Preface TD (2 Diego Pujol was born on December 7th, 1957, in Buenos Aires, where he loter studied ot the “Jucn José Castro” conservatory and was granted the academic degres "Proferer de Guitarra”, In addition to numerous instrumental studies he also did composition studies under Leanides Arnedo, On the guitor he gave many concerts in Buenos Aires as well as in many other places in Ar gentina, but also in other Latin American and European countries. As a soloist he played with important Orchestras such as the “Solisics de Buenos Aires” or the Philharmonic Orchestra of Bogota. Asx com. poser as well as c soloist he was rewarded on many occasions. Pujal iso prominent representative of © young generation of Argentinean composers who, go back to their ow musical culture and use the rad: tionel music malericl without, however, disregarding contemporary tendences. His works cre peromed worldwide. The present "Tres Piezas Rioplatenses” reflect the grown Argentinean music, especially that of the Rio- de-la-Plata-region with its Spanish but also African influences. The tango “Don Julién® is dedicated to the composer Julién Plaza, who preceded Astor Piazolia in further developing the tango with regard to thythm end harmony. In this piece of music we find elements of today’s tango, The composition Sep- liembre is one of the category “Milonga”, a song form of o melodic character and with ideological texts, accompanied with the guitcr. lis thylhm is characterized through the division of the 4/4 time in 3+3+2. The work "Rojo y Negro” [Red and Black} is « “Candombe",a rhythmically accentucted dance of African origin, which is very popular especially among the colored population of the Riodela-Plata. region All three pieces make full use of the large range of possible sounds of the guitar. In the present composi tions, especially the rhythm is carefully worked on, it excels in syncopes, ostinatos ond shifs of strese These three striking movements of medium level can be performed either individually or os a whole. Tues Diego Pujol nacié en Buenos Aires el 7 de Diciembre de 1957. Egres6 del Conserva- torio “Juan José Casiro” como "Profeser de Guitarra”. Estudio Composicion con el profesor leénides Amedo. Como concertista de guitarra se presento en Buenos Aires y olras ciudades orgen tinas, en Latinoamérica y Europa, Se desempefié como solista con la Orquesta Filarménica de Bogota y con “Los Solistas de Buenos Aires’, Racibio numerosos premios y disfinciones fanto como compositor Y come guitarrista Pujol es un sobrescliente representante de una joven generacién de compositores argentinos que, sin ignorar las corrientes contemperdneas, utiliza material Wadicional de la musica de esta region. Sus obras son ejecutadas en todo el mundo En las siguientes “Tres Piezas Rioplatenses” se refleja lo musica argentina correspondiente a la region del Rio de Ia Plata, que recibio infivencias espaficlas y también en cierta medida ofricanas, El tango “Don Julian” esta dedicado al compositor Julian Plaza, que ya antes que Astor Piazolla habie coniri- buido al desarrollo ritmico y arménico del tango. Seliembre es una ”Milonga”, forma cantada de caracter melédico, basade muchos veces en un texto de contenido filoséfico, que se acompafic con una guitarra. Desde el punto de vista ritmico el compas de 4/4 se divide en 3+3+2. “Rojo y Negro” es un "Condombe", une danze de fois officane muy rimica, aue era bullode seveciolme ne’ por ks bob. locién negra de la regién del Rio de la Plata En las tres obras se utilizan las posibilidades sonoras de la guitarra. El aspecto ritmico de estas compo- siciones es rico en sincopas, ostinatos y desplazamiento de acentos. Estas tres piezas de medicna Gificultad pueden tocarse osi agrupadas 6 por separado.I. Don Julian Tempo di Tango (Allegro) 3 i Maximo Diego Pujol gqek a seaints ghd : a tf ev “am Steg zu spielen (metallico) (© Copyright 1992 by EDITION HELBLING, Innsbruck / Neu-Rum Jag92 Alle Reebte vorbebaltenpe 20 ate ee, o Tl rubato 4392 (© Copyright 1992 by EDITION HELBLING, Innsbruck / New-RumIIL. Septiembre ‘Maximo Diego Pujol Andante F lage O16 een 89g harmonicos ad tbicum 1 pts _ 2 “eto = = J4392 Alle Recbue vorbebalten (© Copyright 1992 by EDITION HELBLING, Innsbruck / Neu-Rum24 & 34392 (© Copyright 1992 by EDITION HELBLING, Innsbruck / New-Rum Alle Rechte vorbehaltenIII. Rojo y Negro Maximo Diego Pujol Candombe mf am Steg zu spielen (metallica) 54392 © Copyright 1992 by EDITION HELBLING. Innsbruck / New-Rum Alle Rechte woJag92 © Copyright 1992 by EDITION HELBLING, Innsbruck / New-Rum le Rechte voro = —_——— ~ ~ 4392