   

 
 = 60
Soprano, Voice

        

               
       

     
     
    
        
          
       
        
Piano, Piano 

  


 

3

Sop.

          
      


 
 
 
           
            
Pno

   = 46
 = 47
 = 48
 = 49
 = 50
 = 51
 = 52
 = 53
 = 54
 = 55
 = 56


 = 57

 
 = 58


4  = 59
Sop.

   
         
  

 
      
  
   
      

    
Pno

 
    
           

5  = 50
Sop.

             
               
Ver gin, tut to_a mor, o ma dre di bon

           
                   
            
  
Pno

 
              
      
 
7

Sop.

         
         
   
ta de, o ma dre pi a, ma dre pi a, a scol ta dol ce Ma

                
    
        

                
          
Pno


    
               
 
9

Sop.


                         
ri a la vo ce del pec ca tor, del pec ca


  
      
         

      
    
     
     
Pno

     
        
 
11

Sop.


                              
tor. Il pian to suo ti

       
      
               
            
Pno

2
   
          
13

Sop.


                
muo va, giun ga no_a te i suoi la

    
     
     
   
   
Pno

      
      
14

Sop.

  
            
men ti, suo duol, suoi tri sti ac

   
  

        

 
       

Pno


  

       

15

Sop.


              
cen ti sen ti pie to so quel tuo

        
    
         
Pno

              
       
16

Sop.

 
                           
cor, pie to so, pie to so, pie to so quel tuo

   
           
   
                    
            
Pno

  

3
  
                          
3 3 3 5 3 3

 
18

Sop.

             
    
cor, quel tuo

    
              

   
Pno

  
              
   

19

Sop.


                           
cor. O ma dre di bon ta de, Ver
de, Ver gin tut to_a

  
 
                      
           
Pno

        
              
21

Sop.

 
                        
mor, o ma dre di bon ta de, o Ver gin tut to_a

        
        
                   

      
Pno

              
  
23

Sop.

   
                          
mo re, Ver gin tut to_a mor, a mor.

   

                             
    
Pno

    


4
  = 46
 = 47
 = 48
 = 49
 = 50
 = 51
 = 52
 = 53
 = 54
 = 55
 = 56
 = 57


 = 58

 
 
 = 59


25  = 60
Sop.

 
             

   




 
          
  

              
Pno

  