Us peneprypy oo Aaapecs (>erosuu Npoussegenun gna wecmucmpyHHou rumapy Coctaputenb E. JIAPHYEB MOCKBA -MY8bIKA- 1982Angpec Buxaiouuutica ritapucr coppemenuoctn Anapec Cerosns posses 21 espana 1893 roaa 8 Henan, B HeGombutom roponke JIuapece, pacnonoxentom B auzaayscxol nposaannn Xai. Bekope ttocite pox mena Mambuka ero cewba me- peexaa 6 Tpauaay, rae 4 npouina jercKue roxut Ce- TOBH, H TRE OH TOAYYHA CBOM NepBbIE MYSHIKATbHBe snevaTaenna. OsHo H3 TAKHX HesaGwBaeMbix silewaT- Jenni 64:70 cBAIAHO C APEBHHM MaBpHTANcKHM 3aM- kom Aasram6pa. Bemuyecrsenias Kpacota Ampran6- PH—ce ckasouHEe ABOPULL, CAML, GoHTAHBL Ht OTPOM- kble anoro upera Gaui ‘npoyavian y masienbxoro Cerosiu uyactao mpexpacnoro u 2160p K My3uIKe. ;Poaurenn on06pamt yBneveHHe MabYRKa NY3B Koil, Ho XoTenH, ¥TOGH ON YUHICH HTpaTs Ha dopte- uate, cKpunke Ham BHOnOHYeAH. Ho Cerosna yxxe cxeran ByGop— ero HucTpyMentom Oyzer rHrapa. ‘, —niicaa pnlocaenct- nu Cerosis B choem aBTo6Horpaduueckom ovepKe *. B peuensun xa Konuept Cerosiit seaaiounicn copetcxuli Komnosutop # yuensi B. B. Acadsea mn- can: ..Cerosnsi—npexcie acero cepbesHbih 1 cTpO- ruil wysuikanr. Ero wcnoamenite wikak xeabon yn- PeKHYTS B ReuleBOM teromEcTBe H BHPTYOIHMUECTBE Aypworo Towa. Cayuiats ero — caoeoSpasioe uacaax- ewe: Gaaroposcrso spyka, puTM, aNTeHCHBNeAMAR cHepKanHOCTh HeTIOAHEHHA, “HCKMOUNTeADHAR eT: KOCTS H YHCTOTA MHTOHAMHA (haaxoneTH mpocto nayMasorl), GeaynpeuHocte BKyca, yToHYeHHOe, He OKaaHOe MACTepCTEO H, KOHeSHIO, cKaz04HOe GoraT- CTBO AWHUMHYECKHX H KOAOPHCTHNECKHX OTTeHKOS — BOT ¥TO OCOeHHO H_ raBHBM O6pasoM NpHBTeKAcT B eepuueckolt urpe Cerosiit, 8 urpe cro» HeoSLIYHOlt Y Hac, rie HeKYceT#O 3TO TAK OnoUAAOCe. CeroBHe HH Ha’ OAM MoMeHT He YnyckaeT 3 Bay NaacTiKH opmis: of KpaciBo H nocteqoBaTeAbHO NOANepKiIBa eT KOHCTPYKTHBHEE eTaqH, GnecTAle pacuBeuiBact OcHOBHY! MenORHYecKyO ‘AHHIKIO MNWHEMH yaopa- Mit HH paaBuBaeT ee XpyNKHM, Kak yToHYeHHaN Pe3b: 6a, opuamenttom, A aa BeemH Stith KaecTBaMit BID: tyoaa maameustea ray6oKoe wyBCTao, corpenaioilee aByk (sonoTHCTEIA, COUN H HEHE...) H KUSHEHHO ero putmyroutecs ** Cerosin aoctur orpomHoht BeicoTH xyaoxKecTBeH. Horo Macrepersa B opaanennn HNcTpyeuTos. Ero Gesynpewnui MySHKaNbHBH BKYC M HcnoANiTeABCKHR TaNanT AajoT eMy paso AeaaTs TpaxcxpANuMt cAOX- HefuIHX MYSHIKAABHEX MpOHSBeMeMHH H COsAaBaTb HO- suafi reTapnbiit peneptyap. Ero-oapeHHocTs BAOXHOBH.Ia MHOTHX KOMTOSHTO- PoB K COMMER mbec “aa rHTaps. Manan Tlon- ce, Slirop Busaa-Jlo6oc, Anexcanap Taicmax, Ma- pio Kactensnyoo-Texecko, Xoakn Typuua, eae: pio Mopewo-Toppo6a; Xoaxux ‘Poapuro— Bor He- TomHii mepevens HMeH KOMNOSHTOPOB, cosaBILIX HOBMe UeHHBe MpoHsBeneHHA An THTApL CeroBH. ‘A, Ceropia npososraaulen OveTHUM npesHaeH- om O6utectaa Knaccuyeckofi rutapy_B H»W-Hopke; yiuwepcurer nenanckoro ropoaa Cantearo-te-Kosmo- Creo NpHCyAHA ey cTeneHb gOKTOpa durocodun W aWTepaTypet; TocyaapeTseHHIIM yHHBepCHTeTOM BO @ropuae emy NpHcyrslewa cTenex AOKTOPa MY3BIKH. Ceroana, mocae Goaee vem cemuaecatusernero MpeSwBania Ha KOHUepTHOA acTpane, CerosHA 10: Mpexweny HeyTOMHM B cHOeH KOHUepTHOR aeATeAbHO- cra M momoH cna H sHepraw. On mo6uBaa 8 70-TH crpauax Mupa, 1 Beate emy conyrersonaa Yenex, HH KorAa He ocTaBARBMIMA ero, HauitHaR c MepBOTO KOH- uepta 8 [panane. Hexapiio na onwom 43 Konueptos Cerosiio 1a3Ba- Au BeANKNM MaTpHapxOM THTApK, H STO B NOAHOM Mepe coorpeTeTByer feficrauTeAbHOCTH! E. IAPHYEB * dywavapexaf A.B. Cerosun xouuepty). PaGotnil u teatp, 1926, X& 10. ee" eKpacnan rasera> (Bea, auinycx), 1926, Ne 68 (1070). (K npeacronuienyAndpecy Ceeoout To Andrés Segovia COHATA SONATA Tamata Boxxepunn In memoriam Boccherini Annankatypa A. Cerosnn 'M, KACTEJIbHYOBO-TEDECKO Fingering by A. Segovia I 'M. CASTELNUOVO-TEDESCO Allegro con spirito (Sucrp0, ¢ yanevensen) a3 4 oo 4 b @ Ow esa. to a rorape woe merpyaioe Sf SSS SS ofS yf nl ES — “rer ts Ses Mya oo a a eee ee ew5©-Pe Andantino guasi canzone (He enews, » xapaxrepe xamuon) ©-Com 4 P dotce e tranguilfo — Psubito == ee rese. nf molto expr, mptronico Allegretto malinconico (Oxwsaenno, nevsauto) => torh movendo(a piacere )————@pe B.Com eS aE Tower EFF y ‘molto espr. m she SS Pig. Tempo di Minuetto (Ten menyora)10 Trio heen 2) Tata} a) ol = 2 oa z 3 U 2a245 24 2 ay af fea anny Ip graziosobpd = = == = re tornando al Tempo I (Tlepaut renn)12 IV Vivo ed energico (amo, suepewo)5 8.b penepryaba A, Ceroonegrr ed = J = 4] i intensop Falco ed alfenizase rn ae. Fe | mp piu intensowe tin poro tratt. & Vo v9} sists“ “sosteni iendoAndpecy Cezosuu To Andrés Segovia KABATHHA CAVATINA Tpeaoaua I Prelude A. TAHCMAH A. TANSMAN Allegro con moto J==120. (Buerpo,¢ anwnenven) (1951)Capa6anaa fl Sarabanda Ptranquitlo ¢ tegato 8 tempo Tir oF ir crip init eT20 CkepynHo I Scherzino Allegro con moto (Bucrpo, ¢ anxcennen) Piit vivo (wwe) mre 6) Of arma APT22 Bapkapoua Iv Barcarola Andantino grazioso e cantabile (We eneusa, rpauosno, aes yee) % 11945Andpecy Ceeoeun To Andrés Segovia ®AHTA3HSA-COHATA FANTASIA-SONATA ‘Annawxarypa A. Cerosu X. MAHEH Fingering by A. Segovia J. MANEN Largo J=40 (Ulapoxo) peredaang ‘Allegro, =120 (Suerpo) S422, acrest > va vu vn acantando molto ma sempre in tempo 5 aa va ® ® O-5-5 x Stes tema te a Sten ‘Poco dim T STR eee ve 3S P cfbse,26 v va vit Sfrasgueado. 2. . 2Cart BOOT nf rasqucado Mm ~~allarg- 28 a tempo Ctr oer “LORE °°. Z f Pprasguendo . Tambora a Tambora Tambora__Tambora erdendost Lise ea aaa ealando29 molto tranquillo animando all allegra rese. poco a poco i iy ‘A tempo (Allegro assai) = 168 (» rewne, ovens 6xrpo) a rae fo gf === Sf fos ° p® — rasgueato twa fo vPrasgueato p—— Sf S of ft32 nk n simore fed tninato allarg. un poct un poco 4 Gf rasgueato © ~ 2 SIT LS SES ES SSS Doppio pit lento (Andante) (He enews) iii tento (come prima) (Measemnee) 2m 3 © mo) oo ge S (sec) a ‘PP Ps rasgueado oe? Pf Fasgucodo ff Tempo prima (Largo) flepsuit ream (Uxpero) => calando N45Andpecy Cezoouu To Andrés Segovia ABEHAQUATb NPEMOANH TWELVE PRELUDES Annawxarypa A. Cerosnn Fingering by A. Segovia 1 wm nonce Manuel M. PONCE Tranguilto (Cnoxoino) Me 11sVivo (Xwe0) e aa at Arm? Arma2 11848Andante (He eneua) Vivo (Xma0) W(2 e — Vv Allegretto (Onuszemo) Vite ce oe 885‘Moderato espressivo (Ymepenvo, supaswresino) 2p 184538 Vil Andantino (He enewa)VIE Allegretto (Ommasenno) 11545Allegretto vivo (wa0) Ve eee,aL Allegretto espressivo (oxwasenso, aupaswreauno) vu. Moderato (Ywepeso)Moderato (yepeno) my Monee enn eee nee eee eee eee epee ee , 4 w tt fF WP eae 11845POHO RONDO M. KACTEJIBHYOBO-TERECKO Allegretto grazioso (onxascmo, rpautose) M. CASTELNUOVO-TEDESCO fa (1946) 1184sGaio ed agile (Becezo » 2er00) of 4st mp: ‘Scherzando sas45is 7 ‘marcato if basso Hit Wey = ee — f (Mosso) == aaf marcato —_= f nf — marcato mp pit dolce ii ——_48 ~ (qyasi recitatieo) — Ff tee f TEEtE? o 1k ud —— =— (quast_recitativo)mo ‘Tempo 1 (rtepauh renn) 7 nf expr ee —t oF stringendo = 250 Coda Galo ed agile (Beceso x xert0) «ihe a tempo z Saeciso Fr P 2p51 TTAMATH TAPPEFH IN MEMORIAM TARREGA Tappotnn 1 Garrotin X. TYPHHA 3. TURINA, Allegretto (Oxusaeno) sal ponticelto —— ‘Sonorite wcilés 7 gotpe” aif ritnico sans pizzica‘o ‘sul ponticello F¥sap no noxcranxe 184s52. ti he t ie oe golpe con sentimento popular tet 4 mL m1 a1? aolpe Sts Sonorite voilée sans pizzicatoAron Ec f dim. molto PP PPP Couneapec iif Soleares Allegro vivo (Ovens 6ver90) m.Bt os yn UT @ a tempo Mi = fe i pp, cediendoerase, mole = Ptr fr.Coyepskanne E. Jlapuuen. Anapec Cerosun Loe M, Kacrensryoso-Tedecko. Conata. Tamatn Boxxepunit M. Castelnuovo-Tedesco. Sonata. In memoriam Boccherini A. Tancman. Kapatuna A Tansman. Cavatina 1. Mpemomun . Prelude Il. Capa6anaa Sarabanda Ill. Cxepunno Scherzino IV. Baprapona sw. we Barcarola X. Manex. Dantasna-conata J. Manen, Fantasia-Sonata M. Tonce. Teenanuat npemonnit Manuel M. Ponse. Twelve Preludes M. Kacreanyoso-Tedecko. Pouno . M. Castelnuovo-Tedesco. Rondo X. Typuna. Tlamsrn Tappern J. Turina. In memoriam Tarrega 1. Papporun . Garrotin Il. Coaeapec . Soleares © Msnarenserso «Mysuxa>, 1982 r. Cocrapaenne. Beryniteasian cratsa. 17 19 22 23, 33 43‘Us ‘penepryvipa [pega eTOBUU Npoussegenua A MOCKB ” \Y8bIKA: 1983egy Wxrpower 1.8 Anapecy Cezoauu «To Andrés Segovia CIOHTA Op. 133 (1947) SUITE Hpemoaua I Prelude Motto Caerie Pun KO M. KACTERBHYOBO-TENECKO ‘M. CASTELNUOVO-TEDESCO. -pe Farepe Wecenerpynnan SSS = F pomposo quasi in inprovisazione 7 movendo @ piacere Mosso HOS UMC -e fide 2 Pauasi ovn 7 miorendo 121894 On tehs Snpo Allegretto — =esefucnmn ~ Tempo I (sostenfo) 5 TT? i = er a T —™ 2 movendo un poco pe oe SS Allegretto : po TPR PT a a rinforzando —~ of mr | t ee (10 stesso tempo) P srazioso ta) 2199Tempo I (sostenuto) f pompiso ope =s- OF nf pr. @ doloroso — = SS movendo af nit = = Mosso iJla3ayitay HoT = aa PI Wortaanackan Gannagza I Scotch Ballad Otemnt Spero Molto moderat6/— Esressivo e malinconico (a1 modo dei Canti Scozzesi) a = 2 =—— Appena pir mosso € regkiuer ag 38 e = + dolce © tH | yet movendy un pore 0 Slows Crap Pil mosso (un poco _agitato)_, Tempo 1 “e . iT. BW er = 7 — u a 5 i _ _ PP = # Fo (Appona pid mosso) ~™ a 5 — a RAD COO coe tertt ee Cid od) J ad ° Corcoey coor ure pf 5 = 7 TE Ce ee erpespr. Pi mosso , (empre PP) wit! pp Pespr. Tempo I (mu nn poco pth stuneo ¢ triste) llurganito 6 ae PO = 12193 aitSX Kanpuyino TI Capriccio Furioso (af) ote Juin rthe Molto ritmico (#1’ Americana) ~ Furioso f= = = = of ” 12198a 12 Molto ritmico = > > r FF ovisa Se — Furioso | § = cif pir [os — a ks = = SS —= «=. kk K § E : Molto ritmico > > ~Un poco meno (Allegretto graziow- alla danza) =Tempo 1 (Furioso) > Molto ritmico ty iG] 12 2 > SS wtx _ Molto ritmico — af @ piacere riten, ™P ieggero Un poco meno Allegretto grazioso - alla danza — = ag 7 pr Te F P——— =— =—=— mp &9r pip 2193Clie net. " Molto vivo pire re pers pe”1t ve 15 1t (fT TEiFiT TRISTE Violento e selvaggio s 12193,Anopecy Cezooun To Andrés Segovia XAPAKTEPHDBIE MbECbI CHARACTER PIECES Mpeam6y.aa I Preambula Annanxatypa A. Cerooun ‘©, MOPEHO-TOPPOBA Fingering by A. Segovia F, MORENO-TORROBA Lento © codendo 2109a Oxusepac Wt Oliveras Allegretto my cn 2193pF 4 Bien cantato Wo) ice) “é On @ 4 WF 57 7 12109Arma ro? °F 8 FS cotton PP r F 70 —_ —> 2 2193Menonna Ml Melody Lento Me----------- 5 A) —_= 121934.Ma penepryapa A. Cerone —————Pia mosso a tempo20 errs PEEry bes ritard. ten__ten_p &, poco ritard. ° rai wba Maiicxas necua IV May Song Allegro non tanto=—— 1210330Aap6ana v Albada oe Allegro gracioso Miya fini My A $45 == = i tT 12109,33 Manopama VI Panorama Lento mai Allegro ritard,fe’ 7 SS molto rit, vr in KT Allegro 121092109Andpecy Cezoanu To Andrés Segovia COHATA I SONATA Fingering by A: Segort X. TYPHHA Ad libitum J. TURINA ®-pe Allegro oy poco rit. @ is 2190Allegretto tranquillo a tempo > ae dolcissimo Arm. 3% Allegro 2 12193,39 Allegro 1210340 Allegretto tranquillo a tempo pi wemtietitr ane P eres. motie Golpe 12193at Andante dolcissimo Fr ewes — F ? yt +N Arm, Arm, ot, pies dom 5 @ : 3 7 7 r rrvr 2199 T UreF F Fe a x t z molto espressivo43 Allegro vivo resent. ® A so et a Mb eodientaAllegro moderato ‘ , vin LS b, va pom york Allegro vivo ras 1219345 aH Allegretto o--- daletssimo 12193retentondo un poro nesta at Fin, rasy. rasy. 12193KACTHJIbBCKAA CIOHTA CASTILIAN SUITE anganruabo I Fandanguillo Peta Aston PE ORENDonKORA Allegro, tempo di Fandango > rtm coat ° coe St Soa Se Seay @ = —] 2 ; 12193BR er pe TR FPR Tp r P sina P49 Apana nt Aradaa fempoat Taney, ul Dance pizz. - - f af 2109962 fee r a - Qo pp rall aN P p———$$$S—53 CEPEHAJIA-BYPJIECKA BURLESGUE SERENADE ‘©. MOPEHO-TOPPOBA F, MORENO-TORROBA Allegretto Arm. ype iii g 24 ie To r rail, tempo bien cantado o 4 ® ‘RTF 22k ty ia . ” epee ee molto cresc. ral, 1 qm fallin jp 2 m0 o 3 ® fe es |, = 7 12108tempo bien cantado rall, age! J Poco ni lento_ \) HoxTiopH NOCTURNE . MOPEHO-TOPPOBA F, MORENO-TORROBA Lento espressivo a 222109 'molto rit. @ ‘loco Andante espressivo Allegretto 12198PA®ATA RAFAGA Annanxatypa A. Cerosnn X. TYPHHA Fingering by A. Segovia J. TURINA paxil Andante (mf) {= He espressivo oa XIl dim. motto Allegro vivo con grazia suavissino molto espressi 2193sece. golpe? —> etnies doteissimo aa *) ~ pect yan no nonce 2 Siena edz vainenergico 12103Allegro molto f Allegro ruse. 12199Coyep»kanne Contents M, Kacreaonyoso-Tedecko. Cioura M, Castelnuovo-Tedesco. Suite 1. Hpemoana . Prelude Il, Worsanackan Ganaana Scotch Ballad UL Kanpuwwo 2 2 2 ee Capriccio ®. Mopexo-Toppo6a. Xapaxtepusie nbeckt F, Moreno-Torroba, Character Pieces 1. Tpeamoyaa Preambula IL. Onupepac Oliveras IIL, Meaozna Melody IV. Maficxas necua ‘May Song V. Aav6ana ‘Albada VI. Mantopawa Panorama X. Typuna, Conara 1. Turina. Sonata \V®. Mopeno-ToppoGa. Kactuancxan conta F. Moreno-Torroba, Casilian Suite 1 @anaaurnavo Fandanguillo I. Apama ss we Arada Wi Tawen 2 2 ee Dance . Mopexo-Toppo6a. Cepenana-Gypaecka . P. Moreno-Torroba. Burlesque Serenade v ®. Mopeno-Toppo6a. Hoxriops F. Moreno-Torroba. Nocturne vy X Typuna. Papara 1. Turina. Retaga. 20 a1 24 28 31 33 3a7 aT‘Cs penepry4pa Hy Pec eCTOBUa Npoussegenua gna wecmucmpyHHod rumapplAndpecy Cezoauu To Andrés Segovia MA3YPKA . MAZURKA Annauxarypa A. Ceronn A. TAHCMAK Fingering by A. Segovia A. TANSMAN, Moderato (4=120) 3 * Tarapa weeructpynnanPrirrr? ttt rr retzt z i adAndpecy Cezoeuu BAPHALMH »4EPE3 BEKA“ Yakona Annanxatypa A. Ceronun Fingering by A. Segovia © pe _ To Andrés Segovia VARIATIONS “THROUGH THE CENTURIES” Chaconne M. KACTEJbHYOBO-TEAECKO ‘M, CASTELNUOVO-TEDESCO(2m sostenendo Yom a piacere Se Page —= _T _— af ——= SP Mpemogua Prelude Moderato Bap.1 m § 2 3 — pee - ep dolce ¢ triste 12453— Z 7 pS t P Vi... 4 a cn { 4116 Wh 1 im a =7 un poco tratt. ee eae reece wry piacere L r —= On 52-- 1 QO -1@ @... OX" O =p — f= SSS Ss trattenendo molto Tempo I Un poco pli lento ® . TT r . — =—— dolce e malinconico Un poco mossoBaasc | Waltz I a 12453Baabe Il Waltz II —= molto espr. 12483me -y 4 2 aad 3 3S oT i) — ir 8 oa Ne I t ol | ! HI 3 Hh HI cant a )Tempo del Walzer — : ee Coda Un poco mosso @oKcTpoT Foxtrot met A ad rerltande an poco a tempoAndpecy Cezoauu KJIACCHYUECKASA COHATA Mamata ©. Copa Annamxarypa A. Ceroann Fingering by A. Segovia Allegro 7 To Andrés Segovia CLASSICAL SONATA In memoriam F Sor ‘M. OHCE MANUEL M. PONSE 3. penepryapa A. CeroAndante24 Menuet I CG pizz,--~--~~--,it 4 tempo = oe On aas--n > I 3 4 y or saa] 4] x rte tee riet rir Ay 3 , Fa ofddy y dS 7 = F 7 F iad r ve oO D. Coal Fine30 Andpecy Cezosuu To Andrés Segovia POMAHTHYECKAS COHATA ROMANTIC SONATA Namatn ®. Wy6epta, In memoriam Fr. Schubert awoSuemero rutapy who loved the quitar Annanxarypa A. Gerona Fingering by A. Segovia 1M. NOHCE Allegro moderato I MANUEL M. PONSE. BernatoF f PPespressivoMI Allegretto vivo—— , i Er tt — ctr’?Tempo I tere perry re 7 7715Allegro non troppo serioso eet 7 cur pt F x =— P , aa 2 5 Pas sore = ——— =e pa for Ff it basso ben marcato 7 rorporg? ?124534 Vil -------------------a =i] Hl ll ~all “all (eI wl fe 245312459Andpecy Cezooun To Andrés Segovia COHATA III SONATA III Annauxatypa A. Cerosnn I M. NOHCE Fingering by A. Segovia MANUEL M, PONSE ®pe Allegro moderato _ 1 3 F tfii tranguitloA un poco pit animato IV----5, 249 4 Wore ee = oS a Es 2, 2 Pages. a! xt vu Ix vil oo ww® pd tranuitle Mies eseseeeeeeeneey 2 VIIE> + == 222s vcyAllegro non troppo mm Ss SF siocososos ee eeno © pee eee oe a tempo = oT 4——_ e oes * 7ami simile P, simil oe 12453. ¥Lento fo? to at ee Querai tr .Lento Mew gng---- — - - - -- -- ~~ v ' vo, 1 0 1265362 Vivo espress. pa pa5T18 ®Conep»kanne Contents A. Tancman, Masypxa . A. Tansman. Mazurka M. Kacreasnyoso-Tedecxo. Bapwaunn «Uepes Beka» - M. Castelnuovo-Tedesco. Variations “Through the centuries” Uaxona Chaconne Tipenooua swe eee Prelude Basse I Waltz I Baape Il . Waltz II @oxctpor . Foxtrot M. Tonce. Knaccuueckan conata Manuel M. Ponce. Classical Sonata M. Tlonce. Pomantwyeckan conaTa Manuel M. Ponse. Romantic Sonata. M. Moxce. Couata III Manuel M. Ponse. Sonata III I, Allegro moderato II. Mecua (Andante) Song III. Allegro non troppo 11 12 14 17 30 46 53 55‘Cs peneprypy capper (GerosuuTOHAIHJIbA Op. 170 TONADILLA na uma A. Ceropan over the name A. Segovia M. KACTEJIbHYOBO-TEECKO M. CASTELNUOVO-TEDESCO Andantino (Quiet and dreamy) (quasi un introduzione) @ -® j® Ope} 2) | >= Bt t? <—_——= oo = (Pla: mosso, quasi cadenza) 3a Ms @_ Tonadilla @ tempo (Quiet, but very fluent) (ep Vaccompagnamento) a 3 B 4] 5 ? b p ~~ a4 P dolce ma un poco marcato la melodia - mm - 2@ tempo fluent un poco meno — 13278 Podolceun poco appassionato tf f ” (Pit mosso, quasi cadenza) P fluent rit.a @ piacere Arm. x Calme and vague @ eee 4 ae rood a is x 0: og PP t ican . &Andpecy Ceeosun 7 To Andrés Segovia KOMMOCTEJIBCK AA CIOHTA =COMPOSTELLANA SUITE Tpemogua I Prelude Annankatypa A. Cerosun , MOMNY Fingering by A. Segovia F. MOMPOU a tempo Oso 2040 193%% 9 8 eo II r P 13278Oras 29 vi meno mosso 1 Arm. SS tlh 2 Cy if 2 espressivo atempo 0 39 oo x @---------5 ™ ie aso1r23 021323 eS ® T agsi23 2323038 aseras 41352821s at Zt aio, tit. 112312 00119, a tempo es vil so tte? tarry fit i r r T P PP 2. Wa penepryapa Ceromnx 13278Xopaa I Chorale 13278YW KoapiG6eapnan TI Lullaby Moderatod = 63 y 1—~i @---- =" @ ee JJ) dn 2S a 2 mf dolce 1 simite a © @-------. aloe o Y— jm Lt ~Jeea 4—jae0 _a-— SSS SSS oP cesar v~ T T_F Sa SaPid lento a7 te SI iy om 4" molto rit. J Arm. 85-. J TR 13278 MN aml13 Peautatus IV Recitativo Lento molto o> meno lento * ity 3 1 pp | PP ? \kipressioo ¢ cantabile — i Bp A 3 meno tento sy ot Te CT Am Beaman 814 Mecua Vv Song Moderato#= 76 toe! Fr @---- 3-2Myneiipa VI Muneira 4a Vv V-~~ + -- 2-2 25- A 24,8) 4 4) migv7 Wen eeenee cece geenee eg tee cep eee eae APP vit Seg ep ped ihn Ee ¥ Poy y 7 r t OF gf t OF 3. Hs penepryapa Ceroonnot ty Sf rasyucado pesanteAxdpecy Cezosuu 19 To Andrés Segovia 1OXKHAA COHATHHA SOUTHERN SONATINA None I The Field Annauxatypa A. Ceropun M. TIOHCE Fingering by A. Segovia Manuel M. PONSE Gpe Allegretto They noe cedendu un poco20animando cresc. =———__ = cedendo poco fcon grazia animando e crese.23 Necna i Song ‘animandoa4 mA = r a ft = rranquitto fe Pingrigad J senoriaee MpasqHuKk It Fiesta Allegro con brio = aS rasgueado 7 4 * 2 ritmico a . destacado con humor 4 4 | F fo t robusto 4H ek Seycon dulsurd . 25 J yy no P trontea ‘ley a claras ambas voces rasgueado26 me aim oe 4 Fnarcada ta porte inferior 3 Sf rasquendo. Bexlojuno y humoréstice (Spa sstesp Rays F i F ia ij the id a fl _: F” apusionads : F apastonado SS ay metulico P crescendo metaltco 4,—~ ligero rall. molto ®28 TPH MEKCHKAHCKHE HAPOJHDIE THREE MEXICAN NECHH FOLK-SONGS M. NOHCE Manuel M. PONSE Vil. Tlepeaomenne A. Ceronu I Arranged by A. Segovia Allegro29 I Andante30Bee Ee 7 + = poset E aS Pict Cir mt Osa2 Andpecy Cezosun To Andrés Segovia BAPHALLHH H ®YTA VARIATIONS AND FUGUE Ha Temy HcnancKo# HapoaHod nechn «oana» on the “Folia de Espafia” M. NOHCE ‘Annanxatypa A. Cerosnn Manuel M. PONSE Fingering by A. Segovia Pe Lento 4 Poco vivoBap. 2 Allegretto mosso 13278Bim: Lim 2f a 0] 9ur Aum 8-2 = 75 a Xx x Arm8-- 4 me) a r F be Bap. 4 Un poco agitato‘ ® iT_t IT TF zo t Bap. 5 Andantinoiz------5 Pa = Bap. 6 Allegretto expressive 11- 438 a tempo fa PoP pr Fes PBap. 9 Andantino affettuoso41 Bap. 10 Prestissimo aie 442 Bap. 11 Andantino Est ee molto legato43 Bap. 12 Animato LfPritmico e vd é - f = 23 Fmt thse esd is @Og.-.------Qo ~~~ en en eee ee eee, ‘Bap. 1546 Bap. 16 Moderato, ; p Wr +2222 22 ee eee eee® cediendo48, Bap. 17 Allegro ma non troppo Liga leggiero cediendo : Soh 4 1327849 Bap. 18 Allegro scherzando50 ure--> aoe F F 0 > PO OB d r+? Bap. 19 Vivo e marcato 4 ye 43 % Milo oi poe af BG dni: 19278Bap. 20 Andante ” 8 je po) 7 tr iF Attaca ta Fuga *) Mexyceraennwe Gaanoneris o 1327852 Moderato53 u--, 2© © @--, ur--- tert ft |Btritard, molto Hl (tl Aye F MIAHTJIMACKASA CHOUTA op. 31 ENGLISH SUITE [pesonna I Prelude J. MWOAPT D. DUARTE (Con moto) v 4 % % 2) (nf) leggiero molto rit. vo. Motto meno mosso e calmo58 Hapoguas necna Con calma ma espressivo (J = 68) Folk-Song59 Arm.Xit wt x g a7 i fo ‘Arm ob Arm.XI1 Tt eleeeeeecesl Meno mosso e calmo Tomes IV-- = ---------, Mec enon eee morn g at Oot60 | i h ® KV -vi----- J dda, Un poco mesto ° i uf f molto rit. \eluuffee----------------Kpyrosoi taney, Ml Round Dance Wag ---oy Giocoso ToT oT oT Pe: fs @ i BS es ee ol rall. molto Lirico (d=32)62 Pereussion__----------- -COMEP)KAHHE CONTENTS M. Kactenpuyoso-Tegecko. Tonaquina Ha uma A. Ceropnn M. Castelnuovo-Tedesco. Tonadilla over the name A. Segovia ®. Momny. Komnocteapckas ciouTa F. Mompou. Compostellana Suite I. Tipemogqua Prelude Il. Xopaa Chorale II. KoanGenpuan Lullaby IV. Peauratus Recitativo V. Tlecua Song VI. Mynetpa Muneira M. Tlonce. fOxnan conaTHHa Manuel M. Ponce. Southern Sonatina I. Tlone The Field II. Tecua Song UI. Mpasaqnux Fiesta M. Tlouce. Tpu MeKcHKaHcKHe HapogHHe necHH Manuel M. Ponce. Three Mexican Folk-Songs M. Tlonce. Bapwaunn u dyra Ha Temy HcnaHckoH HapozHOn necuH «Donna» ce ew ew Manuel M. Ponce. Variations and Fugue on the “Folia de Espafia” ZI. Twapr. Anranitcxas ciouta. D. Duarte. English Suite I. [pemogua Prelude II. Hapoguas necua Folk-Song Ill. Kpyrosoh tanen Round Dance il 13 14 16 19 23 24 28 32jee ss penepryps IpecA eTroBUuU db MOCKBA -MY8bIKA: 1987Andpecy Ceeoouu To Andrés Segovia KOHLLEPT NN 1 (Pe maxop) 1st CONCERTO (in D major) Aaa rHTapbl c opKectpom for Guitar and Orchestra Onelcal tee) M. KACTEJIbHYOBO-TERECKO Allegretto I M. CASTELNUOVO-TEDESCO @ re Fwrapa wecrnerpynas hid 3 ‘@oprennano —. 3 [| fe | © Schott & Co. Ltd. London, 1954 1511(leon bravura Pleggiero P teggiero P dolce wast+ TS ap doled Pdolee ~—_| yf be _—— F britlante nf tgs. pe: by nf espr35111351113511‘Horn © a 2. Ha penepryapa A. Ceromum 1351110 oo ri, = scherzando 13511 See2 13511 11fesp guast recitativo Cello [Sole quas? recitativo nf e300 | ——— —= —— 13511facet Tempo 1 P dolce © sonora 13511Un poco trattenendo Padolce e legato — 13511bio === oT Sumaannoan —= Cadenza afin poco tanguéde)_ S fesp. = = a amcss—— hk mosTD Pi a NN. SVK 7 7 to z OS infers — a sssit16 sostenuto tt 13511 it Tempo 17 Andantino-alla romanza eo, £7) 11. ————— p dolcissimo rit ( Pdolce ed espr. | Ga dad 3. Ha penepryapa A. Cerosnn 1351118 of | pdolee——— — (3) (Appena piti mosso e scorrevole) Ob, Fl SS SOP lee e_ sonore a=, Sts. —= (MER) P dolce 13511= > /> ™P aspr. cantando pp Timp. anf espr. cantando Horaf appassionato — pitimosso © of (Pi sostenuto) ampio € SONOPO_ 13511at Ossia Calmo, ma scorrevole p dole vd uguate ~ ofl22 [7] Catmo —— ‘mp dolce => oe => P Viet T= Z 2 # a Vins. ce im P dolce Vin 135118 ale or "P alee etriste 19511(Harm). perdendost P P——_ | __perdendost dolciss. 5 z a & 1511Ritmico e cavalleresco e 1351126 s brittante ff—= con dranura, mf jiorumante 1351113511in ritiero Bsn. = | , Paolce Bei 1351130 13sit= ff leetso |ppoco mare. Fias 1511SF Ph teas. Quasi Andante (. (sempre lo stessotempo, ma con larghezza di espressione) —__ . x |. del mov. prec.) = | dolce ei ensanente espress.) 1351age dolce i in intortsumente expr Ob. cls, =— + Pdolcee legato — 1351135 Cadenza (pit messo) F tecciso Tempo I = =36 Senergico 13511Horn be ed iiocos0 4] Lostesso Tempo Ff (dd) nf dep mf caste Bhai prenergico 1351139 Fbrillante —= Un poco sostenuto (quasi fanfara) ma festoco FSS ge Et 5 bee <— 1351140 ®AHJAHPUIbO ~ FANDANGUILLO Annanxatypa A. Cerosiu . Xx. TYPHHA Fingering by A. Segovia J. TURINA = Allegretto percusion ‘percusion 13511Le Locr.,,%%: if T= 742 Bao, ae 4 1 4 4 —~! nL Sao cedienda Rasg. ® M.-cage eeag ~ 3 en eatmu : nv, Andantino “Oni y |44 Andpecy Cezoous To Andrés Segovia NPEMIOHA PRELUDE Annauxatypa A. Cerosnn M. NOHCE 1g by A. Segovia MANUEL M. PONCE Trés moderé mais sans lenteur =I 8 i tn poco rubato Ay mu Oat Ee wat tm aot 14 te cresc. ed animando ® 2 Vv 4 pe gate, 9982 ibt.g m i 248 * Kanogactp wa Il aay. 13511a tempo a tempo rt 4@ v BAJIbC WALTZ M. MOHCE MANUEL M. PONCE 13314 fa — vi al rote f animando H- | al: aJ@ rs -Sostenuto Yay nr a tempo . eececceeee, Fall Po TOP ttre rere FFFCogepxkanue Contents M, Kacreaonyooo-Tedecxo, Konuept Ne 1 (Pe waxxop) aan rrrapht c opxeerpom. 8 M. CastintovoTeleso. Ist Concerto (in D'mafer) for Guitat and Orchestra X. Typuna, @aunauruaso : 40 4. Parla. Pandanguila, : M, Monce. Tpemonna “4 ‘manuel M. Ponde, Prelude ‘M, once. Bane. 45 ‘Manuel M. Ponce Walte