Huaylash Capricho Musical Expression

EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU HUAYLASH CAPRICHO...

1º Clarinet in Bb
           
POR: NILTON CALDERON TORRES
         
      


          
  1. 
6
       


 
  

12


2. 
  
               
           
        
       

20
 
  
  

         1.  

    
      
25


  
 

         
   
2.        

30

    
A la
y sigue
                            

36
   
   
               


      
41


   

    
  
46       
           
 
   
 
51           
       

 

 
54         
    


  DC
CONTACTO MUSICAL: 988084442
     
2º Clarinet in Bb POR: NILTON CALDERON TORRES
      
                  
 
     
      1.

6
         


 
  

12

2.
 
 
              

   
    
         
 
  
20

 
  
  
25 

              1.   
       


 
         
   
30 2.      
    
   
A la
y sigue
        
               

36
  
  
          

   
        
41
  

   

 
46            
 
           
 

         

51
        
 
 
  
       
54
    

  DC
     
1º Alto Saxophone

                 
        
        
6       1. 
 
   
      
           
         
12 2.
 
  
             
             

19

 
  


24                     
  
 
     

         
29 1. 2.         
  

     A la
y sigue 
         
     
35
        
   
39                    
     
 
    
        
44
     
              
      
   
50
     
  
 
54
         

       DC
2º Alto Saxophone
      

                     
          1. 
 
6

             
2.      

        
12

   
19
              
  
  
 
  
 
       
           
24 
  
    
          
29
         
1. 2.
 
y sigue   
  A la  
 
                   
35
   
         
39                    
  

   
        
44
    

     
               

50
  
   
          
   
 
54
   
             
 DC
Tenor Saxophone
                
              
1. 

6
        


 
        

     
12 2.           
   

      
           
19
  
    
   
    
                
24
  
 
            
              
29 

1. 2.
               
  A la
y sigue
                 
35
     
     
                  
39
      
   
        
44
   

     
             
   
50
              
        
 
54
   

        
     DC
                          
1º Trumpet in Bb
 

   
                   

6 1. 
 
       
2.   
   
12
  
                   


 
            
23
 
         
 
        1. 
28

2.
   
             
 A la  

y sigue
                
33
  
  
            
38
            
     
   
 
                     
43

  
        
 
48
    
                          


52
       
 DC
            

SUR DE AMERICA LIMA PERU
HUAYLASH CAPRICHO...
            
2º Trumpet in Bb

       

            
  
 
  
                 
6
     

1.
   
 
 
12
       
2.
     
  

        

                
23
       




28
    
1. 2.
        
              
 
  
A la
y sigue
           
33
      
  
     

38
            
     
   
 
            
43
        
              
48
  
                            
   

52
   
                             DC
  
       
1º VEZ TACET
1º Trombone
             
      
6
         
             
 

     
11 1.      
  2.
   
         
 

19              
  
 
            
     
25        1.  
           
 

      
2.
      
30
   
y sigue   
 
A la        
36           
    
  
     
   
       

41
         

   
   
                        
47
  
  
  DC
52
              
    

      
                           
2º Trombone 1º VEZ TACET
   
6
     
                     
 
 
11
      
   1.
      
2.
          
    

19             
  
 
           
          
25
               1.

         
                  
30
      
2.
 
   
A la
y sigue
                                
36
  
      
41
      
             

  
                               
47
  
  DC
52
         

       

      
1º Euphonium POR: NILTON CALDERON TORRES
   
                                  
1º VEZ TACET
6
    
   
                  
        

11
 
      
1. 2.
  
 
                    

           
17

 
                                 
23
    
        1.   
28

2.
            

           
 
32
           

 A la    
y sigue
                                
37
    
                              
42

    
47
                   
    
                               DC
52

  
2º Euphonium POR: NILTON CALDERON TORRES

1º VEZ TACET
                                  
6
        
                
   2. 
11

1.
        
        

 
                    
17
  
   
       
                       
23
              
                
28 1. 2.
        

   
 A la 
 y sigue
                           
33
    
       
 
38
                            
  
              
43
       

    
     
48
         
                  
            

53

     DC
Euphonium Suple
                
              
1. 

6
        


 
        

     
12 2.           
   

      
                                  
   
19

   
 
       
25
        
            
          
         
29 1. 2.
         
 
 
  
A la
y sigue
                               
34
    
      
39
               
 
             
44
     

    
 
49
           
           

53
     
                       DC
Tuba Bb
                              
        
                      
7 1. 2.
 

               
   

14
        
       
          
                 
21
            
        
          
28 1. 2.
    
      
     

   
A la
y sigue
35
                  
             
 
                   
42 
       
        
50
                     
          
 
54
   

          
   DC
Drum Set
                              
          
                          
6 1.
              

  
12 2.
                    

 
                  
18
          
        
   
24
     
  
 
  
 
  
 
      

                        
29 1. 2.
              
  
  
A la
y sigue
34
                            

 
       
       
40
               
       
    
                   

46
            
 

51
   
    



    



    


54
                    
     
DC
HUAYLASH CAPRICHO...POR: NILTON CALDERON TORRES
Bass Drum
                             
   2. 
         
7 1.
            
       

 
                        
14

                         

22
            
                 
29 1. 2.
 A la
y sigue
35      
                                
                 
42    
        
49
                        
 
 
53
                   DC

Huaylash Capricho Musical Expression

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Huaylash Capricho Musical Expression

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EXPRESION MUSICAL LA NOBEL

SUR DE AMERICA LIMA PERU HUAYLASH CAPRICHO...

2.      

        

            

                            

                   

                         

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