IN DEEP

WITH
THE

MINOR
MODES T H E U LT IM AT E DV D G
U ID E !

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 + Table of Contents +

CHAPTER 1 Figures 1-15 CHAPTER 4 Figures 43-66 CHAPTER 7 Figures 84-88

The Seven Fundamental Modes The Aeolian Mode Minor Mode Studies
++ FIG. 1: G major scale ++ FIG. 43: A Dorian mode ++ FIG. 84: A Dorian
++ FIG. 2: A Dorian mode ++ FIG. 44: ++ FIG. 85:
++ FIG. 3: B Phrygian mode ++ FIG. 45: ++ FIG. 86:
++ FIG. 4: C Lydian mode ++ FIG. 46: A Aeolian mode 3rd/4th position ++ FIG. 87: A Aeolian
++ FIG. 5: D Mixolydian mode ++ FIG. 47: A Aeolian, 5th position ++ FIG. 88:
++ FIG. 6: E Aeolian mode ++ FIG. 48: A Aeolian, 7th position
++ FIG. 7: A Dorian mode  ++ FIG. 49: A Aeolian, 8th/9th position
++ FIG. 8: F# Locrian mode ++ FIG. 50: CHAPTER 8 Figures 89-93
++ FIG. 9: G major scale, 3rd/4th position ++ FIG. 51: Transposing to Different Keys
++ FIG. 10: G major scale, 5th position ++ FIG. 52: A Aeolian, 10th position ++ FIG. 89: C Dorian, 6th/7th position
++ FIG. 11: G major scale, 7th position ++ FIG. 53: A Aeolian, 12th position ++ FIG. 90: C Dorian, 8th position
++ FIG. 12: G major scale, 8th/9th position ++ FIG. 54: C major, open position ++ FIG. 91: C Aeolian, 6th/7th position
++ FIG. 13: G major scale, 10th/11th position ++ FIG. 55: ++ FIG. 92: C Phrygian, 8th position
++ FIG. 14: G major scale, 12th position ++ FIG. 56: A Aeolian, 1st position ++ FIG. 93: C Locrian, 8th position
++ FIG. 15: G major scale, 14th position ++ FIG. 57:
++ FIG. 58: C major, 3rd position
++ FIG. 59: E Aeolian, open position CHAPTER 9 Figures 94-102
CHAPTER 2 Figures 16-33 ++ FIG. 60: E Aeolian, 2nd position Applying Modes to Chord Progressions/
The Dorian Mode ++ FIG. 61: E Aeolian, 3rd/4th position Pentatonic Superimpositions
++ FIG. 16: A minor pentatonic ++ FIG. 62: ++ FIG. 94:
++ FIG. 17: A Dorian mode ++ FIG. 63: ++ FIG. 95: A minor pentatonic
++ FIG. 18: A minor triadic chord tones ++ FIG. 64: E Aeolian, 5th position ++ FIG. 96:
++ FIG. 19: Am7 arpeggio ++ FIG. 65: E Aeolian, 7th position ++ FIG. 97:
++ FIG. 20: Am7 (9, 11, 13) ++ FIG. 66: E Aeolian, 8th/9th position ++ FIG. 98:
++ FIG. 21: ++ FIG. 66: E Aeolian, 8th/9th position ++ FIG. 99: C major pentatonic
++ FIG. 22: ++ FIG. 100: D dominant pentatonic
++ FIG. 23: ++ FIG. 101: E minor pentatonic
++ FIG. 24: CHAPTER 5 Figures 67-78 ++ FIG. 102:
++ FIG. 25: A Dorian, open position Comparing Aeolian and Phrygian Modes
++ FIG. 26: A Dorian, 2nd position ++ FIG. 67: A Aeolian
++ FIG. 27: A Dorian, 3rd/4th position ++ FIG. 68: A Phrygian
++ FIG. 28: A Dorian, 5th position ++ FIG. 69:
++ FIG. 29: A Dorian, 7th position ++ FIG. 70:
++ FIG. 30: Am triadic chord tones ++ FIG. 71: F major scale CONCLUSION
++ FIG. 31: A Dorian, 8th/9th position ++ FIG. 72:
++ FIG. 32: A Dorian, 10th position ++ FIG. 73: F major, 1st/2nd position
++ FIG. 33: A Dorian, 12th position ++ FIG. 74:
++ FIG. 75: A Phrygian, 6th/7th position
++ FIG. 76:
CHAPTER 3 Figures 34-42 ++ FIG. 77: A Phrygian, 8th position
The Harmonized Scale ++ FIG. 78:
++ FIG. 34: G harmonized scale
++ FIG. 35: G major
++ FIG. 36: A Dorian CHAPTER 6 Figures 79-83
++ FIG. 37: B Phrygian Comparing Phrygian and Locrian Modes
++ FIG. 38: C Lydian ++ FIG. 79: A Phrygian
++ FIG. 39: D Mixolydian ++ FIG. 80: A Locrian mode
++ FIG. 40: E Aeolian ++ FIG. 81: A Locrian, 5th position
++ FIG. 41: F# Locrian ++ FIG. 82:
++ FIG. 42: G major ++ FIG. 83:

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 1
CHAPTER 1
THE SEVEN FUNDAMENTAL MODES
(FIGURES 1-15)
FIGURE 1 G MAJOR SCALE (IONIAN MODE)
1

2 3 3 2
3 5 5 3
2 4 5 5 4 2
2 4 5 5 4 2
2 3 5 5 3 2
3 5 5 3

FIGURE 2 A DORIAN MODE

5

2 3 5
3 5
2 4 5
2 4 5
2 3 5
5

FIGURE 3 B PHRYGIAN MODE

7

2 3 5 7 7 5 3 2
3 5 5 3
2 4 5 5 4 2
2 4 5 5 4 2
2 3 5 5 3 2

FIGURE 4 C LYDIAN MODE

11

2 3 5 7 8 8 7 5 3 2
3 5 5 3
2 4 5 5 4 2
2 4 5 5 4 2
3 5 5 3

FIGURE 5 D MIXOLYDIAN MODE

15

2 3 5 7 8 10 10 8 7 5 3 2
3 5 5 3
2 4 5 5 4 2
2 4 5 5 4 2
5 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 6 E AEOLIAN MODE
19

3 5
2 4 5
2 4 5
2 3 5
0 2 3 5

FIGURE 7 A DORIAN MODE B PHRYGIAN MODE

Am Bm
21

0 2 2 3 5 7
1 3 3 5
2 2 4 2 4 5
2 4 5 2 4 2 4 5
2 3 5 0 2 2 3 5
5

E AEOLIAN MODE
26

2 3 5 7 5 3 2
3 5 5 3
2 4 5 5 4 2
2 4 5 5 4 2
2 3 5 5 3 2
0 2 3 5 5 3 2 0

FIGURE 8 F# LOCRIAN MODE

31

2 4 4 2
2 3 5 5 3 2
2 3 5 5 3 2

FIGURE 9 G MAJOR SCALE, 3RD/4TH POSITION

33

3 5 7 7 5 3
5 7 7 5
4 5 7 7 5 4
4 5 7 7 5 4
3 5 7 7 5 3
3 5 7 7 5 3

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 10 G MAJOR SCALE, 5TH POSITION
38

5 7 8 8 7 5
5 7 8 8 7 5
5 7 9 7 5
5 7 9 9 7 5
5 7 9 9 7 5
5 7 8 8 7 5

FIGURE 11 G MAJOR SCALE, 7TH POSITION

G5
43

7 8 10 10 8 7 3
7 8 10 10 8 7 3
7 9 9 7 0
7 9 10 10 9 7 0
7 9 10 10 9 7
7 8 10 10 8 7 3

FIGURE 12 G MAJOR SCALE, 8TH/9TH POSITION

48

8 10 12 10 8
10 12 12 10
9 11 12 12 11 9
9 10 12 12 10 9
9 10 12 12 10 9
8 10 12 12 10 8

FIGURE 13 G MAJOR SCALE, 10TH/11TH POSITION

53

10 12 14 14 12 10
12 13 13 12
1112 14 14 12 11
1012 14 14 12 10
1012 14 14 12 10
1012 14 14 12 10

FIGURE 14 G MAJOR SCALE, 12TH POSITION

58

12 14 15 15 14 12
12 13 15 15 13 12
12 14 14 12
1214 16 16 14 12
1214 15 15 14 12
1214 15 15 12 12

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 15 G MAJOR SCALE, 14TH POSITION

63

14 15 17 17 15 14
15 17 17 15
14 16 17 17 16 14
1416 17 17 16 14
1415 17 17 15 14
1415 17 17 15 14

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 2
CHAPTER 2
THE DORIAN MODE
(FIGURES 16-33)
FIGURE 16 A MINOR PENTATONIC
1

5 8 5
5 8 8 5
5 7 7 5
5 7 7 5
5 7 7 5
5 8 8 5

FIGURE 17 A DORIAN MODE

Am
4

5 7 8 8 7 5
5 7 8 8 7 5
5 7 7 5
5 7 9 9 7 5
5 7 9 9 7 5
5 7 8 8 7 5

FIGURE 18 A MINOR TRIAD CHORD TONES

Am Am
9

5
5
2 7
7 3
5 8 5

FIGURE 19 Am7 ARPEGGIO

Am7 Am7

11

5
5
5
5 5
7 7
5 8 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 20 Am7 (9, 11, 13)
A7sus4 Am7add13

13

5 5
7 5 7
4 7 7 5
5 5 5
7 7 7
5 8 5 5

FIGURE 21
Am 3 A7sus4
Am9/13
15

7 8 7 5 0 7
8 7 5 8 7
7 5 4 5 4 7 7 7
7 5 5 7 9 9 10 10
7 5 0 0 0

FIGURE 22
N.C. (Am)
17

5 5 5 5 3 3 3
8 7 7 5 5 5 5 5
9 9 9 7 7 7 7

FIGURE 23
Am
20

3 532 1010 7 10 8 8 7 7
5 3 8 8 8 8 10 10
5 4 2 4 2 9 9 7 7
5 5 4 2 4 2 1010 9
5 5 3 2 0

23

7 7 10
7 7
9 7 7 9 9 7 7 10 10 9 10 9 7 5 7 9 (9) 9 9
10 10 7 7 5 5 7 7 10 10

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 3
25

3 3
7 7 12 12 10 10
10 12 12 10 10 12
12 12 11 11 (11) 9 12 12 9 12 9
12 12 12 9 9
12 12 10 9 10 9 7

3 3 5
27 3 3 3

7 7 7 7
7 9 9 10 9 7
9 7 5 7 5 3 5 3 2 3 2 2 3 2 0 2 0 2 0 2 0 0 7
3 3 5 8

29

3
2 2 5 3 5 3 2 3 5 7 5
3 3 5 10 10
7 7 5 5 2 2 4 5 5 5 9 7 5
5 2
9 5 3 0

FIGURE 24 FIGURE 25 A DORIAN MODE, OPEN POSITION

Am Am7 Am
32

0 3 0 2
1 1 0 1 3
2 0 0 2
2 2 0 2 4
0 0 0 2 3
0 2 3

Am
35

3 5 5 3 2 0 0
3 1 0 1
2 0 2
4 2 0 2
3 2 0 0 0
3 2 0

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 26 A DORIAN MODE, 2ND POSITION
Am
39

2 3 5 3 2
3 5 5 3
2 4 5 5 4 2
2 4 5 5 4 2
2 3 5 5 3 2
2 3 5 5 3 5

FIGURE 27 A DORIAN MODE, 3RD/4TH POSITION

Am
44

3 5 7 5 3
5 7 7 5
4 5 7 7 5 4
4 5 7 7 5 4
3 5 7 7 5 3
3 5 7 7 5 3 5

FIGURE 28 A DORIAN MODE, 5TH POSITION

Am
49

5 7 8 10 8 7 5
5 7 8 8 7 5
5 7 7 5
5 7 9 9 7 5
5 7 9 9 7 5
5 7 8 8 7 5

FIGURE 29 A DORIAN MODE, 7TH POSITION

Am
54

7 8 10 8 7
7 8 10 10 8 7
7 9 9 7
7 9 10 10 9 7
7 9 10 10 9 7
7 8 10 10 8 7 5

FIGURE 30 Am TRIAD CHORD TONES

Am
59

8
10
9
10 7
10 7
8 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 31: A DORIAN MODE, 8TH/9TH POSITION
Am
61

8 10 12 10 8
10 12 12 10
9 11 12 12 11 9
9 10 12 12 10 9
9 10 12 12 10 9
8 10 12 12 10 8

FIGURE 32 A DORIAN MODE, 10TH/11TH POSITION

Am
66

10 12 14 15 14 12 10
12 13 13 12
1112 14 14 12 11
10 12 14 14 12 10
1012 14 14 12 10 0 0 0 0
101214 14 12 10 12

FIGURE 33 A DORIAN, 12TH POSITION

Am
71

12 14 15 17 15 14 12
12 13 15 15 13 12
12 14 14 12
12 14 16 16 14 12
12 14 15 15 14 12
12 14 15 15 14 12

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 3
CHAPTER 3
THE HARMONIZED SCALE
(FIGURES 34-42)
FIGURE 34 G HARMONIZED SCALE
Gmaj7 Am7 Bm7 Cmaj7 D7 Em7 F m7 5 Gmaj7
1

2 3 5 7 5 7
3 5 3 5 7 8 5 7
4 5 2 4 5 7 5 7
4 5 4 5 7 9 4 5
2 3 5 7
3 5 0

FIGURE 35 G IONIAN
G5
3

3 5 3 2
5 3
5 4 2 4 2
5 5 5 4 2 4 2
5 5 5 3 2 3 2
3 5 5 3 2 5 3

FGURE 36 A DORIAN
A5 A5
6

3 5 3 2
5 3
2 5 4 2 4 2 2
2 5 5 4 2 4 2 2
0 5 5 3 2 3 2 0
5 5 3 5

FIGURE 37 B PHRYGIAN
B5 B5
9

3 5 3 2
5 3
4 5 4 2 4 2 4
4 5 5 4 2 4 2 4
2 5 5 3 2 0 3 2 2

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 26 A DORIAN MODE, 2ND POSITION
Am
39

2 3 5 3 2
3 5 5 3
2 4 5 5 4 2
2 4 5 5 4 2
2 3 5 5 3 2
2 3 5 5 3 5

FIGURE 27 A DORIAN MODE, 3RD/4TH POSITION

Am
44

3 5 7 5 3
5 7 7 5
4 5 7 7 5 4
4 5 7 7 5 4
3 5 7 7 5 3
3 5 7 7 5 3 5

FIGURE 28 A DORIAN MODE, 5TH POSITION

Am
49

5 7 8 10 8 7 5
5 7 8 8 7 5
5 7 7 5
5 7 9 9 7 5
5 7 9 9 7 5
5 7 8 8 7 5

FIGURE 29 A DORIAN MODE, 7TH POSITION

Am
54

7 8 10 8 7
7 8 10 10 8 7
7 9 9 7
7 9 10 10 9 7
7 9 10 10 9 7
7 8 10 10 8 7 5

FIGURE 30 Am TRIAD CHORD TONES

Am
59

8
10
9
10 7
10 7
8 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 4
CHAPTER 4
THE AEOLIAN MODE
(FIGURES 43-66)
FIGURE 43 A DORIAN MODE
Am
1

3 5 7 5 5 753
5 7 7 5
4 5 7 7 5 4 5 4
4 5 7 7 7 5 4
3 5 7 7 5 3
5 7 7 5 3 7 5

FIGURE 44 FIGURE 45
F# (sixth) F (f lat sixth)
5

4 (4) 3 5 7 7 5 3
3 5 7 3 5 7 7 5 3
5 7 5 7 7 5

FIGURE 46 A AEOLIAN, 3RD/4TH POSITION

Am Am
9

3 5 7 8 7 5 3
5 6 6 5 1
4 5 7 7 5 4 2
3 5 7 7 5 3 2
3 5 7 7 5 3 0
5 7 7 5

FIGURE 47 A AEOLIAN, 5TH POSITION

Am
14

5 7 8 8 7 5
5 6 8 8 6 5
5 7 7 5
5 7 9 9 7 5
5 7 8 8 7 5
5 7 8 8 7 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 48 A AEOLIAN, 7TH POSITION
Am
19

7 8 10 8 7
8 10 10 8
7 9 10 10 9 7
7 9 10 10 9 7
7 8 10 10 8 7
7 8 10 10 8 7 5

FIGURE 49 A AEOLIAN, 8TH/9TH POSITION

Am
24

8 10 12 13 12 10 8
10 12 12 10
9 10 12 12 10 9
9 10 12 12 10 9
8 10 12 12 10 8
8 10 12 12 10 8 5 (5)

FIGURE 50
Am7
29

10 12 10
10 12 10 9 10 12 12 12 12 10 9
12 10 9 10 9
12 12 10 8 8 10

31

7 7 8 7 7 2 3 5 7 8 5 5 8 7 7
10 10 8 7 5 1 3 5 5 5

FIGURE 51
A( 6) A5 A( 6) A5 A( 6) A5

34

13 12 10
10 10 13 12 10
10 9 12 10
7 7
8 7
5 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 36

10 12 10 9
12 10 9 10 9
12 12 10 8 7 8 7 7
10 8 7 5 1 3 5 8 5 5 5

FIGURE 52 A AEOLIAN, 10TH POSITION

Am
39

10 12 13 13 12 10
12 13 13 12
10 12 14 14 12 10
10 12 14 14 12 10
10 12 14 14 12 10
1012 13 13 12 10

FIGURE 53 A AEOLIAN, 12TH POSITION

Am
44

12 13 15 15 13 12
12 13 15 15 13 12
12 14 14 12
12 14 15 15 14 12
12 14 15 15 14 12
12 13 15 15 13 12

FIGURE 54 C MAJOR SCALE

49

0 1 3 1 0
0 1 3 3 1 0
0 2 2 0
0 2 3 3 2 0
3 3 2 0 0 2 3
3 1 0 1 3

FIGURE 55 A AEOLIAN, OPEN POSITION

Am Am
54

0 0 1 3 5 3 1 0 0
1 0 1 3 3 1 0 1
2 0 2 2 0 2
2 0 2 3 3 2 0 2
0 0 2 3 3 2 0 0 0
0 1 3 3 1 0

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 56 A AEOLIAN, 1ST/2ND POSITION
Am
60

1 3 5 5 3 1
3 5 5 3
2 4 5 5 4 2
2 3 5 5 3 2
2 3 5 0 5 3 2
1 3 5 5 3 1 3 5

FIGURE 57
C C
66

1 3 5 3 1
5 3 5 5 3 5
5 2 4 5 5 4 2 5
5 2 3 5 5 3 2 5
3 3 5 5 3 2 2 3 5 3 3
5 3 5

FIGURE 58 C MAJOR, 3RD POSITION

C C
72

3 5 7 8 8 7 5 3
5 6 6 5 5
4 5 7 7 5 4 5
3 5 7 7 5 3 5
3 5 7 7 5 3 3 3
3 5 7 7 5 3

FIGURE 59 E AEOLIAN, OPEN POSITION

Em Em
78

0 2 3 2 0
0 1 3 3 1 0
0 2 2 0 0
0 2 4 4 2 0 2
0 2 3 3 2 0 2
0 2 3 3 2 0 0

FIGURE 60 E AEOLIAN, 2ND POSITION

Em Em
83

2 3 5 3 2
3 5 5 3
2 4 5 5 4 2 0
2 4 5 5 4 2 2
2 3 5 5 3 2 2
0 2 3 5 5 3 2 0 0

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 61 E AEOLIAN, 3RD/4TH POSITION
Em
88

3 5 7 5 75 3 0
5 7 7 5 3 0
4 5 7 5 4 0
4 5 7 7 5 4 2
3 5 7 7 5 3 2
3 5 7 7 53 2 0 0

FIGURE 62
Em7 3 3
92

½
7 5 5
4 7 7 7 4 4
5 7 7 4 5 4 4
6 7 7 7 5 5 3 3 2 23202 0 2 3
3 2 (2) 0

FIGURE 63
Em7 Em
96 3 3 3 3

0 0
0
0
2 2
7 5 3 5 3 2 3 2 0 2 0 0 2
3 3 2 0 0

FIGURE 64 E AEOLIAN, 5TH POSITION

Em Em
98

5 7 8 10 8 7 5 7
7 8 8 7 5 8
5 7 9 7 5 9
5 7 9 9 7 5 9
5 7 9 9 7 5 7
5 7 8 8 7 5 0 0 0

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 65 E AEOLIAN, 7TH POSITION
103

7 8 1012 1210 8 7
7 8 10 10 8 7
7 9 9 7
7 9 10 10 9 7 9 7
7 910 10 10 9 7 7
7 810 10 8 7 0

FIGURE 66 E AEOLIAN, 8TH/9TH POSITION

109

8 10 10 1210 8
10 12 12 10
9 11 12 12 11 9
9 10 12 12 10 9
9 10 12 12 10 9
8 10 12 12 10 8 7 0

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 5
CHAPTER 5
COMPARING AEOLIAN AND PHRYGIAN
(FIGURES 67-78)
FIGURE 67 A AEOLIAN
Am
1

5 7 5
5 7 8 8 7 5
5 7 8 8 7 5

FIGURE 68 A PHRYGIAN
3

5 6
5 6 8
5 7
5 7 8
5 7 8
5 6 8

8 6 5
8 6 5
7 5
8 7 5
8 7 5
8 6 5 5 6 5 3 5 (5)

FIGURE 69
Am7( 9)
8

5
6 8 6 5 6 8 10 8 6 5
8 6 5
7 5
8 7 8 7 5 7 5
0 8

10
3

full

7 5
8 6 5 6 8 6 5 6 (6) 5 6 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 70
Am7( 9)
12

13 12
11 10
10 9
8 7
8 7 0 0
5

FIGURE 71 F MAJOR SCALE

14

0 1 1 0
1 3 3 1
0 2 3 3 2 0
0 2 3 3 2 0
0 1 3 3 1 0
1 3 3 1

FIGURE 72
Am
18

3 1 0 0
3 1 1
3 2 0 2 0 2
3 3 2 0 2
0 3 1 3 0 0

FIGURE 73 F MAJOR SCALE, 1ST/2ND POSITION

20

1 3 5
3 5
2 3 5
2 3 5
1 3 5 0
1 3 5

Am
23

3 5 3 1
5 3
5 3 2 3 2
5 5 3 2 3 2
5 5 3 1 0
5 3 1 3 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 74
Am
25

5 6 5 3
6 5 3 5 3
5 5 3
7 5 3 3
7 7 5 3
6 5 3 5 6 5

FIGURE 75 A PHRYGIAN, 6TH/7TH POSITION

Am
27

6 8 10 8 6
8 10 10 8
7 9 10 10 9 7
7 8 10 10 8 7
7 8 10 10 8 7 0
6 8 10 10 8 6

FIGURE 76
Am
32

8 10 8 6
10 8
10 9 7 9 7
10 10 8 7 8 7
10 10 8 7 0
10 8 6

FIGURE 77 A PHRYGIAN, 8TH POSITION

Am
34

8 10 12 13
10 11
9 10 12
8 10 12
8 10 12
8 10 12

FIGURE 78
Am
37

10 12 10 8
11 10
12 10 9
12 10 8
0 12 10 8
12 10 8 10 8 5 (5)

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 6
CHAPTER 6
COMPARING PHRYGIAN AND LOCRIAN
(FIGURES 79-83)
FIGURE 79 A PHRYGIAN
Am
1

5
5 6 8
5 7
5 7 8
5 7 8
5 6 8

FIGURE 80 A LOCRIAN MODE

Am7( 5)
3

5 7 7 5 5 7
5 6 8 0 8 6 5 5 6 8
5 6 8 8 6 5 6 8

FIGURE 81 A LOCRIAN, 5TH POSITION

Am7( 5)
6

5 6 8 6 5
6 8 8 6
5 7 8 8 7 5
5 7 8 8 7 5
5 6 8 8 6 5
5 6 8 8 6 5

FIGURE 82 Bb MAJOR SCALE

B B maj7
11

5 6 6 8 6 5
6 8 6 8 6
5 7 8 7 8 7 5
5 7 8 7
5 6 8
6 8 6

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 B 6
14

6
7 5 7
8 8 7 5 7 5 5
8 8 6 5 6 5
8 8 6 6

FIGURE 83
Am7( 5)
16

6 8 6 5 6 8 8 6 5
8 6
8 7 5 7 5
8 8 7 5 7 5
0 8 8 6 5 6 5
8 8

18

7 7 8 7
6 8
6 5 3 5 1 5 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 7
CHAPTER 7
MINOR MODE STUDIES
(FIGURES 84-88)
FIGURE 84 A DORIAN
Am
1

4 4 5 4 5 7 5
4 4 5 4 5 7 5 7 7
3 3 5 3 5 7 5 7 7
5 3 5 7 5 7 7

3 3 5 3 5 7 5 7 8 8 7 5 7 5 3 5 3 3
5 5 7 5 7 7 7 7 5 7 5 5
7 7 7

7 5 7 5 4 5 4 4
7 7 5 7 5 4 5 4 4
7 7 5 7 5 3 5 3 3
7 7 5 7 5 3 5

FIGURE 85
Am
9

5 5 7 5 7 9 7
5 5 7 5 7 9 7 9 9
5 5 7 5 7 9 7 9 9
7 5 7 8 7 8 8

11

5 5 7 5 7 8 8 7 5 7 5 5
7 7 8 7 8 8 8 8 7 8 7 5 7 5 5
9 9 7

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 13

7 5 7 5 5
9 9 7 9 7 5 7 5 5
9 9 7 9 7 5 7 5 5
8 8 7 8 7 5

FIGURE 86
Am
15

12 10 10
13 13 12 13 12 10 12 10 10
12 12 11 12 11 9 11 9 9
12 12 10 12 10 9 10 9 9
12 12

17

10 12 10 9 10 9 9
12 12 10 12 10 8 7 5

FIGURE 87: A AEOLIAN

Am
19

4 4 5 4 5 7 5
3 3 5 3 5 7 5 7 7
3 3 5 3 5 7 5 7 7
5 3 5 7 5 7 7

21

5 5 7 8 8 7 5 7 5 5
5 5 6 5 6 8 6 8 8 8 8 6 8 6 5 6 5 5
7 7 7

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 23

7 5 7 5 4 5 4 4
7 7 5 7 5 3 5 3 3
7 7 5 7 5 3 5 3 3
7 7 5 7 5 3 5

FIGURE 88
Am
26

5 5 7 5 7 9 7
5 5 7 5 7 9 7 9 9
5 5 7 5 7 8 7 8 8
7 5 7 8 7 8 8

28

7 7 8 7 8 10 10 8 7 8 7 7
6 6 8 6 8 10 8 10 10 10 10 8 10 8 8
9 9 10 10 9 10

31

9 7 9 7 7
10 10 9 10 9 7 9 7 7
10 10 8 10 8 7 8 7 7
10 10 8 10 8 7 8 7 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 8
CHAPTER 8
TRANSPOSING
(FIGURES 89-93)
FIGURE 89 C DORIAN, 6TH/7TH POSITION
Cm
1

6 8 8 10 8 6
8 10 10 8
7 8 10 10 8 7
7 8 10 10 8 7
6 8 10 10 8 6
8 10 10 8 6 8

FIGURE 90 C DORIAN, 8TH POSITION

Cm
6

8 10 11 10 8
8 10 11 11 10 8
8 10 10 8
8 10 12 12 10 8
8 10 12 12 10 8
8 10 11 11 10 8

FIGURE 91 C AEOLIAN, 6TH/7TH POSITION

Cm
11

8 (8)
8 9 11 11 9 8
7 8 10 10 8 7
6 8 10 10 8 6
6 8 10 10 8 6
8 10 10 8

FIGURE 92 C PHRYGIAN, 8TH POSITION

Cm
15

8 9 11 9 8
8 9 11 11 9 8
8 10 10 8
8 10 11 11 10 8
8 10 11 11 10 8
8 9 11 11 9 8

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 93 C LOCRIAN, 8TH POSITION
Cm
20

8 8 9 11 9 8
9 11 11 9
8 10 11 11 10 8
8 10 11 11 10 8
8 9 11 11 9 8
8 9 11 11 9 8

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 CHAPTER 9
CHAPTER 9
APPLYING MODES TO CHORD PROGRESSIONS/PENTATONIC SUPERIMPOSITIONS
(FIGURES 94-102)
FIGURE 94
Em G
1

full full full full full

15 15 15 12 15 12 15 12
14 14 (14) 12 12 12 12 14 12 14 12 12 12 14
14 14

Am 3 Em
3

full
12 13 12 10 12 10 5
7 5 4 5 4 7 9 9
7 5 7 9 7 5 7
7 7 7 5 7 7 5
7 5 3

Bm Am C
5

3 3 3

½ full
7 7 7 10 7 10 7 7 5 8 5 5 5 8 12
7 10 7 7 5 8 5 5 5 12
9 7 7 9 9 12
9 9

G F C
7

3
12 10 10 8 8 13 13 13 10 10 8 8 10 12
9 9 7 7 5 5 (5)
9 7 7 5 5 10 10 10 7 7 5 5 7 9
7 7 5 5 3 3 (3)

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 D

10
7 7 10 7 10 7 7 10 7 7 9 7
7 7 7 7 7 9 7 9

3 3 Em
10

0
5
7 9 7 7 7 7 4 4
7 7 5 7 5
7 7 5 7 5
7 7 5 3 0

FIGURE 95 A MINOR PENTATONIC

Am
12

5 8 (8)
5 8
5 7
5 7
5 7
5 8

FIGURE 96
Am9 D/A Am9 D/A

14

7 7 7 7
8 5 8 7 8 5 8 7
9 5 9 7 9 5 9 7
10 5 10 7 10 5 10 7
0 0 0 0

FIGURE 97
Am Bm/A C/A Bm/A Am Bm/A C/A Bm/A
19

5 5 5 7 7 7 7 8 8 8 7 7 7 5 5 5 7 7 7 7 8 8 8 7 7 7
5 5 5 7 7 7 7 9 9 9 7 7 7 5 5 5 7 7 7 7 9 9 9 7 7 7
7 7 7 9 9 9 9 10 10 10 9 9 9 7 7 7 9 9 9 9 10 10 10 9 9 9
0 0

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 FIGURE 98
A minor pentatonic B minor pentatonic
21

8 5 10 7
8 5 10 7
7 5 9 7
7 5 9 7
7 5 9 7
8 5 (5) 10 7 (7)

FIGURE 99
C major pentatonic
23

12 10 8 8
10 8 12 10
9 7 10 9
10 7 10 9
10 7 10 7
10 8

FIGURE 100 FIGURE 101

D dominant pentatonic E minor pentatonic
25

14 10 7 10 7
13 10 8 10
12 11 7 9
12 10 7 9
12 10 9 7 10
10 (10)

FIGURE 102
Am
27

3
full
5 5 8 58 5 5
5 5 8 5 5 8
7 8 75 7 5 5
7 7 5 7 5 5 7 5 5 7 7
7 75 3 5 3 3 5 7
5 5 5 3 5

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++

 3
29

3 3 3 3
3 3 3
full full
10 10 7 7 7 710 7
7 10 7 10 7 7 7 10 7
9 9 9 7 9 7 7 9 (9) 9 9 9 7
9 9 7 7 9 7 9 9 9 9 7 7 9 7
97 9 9 9 9

31

3
½
10 10 10 1410 10
13 13 13 1310 10 10
12 12 12 11 11 11 11
12 12 12 12 10 12 10
12 12 1210 9 10 12 10 9 9
12 12 10 12 10 10

33

3 3 3 3 3 3
3 3
15 12 12
12 15 12 15 12
12 14 14 12 14 12 14 14 12
14 14 12 14
14 14 12 14 12 10 12 10 10 10
12

34

full
5
5 5 10
5 7
5 7
7 7 5 5 3 7

IN DEEP WITH THE MINOR MODES +++++++++++++++++++++++++++++++++++++++++++++++++++++