sound quiet. A high velocity will make the note louder and
more brash.
The red and yellow notes have higher velocities. And the blue and green notes have lower
velocities.
You’ll want to change the velocities of your notes to accent certain beats.
A straight-ahead punk anthem will probably accent the 2nd and 4th beat of each measure. On a
funk track, they’ll probably put more “oomph” into the 1st and the 3rd beat.
Think like a drummer while assigning velocities. There are certain beats that you should accent in
your song. That’s where you’ll want to turn the velocity up.
Quantization is all about to the timing of MIDI notes. If a note is out of time, you can use
quantization to snap it into place.
Quantization is the process of snapping your notes to the rhythmic grid.
Quantization helps tighten up your track, but too much quantization sounds robotic. Real
musicians can’t play perfectly in time, so you don’t want your MIDI to sound flawless.
Making sure some notes are a little off time can go a long way in making software instruments
feel realistic. Instead of quantizing and calling it good, move some notes off the grid.
Pro drummers tend to either anticipate the beat or stay just behind it. Think about which one your
imaginary drummer tends towards.
Moving individual notes takes a lot of time. If you’re adjusting a bunch of notes, save yourself a
headache by using quantization strength.
Quantization strength decides how “to the grid” your quantization is. In other words, a high
quantization strength will make your MIDI sound perfectly in time. A lower strength will leave the
notes slightly out of time.
By default, Logic’s quantization strength is set all the way to 100. Since the quantization is so
strong, all the notes are perfectly on beat.
I usually set the quantization strength around 75. At 75, the quantization is still strong enough to
tighten up the track, but not so robotic that it sounds fake.
Quantization strength is mostly helpful for those using a MIDI instrument. If you’re writing the
beats in yourself, you’ll probably want to use humanization.
Be careful with humanizing velocity, though. Deciding which beats are accented and which ones
aren’t is really important for your song’s rhythm.
You don’t want to assign velocities willy-nilly. It could make your drums sound even less realistic
than a consistent velocity.
See if your DAW will let you humanize the timing without humanizing velocity. That way you can
make the timing sound better without messing up your volume.
You can open the humanization window by right clicking a MIDI track and navigating to “MIDI”,
then “MIDI Transform”
Once you’ve opened up the humanization view, you’ll see that position, velocity, and length are
being randomized.
By clicking on the words “+-Rand.” below velocity and changing it to “Thru” you’ll humanize the
timing of the pattern but not the volume.
Most virtual drum instruments come with premade MIDI patterns. These loops are specifically
made to sound realistic, so they’re a great way to get a good sound.
You can even edit the pattern from a loop if you’re worried about sounding unoriginal.
For example, you could take every other snare hit in the pattern and move it to be a rim click
instead.
Want your MIDI drums to sound more like the real thing? There are a number of techniques you can use to become a drum
programming expert. These 12 tips will help you get realistic sounding drums from digital kits and samples! But first, be
programming expert. These 12 tips will help you get realistic sounding drums from digital kits and samples! But first, be
sure to grab our FREE Drum Programming Cheat Sheet. The chea
If you’re going to use loops, you’ll probably want to add them to your song sooner than later.
Sometimes throwing a percussion loop into a song at the tail end of writing works perfectly. Other
times… not so much.
Virtual drum programs usually come with a bunch of different kit options. Experiment with the
different kits available to you.
Loop a section of your song and cycle through the different samples to figure out which
ones sound the most believable.
If you’re writing garage rock or lo-fi indie, you’ll probably want a kit that sounds pretty DIY. Look
for a kit that sounds grungy and loose.
If you’re writing pop, you’ll want a tighter, more studio-sounding kit. Listen for something punchier
that sounds like it was professionally recorded.
This can take a while, so I recommend saving custom kits with your favorite sounds. That way
you can save time next time you need to pick out samples!
You can download different drum loops and libraries from the internet.
Some are free and some cost money. Depending on your budget, paid samples may or may not
be worth it.
Either way, you can easily load these sounds into your drum software to create new drum kits.
Just because you’re using software doesn’t mean you need a totally different approach.
By imitating the techniques you’d use to mix real drums, you’ll shape the tone of your tracks so
they sound more realistic.
You’ll also want to figure out how you can get all of your kit’s elements onto different tracks in
your DAW. Your kick, snare, toms, etc. should have their own channels.
That way you can mix them like you would the rest of your instruments instead of using the
software kit’s internal mixer.
The process for turning each drum in your virtual kit into its own channel in your DAW depends
on the software. Google how you can do this inside your preferred drumming software.
Want your MIDI drums to sound more like the real thing? There are a number of techniques you can use to become a drum
programming expert. These 12 tips will help you get realistic sounding drums from digital kits and samples! But first, be
sure to grab our FREE Drum Programming Cheat Sheet. The chea
Listen to some of your favorite songs and pay attention to how the drums sound. Once you find
something that sounds right for your track, choose it as your reference.
Try to recreate the kit sound from your reference for your own song.
Pay attention to how loud each of the drums are in comparison to one another.
Pay attention to how loud each of the drums are in comparison to one another.
You want to aim for the closest recreation of the reference’s sound you can get. By focusing on
the sound of a real kit, the steps you need to take to make your drum programming sound better
will become clear.
You’ll want to have a reference track for your entire mix as well.
The drum reference track will help you get the drum tone you want. But you’ll want another
reference track for your full mix.
Mixing with a reference track will help you get a radio-ready mix every time.
Once you’ve dialed in the volume, tone, and reverb of your kit, there are a couple last mixing
tools worth trying.
Listen to your drums and think to yourself: how can I improve the tone? If it needs some top end
sheen, try turning the tone knob to the focus on the top end. If it’s sounding too thin, try turning
the tone knob to focus on the lower-mids.
Once you’ve got the tone where you’d like it, turn the aux channel fader all the way down and
slowly mix it back in. Keep turning it up until the kit sounds good to your ears.
To use parallel compression, put a send on your drum bus that sends to an aux track. Then put a
compressor on that aux track.
Set the compressor so it’s heavily compressing the drums. Shoot for around 10 dBs of gain
reduction. It’ll sound terrible at first, but once we mix it in it’ll sound great.
Next, turn the aux track’s fader all the way down.
Slowly turn the aux fader up until it’s barely audible. The parallel compression should give some
life to your patterns and help them punch through the mix.
life to your patterns and help them punch through the mix.
Follow these steps and your listeners will have trouble distinguishing your programmed beats
from a real drummer with a kit.
Before you go, don’t forget to grab our FREE Drum Programming Cheat Sheet.
It’s got all the best tidbits from this article to help you make realistic sounds from your software
drums.
Grab it here:
FREE BONUS: Make your MIDI drums sound professional by using this free MIDI drums mixing
cheat sheet.
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Drew Swisher
Producer and composer for film and video games. Helping you make music a little more fun and a little less tedious. Check out my
work at Juniper Tapes.
Related Articles
Reply
Daria says:
September 23, 2019 at 08:46:24 pm
Reply
Skylar Williams says:
August 8, 2019 at 09:43:26 pm
Thank you for your tip to mix the MIDI drums like real drums so it sounds closer to the real thing. I have been thinking of
making some live drum loops. I will make sure to keep this tip in mind for doing this.
Reply
5supplies Limited says:
July 20, 2019 at 06:31:01 am
Reply
electronicdrumguy says:
February 8, 2019 at 10:35:26 am
superb! great article about drum programming.I really looking for drum programming information.This article are really
helpful for me and a every drummer.I collect a good knowledge from this article.Thanks for sharing.
Reply
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