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Allamah Iqbal and Islamic Re-Awakening
Allamah Iqbal and Islamic Re-Awakening
By Prof. M. S. Tajar
Al-Mustafa International College
Dr. Mohammad Iqbal was born during the British colonial rule, in the Indian sub-
continent ---comprising what is today India, Pakistan and Bangladesh, combined.
When he opened his eyes, and he got enough awareness, he saw his native Indian people,
Muslims as well as the Hindus, the Sikhs and others, were under the subjugation of a foreign
colonial power, called “Great Britain” (which today is only “Britain” with no adjectives!) To the
young Iqbal, as a Muslim, that subjugation (or as he himself used to call it “Ghulami” or
slavery) was even more painful, for several reasons:
Firstly, because Iqbal knew very well about his own Islamic heritage, and the glorious
Muslim Empire called “Moghuls”, that once ruled India with all its magnanimity and fairness
towards all the citizens, regardless of their race or religion. But now, he could see how his
beloved motherland has been turned into a colony, ruled by a treacherous and scheming
European white-racist supremacist-exceptionalist/ almost “chosen people” vs. the colonized
Indians, who were enslaved in their own land/ not very different from the Israel-Palestine
Catastrophe or “Nakbah” of today.
Also, considering the fact that the “British Colonial Empire” was started with the
“Euphemism of the East India Trading Company” and it ended in a brutal occupation and
subjugation of a land that was 10 times bigger than England in territory, and many times bigger,
in population, it was both ironic and also very hard for him to fathom.
Another painful part of this so-called “company” was the fact that it was engaged in the
biggest “drug pushing mafia business” that the world had ever seen, using the opium from its
Indian and Burmese (now Myanmar) colonies, to sell it to the drug addicted nation of China,
using gun-boat diplomacy, too! (Ref. “International New York Times” June 6/ 2015/ P.10) Also
the “Empire of Cotton” by Sven Beckart New York/ 2015)
Second, as a young Muslim student of history, Iqbal was also very familiar with the lost
glories of the Moorish Caliphate in Spain (711-1492 A.D.) ---- the “Glory that was Spain” and
the “Granada!... Granada!” of the bygone era. He knew about that Islamic Renaissance in the
European soil, during the Muslim Caliphate of the 8th Century Spain, long before there was any
so-called “European Renaissance” that began in Florence, Italy, during the 14th Century A.D.,
some 600 years later! Iqbal even visited Spain, to see for himself those magnificent Islamic
Heritage sites of the “Alhamra Palaces”, the Cordoba Mosque (now the Cordoba Church), the
“Madinat Zahra”, once the youngest and the most beautiful capital in the entire Europe, now
in ruins! (See the Alhambra Decree of 1492/Expulsion of the Muslims and the Jews, from the
Catholic Spain, as well as the “La Reconquista” of the Moriscos/ Moors/The International New
York Times/April 2/2014 P.10)
Third, Iqbal was also an eye-witness to the collapse of the “Muslim Ottoman Empire”
(1288-1924) due to the British and the French conspiracies, and the infamous British spy, the
“Lawrence of Arabia” and his “Saudi tribal co-horts”, who treacherously put an end to the
longest ruling dynasty in the world- i.e. the “Ottoman Caliphate”, in Turkey.
The Ottoman Muslim Empire was thus divided among the British and the French
colonizers (see the Sykes-Picot agreement of the 1918) and it was torn into some 20 small
countries, one of which was the land of Palestine – gifted, illegally, to the European Jews, to
colonize, and to re-name it “Israel” in 1948.
All those tragic events and the catastrophes befallen the once glorious Muslim
civilization, starting from the 7th century, up to the 20th century, depressed Mohammad Iqbal’s
young mind, very severely; This, in turn resulted in an emotional revolution inside our young
hero, which like a volcano erupted, and it was expressed in the form of his many lectures, books
and especially in his poetry, both in the Urdu language, as well as in Persian. But more so in
Persian language, because he considered the Persian language as the second language of Islam,
after the Arabic – from the Central Asia up to China, and from Iran up to India.
That’s why almost 60% of the poems by this Indian revolutionary poet and intellectual
leader, is composed in Persian, and not in his own native language of Urdu/ Hindi.
One more reason why he used the Persian Language more than his own mother tongue,
was his belief, and the belief of many of his own contemporary poets in India at the time, that
Persian was the most expressive language of Poetry in the Muslim world, both in quality as well
as in quantity. (Ref. “An Introduction to the Persian Poetry” by Prof. M.S. Tajar/
www.academia.edu.ph/ www.scribd.ph.m.s.tajar).
Just to give an example, here we would like to quote one of those poems, by Dr. Iqbal,
himself.
“Even though Hindi language is
As sweet as the sugar
Yet, the Persian language
Is even sweeter!”
And he also once said that those Persian poems he had composed were the most fruitful
part of his entire creative life. Then, he added: “I get those inspirations only in Persian. In fact,
my heart is Persian!” (See “The Persian Letters”/ Tehran, Iran, January 2003, p.133)
One of his own predecessors, who is the greatest Indian poet of the Urdu language of all
time, Mr. Ghalib of Delhi, had also expressed similar views, as Dr. Iqbal, but some 100 years
ahead of him.
Mirza Asadul Lah Ghalib of Delhi (1797-1869 A.D.) once said:
“Look at those Persian verses
To see all those glorious lines!
Forget the Urdu,
Which is a colourless
Collection of mine!
And then, as if that were not enough praise for the Persian art of Poetry, this time Mirza
Ghalib went even further, by saying:
“Ghalib was, indeed
A sweet nightingale
Of the Persian rose gardens (Firdaus/ Paradise/ Pardis)
I, foolishly, called him
A little parakeet of the India-land!”
And he also, just like the great Iqbal, believed that he could express his own “Immortal
Artistic views” much better in Persian, than in any other language.
One can clearly see those Persian – Islamicp influences in India’s Taj Mahal, and the
Red Fort/ Nehru cap and Shirwani Tunics/ Shalwar Qamis/ Indian Biryani and Naan/
Tandoori/ Jinnah Cap/ Indian Poetry and songs/ movies and love stories/ Mosques and
Mausoleums/ sixty per cent of the Urdu language being Persian or Arabic of the Persian colour/
the Persian Alphabet and its grammar used in Urdu, which is the 3rd most spoken language in
the world today, after the Chinese and English.
One of the well-known Indian scholars, professor, Mahmood Shirani believes that:
“Urdu is actually the beautiful daughter of the Persian language.” (Ref. “The Persian Letters”/
Tehran, Iran, Sum. 2002/ p. 199).
No wonder, even the first Prime Minister of India, Jawaher La’l Nehru (1889-1964)
whose own first name is also Persian (i.e., Jawaher La’l, meaning “Ruby”) once said:
“Taj Mahal is the soul of Persia, in the body of India.” But, that was not originally from
Nehru, because it had already been mentioned earlier by the French artist, J.B. Geuze (1725-
1805) who also did very well appreciate the extreme beauty of the Persian- Islamic
Architecture in the Taj Mahal, one of the 7 wonders of the world.
To complete the picture, we may even add this short poem from Dr. Iqbal, this time in
Urdu, as well:
That’s the Islamic Re-Awakening, according to Mohammad Iqbal, “who made the Philosophy
sing!”
References:
1. “Divan of Iqbal”, compilation of Dr. Iqbal’s poems in Persian, Tehran, Iran/ 2002-
2. “Introduction to Persian Poetry” by Prof. M.S. Tajar, www.academia.edu.ph./
www.scribd.ph.M.S.Tajar
3. “The International Herald Tribune” June2005
4. “Islam: A message of peaceful co-existence” by Prof. M.S. Tajar/
www.academis.edu.ph. /www.scribd.ph.M.S.Tajar
5. “Sayyid Jamal Ad-din Asad Abadi” by Mohit Tabatabai/ Tehran, Iran 1998.
6. “Amordad” the “Zoroastrian” magazine/ Tehran, Iran, Nov. 2015
7. “The Persian Letters” Iran quarterly/2002
8. “The Glorious Qur’an”, English Translation, by A. Yusof Ali/ Lahore Pakistan/ 1998
9. “Empire of Cotton” by Sven Beckert Alfred A. Knopf / USA /2015
10. www.allamaiqbal.com
11. www.columbia.edu/itc/mealec/pritchett/00urdu/iqbal
12. “The Reconstruction of the Religious Thought in Islam” By Dr. Mohammad Iqbal.
Publisher: Iqbal Academy of Pakistan, 1992
13. Development of Metaphysics in Persia
14. “Iqbal Academy of Pakistan”/Dr. Mohammad Iqbal’s works