THE TROMBONE KING

MARCH Karl L. King

h=120

Arr. By Andrew Glover

                        
        

  
Regencia
f mf
    
           
Flauta in C
 
                   
f mf
                     
               

Requinta in Eb
f mf
      
       
   

             
1°Clarinete in Bb        
f mf
      
                        
2°Clarinete in Bb         
f mf

     
                         
   
3°Clarinete in Bb
 mf

f
            
                      

Saxofone Alto
f mf

        
                
       
     
 
Saxofone Tenor
f mf
     
                  
                 
    
Saxofone Barítono
mf
f

        
                                         
1° Trompa in F
    
f mf

   
         
                   
2° Trompa in F
f   


 
 
        
mf

    
                      
f                     
3° Trompa in F

mf
 
        
                    
     
1º Trompete Bb
f mf

 
       
                    
     
2º Trompete Bb
f mf

                  
      

             
3º Trompete Bb
 mf
 
f
                        
           
1°Trombone   
f mf
  
     
                            
  
2°Trombone
f mf
  
     
                           
  
3°Trombone
f mf

                            
           
 
Bombardino in C
f mf

      
                               
     

Bombardino Bb
f mf


                          
        

  
Baritono in Bb
f mf
       
      
Tuba in Bb
                              
mf
f

     
                              
   
   
   
Tuba in Eb
 mf
f


                                
              
Bombo 
f mf fz fz

h=120               
Pratos
                                           
f mf fz fz

       
Caixa          

                             

f mf fz
2 THE TROMBONE KING

12

                
1. 2.

              
       


Reg.
f

                    

       
Fl.         
f

              
Eb Cl.                      
f
   
 
       
 
                
Cl.       
f
   
        
                    
Cl.       
f


                       
        
 
  
Cl.
f

            
A. Sax.                         
f

                             
          


T. Sax.

                          
                     

B. Sax.
f

  
Hn.                                               
f


                                        
      

Hn.
f


                     
      
                 
Hn.
f

                               

  

   
Tpt.
f

                               

  

   
Tpt.
f

               
                   
 

Tpt.
f

                         

           


Tbn. 
f

                         

           


Tbn. 
f

                         

           


Tbn. 
f

                            

          

Euph.

                                     




T. Tba.

                            
          


Bar.

            
Tub Bb.
                                   
f

   
                                             
 
Tub Eb.

f

                                   
 
        


Bomb. 
fz fz f
          
                                              
1. 2.

Prat.

fz fz f


                                          
Cx.  
f
 THE TROMBONE KING 3

24

                        
Reg.
    
f

     
          
            
Fl.   
f

                     
Eb Cl.        
f

     
            
Cl.           
f

        
         
Cl.           
f

        
  
   

          
  
Cl.

                      
A. Sax.       
f

      
                      
T. Sax.
       
     
p f

        
                             
B. Sax.
           
p

         
                                  
Hn.
     
p


                          




 
       
 
     
Hn.
p


              




 
       
 
          p     
Hn.

                         
Tpt.
   
f

                         
Tpt.
   
f

      

   

           
   
Tpt.
f

           
                          
Tbn.      
p f

           
  
  

    

         
  
Tbn.     
p f

           
                    
Tbn.           
p f

           
  

                          
Euph.  
p f
           
T. Tba.
 

                            
p f


                         
                
Bar.
f
p
        
Tub Bb.
                                  
 
 
  
p

                       
Tub Eb.
                          

p


Bomb.                            
     
     
    
p f
       
Prat.
                                         
p f

                                           

Cx. 
p f
4 THE TROMBONE KING

37
                
        
1. 2.

            
     
Reg.
mf
        
                   
Fl.            
mf

   
         
Eb Cl.                         
mf
     
                
  
Cl.                 
mf
    
                    
Cl.                 
mf


                               
 

  
Cl.
mf


A. Sax.                                     
mf

       
                           
T. Sax.
     
mf

                             
                

B. Sax.
mf

  
Hn.                                               
mf


    

                                        

Hn.
mf


     
 
                   
                  
Hn.
 mf

                                      

 
Tpt.
mf


                                     
 
Tpt.
mf

            
      

     
   
      
Tpt.

mf

     
                                 
Tbn. 
mf

    
                                 
Tbn. 
mf

                                     


Tbn.
mf

                                    
  

Euph.
mf

                                      


T. Tba.
mf

      
                           
Bar.
      
mf

     
Tub Bb.
         

  

  

  

             

  


mf

     
                       
   
               
 
Tub Eb.
 mf

   
             


                         

 
Bomb. 
mf fz fz

1. 2.           
Prat.
                                              
mf fz fz


                                         
Cx.   
mf
 THE TROMBONE KING 5


49

                            
      
         
Reg.
p

       
       
       
        
Fl.            
p

       
        
                
Eb Cl.     
p

            
              
      

     
Cl.

            
              
      

   
  
Cl.

              
    
                
Cl.

 

p

                 
  
       
A. Sax.       
p


                                      
T. Sax.
  
p

                 
B. Sax.
                
p

    
                                      
Hn.
            
p

  
                            





 
 

   
      
p
Hn.

  
           
     





 
 

   
                 
p
Hn.

Tpt.               
         

Tpt.               
         

Tpt.   
  
 
        
         

                          
Tbn.          
p

                        
Tbn.          
p

                       
Tbn.           
p

                                 
Euph.          
p

                
               
T. Tba.        
p


                            
        
Bar.
   
p

      

  

   
  
 
                              

 
Tub Bb.
p

          
                                         
 
Tub Eb.

p

   
Bomb.                
    
                               
fz fz p
             
Prat.
                                                 
fz fz p

   
                                            
Cx.  
p
6 THE TROMBONE KING


62

                        

 
             
      
Reg.

                       
Fl.                              

                
                  
       
    
Eb Cl.

                        
   
 
                
Cl.


                        
   
 
              
  
Cl.


                       
 
               
Cl.
      

           
  
                 
  
    
A. Sax. 


                                     
T. Sax.


      
                
B. Sax.


  
                               
                   
  
Hn.


                   
 
 
 

     





 
 

              
Hn.
 

                 
     





 
 

                      
Hn.
  

Tpt.               

Tpt.               

Tpt.               

       
Tbn.
  
             

       
Tbn.
 
             

     
Tbn.
 
               

                   
              
Euph.    

                    
T. Tba.

            
  



                                  
Bar.
   

     
                                                     
      
Tub Bb.  
      
                                                           
Tub Eb.
  
      
Bomb.                                                        
                 
Prat.
                                                       

      
                                                     
Cx.  
 THE TROMBONE KING 7

 3   

76

                                    
Reg.
       
f

              
       
 
                
Fl.      
f 3

       
         
            
               

Eb Cl.
3
f

       
                       
Cl. 

           
 3
f
         
                   
Cl. 

            
 f
3

  
            
                
   
Cl.

 3
 
f

                                  
A. Sax. 
3
f
 
                                  
T. Sax.
    
f

  
  
                      
B. Sax.
 
f
   
                                    
Hn.
          
f


                 
  


      
     
            
Hn.
f


                 
  


      
     
            
Hn.
f

    
                 

Tpt.
3
f
    
                 

Tpt.
3
f
   
           
      
Tpt.
3
f

   
                   

   
Tbn. 
f

  
                   

  

Tbn. 
f

                      

   
Tbn. 
f
       
     
  
                          

Euph.

f
            
       
           

         

T. Tba.

f

                                 
     
  
Bar.

f

                                       
                

Tub Bb.

  
f
 
                   
 
Tub Eb.

                                  
f

Bomb.                                         
         
fz
             
Prat.
                                                  
f fz

   
                                            
Cx.    
f
8 THE TROMBONE KING

89
    
                        
       
          
Reg.

                   
Fl.                               

   
            
                             
  
Eb Cl.

           
              

 

           

 
Cl. 

           
               
 

           

 
Cl. 

                 
                       

Cl.

                                   
A. Sax.  

  
                    
                  

T. Sax.

   
 
                                 
                         
B. Sax.
  
        
Hn.                          
     
 
 

 
              


    
                                        
 
 
 
            
Hn.

    
                                    
                    
Hn.


   
                           
               
Tpt.
 
   
                           
               
Tpt.
 
   
  
                    
         
  
Tpt.
   
        
     
Tbn.
      

              

     

             
                  

      
Tbn. 

          
Tbn.
     
                        

            
                           
Euph.  

                  
           
    
T. Tba.      

  
                        
           
Bar.
  
     
                                        
  
         
  
  

Tub Bb.


                
Tub Eb.

                                                     

      
Bomb.                                                        
                 
Prat.
                                                       

      
                                                      
Cx.      
 THE TROMBONE KING 9

103
 
       


       
        
Reg.

       




        

Fl.          

 
             
          
 
Eb Cl.

                
Cl.         

                
Cl.         

  
                     

Cl.

                 
A. Sax.    


                  
T. Sax.
  

        
                          
B. Sax.
     

    
                                 
Hn.


  
         





   
 





        

Hn.

  
         





   
 





        

Hn.

 
       


        
       
Tpt.

 
       


        
       
Tpt.

 
   
       
        
Tpt.


   
           
    
Tbn. 


   
           
    
Tbn. 


   
                
Tbn. 


   
           
    
Euph. 

      
             
T. Tba. 


                  
Bar.
  

Tub Bb.
                              
   
 

  



          
Tub Eb.                     


   
                
              
Bomb. 
         
Prat.
                                

  
                               
Cx.    
10 THE TROMBONE KING

111
 
  
                  
Reg.
    
 
sffz
      
           
   
Fl.       
sffz
    
  
           
Eb Cl.         
sffz
       
           
  
Cl.      
sffz
       
           
  
Cl.      
sffz

  
        
           
 
Cl.
sffz
      
           
  
A. Sax.   
sffz

       
                      
      
T. Sax.
sffz

        
                            
B. Sax.
  
    sffz

   
                            
Hn.      
sffz


      
   
  
 
 
        
    
 
 
Hn.

sffz


          
  
 
 
      
       
  
Hn.

sffz
 
  
                   
 
Tpt.
sffz

 
  
                   
 
Tpt.
sffz

           
Tpt.
               
  sffz

                  
            
Tbn. 
sffz
       
   
    

           
  
Tbn. 
sffz

                 
             
Tbn. 
sffz

                 
      
    
Euph. 
sffz
                  
         
T. Tba. 
sffz

      
                
         
Bar.
sffz
    
                           
 



   
Tub Bb.
sffz

             
                       
 
Tub Eb.

sffz

            
Bomb.    
           
sffz sffz sffz
     
Prat.
     
                     
sffz sffz sffz

  
                              
Cx.         
sffz
Regencia
THE TROMBONE KING Karl L. King
MARCH

h=120 Arr. By Andrew Glover

   
             

     
f
     mf

8
           
         
   
14

                 
20

         
1. 2.

     
     
 f

27

        

         

33
      
      
f

37

                 
1. 2.

     

mf

44

                 
  


50

                
  
p

55

       



  

  
 
     
V.S.
2 Regencia
THE TROMBONE KING
2º Parte

62

                 
          

69

          


  
       

76

                 
 

82
    3   
      

    
 f

 
87

       


     
       

94
 
             

  
  
    

  
101

          



  

   


108

                
 

114

   
          
   
sffz
Flauta in C THE TROMBONE KING
MARCH

Karl L. King

        
         
h=120 Arr. By Andrew Glover
  
    
f mf

         
      
7

    

        

    
13

      

20
             
   
1. 2.

   
f

             
27

     

        
   
33

  
f

      

    
37 1. 2.

       
mf

43
            
       

       
     
49

     
p

          
        
55


    
V.S.
2 Flauta in C
THE TROMBONE KING
2º Parte

62
           
               


          
    
69

        

        
      
76

    

      
          
82

    
3
f

          
        
87

      

            
94

             


          
    
101

        

       
        
108

    


  
      
   
114


     
sffz
 THE TROMBONE KING
Requinta in Eb MARCH
Karl L. King
h=120      
Arr. By Andrew Glover

                
  
f mf

  
             
7

   

           

13

   

19 1.
 2.
         
       
f

       
24

      

             
30

 
f

   2.   
         
37
 
1.

  
  
mf

      
             
43

  

   
     
49

      
p

     
55

                
V.S.
2 Requinta in Eb
THE TROMBONE KING
2º Parte

            
62

           
   

        
69

  
        
 

76
       
    
    


         
 
82

        
f 3

87
       
 
  
          


          
94

              
 

101
          
           


       

108

         


  
    
114

         
sffz
1°Clarinete in Bb THE TROMBONE KING
h=120
MARCH Karl L. King

         
     
Arr. By Andrew Glover

          
   
f mf

        
    
7
 
    

 
      

      
13

    

20    
            
1. 2.

   
f

27
        
          

33
      
      
f

  
         
37

         
1. 2.

mf

      
      
  
43

    

    
     
49

     
p

55

       



  

  
 
     
V.S.
2 1°Clarinete in Bb
THE TROMBONE KING
2º Parte

62

                 
          

69

         


  
        

76

                 
 

82
       
      

    
 3
f

87
           
            

         
              
94

  

           
    
101

       

       
108
     
     

      
      
114

     
sffz
2°Clarinete in Bb

THE TROMBONE KING Karl L. King

        
MARCH
      
h=120 Arr. By Andrew Glover

          
   
f mf

        
    
7
 
    

 
      

      
13

    

20    
            
1. 2.

   
f

27
        
          

33
      
      
f

  
         
37

         
1. 2.

mf

      
      
  
43

    

    
     
49

     
p

55

       



  

  
 
     
V.S.
2 2°Clarinete in Bb
THE TROMBONE KING
2º Parte

62

                 
          

69

         


  
        

76

                 
 

82
       
      

    
 3
f

87
           
            

         
              
94

  

           
    
101

       

       
108
     
     

      
      
114

     
sffz
3°Clarinete in Bb
THE TROMBONE KING Karl L. King
MARCH
   
  
h=120 Arr. By Andrew Glover

             
     mf
f
7

                 
  
13

                 


20

  
1. 2.

  


  

     
f  
27
  
           

   
33

            
f
37

 
1. 2.

          

  

 mf

43

           

   
  
49

           
 
 

p
55

   
 
    
        
     
 V.S.
2 3°Clarinete in Bb
THE TROMBONE KING
2º Parte

63

          
     
        
 

71

   
 


         
      


79

    
                
 f
3

86
    
   
                 


            
94

            

 
102  
                    


110
   
          

114

              
 
sffz
Saxofone Alto
THE TROMBONE KING Karl L. King
     
MARCH
  
h=120 Arr. By Andrew Glover

             
f
 mf

  
             
7

   

            

13

   

     
           
20 1. 2.

  
f

          
27

     

33
          
  
f

   2. 
       
37
 
1.

  
  
mf

  
             
43

  


         
49

     
p

                  
55

  
V.S.
2 Saxofone Alto
THE TROMBONE KING
2º Parte

  
                    
63

71
                  
  

79
                      

3
f

              
    
86

 

94                     
 

           
        
102

      
    
110

 

114
        
   
 
sffz
Saxofone Tenor
THE TROMBONE KING Karl L. King


h=120        
MARCH Arr. By Andrew Glover

        
 
     
f
  mf

8
           
         
   
14

                   
20
   
1. 2.

      

 
         
 

f
27

   
  

   
  
 
 
p



33

       
   
f

37

       
1. 2.

       
     
 mf

44
 
         
     
  
50
   
    
  
 
 

  
p

55

                    
V.S.
2 Saxofone Tenor
THE TROMBONE KING
2º Parte

63

                  

 
70

                     


77

                      
 

 
85

                  
  
 
f

92
         
            

100
  
                
     
  

 
107

              


113
  

                   
       sffz
Saxofone Barítono
THE TROMBONE KING Karl L. King
h=120     
MARCH Arr. By Andrew Glover

                 
 
f
    mf

         
8
       
      

                     
14

  

20
  
            
1. 2.

           
 f

  
27

           
        
p

33
    
           

       
37

      
1. 2.
       
 mf

       
43

                

             
49

         

 
    
55

   
p
2 Saxofone Barítono
THE TROMBONE KING
2º Parte

67
        
          


        
76

     
f


                       
86

   


 
          
93

              


    
   
99
           
      


 
            
105

            


111
 
             

       
115

            
    sffz
1° Trompa in F
THE TROMBONE KING Karl L. King
MARCH
       
h=120 Arr. By Andrew Glover
     
                

f
 mf


7

                       


13

                        

19
 
  
1. 2.

                  
f


24

                      


30

      
   
         
p
35
 

1. 2.

               


39

                        
mf


45

                   

 
50

            
     

p

55

                           
  V.S.
2 1° Trompa in F
THE TROMBONE KING
2º Parte


61

                           
 

 
67

                        



73

                           
 


79

               
  
 
 
   

85
   
         
    
     

f



91

                           

    
97

                      

  
103

                        


109

                 

 
114

                    
sffz
2° Trompa in F

THE TROMBONE KING Karl L. King

MARCH
  
h=120 Arr. By Andrew Glover

                  
    
f        mf


8

                        


14

                          


20 1. 2.

          
       
   
 f


25

                   


30

                            
p


36 1. 2.

    
   
 
           
mf


42

                            

 
49

                         

p


55

                     


 


   V.S.
2 2° Trompa in F
THE TROMBONE KING
2º Parte


61

                 





 
   

67

                
     




   


74

       






        



80

                             
 f
87
  
         
 
 

 
 

 
   

  
93

  



 

       
 
 

 
99
  
  











 

     
 
 


106

       










   

  




112

     
  
 
 
   



116

     
    
 

sffz
3° Trompa in F
THE TROMBONE KING Karl L. King
MARCH
  
h=120 Arr. By Andrew Glover

            
   
f
     mf
     


8

   







     
      


14

           
           


20 1. 2.

      
       
   f
   


25

         
         


30

                            
p


36 1. 2.

    
   
 
     
      
mf


42

              
            

 
49

           
             p


55

                     


 


   V.S.
2 3° Trompa in F
THE TROMBONE KING
2º Parte


61

                 





 
   

67

        
     




         


74

       






        



80

                             
 f
87
  
         
 
 

 
 

 
   

  
93

  



 

       
 
 

 
99
  
        
     
 
 
       


106

       










   

  




112

      
  
 
 
 
  


116

     
       
sffz
1º Trompete Bb
THE TROMBONE KING
MARCH Karl L. King


h=120 Arr. By Andrew Glover

        
             
f
    mf

              

11

  
 
           
  
15

           

20

         
1. 2.

    

 f

25

           

 
30

               
f

37

          
1. 2.
      
 mf

42

                
   V.S.
2 1º Trompete Bb
THE TROMBONE KING
2º Parte

47

                

51

           
  

55      
   
3
f
87
 
       


    
       
93
 
           


   
99

                
 
105
 
 


         
      

111

 
          


115

  
         
sffz
2º Trompete Bb
THE TROMBONE KING Karl L. King
MARCH

h=120 Arr. By Andrew Glover

        
             
f
    mf

              

11

  
     
       

15

           

20

         
1. 2.

    

 f

25

           

 
30

             

35
            
 
1. 2.

 
f

39

              
mf V.S.
2 2º Trompete Bb
THE TROMBONE KING
2º Parte

44

               
  
49

           

54      
 
     
3
f

 
87

       


    
       

 
93

           


   
99

                
 
 
105

 
 
         
      

111

 
          
 
115

  
         
sffz
3º Trompete Bb

THE TROMBONE KING Karl L. King

h=120 MARCH Arr. By Andrew Glover

              
         
  mf
f
6

      
  
   
  
11

  
     
       

15

  
  
    
   
20 1. 2.

    


  

   
 f

25

     

  
     
30

  

           
f

37 1. 2.

                

 mf

42

        
  
 
     
V.S.
2 3º Trompete Bb
THE TROMBONE KING
2º Parte

47

          
     

51

  
        
  

55     
  
f
3 

 
87

   

           



94
 
 
        
        

 
100

      
          
  


107

 

     
      
113

           
         
 sffz
1°Trombone

THE TROMBONE KING Karl L. King

h=120 MARCH Arr. By Andrew Glover

         
       
 
f
 mf

7
                       


13
                 


19 1. 2.
      
            
f

24
            
  
  
  

30 
    
     
            
p f

37 1. 2.
                
 
mf

43
                   
  
2 1°Trombone
THE TROMBONE KING
2º Parte

49
                    
 

55  
 


     
p

67
              
   

77 
             

f
86
            
       

93 
              
     

100        
       
          

107 
     
  

      

113
  
                 
   
sffz
2°Trombone THE TROMBONE KING Karl L. King
h=120 MARCH Arr. By Andrew Glover

         
      
 
f
 mf

7
                       


13
                 


19 1. 2.
       
             
f
24
            
  
  
   

30 
    
     
            
p f

37 1. 2.
                  

mf

43
                   
  

49
                  
 
V.S.
2 2°Trombone
THE TROMBONE KING
2º Parte

55  
    
    
p

67      
    
 
     

76 
       
    

85

             
      
f
91
          
          

98        
            
   

105
  
      

       

112 
      

     


116      
      
  
sffz
3°Trombone THE TROMBONE KING Karl L. King
h=120 MARCH Arr. By Andrew Glover

       
 
        
  
f mf

7
                         


13
                 


19 1. 2.
       
             
f

24
            
  
  
   

30 
    
     
           

p f

37 1. 2.
                  
  mf

43
                     


49
                      
 
V.S.
2 3°Trombone
THE TROMBONE KING
2º Parte

55  
 
        
p

67
          
      

76 
               

f

86
          
         

93
    
               


100        
       
  
     

107 
    
  
        

113 
                 
     
sffz
Bombardino in C
THE TROMBONE KING Karl L. King
h=120 MARCH Arr. By Andrew Glover

     
               
 
f
  mf
7
                       


13
                 

19 1. 2.
               
    

f
24
     
  

            

30 
    
     
            
p f
37 1. 2.
                  
  mf
43
                   


49
                 

     
55 p
 
      
           
V.S.
2 Bombardino in C
THE TROMBONE KING
2º Parte

62
              
 

    
       
69
       
      


76
   
            
 

82
    
     
         

f
87 
        
       

  


94
      
  
        

101  
                  
   


108  
      
  
       

114
             
     
sffz
Bombardino Bb
THE TROMBONE KING Karl L. King
h=120 MARCH Arr. By Andrew Glover


      
     
 

      
f
 mf

                   
7
  


        
13
       

19 1. 2.
   

    
         

f

  
     
24   
        

 
    
     
30

        
 
p f

      
37
 
1. 2.
   
     
 mf

             
43
  
   

           
49
  
      
              
p

  
55

  
V.S.
2 Bombardino Bb
THE TROMBONE KING
2º Parte

         
  
62
  


      
         
69


 

   


          

76



  

  
              
82
  

f

       
      
87
 
  

         
  
94
   

          
         
101
   




        
   
108

 
 
 



            
114

     
sffz
Baritono in Bb
THE TROMBONE KING Karl L. King
MARCH

h=120 Arr. By Andrew Glover

         
       

   
f
     mf
7

                        
  
13

                 

19 1. 2.

     
 

    


  
f
24
  
     
   
 
  

 


30

      
     
  
      f
p
37

   
1. 2.

      
      
mf
43

                  
    
49

                 
    
p
55

                 

 V.S.
2 Baritono in Bb
THE TROMBONE KING
2º Parte

62

               

 
69

                    
 

76

              
 

  
82

       

       
 
f


87


                 
 

94
       
    
    

   
101

                 
  

        
108

         
 

 
114

               
     
sffz
Tuba in Bb
THE TROMBONE KING Karl L. King
h=120
  MARCH Arr. By Andrew Glover

       
 



      


 
mf
f

7
                        

13
      

  

  

        


      
19 1. 2.
     

       
f

  
       
24   
        


   
30
                     
p


               
36    1. 2.
    

mf

42
                        

48
                        

 
      
54
               
 
                          
60 p



V.S.
2 Tuba in Bb
THE TROMBONE KING
2º Parte

     
                  
66
   


72
             
          



         
78
               


 
             
84
 
           

f

                 
90
    
 
   

             
96
           


       
102    
     
          


108
                         


114
                
        
 sffz
Tuba in Eb THE TROMBONE KING Karl L. King

   
MARCH
   
h=120 Arr. By Andrew Glover

             
  
    mf
f

         
       
7

       
 

           
13

           


                    
19 1. 2.

       
24
       
      

 
                      
30

           
36

        
1. 2.
  
mf

           
42

            
 

          
48

             

           
54

          
p
  V.S.
2 Tuba in Eb
THE TROMBONE KING
2º Parte

60
    
      
    
            

66
                  

      

72
  
                     
 
78
     
              
 
       

84
   
  
   
             
     
f
90  
 
  
                      

96
       
                   

102  

            
 
 
 
 
 
 
 

108
       
                  

114  
                        
 
sffz
Bombo THE TROMBONE KING Karl L. King
h=120 MARCH Arr. By Andrew Glover

     
                 
f mf

7

                      
fz fz

13

                       
fz fz

19 1. 2.
         
           
f

24

                     

30

    
     
     
    
p f

37 1. 2.
 
                     
mf fz

43

                      
fz

49

                      
fz fz p

55
   
                       
V.S.
2 Bombo
THE TROMBONE KING
2º Parte

61
   
                       

67

                      

73
     
                     

79

                       

85
   
                     
fz

91

                       

97
     
                    

103
   
                       

109

            
    
sffz

114


                
sffz sffz
Pratos
THE TROMBONE KING Karl L. King
h=120
      MARCH
    Arr. By Andrew Glover

                     
f mf

7      
                 
     
fz fz

13      
                        
fz fz

19  1.  2.  
             
      
f

24    
                    
 

30    
                   
p f

37 
1. 2.      
                       
mf fz

43     
                       
fz

49      
                       
fz fz p

55       
                        
V.S.
2 Pratos
THE TROMBONE KING
2º Parte

61        
                        

67      
               
       

73        
                        

79      
                 
      

85         
                    
 
f fz

91      
                        

97        
                       

103        
                        

109    
                 
sffz

114    
                 
sffz sffz
Caixa THE TROMBONE KING Karl L. King
h=120 MARCH Arr. By Andrew Glover
       
                       
 mf
f

                         
fz

14

                   

20

1. 2.
                    

      

f

27

                     
p

32

                       
f

37
   
1. 2.

   

              
mf

43

                         

49

               

54

   
                    

p
2 Caixa
THE TROMBONE KING
2º Parte

59
                 

            

66
  
        
               

73

 
                      
  

79
 
                    

85
   
    
                      
   
f

92
  
                            
  

99

  
                          
 

106
 
                            
     

113
 
                        
   
sffz