           

            
Études-tableaux pour la guitarre
    
3 3
19


3
I. Galliarde excentrique

                 
 sempre
                    


    
   
Largo ma molto agitato e con moto  = 55

      
               
    

   
          
turbato ed ansioso 

  
3


                 
3

          
  
20

     







        







       


  


    
                                             

               


                           
     



3

              
3





  
3

  
22

         








    




                              




        


        
                         


        
         
5

        
   
25



   








       
       




    

                                                    


   
 
   
      
                           
7

  
27

 
      


    




  




            


      




  
              


                       


                 
      
  

        
           
9


 



29

 









          


 
3

                 


                              


   


                                


                                                  
3

     
11

              
30

 










        




          
                        


                            
           
    
 

                    


         
             
14

   
32

  





 





 



      










      3      3                   
            
 

 


                
4

   
         
  
                    
4


      
             
17 34

    















Philip Daniel 2 Philip Daniel
         3          
 
           
  
   
   
                           
 
   
                          
                        
3

    
36 50

 3 









             
 3 3

 
3

 
3


3 3

        


                       2.     
   
3

          

        
   
38

 
51

    





           


    



                   
     


     


        
  
   



40








    3


        
       


                        
  
   
         
     

 


     
   
  
42

 
3

 


 






         
  
        3                 
   4

 
cresc.

   
      

 
             
45









 

   
4

  
   
    
(cresc.)

      
3

           


              
       
1.
47





 3   3 
    3            
 

          


    
  
                    
3
48









 

               
 
m


  
           
  
49

 




Philip Daniel 3 4 Philip Daniel

     
             
Études-tableaux pour la guitarre
            
              
44
enigmatico 6

II. Cortège funèbre

 molto
 Andante
   
     
                             


moderato ma sempre pesante  = 95


                 


     7       
lamentoso e piuttosto lugubre  


                       
                           
quasi corno To Coda
50






       3 
 

                               

                 
8


  
3 3 3

        


 
        
Adagietto  = 80

               
  
cantabile e pensieroso



    
57

     
molto tenebroso

 
sul tasto

       
                      
      
13
3 3  

          
                    
 

  
 




       

66

             


                     

             
17 3 3 3
     

          
3                      



 
    
            
73

                    


 
      
22

  
 

  ord.   


 


            
subito angosciato ma sempre cantabile

                                               



  
         
3

    
  3

         
80

                  
28 3

             
più appassionato

     



 

                        
             


                        

 
      


         


  
83 poco a poco rall. quasi rit.

 
                       
3

               
33

   3    3 2  





 


                   
    
           


 
                
               


   
3

    
85

        
3

            
39 poco a poco tenero






 
Philip Daniel 2 Philip Daniel
  più delicato                     
   
              
(  = 90 )

 

3


 
88

  
 



       
(  = 95 )

       
 piuttosto tenebroso
        
                
91
3 oscuro accel. ma non tanto D.S. al Coda


quasi corno
 

                                

                
quasi mandolino spettrale
97

   

     
   sul tasto    
              ord.       
  
104


              3        poco percussivo morendo
                 
          
     
108

  




   dim.

Philip Daniel 3
      
                          
   
Études-tableaux pour la guitarre
    
                 
18

III. Kammermusik
   
                           
Moderato  = 180

      
                          
piuttosto sardonico
ma mai grottesco 6

  
6




                                     
             
subito come una marcia militare

    
               


      
20

   


 


  
                            
                     
 3 



silenzioso



4

    


                     
                
7





                       
          
3

  
23

              
  ( più  )

        
7

  
6

       


   
                        


               
      
8


            


                        
  
5

                      
6
3

   
27

     
   


     
6

  
6


    
                                         
  
 
           
10

    
6 6

   
      
                     
          
3


          
6


31

          
              


 molto
6

    
6


    
    
                      
       
    

          
vertiginoso


12

 
                                      
6

 
34
poco a poco più intenso e molto ansioso

             
6
6

                     6   


   
6

 
                

  
  
                                                    
cresc.


più elettrico

             
6

               3                 3   3   3 
14 6


39
6




      


                      
  
3 3 3 3

             
3 3 3
 3

                     
(cresc.)

   
 
                                    
sul ponticello

  
16 42 vigoroso 3

5   
5 3
Philip Daniel 2 Philip Daniel
   
    
  3  
          
              
    
 
ord.

                                    
     
                               
assai bizzarro

       
piuttosto robusto


74

 
44

 
                              
   

 

      
3


6

          
                       
3 

              
3

                
              
            
poco vertiginoso

       
46


6

  
77

 
 
6

                                   
6
6

                                           
quasi insolente   

         
7
6

      
49

                              
           
80 6

 

 


 
6

        
                 
                              


                    
6

        
6

      


                 
      
52

                  






82 6 troppo vertiginoso

    
7

        
   

                 
6

 



6

               6     


         
6

  
6

             
                    
           
56

 
84




6










 
 
             
6


                      
                           


 ossessivo
  




   
              
  
   
sul ponticello

                   
molto ossessivo

  
60 86
6 6




6


                                      
6 6

    
6


 ord.

              
   
con trepidazione ma non troppo

                                            
non rall. o rit.


63


88

   
6 6 6 5
3

     
                
  

         


     


       
      
grazioso e

              
come la prima ma più provocante

                                  
piuttosto rustico

          6              
68

 
91

          6        


6

    6
 6
6 dim.
Philip Daniel 3 4 Philip Daniel
 
            

     
smorzando


dolcissimo
95

3
(dim.)  

Philip Daniel 5