11/11/19 Popular Music and Society SOC3044 | University of Surrey - Reading Lists

Popular Music and Society SOC3044 View Online

Adorno, Theodor W. 1976. Introduction to the Sociology of Music. Vol. A Continuum book.
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Adorno, Theodor W. and Leppert, Richard. 2002. Essays on Music. Berkeley, Calif:
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Anon. 2012. Understanding the Music Industries. SAGE Publications Ltd.

Anon. 2014a. Popular Music and Society. Polity Press; 3 edition.

Anon. 2014b. Popular Music and Society. Polity Press; 3 edition.

Anon. n.d. ‘Benjamin, W. (1936) “The Work of Art in the Age of Mechanical Reproduction”.’
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Bennett, A. 1999. ‘Subcultures or Neo-Tribes? Rethinking the Relationship between Youth,

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Bennett, Andy, Hawkins, Stan, and Whiteley, Sheila. 2004a. Music, Space and Place:
Popular Music and Cultural Identity. Vol. Ashgate popular and folk music series. Aldershot:
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Bennett, Andy, Hawkins, Stan, and Whiteley, Sheila. 2004b. Music, Space and Place:
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11/11/19 Popular Music and Society SOC3044 | University of Surrey - Reading Lists

Ashgate.

Bennett, Andy, Hawkins, Stan, and Whiteley, Sheila. 2004c. Music, Space and Place:
Popular Music and Cultural Identity. Vol. Ashgate popular and folk music series. Aldershot:
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Bennett, Andy, Hawkins, Stan, and Whiteley, Sheila. 2004d. Music, Space and Place:
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Bennett, Andy, Hawkins, Stan, and Whiteley, Sheila. 2004e. Music, Space and Place:
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Ashgate.

Bennett, Andy, Shank, Barry, and Toynbee, Jason. 2006a. The Popular Music Studies
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Bennett, Andy, Shank, Barry, and Toynbee, Jason. 2006b. The Popular Music Studies
Reader. London: Routledge.

Bennett, Tony. 2009. Culture, Class, Distinction. Vol. Culture, economy and the social.
London: Routledge.

Born, Georgina and Hesmondhalgh, David. 2000. Western Music and Its Others: Difference,
Representation, and Appropriation in Music. Berkeley: University of California Press.

Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. London:
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BULL, M. 2001a. ‘The World According to Sound: Investigating the World of Walkman
Users.’ New Media & Society 3(2):179–97.

BULL, M. 2001b. ‘The World According to Sound: Investigating the World of Walkman
Users.’ New Media & Society 3(2):179–97.

Bull, Michael. 2005a. ‘No Dead Air! The iPod and the Culture of Mobile Listening.’ Leisure
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Bull, Michael. 2005b. ‘No Dead Air! The iPod and the Culture of Mobile Listening.’ Leisure
Studies 24(4):343–55.

Bull, Michael. 2007. Sound Moves: iPod Culture and Urban Experience. Vol. International
library of sociology. London: Routledge.

Certeau, Michel de. 2002. The Practice of Everyday Life. Berkeley, Calif: University of
California Press.

Cohen, P. n.d. ‘"Subcultural Conflict and Working-Class Community”.’ Working Papers in

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Cohen, Sara. 1991a. Rock Culture in Liverpool: Popular Music in the Making. Oxford:
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Cohen, Sara. 1991b. Rock Culture in Liverpool: Popular Music in the Making. Oxford:
Clarendon.

Cohen, Stanley. 2002. Folk Devils and Moral Panics: The Creation of the Mods and Rockers.
3rd ed. London: Routledge.

Connell, John and Gibson, Chris. 2003a. Sound Tracks: Popular Music, Identity and Place.
Vol. Critical geographies. London: Routledge.

Connell, John and Gibson, Chris. 2003b. Sound Tracks: Popular Music, Identity and Place.
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Connell, John and Gibson, Chris. 2003c. Sound Tracks: Popular Music, Identity and Place.
Vol. Critical geographies. London: Routledge.

David Hesmondhalgh. 2013. Why Music Matters. Wiley-Blackwell.

DeNora, Tia. 2000. Music in Everyday Life. Cambridge: Cambridge University Press.

DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. Cambridge: Cambridge
University Press.

Finnegan, Ruth H. 2007a. The Hidden Musicians: Music-Making in an English Town. Vol.
Music/culture. Middletown, Conn: Wesleyan University Press.

Finnegan, Ruth H. 2007b. The Hidden Musicians: Music-Making in an English Town. Vol.
Music/culture. Middletown, Conn: Wesleyan University Press.

Fiske, John. 1991. Understanding Popular Culture. London: Routledge.

Frith, S. 1986. ‘Art versus Technology: The Strange Case of Popular Music.’ Media, Culture
& Society 8(3):263–79.

Frith, Simon. 1981. ‘“The Magic That Can Set You Free”: The Ideology of Folk and the Myth
of the Rock Community’. Popular Music 1.

Frith, Simon and Simon Frith. 1983a. Sound Effects: Youth, Leisure, and the Politics of Rock
. Vol. Communication and society. London: Constable.

Frith, Simon and Simon Frith. 1983b. Sound Effects: Youth, Leisure, and the Politics of Rock
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Frith, Simon and Frith, Simon. 1983. Sound Effects: Youth, Leisure, and the Politics of Rock.
Vol. Communication and society. London: Constable.

Frith, Simon and Goodwin, Andrew. 1990a. On Record: Rock, Pop, and the Written Word.
New York: Pantheon Books.

Frith, Simon and Goodwin, Andrew. 1990b. On Record: Rock, Pop, and the Written Word.
New York: Pantheon Books.

Frith, Simon and Goodwin, Andrew. 1990c. On Record: Rock, Pop, and the Written Word.

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11/11/19 Popular Music and Society SOC3044 | University of Surrey - Reading Lists

New York: Pantheon Books.

Frith, Simon and Goodwin, Andrew. 1990d. On Record: Rock, Pop, and the Written Word.
New York: Pantheon Books.

Frith, Simon, Goodwin, Andrew, and Grossberg, Lawrence. 1993. Sound and Vision: The
Music Video Reader. London: Routledge.

Gay, Paul Du and Open University. 1997a. Doing Cultural Studies: The Story of the Sony
Walkman. Vol. Culture, media and identities. London: Sage.

Gay, Paul Du and Open University. 1997b. Doing Cultural Studies: The Story of the Sony
Walkman. Vol. Culture, media and identities. London: Sage.

Gelder, Ken. 2005. The Subcultures Reader. 2nd ed. Abingdon: Routledge.

Gill, John. 1995. Queer Noises: Male and Female Homosexuality in Twentieth-Century
Music. Vol. Cassell lesbian and gay studies. London: Cassell.

Gronow, Jukka. 1997. The Sociology of Taste. London: Routledge.

Hall, Stuart and Jefferson, Tony. 2006. Resistance through Rituals : Youth Subcultures in
Post-War Britain. 2nd ed. London: Routledge.

Harris, Anita. 2008. Next Wave Cultures: Feminism, Subcultures, Activism. Vol. Critical
youth studies. London: Routledge.

Hebdige, Dick. 1979. Subculture: The Meaning of Style. Vol. New accents. London (etc.):
Methuen.

Hesmondhalgh, David. 2002. The Cultural Industries. London: Sage.

Hesmondhalgh, David and Negus, Keith. 2002. Popular Music Studies. London: Arnold.

Hodkinson, Paul. 2002. Goth: Identity, Style and Subculture. Vol. Dress, body, culture.
Oxford: Berg.

Hodkinson, Paul and Deicke, Wolfgang. 2007a. Youth Cultures: Scenes, Subcultures and
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Hodkinson, Paul and Deicke, Wolfgang. 2007b. Youth Cultures: Scenes, Subcultures and
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Hodkinson, Paul and Deicke, Wolfgang. 2007c. Youth Cultures: Scenes, Subcultures and
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Huq, Rupa. 2006a. Beyond Subculture: Pop, Youth and Identity in a Postcolonial World.
London: Routledge.

Huq, Rupa. 2006b. Beyond Subculture: Pop, Youth and Identity in a Postcolonial World.
London: Routledge.

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Huq, Rupa. 2006c. Beyond Subculture: Pop, Youth and Identity in a Postcolonial World.
London: Routledge.

Katz, Mark. 2010. Capturing Sound: How Technology Has Changed Music. Vol. Roth Family
Foundation music in America imprint. Rev. ed. Berkeley, Calif: University of California
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Laughey, Dan. 2006. Music and Youth Culture. Edinburgh: Edinburgh University Press.

Leonard, Marion. 2007. Gender in the Music Industry: Rock, Discourse and Girl Power. Vol.
Ashgate popular and folk music series. Aldershot: Ashgate.

Leppert, Richard and McClary, Susan. 1987. Music and Society: The Politics of
Composition, Performance and Reception. Cambridge: Cambridge University Press.

Lincoln, Sian. 2005. ‘Feeling the Noise: Teenagers, Bedrooms and Music.’ Leisure Studies
24(4):399–414.

Longhurst, Brian. 2007a. Popular Music and Society. 2nd ed. Cambridge: Polity.

Longhurst, Brian. 2007b. Popular Music and Society. 2nd ed. Cambridge: Polity.

Longhurst, Brian. 2007c. Popular Music and Society. 2nd ed. Cambridge: Polity.

López-Sintas, Jordi, Maria Ercilia Garcia-Alvarez, and Nela Filimon. 2008. ‘Scale and
Periodicities of Recorded Music Consumption: Reconciling Bourdieu’s Theory of Taste with
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Malm, Krister and Wallis, Roger. 1992. Media Policy and Music Activity. London: Routledge.

McClary, Susan. 2002. Feminine Endings: Music, Gender, and Sexuality : With a New
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Middleton, Richard. 1990a. Studying Popular Music. Milton Keynes: Open University Press.

Middleton, Richard. 1990b. Studying Popular Music. Milton Keynes: Open University Press.

Mitchell, Tony. 1996a. Popular Music and Local Identity: Rock, Pop, and Rap in Europe and
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Moisala, Pirkko and Diamond, Beverley. 2000. Music and Gender. Urbana, [Ill.]: University
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Murray Forman and Mark Anthony Neal. 2011. That’s the Joint! New York: Routledge.

Negus, Keith. 1992. Producing Pop: Culture and Conflict in the Popular Music Industry.
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Negus, Keith. 1996a. Popular Music in Theory: An Introduction. Cambridge: Polity Press.

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Ross, Andrew and Rose, Tricia. 1994. Microphone Fiends: Youth Music and Youth Culture.
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Ross, Andrew and Tricia Rose. 1994c. Microphone Fiends: Youth Music and Youth Culture.
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Music. Vol. Music culture. Hanover, N.H.: University Press of New England.

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