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2 Tillana January 2020
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from the pathanthara – a swara missed, this raga. He fondly recollected once to
a breath taken at the wrong point, a me that in his debut concert at the Music
sahitya mangled or split unaesthetically Academy (sometime in early 50s), he had
– would be met with a firm reprimand. delineated Darbar in detail and Musiri
As the years progressed, our guru- Subramanya Iyer who was one of his
shishya relationship also went from biggest role models had appreciated him
strength to strength. I used to eagerly for it.
look forward not only to the class but Sri RKS sir’s advice to students and
also for the post-class banter if he aspiring performers was to build a very
happened to be in a good mood!! His strong foundation – a foundation rich in
sense of humor was old school – told repertoire, strengthened by sadhana and
with a poker face, laced with sarcasm – fortified by manodharma. He would tell
his wit was caustic at its best. There me that while practicing, one must try
would never be a class gone without him everything – be it rare ragas, fast
reminiscing about his role models – Sri prayogams, intricate ‘kanakku’, tricky
Musiri Subramanya Iyer, Sri. eduppus, etc. as it helps one grow as a
Maharajapuram Viswanatha Iyer, Sri musician. However, in a concert, he
Ariyakudi Ramanauja Iyengar and Sri emphasized that aesthetics came before
Semmangudi Sreenivasa Iyer. He would everything and one should not sacrifice
often recollect the kritis that he had learnt aesthetics at any cost. He would plan his
directly from each of these veterans. concerts down to the last detail. His
He was particularly fond of a few lecture demonstrations were a delight to
ragas – two that come to my mind students of music – not a moment
especially are Darbar and Huseni. He has wasted, not a word out of place. Once, I
even set a few Haridasa Padams to tune even saw him rehearse a small speech
in Darbar – such was his fascination with that he was asked to give – when I
32 Tillana January 2020
One day in late January of last year, I
called him up on his cell phone and he
was in Udupi for a concert. Incidentally,
I had called him up to check whether he
would be free to inaugurate RFA’s Feb
2014 festival. He checked his diary and
he said “No, I am busy that day – my
dates are booked in advance Ravi!!!!”. A
few days after his return from Udupi, he
took ill. On Feb 16th, in the hospital ward
he even sang Begada ragam for a few
minutes to check whether his voice was
affected – his voice was still the same.
The next day on Feb 17th 2014, he
breathed his last. A life dedicated to
nadah, dedicated is too mild a word – a
life of abject surrender to the Nada
R.K.Srikantan honoured by Lalgudi Brahma.
Jayaraman
questioned him about it, he said, he DONATION
wanted to ensure that he did not cross
the time limit of 5 minutes allotted to 1. Sri Muliya Raghavayya- 2400/-
him!!! 2. Hari Vidyalaya 18000/-
Despite being a staunch traditionalist, 3. Sri K S Parthasarathy 10,000/-
RKS sir was also incredibly broad- 4. A.V. Sulochana 2,000/-
minded when it came to musical matters. 5. Sri Yedupathy Putty 8,000/-
Back in 2002, when I expressed a desire 6. N.S. Ramachandra 1000/-
to also learn from Sri TM Krishna, he 7. Savithramma 500/-
said “Go ahead – learn and practice more
and more…one lifetime is not SPONSORSHIP FUND
sufficient!!”. His contributions to the 1. B V Pooja 50,000/-
Carnatic firmament are plenty – the
myriad Haridasa Padams set to tune by DONATION FOR TILLANA
him (including the immortal “Narayana
Ninna Namada” in Shudha Dhanyasi 1. Sri Ramchandra 1000/-
which was set to tune by him), the 2. DR. J.R. Rangaswamy 600/-
compositions of the Maharaja of Mysore 3. Prof. G.N. Bhat 2000/-
which he systematically notated and sang 4. S.N. Nalini 1000/-
in many of his concerts and above all his 5. S. Ananda Kumar 1000/-
steadfast discipline. 6. A.V. Sulochana 1,000/-
7. Shantha Vijayaraghavan 2400/-
zÉêÀvÆ À AiÀÄð: ¨ÁºÀħ°AiÀÄ d£À£À ¸ÀªÄÀ AiÀÄzÀ°è £ÀÄr¹zÀ ªÀÄAUÀ¼ª À ÁzÀåU¼ À °À è zÉêÀvÆÀ AiÀÄðªÀÇ
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EzÀgÀ §UÉUÉ PÉzQÀ zÁUÀ:
1 zÉêÀvÆ À AiÀÄðzs¤ éÀ «Ä±ÁævÆ É ÃzÀå£ÀÈvÀåA – (D¢¥ÀÄgÁt 8.49)
2 ªÁj¢üWÆ É ÃµÀzAÀ vɸª É À ªÀÄAUÀ¼v À Æ À AiÀÄð gÀªAÀ UÀ½A («PÀªæ iÀ ÁdÄð£À «dAiÀÄ 9.9)
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