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AYER PRODUCTIONS PTY. LTD. vs.

CAPULONG with press, radio and television, motion pictures constitute a principal medium of mass
communication for information, education and entertainment.
DOCTRINE: The production and filming by petitioners of the projected motion picture "The
Four Day Revolution" does not, in the circumstances of this case, constitute an unlawful This freedom of Speech is available in our country both to locally-owned and
intrusion upon private respondent's "right of privacy." to foreign-owned motion picture companies.

CLEAR AND PRESENT DANGER RULE – that words are used in such a circumstance and are of b. No. The projected motion picture “The Four Day Revolution” does not constitute an
such a nature as to create a clear and present danger that they will bring about the unlawful intrusion upon private respondent’s right of privacy.
substantial evils that a lawmaker has a right to prevent.  In the case at bar, the interests observable are the right to privacy asserted by
respondent and the right of freedom of expression invoked by petitioner taking into
BALANCING OF INTERESTS TEST- the courts should balance the public interest served by account the interplay of those interests, we hold that under the particular
legislation on one hand and the freedom of speech (or any other constitutional right) on the circumstances presented, and considering the obligations assumed in the Licensing
other. The courts will then decide where the greater weight should be placed. Agreement entered into by petitioner, the validity of such agreement will have to be
upheld particularly because the limits of freedom of expression are reached when
FACTS: expression touches upon matters of essentially private concern." Whether the
Petitioner McElroy, an Australian Film maker, and AYER PRODUCTIONS, his movie “balancing of interest test” or the “clear and present danger test” be applied in respect
production company envisioned, for commercial viewing and for Philippine and International of the instant Petitions, the Court believes that a different conclusion must here be
Release, the historic peaceful struggle of the Filipinos at EDSA. reached.
The proposed Motion picture entitled "The Four Day Revolution" was endorsed by
Neither private respondent nor the respondent trial Judge knew what the
the MTRCB and other government agencies consulted.
completed film would precisely look like. There was, in other words, no “clear and
Ramos also signified his approval of the intended film production. It is designed to be viewed
present danger” of any violation of any right to privacy that private respondent could
in a six-hour mini-series television play, presented in a "docu-drama" style, creating four
lawfully assert.
fictional characters interwoven with real events, and utilizing actual documentary footage as
The subject matter of “The Four Day Revolution” relates to the non-bloody change
background.
of government which took place at EDSA. Clearly such subject matter is one of public
David Williamson is Australia's leading playwright and Professor McCoy (University
interest and concern or even international interest. The subject matter relates to a
of New South Wales) is an American historian have developed a script.
highly critical state in the history of this country and thus passed into the public domain
Private Respondent Ponce Enrile declared that he will not approve the use,
and as an appropriate subject for speech and expression and coverage by any form of
appropriation, reproduction and/or exhibition of his name, or picture, or that of any member
mass media. The synopsis provided by petitioner does not relate to the individual life
of his family in any cinema or television production, film or other medium for advertising or
and certainly not the private life of respondent Ponce Enrile. The “Four Day Revolution”
commercial exploitation.
is not principally about, nor is it focused upon, the man Juan Ponce Enrile.
Petitioners acceded to this demand and the name of Enrile was deleted from the
Moreso, Private respondent Enrile is a public figure (which gives the public a legitimate
movie script, and petitioners proceeded to film the projected motion picture. However, a
interest of his doings, his affairs, his character and has become a public “personage”), in
complaint was filed by Enrile invoking his right to privacy is unlawfully intruded.
other words he is a celebrity. To be included in this category are those who have
Petitioner contended that:
achieved some degree of reputation by appearing before the public. This includes public
a. the freedom to produce and film includes in the freedom of speech and expression; and officers, famous inventors and explorers, war heroes and even ordinary soldiers, an
b. the subject matter of the motion picture is one of public interest and concern and not infant prodigy, in short anyone who has arrived at a position where public is focused
on the individual private life of respondent Senator. upon him as a person. Private respondent Enrile is a public figure because of his
participation as principal action in the culminating events of the change of government.
ISSUES: The right of privacy of a public figure is necessarily narrower than that of an ordinary
a. Whether or not the Freedom of Speech/ Expression includes freedom to film and produce citizen.
motion pictures. But it must be noted that the proposed motion picture is required to be fairly
b. Whether or not the Right to Privacy of Respondent Enrile is violated by the Motion Picture truthful and historical in its presentation of events. This serves as a line of equilibrium in this
of “Four Day Revolution”. case between the constitutional freedom of speech and of expression and the right of
RULING: privacy. There must be no presentation of the private life of the unwilling private respondent
and certainly no revelation of intimate or embarrassing personal facts. Portrayal of the
a. Yes. Freedom of Speech includes the freedom to film and produce motion pictures and participation of private respondent in the EDSA Revolution should be related to the public
to exhibit such motion pictures in theaters or to diffuse them through television. Along facts of the EDSA Revolution.

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