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  • Rutina Alessi PDF

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    Juan Carlos BG
    26 views44 pages
    The document contains musical notation for buzzing, glissando, and flexibility exercises for bass trombone. It includes multiple sections with varying tempos marked, focusing on techniques like sliding between notes, arpeggios, and interval work in different valves and positions. The goal seems to be warming up and building dexterity on the instrument through a series of technical exercises.

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    RUTINA ALESSI.pdf.pdf.pdf

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    The document contains musical notation for buzzing, glissando, and flexibility exercises for bass trombone. It includes multiple sections with varying tempos marked, focusing on techniques like sliding between notes, arpeggios, and interval work in different valves and positions. The goal seems to be warming up and building dexterity on the instrument through a series of technical exercises.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    26 views44 pages

    Rutina Alessi PDF

    Uploaded by

    Juan Carlos BG
    The document contains musical notation for buzzing, glissando, and flexibility exercises for bass trombone. It includes multiple sections with varying tempos marked, focusing on techniques like sliding between notes, arpeggios, and interval work in different valves and positions. The goal seems to be warming up and building dexterity on the instrument through a series of technical exercises.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 44

    Buzzing

    I q = 90 Gliss all notes


    ˙˙ ˙˙ ˙˙ ˙˙
    ˙ ˙ ˙ ˙
       

    ˙˙ ˙˙ ˙˙ ˙˙
    ˙ ˙ ˙ ˙

    ˙˙ ˙˙ ˙˙ ˙˙
    ˙ ˙ ˙ ˙

    ˙˙
    ˙

    II q = 90 Gliss all notes


    ˙˙ .. ˙˙ .. ˙˙ ... ˙˙ ...
    ˙. ˙. ˙ ˙
     

    ˙˙ ... ˙˙ ... ˙˙ .. ˙˙ ..
    ˙ ˙ ˙. ˙.

    ˙˙ .. ˙˙ .. ˙˙ ... ˙˙ ...
    ˙. ˙. ˙ ˙

    ˙˙ ..
    ˙.

    www.AlessiMusicStudios.com
    III q = 90 Gliss all notes
    ˙˙ ˙˙ ˙˙
    ˙ ˙ ˙
       

    ˙˙ ˙˙
    ˙ ˙

    ˙˙ ˙˙
    ˙ ˙

    ˙˙ ˙˙
    ˙ ˙

    ˙˙ ˙˙
    ˙ ˙

    ˙˙ ˙˙
    ˙ ˙

    ˙˙
    ˙

    2
    IV q = 100 Gliss all notes
    ˙˙ ˙˙
    ˙ ˙
       

    ˙˙ ˙˙
    ˙ ˙

    ˙˙ ˙˙
    ˙ ˙

    ˙˙
    ˙

    V q = 100 Gliss all notes


    ˙˙ ˙˙
    ˙ ˙
       

    ˙˙
    ˙

    ˙˙
    ˙

    ˙˙
    ˙

    ˙˙
    ˙

    ˙˙
    ˙

    3
    VI q = 100 Gliss all notes
    ˙˙ ˙˙
    ˙ ˙
       

    ˙˙
    ˙

    ˙˙
    ˙

    ˙˙
    ˙

    ˙˙
    ˙

    ˙˙
    ˙

    VII q = 100 Gliss all notes

    ˙˙ ˙˙ ˙˙
      ˙  ˙ ˙

    ˙˙ ˙˙
    ˙ ˙

    ˙˙
    ˙

    4
    Warming up with glissandi
    I q = 70 Gliss all notes

    II q = 100 Gliss all notes


    3 3 3

    3 3 3 3 3 3

    3 3 3 3 3 3
    3 3 3

    3 3 3 3 3 3

    Play in the valve Play in the valve

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    III q = 58 Gliss when possible

    VI I IV

    III IV

    6
    Warming up with the F attachment
    I q = 95
    3 3
    3 3 3 3

    3 3
    3 3 3 3
    3 3 3 3

    3 3 3 3
    3 3 3 3

    II q = 56

    6 6 6 6 6 6

    6 6 6 6 6 6

    III q = 80

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    Basic slurs
    I q = 96

    II q = 80

    III q = 78

    Play all in the valve

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    IV q = 114

    V q = 70

    -IV (-V)

    9
    VI q = 92

    (Play all in the valve)

    (Play all in the valve) Play all in the valve

    VII q. = 100

    +IV +IV +IV IV V IV


    ___ V IV V IV

    _
    V VI V
    ___ VI V VI V
    ____ VI
    ___ VII VI ___ VII VI VII VI ___

    10
    Interval warmups
    I q = 86

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    II q = 78

    12
    13
    III q = 50

    14
    IV q = 80

    V q = 60

    15
    Flexibility
    I q = 120

    VII
    _________________ VI
    _________________

    _________________ _________________
    V IV

    _________________ _________________
    III II

    I
    _________________________

    16
    II q. = 120

    I I I I

    III

    IV
    __________

    _______________________

    V
    ____________________________________________

    VI
    _________________

    _______________________

    17
    III q. = 120

    18
    IV q = 90

    V q = 90

    19
    ~~~~~ ~~~~~
    ~~~~ ~~~~
    ~~~~~
    ~~~~~ ~~~~~
    ~~~~

    20
    ~~~~~
    ~~~~~
    ~~~~ ~~~~~
    q. = 100

    q = 70
    ~~~~

    VII
    VI
    Arpeggi
    I q = 118

    B ?

    B ?

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    B ?

    B ?

    B ?

    B ?

    22
    B ?

    B ?

    B ?

    B ?

    23
    B ?

    B ?

    24
    I Extended q = 118

    B ? B

    ? B ?

    B ?

    B ?

    B ?

    B ? B

    ? B ?

    B ?

    B ?

    B ?

    Extend upwards by half steps ad libitum


    25
    II q. = 76

    B ?

    B ?

    B ?

    B ?

    B ?

    B ?

    26
    Articulated warmups
    I Ó = 80

    -IV -IV

    +IV

    VI V

    V +IV

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    II Ó = 80

    -IV -IV

    28
    29
    III q = 80

    30
    31
    Warm-up Extras
    I q = 90

    3
    3

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    II q = 136

    33
    III q = 80

    ee ee ee ee ee
    Ta-aa-ee-ah

    (IV
    __ IV
    __ IV
    _ III
    ______________ IV)

    III III III

    III ________________ III


    _

    34
    IV q = 100

    VI VI VI VI v1 v1

    35
    IVa q = 100

    36
    V q = 86

    37
    Jazz Scales
    Pentatonic

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    Whole tone

    39
    Diminished (WT, HT)

    40
    41
    Diminished (HT, WT)

    42
    Bebop minor scale

    43
    44

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