MISTY

      
arranged by RUPERT AUSTIN ERROL GARNER

            


            
 = 70

 
3 3 3

  
 
            
         


 
 
 
         
               
    
6 3 3


3 3 3


               
          
 
3



      
 
                

10
3 3 3

 
   
  
         
        
3



     
              
      
To Coda 3

  
14 3


3 3 3


           

      
       
3




   
                          
          
3 3 3

 
19

       
     

       
     
       

  
                    

24 3
3



               
      

          
     

       
 
   
27

    
  

     
  

      
             

     
              

29

  
            
      
  
       
    
               
 
  
32

  
    
  
 
 
    
6

  
3


3

            

       
            

  
34


 
   
    
   
    
3 7


           
  
          
 
36

    

    
   
 

2
        
            
   
 
 
  
38



  
  

   
  
    

            
        
         
40

    
        
    

13

           



             
           
42


  
 
   
        
   
   
   
         
18

      
    
44 3

      

          
  

             
               
  
D.S. al Coda

  
46 3 3

       
               
     
3

      

   

  
 
49

    
   
  