Professional Documents
Culture Documents
Television was supposed to be the ultimate idiot box. Then came the internet.
Timothy Kreider
Mar 13 · 8 min read
ometime in the 1990s, most of my friends and I got rid of our TVs. This
was how you could tell who the interesting, literate people were. If you
went to a party where people were talking about whatever was on last
night, you knew to make an excuse to go get another drink and find someone else to
talk to. Writers could use this as a kind of shorthand: You knew that young Leslie
Burke in Bridge to Terabithia and Clarisse McClellan in Fahrenheit 451 came from
families of intellectual freethinkers because they didn’t have TVs at home. The
subversive cinema made by the first generation of television’s children — Blue
Velvet, Brazil, Repo Man, Videodrome — made TV viewing look about as cool as a
lobotomy, something old folks enshrouded on couches did to euthanize their brains.
But then, only a few years later, everybody was online. And people are far more
uncritical of the internet than they ever were of TV. Everyone laments it, but no one
doesn’t have it. The internet is now as ubiquitous as TV ever was and as
indispensable as the telephone: You need it for work and for news; to make plans
and get invitations, directions, and dates; to listen to music and watch TV or
movies; to look at cat memes and porn. Not having Wi-Fi in your home is more
unthinkable than not owning a TV ever was: It makes you not just a pretentious
Luddite, but a bad host, like expecting your guests to use an outhouse. The newest-
model phone is breaking news, and having an obsolete one can get you made fun of.
It’s like the unprovoked jeering that vegans have to endure from carnivores, or the
reflexive snarls you provoke among gun owners or other addicts if you suggest that
the thing they’re dependent on might possibly have some bad side effects.
Early in TV’s history, people fantasized about the revolutionary force this new
medium would be: a transformative educational tool, uniting disparate peoples
around the world into a “global village.” Cut to The Dukes of Hazzard,
televangelists, and Dr. Pimple Popper. Only a few years ago, you still heard the
same sort of naively utopian delusions about the internet: It represented a
revolution in human consciousness; it would be the great democratizer, connecting
everyone.
Even though the internet offers the promise of limitless choices and infinite agency,
anyone who’s lost hours refreshing their social-media feeds over and over, like a
captive animal retracing the same neurotic path in its cage, knows it can be just as
tiny and entrapping as three networks. And anyone who’s ever gone cold turkey
from their laptop or smartphone for even a weekend knows the alarmingly antsy
feeling you get when you’re first away from it, helplessly out of contact. It’s
increasingly common knowledge that the purveyors of this technology don’t let their
own kids near the stuff. Consumers are starting to demand that smartphone
manufacturers include apps that will prevent us from wasting our lives with their
products.
Cranky, eggheaded critics used to warn that TV was an unambiguously bad cultural
influence. It was destroying community in America, dumbing down our discourse,
reducing everything to the lowest common denominator, deciding elections based
on cosmetics instead of issues, breeding a generation of credulous idiots. Today, of
course, we know that these alarmist cranks’ apocalyptic prophecies were all
completely accurate. We now inhabit the nation of gullible imbeciles bred by
television, a voting public that thinks pro wrestling is wrestling and reality TV is real
and Fox News is news. Just as Ronald Reagan was the product of television — a
genial, well-groomed B-list actor playing the role of The President — Donald Trump
is an adaptive mutation of the internet: preening and sneering, speaking in tweets,
utterly un-fact-checked, a political troll.
“What can you say,” a friend of mine once objected, “to the person who uses the
internet two hours a day to watch Ornette Coleman videos, listen to Sufi poetry, and
read all of Kierkegaard’s journals?” I applaud this hypothetical aesthete’s
discernment and self-control. The only problem is that there is no such person, any
more than there’s anyone who actually eats the official USDA-recommended serving
size of potato chips. Once this Kierkegaardian finds out about Pornhub or bodega
cats on Instagram, it’s all over for him. It was never really TV’s programming that
kept us watching; you just kept it on for its enveloping spell, the illusion that you
weren’t alone. The endless stimulus, bright lights and colors, constant change and
motion, and false promise of bottomless novelty press all our instinctual buttons in
exactly the same way eight-hour videos of darting birds and squirrels captivate our
pets. Content isn’t the real allure or hazard of the internet, either; it’s the delivery
system, the nature of the medium itself, that’s so addictive and destructive.
As I was writing this essay, the internet in my building went ironically out, and I was
extremely annoyed and discomfited and checked the connection every 17 seconds to
see if it had come back on. I’m not writing this because I’m above the internet’s
crass allure, but because I’m so susceptible to it. I’ve wasted more hours of my life
than I can bear to count binge-watching shows I’ll never think about again, clicking
through websites I’m ashamed to name, not because they’re pornographic but
because they’re so puerile, glutting myself on microdoses of dopamine like fistfuls of
Fritos. Since I am incapable of self-discipline, I have to impose external limits on
myself. When I live at my Wi-Fi-less cabin in the summer, I have to drive 10
minutes to the library to get online. I spend about an hour a day checking email and
the news. This turns out to be the correct amount of time to spend online. I feel
calmer, saner. I read and draw again. Eventually I start to have my own thoughts. I
begin to notice reality and experience my own life.
There was a bumper sticker you used to see, back before resistance became futile:
KILL YOUR TELEVISION. I’m not calling for the abolition of the internet, which at
this point would be like calling for the abolition of cars (which would also be a net
benefit to humanity, not that it matters). It’s a communications device like the
telephone, a medium like video, and it won’t go away until it’s supplanted by
something even worse. I just wish that instead of continuing to pretend it’s a great
boon or numbly accepting it as inevitable, we could acknowledge that it is, on
balance, bad for us. Right now we’re still like chain-smokers explaining that the
doctors in the commercials say it’s actually good for you, or auto executives
shrugging that consumers don’t want seat belts. I’m hoping I’ll live long enough to
see a backlash against this zombiish docility — a day when, as abruptly and
ruthlessly as a pack of middle school kids turning an idol into a pariah, this
Pavlovian excitement for whatever consumer electronics they market at us next will
look ovine and pathetic. Being online will be for docile old conformists, in the same
way that, in less than a decade, smoking went from cinematically glamorous to a
guilty addiction you have to indulge in the alley behind the bar.
We’re already seeing intimations of this: Facebook is already like a party where your
parents showed up, and Twitter’s most famous user is the single uncoolest man on
the planet. Young people are turning to pastimes like knitting or Dungeons &
Dragons that involve manual skills or real-life interaction. Though, of course, the
ones who drop out or disdain it won’t be bragging about it online, so for once, those
most plugged in will be the last to know. The twittering voices will just grow
gradually older and fewer, while unbeknownst to them, the kids will be outside,
playing.