Cc sheet | Music Fee Scale Studies © Major. Long drawn ovt, with full tone, and change the bow without a break. Moderate. | i nf a £ 4 A Minor. As above. Moderato. 2 zs nf F Major. The piano must be soft but clear. Largo. P D Minor. An even forte throughout. The tone strong, but not pressed. Larg jeJohann Hiimaly — Seale Studies forthe Violin Bb Major. Have no break between the forte and piano. Adagio. P op f a t e Pp tf ? E = G Minor. As above. Adagio. ze P f P f Pp “—F Fe E> Major. Give the up-bow as much accent as the down-bow. Andante. > > > SSS f- > > > d © Minor. As above. Andante. > nf > CDiJohann Hrimaly — Seale Studies for the Violin Ab Major. (Count two.) The quarter-note light and short, almost like an eighth. Alla breve. > F Minor. As above. Alla breve. Db Major. The quarter-note almost like an eighth. Alla breve. Bb Minor. Ax above. se Gb Major. Broad and even tone. Andante.Johann Hrimaly — Seale Studies for the Violin Eb Minor, As soft as possible, holding the bow very lightly. Andante. . pp Fé Major. The quarter-note short, the accent strong. Allegro moderato, D# Minor. As above. 4, Allegre moderato B Major. The quarter-note in the same bow, and somewhat shortened. Allegro.Johann Hrimaly — Seale Studies for the Violin G# Minor. Play the eighth-note the same as the quarter in the preceding exercise. Allegretto. 2 E Major. Allegro agitato. poco dimin. p ‘Pp poco poco ureso. ff poco @ Cf Minor. Allegro agitato. ea = p poco a poco eres. f poco @ poco dimin. pp A Major. 7 4 Sostenuto. nf CF F4 Minor. Andante moderato. so D Major. Tempo giusto. Rees eee J G Major. Moderato. ~ee fees ng FE" Ss E Minor. —=—> =~ of CDi 3Johann Hrimaly — Seale Studies for the Violin First practise these scales Jegato, and then play them with the bowing given below. The correct stopping of the Sixth and Seventh is prepared by the short finger-exercise preceding each minor scale. © major. A minor, Ab major. F minor. = 3 ge amr FH major, ___ D# minor. CDi 6Johann Hrimaly — Seale Studies for the Violin B major. Gd minor, : IN “Breese. @ major. E minor. Major and Minor Scales Within the First Position. The previous remarks are a sufficient guide for practice. iJohann Hrimaly — Seale Studies for the Violin CDi 8Johann Hrimaly — Seale Studies for the Violin —_SS > 2 oe CDR °Johann Hrimaly — Seale Studies for the Violin N01. Major Scales Beginning with the First Finger. Scales without changing position. Ist Position. CDE v0Johann Hrimaly — Seale Studies for the Violin bth Pos. NO 2. Minor Seales Beginning with the First Finger. ‘The accents well marked. The Ist Pos. first four bowings with the upper half of the bow.Johann Hrimaly — Scale Studies for the Violin At the point and very short and dry. Martells The first note sharp and short. 3rd Pos. con & Zale row Poinsottly "how Nut Accents well marked. Lively style. 6th Pos, sat Peon. _ See oatJohann Hrimaly — Scale Studies for the Violin N° 3. Major Scales Beginning with the Second Finger. Ist Pos.Johann Hrimaly — Scale Studies for the Violin NO 4. Minor Scales Beginning with the Second Finger. Softly) near the finger-board. _. Very light staccato. The rhythm must be well marked and all the notes short, | 4th Pos. 5 aie CDi 4Johann Hrimaly — Seale Studies for the Violin Use nearly the whole bow, and sustain each note. = >> i a try ania apse ete FERRE z z SF very siowly tI > More bow as the crescendo increases, 8th Pos. middle of the bow. 2? 2 ry roe Trysyromtestot | eels EER > Lively and well accented. 7 Pos ee saeet fe fe 2 feey => Point > NO 5. Major Scales Commencing with the Third Finger; and the Study of the Staccato. Ist Position, 4a DD a aJohann Hrimaly — Scale Studies for the ViolinJohann Hrimaly Seale Studies for the Violin Scales and broken thirds on one string for practice in changing positions. ‘The left hand must be held quite at ease, with the thumb very flexible. Execute each change of position with precision. Alternation between the Ist, 3d and 5th Positions. NOL N? 2. Alternation between the 24, 4th and 6th Positions. NOL. NO 2. a vo ~Johann Hrimaly — Seale Studies for the Violin NO 3. NO 4. Alternation between the 3d, Sth and 7th Positions. NOL. NO 2.Johann Hrimaly — Seale Studies for the Violin NO 7. Major and Minor Scales and Arpeggios in Two Octaves, Changing Positions.” % First practise each of these scales Zcgnin; then the bowings marked below, and shading, should be practised. CDE 19Johann Hrimaly — Seale Studies for the Violin aa Ts martellé CDi 20Johann Hrimaly — Scale Studies for the Violin Saute (Springing bow) SautilsJohann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the Violin NO 8. Further Changing of Positions in Exercises on One String. Connection of the Ist with 3rd, 5th and 7th positions. Note: Begin these exercises in slow tempo and gradually increase to //ero rirece. Impure intonation and unevenness ‘should be the best hint to teacher and pupil to return to a slower pace, CDxz. :Johann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the Violin TY eeeeeec pees oe etJohann Hrimaly — Seale Studies for the Violin NO 9. Changing Fingers on One Tone.” ‘These exercises, like those preceding,are to be played on all the strings. ait te to et ate Wo ese es Ebtree. = eeet &f SS Etees _ reeapeeneeel EEtEt eres s>~ *)Note: Do not neglect this seemingly unimportant exercise, the peculiar usefulness of which consists in changing fingers ‘on one tone. CDi 28 ttJohann Hrimaly — Seale Studies for the Viol ert tr. - - - - - - - - - - a A ‘The same fingering éae...™ ‘ter learning the foregoing, the following 3-octave scales will hangly offer the pupil any difficulti¢s; but he should not neglect some good advice with regard to them. Usually it is the third octave(ie, the highest)-which pre- sents difficulties. In order to save time, and enable his undivided attention to be given to the intonation, the pupil should pract and 7th in ascending and lowered 6th and 7th in descending, are those w tonation special attention should be paid by the teacher. the third octave by itself as directed below. The minor scales in particular, with their raised 6th ich give pupils trouble; and to their i ‘The fingerings are, of course, the same as those employed in the full 3-octave scales. eat 7 fe feJohann Hrimaly — Seale Studies for the Violin N? 10. ‘The scales through three octaves are to be played in every tempo from Andante to Vivace, and with every kind of bowing. The bowings are to be copied from Nos.2,4 and 5. Lepat Ettene,: CDiJohann Hrimaly — Seale Studies for the Violin a 49 4 24te = fa tr : Aunt ES at He © é SS saiabtll Ecetthenes CDi 33Johann Hrimaly — Seale Studies for the ViolinJohann Hrimaly — Seale Studies for the Violin Diz. .Johann Hrimaly — Seale Studies for the Violin