Piano Conductor Sons 1. Overture. 2, Maybe 3. Annie's Escape 4, Hard Knock Life. 5. Hard Knock Life Reprise. 6. Tomorrow... 7, Hooverville 8, Hoovenvlle Raid... 9. Little Girls 10. Little Girls Reprise ; 37 11. 1 Think Im Gonna Like It Here 59 1. NYG. 73 13. Easy Street so son B 14, Why Change A Thing euros 105 15. You Won't Be An Orphan For Long na 16. NY. Entr'Acte.. wD 47, Fully Dressed. 128 18, Dressed (Children) 135 19, Fasy Street Reprise oo so 1B 20, Train Music.. 146 21. Cabinet Tomorrow 22. Cabinet End... 23, Train Scene... 24, Something Was Missing 24, Something Was Missing (Eb), I Don't Need Anything But You 26. Panty Music... Same Effect On Everyone 28, A New Deal For Christmas: 29. Bows. 30. Exit Music.1. ANNE Overture Tse iE (Fe Clg Pc) Piano) 4 ‘Ger Sex Tn om, “ibe Cl Bo 2p a 7 e val (6/1370 Piano-Cond ctoriT ne w Hk w rs 2 ta 1 at 4 (Sep Alta Sees#1- Overture 7Aerm. a cata Sto FE4 #1- Overture eae ee 65] crate t0n ter Sn) I Cotpte Tiny ‘tec 5 a zt= #1-Overture A cee ree — (Fat, be~6- ous ? FC (Pa la Str Bell SS #1 -Overtwe-7- #1-Overtive—8- ANNIE Maybe Slowly ind (Annie, Orphans) 1 (Piano Tace, Celeste only) = = 1 alo 7 ; i Tt] rue, P Rigewme OF Tica 2 7#2—Maybe MOLLY: Annie, end me your not, alague cont) 2 tines Pin mosso ANNIE: Somewhere. Somewhere Vamp—vocal last time NN Ny be fr 8 way, Or may -be veal near-by, 7 PO 0 = = PS anges PY He may be pBur-ing her : She may be straight-'ning his te _—. ia~10- #2—-Maybe ¥ She's St-ting ply-ing pi = a He's sitting pay-ing ail (othe Tn Bet=cha they’ young, Bet-cha they're smart Bet they col-lece—— things like ‘enor 1b tybdo (ctor, +60 ash-tays and at—— Betcha they're good (Why should- nt they Be} A baeo \,-n- 2-Maybe My = be now ies cg They'll be there tll = ing meare 42-Maybe Dials be maf © (cease ‘cx Eo a rs °F a-B- #2—Maybe Betcha he reads, Bet-che she sews, May = be she's mado— OL2 Hom dew ‘vaca 4, set of clothes — May-be they're strict As straight as a ing —— 4 Lu Don't weal ly care as long iby _—_—— (Cor sls eMe #2—Maybe prayer’s The Inst one ofits Tae Tg PS Ben gre p Won't you plesse ote get your (ANNIE & ORPHANS) May (i Fae Pie —=S= of _ —— ? " ew-15- ANNIE Annie’s Escape Sines alton i fe) (Piano Tacet) Vamp >= (Chimes coneinue) ln Mate Ts 9, ———== P mg Fetes Toe Stimes ‘Sttimes: 3 times ‘Btimes Cut om cue (6/13/08 Piavo-Conductor=16- ANNIE wane tard Knock Life 4 Thepmustve got stick in tafe (Annie, Orphans) times (Piano) mf ate Cotla Bae, Moderata (in 4) os Vamp Cae THANNIGAN: Why any kid would HANNICAN: Why any advwoud We the bard-bnock efor ust Ws the hard knock Conductor counts 12-34 four rinses wt t (tp Bart Sa Ta) tT 1 7 7 (Cala, Bs, Cro) doa eonrians) Fo for ust wrested, We (Upon chest Sead Kiss, = ddd 7 ¥ (6/14/08) Piano-Conauetor-17- #4—Hard Kuoek Life ORPHANS) aw 8 Kicked Ws the hard knock tf! Got no folks 10 na oN 5 ae we g- $< £é 4 ‘tm BS speak i Ws the hard knosk we mf (as ro BS, Ts) cannes (ORPHANS) anne ORPHANS) (Cote ton blankets Stosd <2 wool! Emp=ty belies — ‘Steed-2 fll-18- #4—Han Knock Life ‘aNvrE, | Wee the hand = bnosk ite! rip? Don't it ty TS foe ke this_wind isa howl «in? a cea as ce, conta tb * Use strong volces, not necessarily the character assigned.=19- #4 Hard Kuock Life (rervenyressie" cour? day don't you want to throw OO bg ————., (ane, * Use strong voices, not necessarily the character assigned.-20- #4—Hard Knock Life anne there when your dreams at night get (ORPHANS) ce. ee wid cares if you grow or if you sink, Gries when your eyes get red and-n- #4—Hand Knock Life ANNE: au you would think this place “a pi Ton Wa ENE EE Twp-2- wu Hard Knock Life Empty belly tf! = a 0 Fer sme) = of, (rt Ses Ton. oes ere wou No to-morrow life biog Santa Claus we cau Sent Claus what's ta? Who's ta? No one cares for (etl Ceo rem es) z rE=3- #4—Hard Knock Life uy midge when you're in & a MOLLY. You'l tay up sil his dump 2] Vamp shines ike the top ofthe Chrysler Building, ORPHANS) Yorke the whis hee from her (Sop Tp (Cato, Bas, Ty, Tab-4- 5—Hard Kuock Life ORPHAN, Jab her with a sale ty 2 + lg ii fs7Ta Moke her 2 ai-25- 4—Hard Knock Life MOLLY: Get to work? Strip them beds! Tsai get to work! mp ow mp eaanarnin FB 0 MOLLY: MOLLY: We medicine! Merry Christnast (nu xcerTMoUN ‘ite 2 for ust WS the hard - knock ad the hard-knock fe ws a A‘ (Pt cl f Fr-26- 85—Hard Knock Life MoLLy: ALLExcERT Mou R's ots of medline! a smidge when youre in an é a pd Ws. the ard - knock life! We the ard ~ knock ite! te (ae Clay ji To” Ws vom-7- ANNIE Hard Knock Life — Reprise (Annie, Orphans) Vamp Cue (HANNIGAN): Polie! Police! Cue Te Continue: (DUFFY}: No more hand-knoek life for Anni! Vamp au Luck-y kid, she's out there free, Run-nint free in NG uck-¥ duck, she gota way But wee gon-na have to pay, (Piano) > ecata base crroon * au Ber she finds folks Whe that Mom end Ded right off the bat! Gonna get fue = 8 slapped Gonna get our kruck = les rapped. £ £ (Timp) 7 (Tiny (6/13/04) Plano-Conduetor~28- 85—Hard Knock Life Reprise ALLBUTMOLLN Wes the hard = knock He Ws the hard ~ knock rou as ‘aa ow 1 IG Ws the hard ~ knock the hard ~ knecle-29- #5—Hard Knack Life— Reprise fs Slowly ALLBUT MOLLY MOLLY: Holp, help. Im stuck it, (Fine, hrs on 2 tes t laa (Piano Tacet 10 end) (tec fu cin ‘cat —— ‘si=30- #5.—Hord Kuock Life Reprise 36 meno mosso ‘cin 3 elon v7 = = (possible)=31- Annie Tomorrow (Annie) ANNIE: take care of you. And everything's gonna be ine, Fer the hath of us. If not toda, well annie ‘trae P . —— = SSS SSS SS ssun-"ll come out to-mor-row, Bet your bot-tom dol-lar that to = mor-row—— There'll be (clare Mated Tt Bb —— (aes cance) + "TF Just hink-in? a-bout_—to-mor-row clears a-way the cob-webs and the t_F — (6/13/04 Piao-Conductar=32- *6— Tomorrow that's gray = ws Just stick up my. So ya got thang on=33- *6—Tomorow | morrow, t= mor-row, 1 love ya to mor-row, youre al-ways a day = inlogne) P (Piano Tacet till 37) (cat = oomoo 46~ Tomorrow 3 (Piano) Hie I. 7 36] (PianoTacet tll 50) oT = nro)=35- #6—Tomorow Vainp ANNIE:OR, 1 don min the weather. i cannes ese S555 =] When I'm stud with | 2 ‘clam thats gray 1 just sick up my ome o£ € chin and grin S=36— #6—Tomorrow Soya gotta hang on ‘til to love” ya to= mor: row,” youtre ~ “al=ways a days =tie #6—Tomorow Ss ove ys to=mor-row you're always a — Spf da aay Fyn tows t a “FOR RR OE ori IL Vamp Cue to stop: “ANNIE: Excuse me, folks, excuse me. Ye } mp (sth cata, Da) SY EF Segue a alo comy oer ie Zu te)38 ANNIE Hooverville a (Chorus, Sophie, Annie) Two Starts/Vamps nee Cue to continue rst Start/Vamp applause segue from previous. SAN Regped, Cue to stop first vamp: Annie's entrance. Vamp WOMANS & WOMAN é: Hungry (YEP | MAN & ALL; Homeless Second Star/Vamp: WARN: Yeah you shoulda run aginst Roosevele ij Vamp Cue: Hey , isten to this (Piano) |) mp (etube, Cla, Bae) Tocday wee lieing in a shanty Tosday we'rescrounging for a meal, To-day I'm stesl-ing coal for f- ye Toe) > (6/13/06 Piano-Conductor=39- #7-Hooverville Trused to win-ter in the tropics, [spent my sum-mers at the shor, a esc poy T used to throw a-way the paper, #7 ‘pte Toa (Piano opt, tacet util 33)47—Hoovervlle caus For real = ly show = alyi dl 3ee #7—Hooverville = tage built Pe In this blue enw «en that you gave us —~ =.47-Hooverville vite Al Smith and Hoo - ver, coum gta (Piano) mp Not on-ly did we pay at = tention, we pid through the nose, pi Tos)8. 7 —Hooveie &] In eve'ry pot he said “a chick-en” ha Bat Her-bert Hoo-ver he for - got! Fr NNot on-ly don't we have the chicken, -you I int got the pot! Hey, Her «bi, é (lates, Clr), oes OMEN) Gre = fal na . You te be-hind 2 £ emus L—j (ioe opt, tacet until 65)47 —Hooverville ‘ten Hors, our hats re So Herb, our hats are off We're up to herewith ad-5— #7-Hoovervitle womens (EN) Ho, he, Come down and share some Christ = mas Be suet bring the Mp aus too, for_our _ stuf-fin’ Why _don't_ we ~,—46— #7 —Hoovervie (onouP%) Thank you, Her - bie crourny ‘ou. Wed like to thankyou Her fen Hoo - ver (rect 333 3 cats AA ‘rao ® can ly show = You dir-ty rat, you bu-teau - arat, you made us what we ae mi TDL SY << — 23 rie47—Hooverville m4 ri i i Ceme and gett, HerbtHooverville Raid Lt WARD: We're tmaring doven this junk pile, now (Cran bemenedifdaghastad maciotncup ang he po Agitato (in 4) am = f cr trier “YT oy enjoy To LP (Piano Tact) ~ (6/13/04 Piono-Conductor-19— ANNIE Little Girls (Seon change o Orphanage) (Miss Hannigan) = Pana) | Po cer (ialogne) 5 ‘Sopra Sele) caaeng my) (Sayan Sat) (Ber Se Tb ap Sn ES Ee (6/1390 Piano-Condector:-50- +#9—Little Girls (ate Ty Tis ee = ‘beisa tee MISS HANNIGAN: Getto work, allo ya Sop Sart) 7 eS EE Va 30] assay Lit = He girl, de girls, Ev ‘ry-where oT tum can A enya ting cexplosoe) A a (ar Saxe) eee Lit- tle gis, Ut-de girl night and day 1 eat sleep and moa A A A A—s1- #9—Little Girls breathe Yom - diem: ‘ ke a man te nib - ble On om = > ¥ (ter sx >= (Tp Th 4 ——52— 49-Little Girls tle chesks, it = le teeth, + “ey-thing A cory To A oxo see) bari Saxot T wring UP > He necks, Surely 1 would get an ac -=33- 39-Litte Girls Some womren are diipeping with dla-monds, Some wom-en are drip-ping with peorls Luck -y me! Luck=y me! Look et what Tm drip ping. with (cela. vin) ail. Rt-5t— 9 Little Ginls ‘soya 2 $s = = = = ~ = = F (tet Tt Ton (soprano io) MISS HANNIGAN: Shut up! Safety 2 (MISS HANNIGAN How 1 hate lt = He. shoes, lit = He socks nd each it = te ter TT = (Soprano Sertttie ony), A sto mp=35— Tf weren't for my sense of Some day TL seaight = en their #9—Little Girls—56~ #9-Little Girls, | Sond «fond endef, Anythingthat youn dot =e ‘Sao Ty Tn . \ cexeosoa37— ANNIE 0 Little Girls Reprise ; WARN:To Bergdorffs and get vou a warm winter coat, MISS HANNIGAN; She can hardly alive i? (Miss Hannigan) 2 times J sn act (eter Sg Ty To any ws F Some - day nus and the squirts == 1/2900 Paweconnc ¥ +—38- 10—Little Girls Reprise There TH sty. the pro = hib-i = tion of femora Tote Th) 5 " " 7 ¥ Lextesom) 8 LY 2 2 Attaccaoe ANNIE 11 I Think I’m Gonna Like It Here (Grace, Annie, Servants) Bright ute 91) ‘iano Taeet 1TH = (im Ce) |_-_———__ F ? r * F ? aie pte Tos S58 Se i en Ate nso)—60- #111 Think Pm Gouna Like 1 Here a a pts Tt) =: ——= _ Ses ees ia eT? 7 ? al °F hr r r aL a Tl F (te Pee Car Xyl)_ flatter a-61— 411-1 Think Vm Gonna Like It Here a 50 Tt Ts = (Pina) cast A a al a er rir 25] tr Se, Tp Te =-62- #11 ~1 Think Vm Gonna Like It Here BB] ere cr pics tt30] -68— #11 ~1 Think Pm Gonna Like It Here (cuenta oy “Tere Cea) “iu411-1 Think P'm Gonna Like It Here Vamp trate ChB) a Win Cet ‘GRACE: No, ofcourse not. You're our guest. And forthe next two weeks, Vamp you're going tohave a swell ime. Now 1) 2 ba r ¥ r r = tr ¥ ay CECILLE, Green is herbs . comce Color be Fie pS = =| T wo. Ce ely wil pick ost all your dol "ANNIE nid the Be Stmeming Poot “SS Mel Sige ote? On yt (ngs, le Ca Vg 4 (aig pag6 (11-1 Thiak Von Gonna Like It Here MRS. GREER: Bubbles orace soap, I hink ANNIE: [never even 5 : picked up a racket. he ton = mis court ein’ the = = 1; Di a erp TP er era rs GRACE Oh, and get that Don Budge flow ithe'savailee DRAKE: Yes, Mis. ‘Annet comes im to make your Have an in - struc-tor here “at noon t (ann) GRACE: Annie, think “Vy gon = ma tike T think Tm gon = na ike here rrr er "Terr ep oT ere—66— #11=1 Think I'm Gonna Like It Here omace, When you wake ring for Drake, Drake will bring your = (cele galecota vee) s A 4 a * “ail Hr wl “1 HN vil mal al—67— #11-1 Think Fm Gonna Like te Here ] ANNIE: Tha¥'s olay, (GRACHISERVANTS) Thaven't got anv tos anyway. SERVANTS: Awn! No reed t pick up an = y (a ale ——— ——_— (a, ee lar 2 i a ra (race No fin ger will you lit, my =~ z bd “Ts PRET ET Sp pe PPT eT (ORACESERVANTS) We have (We cose) : mp * OWARBUCKS) oasis (14704 Piane-Conductor-4— w=. 1 BYARBUCKS) c calope youre tough b— — —_ EE SS <> qa | ee | A | Be Ba Te iF Pp x 1 go years with = out you, Piano Tet)-75- ARNE. WARBUCKS) Then I da © pough of cab driv - ers an-awersing Back in lan-guage far from pure, eT an Piano) (cate) |} —~, sere an-swer-ing. back — Brother, you know you're ae~76~ #2-NXC, VARBUCKS) — N. mmo j (elope usc) ~~ WARBUCKS: Came on you slewpakes ‘we gotta get tothe Roxy before the prices change. (tee Cl Xa s Im-7- WNYC, « The shadows at sundown, tra eciy_& bee ca Cyt Tne) that serape Ye (Cot psc 2 ansucxs/oRAce) 2 (tsa, Cee fobs-78: mnie. ovaRBucksycRace, wena the big, 7 What oth = ef wae — town has the Em-pi-re Sute_ and 2 mayor five foot two? No oth - er aie the whole for-ty eight can half com- pare with ma-79- w2-Nxe. tre ecten 5 cyto da SABBUCKS/GRACET You crowd, you cramp, you're suit the champ, Si -~, LIN 2—80- #12-NXC.~s81- an-Nxc. The shim = mer of, Times Square, -_——_ = = = Se SS SS See 3 the drive! otetas gl Kar = a 97] esr, ‘You _might say that tim squave, (ot Te 3 ca t Gaps Bateson) t =F—82- an-Nxc, ARBUCKS * i (WARBUCKSIGRACE) Te tane thee-83- an-NXC, ve lived here all of my ie and md od new = er soon those things. (tine hee ap $b pt Tos ety — iano) OF a mI the whole world keeps com - ing~8i- s12-NXC. cau poe ——— ‘ye To) entity aa wl roe UP t wi wt ~ al a “ror tf fe F FoF Ft al ail—85— #2-nxc, 3] (staRTO.nE, ft Just got here this mom = FoR RST FR UPR ee ip RT OF 1 give you fair warn ing Pi Cie Wi S88 $F—88— a2-NXC, ral sran-to-38) to = night theo Why not? Wen ¥ (tS, Ty Ta aus — you're stand ing. room = xylan Fara rarrp tr? fet Rrr rr ?—89— #n-nxe, (crourn, ‘You crowd, you're stil the (crourn, champ, NotChicago. Kansas City, Sanfrancisea.Cincinaatt, NetChtcng, KanaasCity Sem Fran-cs-co, Gin-in- tf ZTya Oa a a7] ce. vd Ta cpm Alto~90— a2-NXC. COP: Keep it quiet down there! way esl 4 (tart Sas Cao) Aw a a “i aii ml nN-9- m-Nnve. (CUE) USHERETTE: Immodiate sting ‘ther is immadiat seating! 185] Very slowly in 2 ‘Ait Savane —x ‘eau 87] WARBUCKS) . (anne) fight, goed = night, bal wanaucxs) sleep. 1 we~92— AIAN. FF] fmp tm. 28 oye andar 7” me a ¥ Onene-3- ANNIE 13 Easy Street (Miss Hannigan, Rooster, Lily, Chorus) ROOSTER: Aw, Aggie how'd the two Hannigan kids ever end up like this? ‘On the skids Freely noosten, mem + ber the way our sainred mother (Piano Tacet til 18) (tor Br Sn) —__ GHANNIGAN) She'@ s9y, "Kids, there's a ple Dave lke no set thee (6/13/08 Piano-Conductor94 #13 ~Easy Street oosteR) HANNIGAN) @oosren | t_ thaw by plying fom the ule Book, ow stack the a om 08 load the ns ie ening ; your sweet ad __ = reser=95— #13—Ensy Street Te] Tempo=Slow "New Orleans” Ee Steet Ex ata Sn, = = (ey | iano) mg Sint uannicany Yeoh, yeah FoF foot r—96— #13 Easy Street 26 crocenteny tannica yh shea w+ pat fey Steet ales = ar “TPP OTP Phe ee oF id © cb a a 4 4 a wl HI Stower ‘Die (Banja + W004 Boe-7- 813 —Ensy Street Gi] Tempo—Slow 4 “New Orleans” : aw me oy Stet mien be 4 oy —— —= “Trrrer pr fore-98- 3 —Eaay Street phy. Where they pity play alld rf ern Trn Ton | rma) AOA ee “Trrr rr FF “esr prin Fr y LILY: (Sings ite out of rae) EXE iaep a-9- #15—Enay Steet, Dinloguer ud Piano solo) A_woosren, Wane —_ a } 4 fair how we scrounge or the or p01 soo Wood mats —— = z —== Seal caw (HANNICAN) thet Be Rave fair this here Ei av Ing-10- #13 —Easy Street ANNAN) moosTen While we gat pus nute (HANNIGAN) oosren) she halih the key ahwt Uek- dy fo getty more in-suad of aun May-be we fix the: game wilh someting~101- #13—Ensy Street MISS HANNIGAN ann Ohtellher—oosteny uy 30] New Orleans 4 (Alt Tenor Sen, yl 0) art as Tos) ak FOP F ror or fF=102- #13 —Ensy Street “+l a “I wi 3 al a ~ A i-103— #13 —Easy Street-101— 13 Easy Street muy Applause Segue [Playoff]-105— #13 —Easy Street en (oTote Snen~106- ANNIE 13a Into Warbuck’s Mansion (rate Clee Try ——O ——_a Carla mf” (Piano Tacet) qos calor 4 Yebat Clay Tas a . . * exci (6/13/08 Pians-Conduetor=107- ANNIE 14 Why Should I Change A Thing? (Warbucks) Rubato (nent Gl - see = towing, change 8 thing? wairus ee ™e nsw=108- #14—Why Should 1 Change A Thing? yoo accel. te vob te pce hr ot tng mye et ™ ke Shing) ft poco ral. poco rat (oar) (eMatet Bat 23] a tempo tempting fe? (ob Wie) ao ==109- #14—Why Should 1 Change A Thing? Who eeds more hap = py? Amey sway. He ey (clan - me eo Se cmcucan PAF a> = bring? ria change—no- #14— Why Sliould I Change A Thing? Dictate Dama! What de 1 know a=Bout — ohl-dren, cveept they vrc'alciy come small — SS=—_ A 5 (aes, Brass, Strings a “Thay rad, but not The Wall Soest four=nal a oes ene hove breakfast with hem Take ter to movies and fo =-m- 14~ Why Should I Change A Thing? Why dontyou getsomeciear in ~ Likewhenyou tay a st of DammtWhat do know a-bout children? ——=—Couldehay ust porsibsly be hop (Fate, Vin Sting 2 a tempo molto accel ‘Sweeping 4 “Tne he ‘hats esta ue ngs don't e-mem-ber being one — ce=m- 414—Why Should 1 Change A Thing? change 2 thing? fon that sting —_—_ z 7 7 ty) f g—________4 af 042 Hom-13— #14—Why Should 1 Change A Thing? Bet = ting close, be (oF Clr Ki Stings) A tempo poco pitt mosso Not 3 thing says the same,-mu- +14—Why Should f Change A Thing? eee ee oe Now when 1 send Christmas conts — F cian i [piss Dbpirsubi7 We 8m = take to tthe her uneder-neath my wing. cp cop tae, F (2 rege TH (Phe Yi a bd ? tu ya ia = Biro, cis Fv Smo [arch ny eine te mie tt (Clog Tr, Ton)-n5- W14— Why Should 1 Change & Thing? + ea tions Learn © hove com fakes? bere ke zz f es (eR res Vind AA pe (Can Cate Bo =fANNIE 15 You Won't Be An Orphan For Long (Grace, Drake, Warbucks, Annie, Chorus) -116— CGRACE:..up to and including the White House. DRAKE: The League of Nations! Dictated crace [2] Slow? ‘ma nanmay Me Should need a cym=stemaee) a [Te a (Piano) a ¥ ony Wah all he then he will have (ctr aie (RAKED (ALL) (Bone) BA - gae 0 (63/09 Pians-Conductor-n7- Wow't Be An Orphan For Long aA (Cla Tear S| 15] March hota tempo back) mid = lghe (Chota. Ty So gto) (oMated Tt To)-18- #15 —You Won't BeAn Orphan For Long search ® (Ta, Ten Tenor Sa long Where rman v a 34 oes) aw 28s, (and is» en) Hell use hi aut. pe Yo —— a fer wits (Wo peer newer fa) (cto tr . i-n9— #15~Yon Won't Be Au Orphan For Long fA sweet we guar san = =. a + 4 Fist es si a “Hl “al wl Diniogre) ti on (inrsley __ (Teer Sa) P 0 = *-120- 15~You Won't Be Au Orphan For Long elec) Te, € 7 They Be there cll = ing me Broadly ral 7 7S End of Act1 dl coon 1=14- ANNIE N.Y. Entr’acte (Annie) 16 be > wt a—d. ) or e A tcrat Gout ~ (Piano) = > "> dae 7 3 ——— = (ota Cel, Bas. Tp) a (tat, Catlo a as (ope Benj mai ny al nN nn (6/13/06 Piano-Conductor-15— #16—N.X Entr‘acte i eS = al roe oF 7 “I 2 7P 7 e a ~ ra 8 cH ra)~126- #16—NY, Entr‘acte 2 ins za 7 [37] Maestoso in 4 (Pee Clas Vi prs tid 7 ES 7 — —_Maestosa in2 > FP sans cated-17- W16--N.¥. Entracte ae Pi leet — moe a DAY fe eae 71 neni TCE reat=128- W16--N.. Entr‘acte Gl SING oF Se = impo) (ee Can Trt t IAIN TR) 22 - ae Ey ul (ns, Tb, Cell Ba Tip)=129- tno ee May < be row this prayer’s (Cale eee) (PIANO solo— "Ole mio“) you pleote come gst M6—N.v. Entracte ‘ana=130- ANNIE 16a Timpani Cue HEALY: sation-wide search for Anne's parents? WARBUCKS:...on the night {Cue stp) WARBUCKS: of December 31st, 1922 nationwide seach for Annie's parents. On cue Oncue a a (6/13/06) Piano-Contucrar-m1- ANNIE 17 Fully Dressed (Boylan Sisters, Healy) HEALY: So get in touch right away ya hear? Vamp HEALY .anather of our Thursday-night _pebtogeters has gone by fester than you can say Oxydent. a ate sos “Piano Tacet) IP a (Cato aos is) F . zt r . Vamp iategue) (BOWLAN SISTERS ~RONNIE. BONNIE, CONNIE) HEALY: JOHNSON: And Jimmy Johnson, WB) 1G) TAL _Ronmie, Bonnie, Connie Taio'sonly masked announcer (celery) ato days r a HEALY: This Bert Healy saying.. Ha Ha HaHa Ha (Piano) (6/13/06) Plane-Conducror=12— #17—Fully Dressed aes Hey bo = fo man, hey, Dap = per Dan, you've both got your tle but Both = en, you're pet = 7 r ° r ca 4 Your clothes may be : they sand out 2what they're — -133- 417~Fully Dressed (tn ett wearing ‘Se-ville Row? (ahat matfr So Sen (PIANO solo) -1 Listen to Bet tap hie 497 Fully Dressed-135- #17—Fully Dressed 22] cm tps Toe mp # (Pian Tacet) Frit, Bae) * HEALY: Ab the lovely Boylan Sisters. (seser0!0 pas Fs BOLAN SISTERS) doe doo Wea oo doo 00. doo doo=136— 017~Fully Dressed 7 ROVLAN sisrEns) Your clothes" may be ey sand out 8 pte To no =e youre ney = er fal = ly drested, you're never diested without an we ae oF "fs? (CONNIE) RONNIE BONNIE) CONNIE) cay e=137- #17—Fully Dressed eo (HEALY srogue) = ¥ y Segue=138- ANNIE Dressed (Children) | 8 (Orphans) DUFFY: So, forall ofthe Vainp (dialogue) “Flour of Smiles” Family, is #Bert Healy saying... HaHa Ha. ~y (Clery, Mate pT) z (Piano) titataw r On cue 0 aes, au hey, Dap = per Dany you've bowh— got your syle, But broth er you're prt am Strintsl) F r r Aresed wih «cut * Use strong voices, not necessarily the character assigned. (6/16/06) Piono-Conductorothe — may be but both =139- #18—Drested (Children) ras stand out 9) reed with -0 #18 — Dressed (Children) 2 what they're wearing — PEPPER: Ah, an Telos (HOLM Boylan Sisters sterd youn Boy aA ot fram heed to tempo (OUFRY/TESSIEKATE Doo doodle - 99 dap doo doo-dle-90 doo doo. doo daw doo doo 00 deo (lor Sr Xo)wat rv X90) -— er To {cet aro —— -141- n8—Dressed (Children) 0 long fora ‘lei=12- 418~ Dressed (Children) Bs] reerrene — ee ee oF pi Tint A sy-143— 818—Dressed (Childe) (Ceo) | F core (cate ps) or = = = au Whe in sca Sut) (Sac Tp) teen slp 2 #° = what they e —~=144— #18— Dressed (Childrens au riterd Ana” wer fom ar te net trom teed We car? fan eT 70] Slower so Sn (Cale 5a) f oF 3s r ? ; ?cat we =u §18~ Dressed (Chile-146— ANNIE Easy Street Reprise (Rooster, Lily, Miss Hannigan) ROOSTER: Oh Aggie. We get the fifty grand wo Blow this crumby town, and then Liland mall meetcha MISS HANNIGAN: Whar... Oh (HANNIGAN) (ROOSTER LILY, HANNIGAND yeh Es Set n (Pian F a, Veo Fe r OF V sah ty (6/3/06 Plano-Conductor-u7- 19~Easy Street Reprise GB] (ROOSTER. Lit, HANNIGAN) Es oem F cao vn cata t i wl mH a i ~—1g— 19 Enay Struct Reprise ys stn Fast Segue-149— ANNIE 20 Train Music Liste Kiely Keay Key Key Sey — kel SF = Piano Trcet be Sigbe > Sinte> Sipte se Sie Slay Sele > Sle > Sele > 1st Hie anty——— =— * Sr (6/13700 Piano-Conductor=150— ANNIE Cabinet Tomorrow (Annie, Ickes, Perkins, Roosevelt) ight. CGoahoad, my dear. I's stil Free county. Nike a= bout clears away the cobwebs and. the (clos) F] a tempo When tim stuck— with Tt oF 7 aaa (Cet aes thar gay ; 1 Jost stick — up my PR (Piano) (6/13/04 Piano-Conductor-151- #21 Cabinet Tomorrow cane, hin and grin ive om > F EF Fr Fs fin" exme out + mer = se ye got = ta hang on=152- 821—Cabinet Tomorrow (ANN love ya w= mor-rom youre always a dy FOF pF gr pTr pT So Jk. bt ray Frankl, you awa See ep a7] Stimes vena ne) (Diniogue) ‘ CKES| The Aw “ ca Hil Hi i ROOSEVELT: Louder Hare 20] Oncue sonwilceme oul 40 mor — row but your bot = tom dob Jar that to.» we Jit aS ‘Cia oof Cia cla=153- #21-—Cabinet Tomorrow ROOSEVELT Perkins. (PERKANSACKES) tor 7 (aNNTEPERKINSACKES) thinkin) 3 = bout + mor = row ceam sway the eb-wels andthe a os iw: = fF TF ee res When I'm stuck~154— #21-Cabinet Tomorrow moosevenn, 1 just sik Sout omy —, be # ANNIE: ROOSEVELT: Everyone Excuse me i's “up” my chin. Republicans to, Olver. sgt san") come (a sate nny of-155— 421—Cabinet Tomorrow~156— #21~ Cabinet Tomorrow at 1) ~ r isd 1, oh 7], i Eros was Ga ie ae es SS == SS (673/00 Pions-Condactor—161— ANNIE . , 24 Something Was Missing (Warbucks) WARBUCKS:..and there's Something tS 08 SPO A acy 2 times ‘Qnty _US We ft R=th v {Gin “ oS — i Bon etd lined and (6/13/08) Piano-Conductor-162— 24—Something Was Missing — ——F fe St=163- Who Fcc aot (at), J 824 Something Was Missing trough= 164 #24—Something Was Missing owe?—165- #24--Something Was Missing ‘a tempo world was : (Piano Tacet till 62) 59) something was missing, but dreams can come frac; that some-thing kno one but _— = Soe i 589 — =F ee (Piano)=166— #24— Something Was Missing oP oF wl | ay wi WARBUCKS: Not bad foranld man, huh? (rte ser bobo a << ‘i cs wer (Piano Tacet tlt 97)-167— #24—Something Was Missing meta —,, 3 ete ‘de orm (cots =— (tang cm=168— 824—Something Was Missing~169- #24 Something Was Missing i —-170- ANNE Something Was Missing 4 Alternate Key —E WARBUCKS: and then’ (Warbucks) 2 times wansuexsy [2 ad ine) P (Piano Tacet tl 51) Vemwen O med oe wy (6/13/06) Piauo-Conductor-171- 424~ Something Ws Missing E--12- seme - thing was Whe (ce Pwo or (cs), #24—Something Was Missing E-173- (24~Something Was Missing Es How wuld : nwo? 2-I74- 3 a tempo #24—Something Was Missing E> . z tf T—t} * 4 * (Piano Tace ill 62) __soene-thing wat _ miming, but _drvams con come ——. — oT es EF . mo = | F Pet: Fess arco)& -175- #24—Something Wins Missing E> (10 gl econ=brshn| mm POP RF Pera rae sciarteb—ui) << F a “F a] al a) | > aa a 7 a) a cats F cree "(Piano Tacet till 97) a-176— #24—Something Wis Missing E> (Pater Cle Yi — t mes = = Fy ge-17- #24— Something Was Missing Ee Ft Wtf F ) 3 cPinno Tact Hill 108)-178- 705 some = thing 1 asco) "POOF Ne 824—Something Was Missing E>-179— ANNIE I Don’t Need Anything But You (ervants, Drake, Warbucks, Annie, Grace, Chorus) We Plane soo) ae wrsps,-180- 251 Dont Need Anything But You (7) times imag re F "e 7 ve 7 “7S WARBUCKS: Take her upataie nd, well gusse her up. (iano solo) > (GRACE Yes. sin “rg Ear Sere ge Ear’ s EE Slower” Van 25] chacerien pea"? Gu se he up res Pied EY, yest Tos) ‘me cto |~181- naxey bing’ um #251 Dow't Need Anything But You=182- 9251 Dow't Need Anything But You Sine ‘ ow wy 2 tye Ee a Sarr Sp (pn Ton a=183- 425~1 Don't Need Anything But You uy ows snes an rie eked out be fom cow (ety Tome (cRace «DRAKE Roc = kes fl-ler's gat barrels of mon 0m cata worsen F-184— #251 Don't Need Anything But You (onace& oRAKE) Look whet youve done fr ut ig poemacers ght Damp-sey_ and Tin (SERVANTS) . ° Took whit you've done— for us vr r Good = mans yt swing —— as=185- 4251 Dow't Need Anything But You Mute haw got Ah fJidn DRAKE: Judge (itardprandels hes arrived, Judge Bran - di Ey s (up=186- #251 Don't Need Anything But You 7 Slower r G r WARBUCKS: Sift My frends, welcome tothe happiest 1. ; a Fight of my life. annem f= 7 —=-187- #25~1 Don't Need Anything But You WARBUCKS: Annie, 'm the luckiest man in the world ANNIE: And Tn the luckiest Kid Vamp {cate (WARBUCKS & ANNIE) ‘Tos geth tn ae) —<— = owanavens) sun shine now (etn vn ao ad ~(WARBUCKG & ANNIE [3] (wansucxsy Youve wrapped me 8 - eines Pee Cay ‘Cina You've made ena -_———, 2 ~188-— 425-1 Don't Need Anything But You that cute t-te Ba gee -_— = youve made— me the _ sn ger -_———. 7 + = = = a > ==189— #25=1 Don't Need Anything But You 07] ‘And whats that bathtub tune you al sway “bu be boo “TF rr ansucnsy a waRBUcKs) Yes = ers day wan plin z Yoo an say that 2-190- #251 Don't Need Anything But You xn, wanBucKs) ante, WARBUCKE & ANE) Yor = tere day was plain aw = ful but hae. npr dy el (otis mp Pe oe won, ARBUCKS) peste iano sto) me =F E oF wi 4 al all (WARBOCKS te ANNTE)== 4#25~1 Don’t Need Anything But You (BYARBUCKS & ANNIE) + more nw fm an aps pe alleen 0. a a ba~ copa °F i =F ¥ 1 govt wed amy = thing— but ay a=192- #251 Dow't Neod Anything But You oRaxe) we), avoMEN (DRAKE or ALL) r-vily nond = ed it beth er fe bare plopt (see (ALY hayes wo of 9 (wo of bind Otp-p wt pale “hyn None nd and Adele) (Floating — on i)-193- #251 Don’t Need Anything But Yon ise] And wher the rem that aT seta ssin ij fy ds Z om t FF194 #25~1 Dow't Need Anything But You ef Applause Segue=195- ANNIE Party Music Fade on cue Cock Plane syle (inno) (Gr Bas, rea) | 7 (6/13/06) Piano-Conductor=196— ANNIE Same Effect On Everyone (Annie) ALL: Merry Christmas. ROOSEVELT: | seem to have the same effect on everyone. (Dialogue) (ett mp (Piano Trcet til 23) (cet 1 oe 2 7 + 3 eu $$ tard (Bate Clan (613/08 Plano-Conduetor-197- #27—Same Effect On Everyone (lar Bear, cate ase pi) F (Celeste soe Ms Bos) (Cots=198-— #27—Same Effect Ou Everyone nothing tft rice as right here —— goo-na be swell— - - bi~199- #27—Same Effect On Everyone E (lag 4 Clr Ct 4 (Dirogue) be (Cresta le)—200- ANNIE A New Deal For Christmas (Warbucks, Grace, Annie, Orphans, Servants, Roosevelt) VAMP CUE: No More Mush, No More Mush. WARBUCKS: es. is for you, and perhaps for al of us, this Christmas is going ta be the beginning ofa wonderful new lie, Vamp waRBucrs) (once 1 know the dep = Sone rites Ped, naa angi (imo) |p 2 cor ole se sil the tT aw le — Brood i 2 (oacee (omace, wanucxs) The chil = dren dont gin —— 1 San = tae ane thin And _— 6/3706 Pinno-Conductor=201- #28—A New Deal For Christmas (oRace eWARBUCKS) WARBUCKS) We hon 9 tre riee Ne gud sil (Pate Pee | (clan vip (Cato ace (ANNIE & ORPHANS) well get a new desl for Christmas, this yeatt The Dy) 4; r sow fakes ane Fgh - ema of fall = ing#284 New Deal For Christ oun (aRBUCKS) conscey Po per-mint ste’ And wARBUCKS) files with den paie—— ‘ume cup + beens are bare a et Son + ts got brandnew as=203- 428A New Deal For Christmas vanBucks) far, 2 times ie tine only) year (SERVANTS & ORPHANS) (Pt, Pie Cae Vite, C9 | vero (color, Bos) ————tevaes onan) - - —=204- #28 New Deal For Christmas aw = genethoy and F “ll ~ ai~205— io (Geers Ve tSuap Sing at tong Be) ROOSEVELT & WARBUCKS) “= long #28—ANew Deal For Christmas (aro)928A New Deal For Christmas (ORPHANS) em) Ga belong your com = ‘e (Calla, Basa, Tab women) aw Fil ev = ty sch ing with laugh = we MISTER got room for (Pte Pie Clr ‘ave od “fFTy mone gloom — hap = py days thot (Bata ia Cato) an #28—A New Deal For Christinas WARBUCKS) ovansucs) (oxoury=208— #28—A New Deal For Christmas [5] corourn row desl for Chit = math (cnovr2, —— new deal for (Gel Vn em Ce firey (Clon mp cress poco epee P crma-vattones FE a a ete tng wall aI wall MW wall iF ~ will “all wall | "—209— 928A New Deal For Christmas row deal for Chris = mast (Chee = mas = setting new deal for-n0- Avwat 29 Bows A times ine = “ae Fete s Z The r —— 8 : r sins" come out to-mor-rom, Bet your bottom dal-lar that to = morrow — there'll be ce do 2 ag ? r the cob-webs and the Just thinksint about to-morrow (63/08 Pions-Conduetor—m1- #29—Bows When tv stuck— with a mao fa — thats gay hc=n2- #29-Bows ont come out to-mor-row Soya got-ta hang on ‘sil to + mors row — come what om fon a RF tra lg ir ap ae ee f-23- #29—Bows oy Fe Clr sts + to a a Qnd start)-24- 429~Bows sin 1 come out 0 rma F (as oe 2 YT cr? ot os—215— #29—Bows=216- ANNIE Exit Music pr (eters (15 Alto Sees) —_—. =P (6/3/04 Piana-Conductor aeave sar -217- #80— Exit Music ys Tan # (cat Fira [37] reson tn ex) 7-218— #30—Evit Music