Elementsof

Art&Design
Adapted from Project ARTiculate’s Elements & Principles of Art
http://www.projectarticulate.org
Line

The path of a point moving through space is a

line. Lines may be explicit (right, Matisse) or
implied (left, Hopper)
Shape
& Form
Shape implies form and is perceived as 2-
dimensional (below, Twombly), while form
implies depth, length, and width and is
perceived as 3-dimensional (right, Michelangelo)
Color
All of the colors are derived from the
three primary colors (red, blue, and
yellow) and black and white. Color
has three properties: hue, value, and
intensity (right, Ojibwe beadwork)
Value
Value refers to
the relative level
or darkness or
lightness of a
color in terms of
contrast (left,
Raphael)
Texture
The tactile (touchable) qualities of an
object, actual or implied (right, Bernini
and left, Rauschenberg)
Space
& Perspective

Space is the area in which art is

organized. Perspective is representative of
volume of space or a 3-D object on a flat
surface (above, Escher, right, Da Vinci)
Principlesof
Art&Design
Adapted from Project ARTiculate’s Elements & Principles of Art
http://www.projectarticulate.org
Pattern

Pattern is the repetition or reoccurrence of a

design element, exact or varied, that
establishes a visual beat (left, Warhol and
above, Klimt)
Rhythm
& Movement

Rhythm or movement is the suggestion

of motion through the use of various
elements (above, Pollock, and right, an
unknown artist, India)
Proportion
& Scale
Proportion is the size relationship of parts
to a whole and to one another. Scale is to
relate size to a constant, such as a human
body (left, Serra, below, a woman adds
tiny details to a Pueblo plate).
Balance

Balance is the impression of

equilibrium in a pictorial or sculptural
composition. Balance is often referred
to as symmetrical, asymmetrical, or
radial (above, a photo of a flower, and
to the right, Copley)
Unity

Unity is achieved when the components of a

work of art are perceived as harmonious,
giving the work a sense of completion (left,
Hokusai, below, Manet)
Emphasis

Emphasis is the created center of interest,

the place in an artwork where your eye first
lands (left, Toulouse-Lautrec, above,
O’Keeffe)