Love Sewing - Issue 30 PDF

SEWING BEE HIS & HERS KIMONO V MASTER JETTED POCKETS
17 b
- r
ste
p
y- ials
tep uto
s t
FREE-MOTION
EMBROIDERY
City tote bag
60
T H E U K ’ S N O .1 S E W I N G M A G A Z I N E
ways to make
SUMMER
STYLISH
V Pattern hack - floaty lace overlay
V Designs to copy vintage starlet style
V Lazy Daisy Jones's tips to make your
sewing room swoon-worthy!
AGES CREATIVE RIBBON TUTORIAL

2-12 Stunning pleated necklace
MIX
& MATCH
8-in-1
DESIGN
DRAFT A STYLISH SHIRTD
RESS DRESS AND SKIRTS
NO
PATTERN
FLAMINGO-PRINT SUNDRE
SS NEEDED ISSUE 30 UK £5.99
25% OFF AT WHITE TREE FABRICS PLUS 10% OFF AT OVER 50 STORES
Inspire
Imagine
Create www.lovesewingmag.co.uk
LS30.COVER.indd 1 27/07/2016 15:02

12 www.lovesewingmag.co.uk
LS30 P12.indd 12 21/07/2016 14:38

WELCOME
23
Must have!
Your free Simple
Sew pattern
!
Welcome to the
new issue of
Love Sewing...
A
s I write this, summertime is in
full swing and suddenly my
sundresses are on full rotation.
68
Having ice-cream vans, summer events
and beach holidays on the brain may
have inspired my fabric choices for this
issue, as our Grace collection has been of welt pockets? Alison Smith MBE is
made up in most delicious ice-cream on hand to show you how to achieve a
shades of lace. This pattern really is the perfect finish on page 82.
perfect design for showcasing prints,
trying out new fabric and letting your If you're eager to sew for the children
creativity shine. in your life we think they'll love
George the giraffe on page 65, and little
In this issue, we also have plenty of exciting girls will love our flamingo-print Bailey
projects to boost your skills. We have two dress. Or maybe you're just in need of a
ways to try DIY drafting with a modern quick project like a fun printed apron or
60
shirtdress on page 40 and sweet shell top sweet-smelling lavender bag. Speedy
on page 26, and Claire-Louise Hardie sewing is definitely on Elisalex de
54
shares her top tips on successful pattern Castro Peake's mind so she has the
drafting in her Thrifty Stitcher column. perfect list of fast and satisfying projects
you can whip up this summer. Find her
Plus, there is an easy-to-sew wrap skirt on page 28.
that you can enhance with decorative
top stitching and a welt pocket. Scared I hope wherever you are reading this
issue, it's lovely weather, you have an
icy drink to hand and are filled with
fresh inspiration.
WWW.LOVESEWINGMAG.CO.UK Happy sewing!

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www.lovesewingmag.co.uk 3
LS30.P03 Welcome.indd 3 26/07/2016 16:30

CONTENTS
34
REGULARS
AND FEATURES
Must have!
3 WELCOME Your FREE Simple
Sew pattern
6 LOVE SEWING LOVES
9 BIG VINTAGE
SEW-ALONG NEWS
56 SEWING
16/05/2016 16:35
10 LOVE
outlined.indd 1
#32 Grace Dress envelope
ROOM SWOON
SEWING LIBRARY
74 ARE YOU THE
13 READERS’ MAKES STITCHER OF THE YEAR?
14 THIS MONTH 76 JOIN THE
I’M MAKING SUMMER SEWATHON
16 BEHIND THE SEAMS 79 FABRIC FOCUS:
with Wendy Ward FANTASTIC FOXGLOVE
19 THE VINTAGE 80 A BRIEF HISTORY
PHOTO PROJECT of Duttons for Buttons
with Christine Simpson
82 COUTURE SEWING 26
28 THE with Alison Smith MBE
DRESSMAKER’S DIARY
with Elisalex de 85 BASICS OF GRACE DRESS & SKIRT
Castro Peake PATTERN READING
26 SWEET SHELL TOP
32 PROFESSIONAL 86 MACHINE REVIEWS
FINISHES: FABRIC TIES 30 SEWING
88 CLASSES, COURSES
AND WORKSHOPS
BEE KIMONO 52
38 THE THRIFTY
STITCHER 34 VERA WRAP SKIRT
92 DISCOUNTS 62 OILCLOTH APRON
with Claire-Louise Hardie
& GIVEWAYS 40 NO-PATTERN
65 GEORGE
46 PATTERN PICKS SHIRTDRESS
95 SHOP OF THE THE GIRAFFE
with Sarah Gunn
MONTH 43 ARROWHEAD
68 BAILEY SUNDRESS
48 FABRIC FOCUS: FOLD NECKLACE
96 COMING NEXT ISSUE 72 PEEKABOO ZOO
SING THE BLUES 52 AMSTERDAM TOTE
PROJECTS FINGER PUPPETS
51 SIMPLE SEW 54 VINTAGE PEG BAG
SEND-AWAY 23 YOUR FREE PATTERN 98 30-MINUTE MAKE:
CULOTTES OFFER GIFT – SIMPLE SEW 60 HANDS-ON CUSHION LAVENDER SACHETS
LS30.P4-5 Love Sewing contents.indd 4 27/07/2016 14:12

CONTENTS
Editorial
62 Editor Amy Thomas
Deputy Editor Bethany Armitage
Editorial Assistant Felix McNulty
Senior Sub-Editor Justine Moran
Sub-Editor Kayleigh Hooton
Senior Art Editor Denise Johnson
Designers Simon Kay, Sarah Edmondson,
Suzanne Guest
Photographers Alex Wright, Dan Walmsley
Hair & Make-Up Nina Rochford
Contributors Claire-Louise Hardie,
Alison Smith MBE, Elisalex de Castro Peake,
Wendy Ward, Sarah Gunn
WIN Publishing & Advertising

Head of Business Development
Ruth Walker
74 Advertising Sales Executive
Noune Sarkissian
noune.sarkissian@practical
publishing.co.uk
Advertising Consultant
Jane Bates
Subscriptions Manager
Daniel Tutton
Managing Art Editor Jennifer Lamb
Group Managing Editor Lee Campbell
SAVE A Head of Content & Positioning Gavin Burrell
Head of Product Development Carol Jones
FANTASTIC Group Buying Manager Olivia Foster
Buying Assistant Rachael Edmunds
66% WHEN YOU Production Assistant Anna Olejarz
Ecommerce & Distribution Director Dave Cusick
SUBSCRIBE TO Managing Director Danny Bowler
Group Managing Director
LOVE SEWING! Robin Wilkinson
SEE PAGE 36 Distribution

Newstrade COMAG Magazine Distribution
FOR FURTHER jane.bates@practicalpublishing.co.uk
Tel 0844 826 0613
DETAILS
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Love Sewing is published by Practical Publishing
International Ltd ISSN 2054-832X
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of Love Sewing is used under licence from Craft Media Ltd. No material
in whole or in part may be reproduced, stored or transmitted in any form
whatsoever without the prior written consent of Practical Publishing
International Ltd. The publisher welcomes contributions from readers.
All such contributions and submissions to the magazine are sent
to and accepted by the publisher on the basis of a non-exclusive
transferable worldwide licence unless otherwise agreed in writing prior
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reproduced, modified, published, edited, translated, distributed and
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Stock images provided by Shutterstock, Inc
19 98 Practical Publishing International Ltd

is a member of the PPA
Contributors
Karin Jordan Sarah Gunn
A former magazine editor and art gallery director, Karin designs Sarah inspires thousands of readers through her blog
and makes stuff in New Hampshire when she’s not chasing her www.goodbyevalentino.com with the motto: “Sew your own
family around. She blogs at www.leighlaurelstudios.com and clothes, save thousands of dollars, and look like a million bucks!”
you’ll find her Liberty memory cushion project on page 60. See Sarah’s pattern picks on page 46.
Ashley Cramp Rosie Martin

Get to know more about the brains behind the must-read blog Rosie is the author of No Patterns Needed: DIY Couture from Simple
www.lazydaisyjones.com and learn her secrets for a stylish sewing Shapes, our Book of the Month this issue. To find out more about this
space on page 56. We’re so jealous of Ashley’s vintage filing cabinet creative lady and her exciting new book, check out our interview
packed with patterns! on page 11, and try the no-pattern shirtdress on page 40.
LS30.P4-5 Love Sewing contents.indd 5 27/07/2016 14:13

The patterns, people, fabric and finds
getting us sewing this month
SILVER COTTON REEL

STUD EARRINGS
Wear your craftiness proudly and treat yourself to a
darling pair of silver cotton reel stud earrings. Completely
handmade, they measure just 7x4mm and feature small
cutouts to give the illusion of thread. Don’t have pierced
ears? Head to www.sarahbrooksjewellery.com to see
more sewing and craft-inspired jewellery.
£20
ELIANE
JUMPSUIT
House of Pinheiro
+ Style Arc
Big Bee Two fashion forces have teamed up
SHOPPER
to create a new pattern. This on-trend
jumpsuit is full of style and comfort.
The lovely shawl collar has an
interesting notched feature to give the
effect of a revere and the pleats on the
£7.99 trousers fall from the elastic waistline.

The pattern’s available in sizes 8-20
and costs £10.15 for a PDF, with paper
The Great British Sewing Bee might be over, but we’ve still got
patterns available on request. Read
bees on the brain! When you’re buzzing off to the fabric shop
more about Rachel’s inspiration for
or haberdashery, this strong and sturdy canvas bag is the
Eliane at www.houseofpinheiro.
perfect companion. Measuring 43.5x33cm you’ll find this bag
com and pick up a copy of the pattern
available to buy at www.oakroomshop.co.uk
at www.stylearc.com.au/stylearc
LS30.P6-8 Love Sewing Loves (3 page version).indd 6 26/07/2016 10:33

PLAN A
SWEET
ESCAPE!
www.backstitch.co.uk
Late August sees the arrival of Sweet Escape, the latest
collection from Dashwood Studio designer Bethan Janine.
The Sheffield-based designer found inspiration for this
collection during a cycle ride through the sunny countryside
last summer! Bethan is known for her cotton fabric featuring
all things flora and fauna and using bright colours and Sweet
Escape is no different with bonus swan and bicycle designs.
The collection will be available through Backstitch’s online
shop priced £12 per metre.
Dottie Angel
FOR SIMPLICITY
Look out for the new Dottie Angel design brought to you in association with
Simplicity. This stylish pattern S8153 comes in a single size pack of XS-XL,
including a top in two lengths, and a dress with contrast bibs and lace
edging, plus a skirt with elastic waist and patch pocket. The pattern has
now landed at www.simplicitynewlook.com and is priced just £5.95.

SKILLS
BOOST!
Make your own petticoat
Looking to add oomph to your handmade dresses and skirts?
Why not add a petticoat like we used for our tea length versions of
Grace on page 23? You can easily make one using tulle and cotton
following a tutorial at www.byhandlondon.com/blogs/by-
hand-london, written by our columnist Elisalex de Castro Peake.
FREE
PATTERN
Make a
SUMMERY
SORBETTO
DRESS
with Colette Patterns
The beloved Sorbetto top has had a makeover thanks to the
inventive team at Colette Patterns. It’s taken its staple shell blouse,
that’s still completely free to download, and shown you how to
make a stylish dress.
Find the step-by-step guide at blog.colettehq.com/tutorials

BIG VINTAGE SEW-ALONG
Big Vintage
Sew-along news!
Have you joined in with the Big Vintage Sew-
along yet? It’s a fun opportunity for sewists to
come together and ‘sew vintage’. We’re thrilled
to have Rachel and Kate from The Fold Line to
share all the news from the fun blogger tour.
So who’s been sewing up some vintage Follow the fabulous blo
gger tour, chat with yo
loveliness this month? favourite sewists and
www.thefoldline.com/
see pattern reviews at
ur
blog
i 6582
i 5813
Janene chose to Marie chose

make the 1956 to make the
Retro Butterick 1960s Retro
5813, which comes Butterick 6582
in three style Marie hosts the
variations with #VintagePledge
fitted and full skirt with Kerry
options. Janene is Patterson of
wearing Version A the blog Kestrel
with a fitted skirt Makes (www.
using luxurious kestrelmakes.
I
n March, The McCall Pattern Company Italian brocade. com). The
in the UK chose 20 of its most popular After making a pledge
vintage patterns from Retro Butterick, toile, she only encourages you
McCall’s archive collection and Vogue made a few minor to sew using
patterns for the sew-along. A contribution adjustments to the your vintage
from every vintage pattern sold in pattern, including patterns, so
the inspirational edit will go towards altering the back Marie chose
supporting The Eve Appeal charity. Find bodice to make it more fitted. this dress as part of her pledge as well
out how to take part, plus read all about This dress does have a few tricky details to as for the Big Vintage Sew-along blogger
upcoming events and competitions at sew, so it would be a good one to tackle tour. She decided to swap the skirt of this
www.vintagesewalong.co.uk once you have completed some beginner pattern with a pleated version to give a
dressmaking projects. more modest full skirt.
Ka d Rael y: “What better
way to get inspiration for your own vintage Janene fully lined her dress, which has given Marie found the instructions easy to
outfit than to see what your favourite it a beautiful finish. It has some lovely vintage follow and liked the finish of the all-in-
sewing bloggers are making? There is a details, including small darts for shaping the one facing, even though it is a bit tricky
fun-packed year with bloggers taking it sleeve. The dress also includes a fitted bodice to sew in place. The dress is semi-fitted
in turns to make one of the 20 vintage with collar and front princess seams with with gathered shoulders and comes with
patterns and each month we will be three-quarter length sleeves and an optional fitted or full skirt options. She used a
sharing their amazing outfits with you. This belt. This is a stunning dress and is paired beautiful viscose double gauze fabric. The
month it was the turn of Janene Spencer perfectly with polka dot shoes and retro style suits her so well and will be a great
(www.ooobop.com) and Marie Koupparis shades for a glamorous vintage look! addition to any vintage lover’s wardrobe!
(www.astitchingodyssey.com).
www.ooobop.com/big-vintage-sewalong- www.astitchingodyssey.com/2016/07/a-
retro-butterick-5813/ vintagepledge-for-bvsewalong.html
LS29 P9 BVSA News.indd 9 26/07/2016 10:58

LOVE SEWING LIBRARY
library
Our pick of this month's new
sewing and dressmaking books
HOW TO WORK WITH LEATHER

NOW I CAN SEW: 20 HAND- by Katherine Pogson
SEWN PROJECTS TO MAKE £9.99 Collins & Brown

This collection of more than 20 gorgeous and inspiring
by Sian Hamilton projects is the perfect introduction to working with
£12.99 GMC Publications leather for any sewist. Dive into this book to benefit
What better gift to pass on to a young one from leatherworker Katherine’s extensive experience
in your life than the skill of sewing? This and learn the basics you’ll need to get started, from
exciting new title is the ideal introduction to sourcing your materials to mastering cutting and stitching techniques. Plenty of
hand sewing for children aged eight and up, information is provided on the tools required, and clear step-by-step instruction
packed with projects they’ll love to make and keep, from fun finger guide you through the process of making the projects yourself, whether it’s one of
puppets to a pencil case and drawstring bag and even their own the stunning bags that takes your fancy or a sculpted bowl for your home.
cushion! Colourful felt is the base material for most of the projects,
which means you won’t be breaking the bank paying for pricey
materials, and there’s plenty of clear and easy-to-follow advice and
guidance throughout. It’s a wonderful book to get stuck into with
your own child or with a niece or nephew.
LEARN
TO SEW
by Emma Hardy
£9.99
CICO Books
If you’re new
to sewing, the
number of
projects out there to choose from can be
pretty intimidating, and it can be hard to
work out the best way to build up your
skills and confidence at a realistic pace.
This new book from lifelong sewist Emma
Hardy consists of 25 simple and accessible
sews that are quick and easy to make using
basic hand and machine sewing skills. A
fully illustrated technique guide shows you
all you need to know to complete each
project, from basting to hemming, so you
can try your hand at sewing a range of
pretty accessories for your home, including
curtains, cushion covers, duvet sets and
much more. You’ll be hooked in no time!
LS30.P10-11 Library.indd 10 26/07/2016 10:56

LOVE SEWING LIBRARY
Book of the Month

NO PATTERNS NEEDED: DIY COUTURE
FROM SIMPLE SHAPES
by Rosie Martin
£17.95 Laurence King
This month we can’t get our noses out of Rosie
Martin’s collection of patternless wonders, all based
on shapes and body measurements. We caught up
with Rosie to discuss the book, inspiration and the
freedom of patternless sewing
Hello! How are you today and what’s on What are the advantages of
your sewing table right now? patternless sewing?
Hello! Good thanks – a little bit high from bleach Freedom and control are the key advantages
fumes as I’ve been making lots of denim paler! – you can make something to fit your body
I’ve a half-finished toile for a summery shirt on and you can choose the design details. There
my sewing table right now. I don’t normally toile, is obviously no average woman, but patterns
but I started with a vintage pattern and massively work on the assumption of a general
changed it and I’m going to be using some body shape, and we often have to make
custom printed fabric I only have one metre of so adjustments to mould that generalised
I felt I should be sensible. frame until it fits the reality of our unique
bodies. Patternless sewing means you make
Tell us a bit about No Patterns Needed – it how you want it right from the beginning.
what inspired the book? You decide skirt length, sleeve width,
Laurence King asked me if I would like to write neckline, whether or not you add a collar,
another book and I had a few thoughts swirling and so on. I also feel that patternless sewing
around. The tutorials that I thought worked can massively increase your confidence Tell us a bit about your design process
best from my last book were the ones that took in being able to make things from – where do you get your ideas from?
really simple shapes and manipulated them to scratch generally. I used to buy a lot of fashion magazines but
fit the body. I had also recently been teaching these days I spend time collecting inspiration
at The Thrifty Stitcher and, while idly flipping What would your advice be for on the internet. I look at runway collections
through a sewing book there, I’d seen a diagram anyone nervous about having a on the Vogue website or on Style.com and
of women’s bodies categorised into different go at sewing without patterns? I look at outfits worn by bloggers like Suzie
shapes – triangle, rectangle, oval etc. It annoyed Give it a go! I know absolute freedom can Bubble. For this book I sketched out a lot
me a bit as I think the beauty of sewing is you can be intimidating, which is where my of possible ideas grouped as rectangles,
make whatever you want, regardless of whether instructions come in. There are 15 circles or triangles and I tried to get a
society thinks it suits you. I thought wouldn’t it be designs in the book, catering for lots of balance between skirts, dresses and tops.
great if we could take these shapes and use them different confidence levels. A couple of I then did a LOT of sewing to experiment
to create garments, rather than having these the skirts are super simple and would be with what I’d drawn out on paper. When
shapes imposed on our bodies? a great place to start. it comes to fabrics for the variations, I am
really inspired by my models who are a great
bunch of women, all with their own style and
personality. I shopped for fabric with them in
mind and I tried to make variations that they
would wear. My models really helped guide
me through the design process.
Are you inspired by any other

designers in particular? Who have
been your trailblazers?
JW Anderson is probably as close as I come
to having a design hero and after that
probably Luella Bartley. I love dipping into
all sorts of brands though like Tata Naka,
Sibling, Kenzo, Christopher Kane.
These are all really fresh, inspiring and
playful designers.
Thanks for your time!
LS30.P10-11 Library.indd 11 26/07/2016 10:56

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LS30 P02.indd 2 21/07/2016 14:31

LOVE SEWING LETTERS
READERS' MAKES
Readers Stakre
MAKES ma
If you've made something using the projects or patterns

in Love Sewing, tell us about it and we'll publish it. WIN A
Share it on our Facebook page or email us at
letters@lovesewingmag.co.uk. Each month's
Star Make will receive a Minerva Crafts fabric
£25
FABRIC BUND
LE
bundle worth £25, handpicked by Vicki at Minerva!
"The Thelma dress

in issue 24 was
exactly what I was
looking for to make
for my nieces. Even @warboyswitch’s
better, it is made first homemade Rosalind Yelland’s
from men’s shirts dress looks Amelia Tea Dress from
that I recycled" fantastic! issue 28 is the ultimate
Melanie, Australia
holiday dress – bright,
breezy and beautiful!
"This is the Ruby

dress I made from
the pattern free
with one of your
issues. I bought that
copy based on the
free pattern and
subscribed straight
away" Deborah Louey
We love Lisa’s
fabric choices
for this dress
made using a
Threadcount
pattern
How cute is
Lorraine Smith’s
nephew? Her
giant Nessie
seems like the
perfect place
for a nap!
www.lovesewingmag.com 13
LS30.P13 reader's makes.indd 13 26/07/2016 10:45

THIS MONTH I'M MAKING...
This month I’m making…
Spcy
4298
We love the sweet deer fabric Kat
of the Modern Vintage Cupcakes
blog has used for this vintage
dress – see more from Kat at
www.macskakat.wordpress.com
T
his month I’ve been making an early
1960s pattern using Michael Miller
Rustique Yes Deer poplin! For this, I
used Simplicity 4298, a ‘seven-day wardrobe’
pattern from the early 1960s. It’s been in
my stash for a couple of years now and I’ve
been planning on making it up for about that
long! I love the idea of wardrobe patterns – I
actually have plans to make all the variations
in this pattern and have the full ‘seven-day
wardrobe’ as the pattern suggests.
To start with, I made the full-skirted version of the

dress, with gathers over the skirt sides. The fabric I
THE MINERVA used is a lovely lightweight poplin, which worked
really well with the bulk of the gathers. The pattern
CRAFTS BLOGGER itself is a nice simple one, fairly classic for the era. A
NETWORK dart-fitted bodice with a wide neck, facings, and a
The Minerva Crafts rectangular skirt gathered into the waist. It fastens
Blogger Network down the back with a zipper. (I used an invisible zip,
is a collection of amazing rather than the dress zip that would have been used
sewing and craft bloggers from in that era.)
across the world. Every month
each blogger creates a unique The skirt is actually meant to be about 15-20cm Again, this was purely due to not having quite
kit from the thousands of longer than in my dress but, well, I chose the pattern enough fabric – whoops! I got two metres, so I’ve
after I chose the fabric, so I didn’t have quite enough added three metres to the wishlist for this project,
gorgeous fabrics and notions
for the full skirt style! So after cutting out the bodice, so if you decide to buy my kit you will have more
available at Minerva Crafts.
I simply folded the rest in half, made sure the deer fabric to play with!
They wow us with their makes
mostly lined up, and then cut the skirt out of what
every month by blogging a
was left. And there we have it – one new vintage pattern
project made with their kit on
dress, covered with deer and flowers!
the network. There are new Other changes I made were to fit. I’m an AA cup, so My in-laws were looking after our kids this
projects going live daily to naturally I always have to do a small bust adjustment morning, so my partner and I went for a walk to a
inspire and educate sewists on vintage patterns! So I did some dart manipulation World War II radio bunker out on the South Coast
of all levels and abilities. Each and removed the waist dart on the bodice, keeping of Wellington in New Zealand. It was cold but
blogger's unique kits are only the side dart. That then got lowered, and the there were such gorgeous views!
available to buy at bodice lengthened by about 1.5cm.
www.minervacrafts.com To find out more and get hold of the materials
The other change I made was to use a bias facing used, head to https://www.minervacrafts.com/
on the armholes, rather than a classic fabric facing. blogger-network/post/oh-dear-me-
LS30.P14 This month.indd 14 26/07/2016 10:53

Sewing & Quilting
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LS30 P15.indd 15 21/07/2016 14:40

BEHIND I design my own
THE SEAMS
range of easy-to-
follow modern
sewing patterns
called MIY
Collection. I am
with Wendy Ward

a qualified teacher
and also have a degree
in fashion and spent seven
years working in the fashion industry before
starting to teach dressmaking from my own
studio called MIY Workshop in Brighton
Got a question for Wendy Ward? in 2011. My first dressmaking book The
Email us at letters@lovesewingmag.co.uk Beginner’s Guide to Dressmaking is available
now and my second book A Beginner’s Guide
to Making Skirts will be available in October.
www.wendyward.co.uk
www.miyworkshop.co.uk
www.miycollection.com
w d o Logistics
Ho get
This was a recurring theme for the sewists who
you
shared their experiences with me online – if
every time you sew you have to clear the dining
w - j o
table, unpack your project and your sewing
r se
machine, it’s often time to put it all away again
y ou
as soon as you’ve started, so why bother?
back?
Too much sewing for others
Taking on too many projects for others was a
cause mentioned by a few people online. While
it’s rewarding to make things for others (when
they’re well received!), make sure you put time
aside for selfish sewing too.
Are you happy?

There is a theory that you need to be in the right
I’ve been sewing for over 30 years and there WHY DOES IT GO? headspace to be creative, happy and relaxed
have definitely been times in my life when What are the most common causes of this and unencumbered with too many worries.
sewing has been more and less important to sewing equivalent of writers’ block? Bobobun68 on Instagram shared an example of
me. Most of us have times when our creative this, saying: “I sewed nearly every day until my
outlets have to take a back seat because Perfectionism and fear of failure dad died and then it went for months. When my
life just takes over, but that’s normal and it Perfectionism is the enemy of creatives, marriage ended two years ago I could manage
doesn’t mean we want to do it any less, it’s a fine balance – it’s great to strive to work and being a mum but all creativity
in fact often we want to do it more at do the best you can and improve your went. As my happiness returned, sewing and
these times! work, but too much pressure can actually inspiration came flooding back hugely like an
stunt creativity. The way it manifests is the addiction. I’ve pushed myself to learn more
After working 60-hour weeks to write my new thought creeping into your head that if you and I’m loving it, so I’d say my sewing mojo is
book while keeping the rest of my business did that thing you’ve been thinking about heavily influenced by my emotions.”
going for the last nine months, mine was making, “it would be a bit rubbish and
definitely on the wane recently. never as good as it should be, so I might However, there is a parallel theory that if you’re
as well not bother”. Try to allow yourself not happy to start with, being creative can
As well as sharing some of my own to make a mess, accept that mistakes are actually help to make you happier –
experiences on this subject and researching useful and help to develop your work, how read this brilliant piece about overcoming
the subject online, I also opened up my blog can you learn if you don’t make mistakes? writer’s block by Maria Konnicova on the
and Instagram to ask other sewists to share And if something goes wrong, it’s only New Yorker website: www.newyorker.com/
their collective wisdom. I hope it helps you if fabric that’s wasted at the end of the day! science/maria-konnikova/how-to-beat-
you find yourself stuck in a creative rut. writers-block
LS30.P16-17 Behind the seams.indd 16 26/07/2016 10:59

sweat in the gym and even while playing cover or stuffed bunny for my boys. Sometimes
my trumpet! selfish sewing doesn’t feel as great as you
expect it to. Sewing things others can enjoy
Dedicated space and benefit from have been my favorite makes.
Try and organise a sewing space at home, We are also too critical of ourselves. When you
no matter how small, even if it’s just make a simple gift for someone, they don’t see
HOW TO GET IT BACK keeping your machine accessible (and any of the flaws you see yourself when sewing.
Variety and learning visible as a constant reminder) on top of a It can help you see that things don’t have to
They say variety is the spice of life, so try cupboard or shelf ready threaded up and be perfect!"
a different craft from sewing; learning with your project neatly nearby. You’ll be
something new is always really absorbing able to grab small bits of sewing time as So, don’t give yourself a hard time, embrace it
and rewarding, so get a friend to show you and when the urge takes you. as part of the creative process and a reminder
or take a class. There are some brilliant that you need a bit of variety and a bit of
short classes to get your creative juices A project for every circumstance nourishment for your creative soul. Go out for
flowing again on Creative Bug and Craftsy. Have a few projects on the go and I do say a walk, take that online class and break out the
this with caution as being a serial starter colouring pencils!
Instant gratification can also lead to sewing misery; you need
Sew something quick and small or to be a completer too. Some great advice
something safe that you’ve made from Deborah who commented on my blog
before and you know works well. I love was to make sure you have a small portable
verykerryberry’s advice on Instagram to project as one of your projects on the go.
sew pyjama pants, the perfect remedy That way you can take it on train journeys,
I’d say – who doesn’t need more cosy do it in front of the TV and possibly even
pyjama pants? Plus, they’re easy to sew take it into meetings at work!!
for others too.
Gift sewing
Get out there While sewing for others can sometimes
Walk the dog, go for a run, go to the gym, cause you to lose your sew-jo, certain types
I find any kind of exercise refreshing and of selfless sewing can also be a way to
invigorating to mind, body and creative reconnect with the joy of sewing. I love the
soul. This is one that definitely works for approach of poppiesgrowinva on Instagram
me and that I use a lot; I’ve often had who says: “When I feel down about sewing
some of my best ideas while dripping with I sew something super easy like a pillow
LS30.P16-17 Behind the seams.indd 17 26/07/2016 10:59

LS30 P18.indd 18 21/07/2016 14:42

Christine Simpson loves
Hollywood style so
much she took seven of
her favourite vintage
photographs and tried to
recreate the looks as best
she could. Let's see how it
all came together!
The
VINTAGE
PHOTO
Grace Kelly by Howell
Conant, 1955
project
The bodice was created
freehand with some trial and
error on the sleeves. The skirt
was traced from my favourite
vintage pencil skirt.
© Beck Photographic
LS30.19 vintage photo project.indd 19 26/07/2016 16:53

THE VINTAGE PHOTO PROJECT
Audrey Hepburn
in Sabrina, 1954
The bodice front
was self-drafted,
the back traced
Cyd Charisse, 1947 from a vintage
The bodice was adapted dress, and the
from McCall’s 6713, and skirt was the
the skirt is a self-drafted same pattern
three-quarter circle. as the Roman
© Beck Photographic Holiday skirt.
© Jamie Topp
E
very stitch you see here
was made by me, using
a mixture of self-drafted
and Frankenstein-style pattern
piece combinations. The project
took about six months from start
to finish and the problem was
definitely finding time to sew.
I have a full-time job so it all had to fit around
that and the social life. There were certainly
times where I got stuck and just had to leave
things for a few days to regain motivation.
Scheduling the photoshoots once I was nearly
done also provided a helpful deadline for me
to stick to.
I had been collecting photos of old dresses I

liked for years, so that helped me choose which
dresses to do. Once I’d researched the dresses,
most of the fabrics needed were fairly easy
to find and you can’t go too wrong with silk Madge Evans and Spencer Tracy
or cotton. I did find it difficult to find the right on The Show-Off, 1934
weight and stretch in jersey for the Cyd Charisse The blouse is Simplicity 1590 with a
gown. It needed to be soft and thick enough to modified collar, dress cut by tracing a
drape nicely, but still suitably formal for the style fitted jumper and extending it down to
of the dress. I went into every fabric shop on a straight cut skirt. © Jamie Topp

THE VINTAGE PHOTO PROJECT
Goldhawk Road in West London, but I found the cutting mat and a rotary blade cutter. That
right thing eventually and bought all they had! helped so much for cutting the bodice and
getting a crisp neckline. Once I was happy
To tackle the design changes I didn’t take with the bodice I moved onto the skirt, only
any drafting classes (in retrospect this might to find that the panels were longer than my
have been a good thing to do), I just started cutting mat and desk, so I had to keep running
improvising with the pattern pieces I had, and downstairs from my carpeted sewing room to
drew the rest freehand or traced them from my be able to cut out on the hardwood floor. It’s a
own clothes. I have a longer torso and narrower simple dress so there were no ruffles or gathers
shoulders than most vintage patterns expect, to worry about, but I wanted to get the seams
so I almost always have to adjust the bodice as perfect as possible, so I was really diligent
pieces when I make dresses. about pressing after each step. Unfortunately, I
got a bit too enthusiastic with pressing the skirt
My favourite method for experimenting with and managed to overwork a few panels, so I
pattern pieces is to trace or sketch them on had a few do-overs.
baking parchment, fold up the darts and just
see how they fit on me or my mannequin before Trying to pick a favourite dress is tough! I do
adapting the design lines. Baking parchment love swanning around the house in my Cyd
is flexible enough for a quick draft, and much Cherisse gown when it’s cold outside, but
more durable than standard pattern tissue. I think my favourite photo and outfit was
the Audrey Hepburn skirt and blouse from
The thing I remember taking the longest was Roman Holiday. My photographer and I had so
the black Sabrina dress. It’s made of pure silk, much fun recreating that shot on the original
so it’s lovely to wear, but getting the cut smooth scooter, and the skirt is absolutely perfect for
was a real challenge for me. I was getting swishing around while swing dancing, so I
nowhere with my scissors, so I invested in a wear it all the time!
Audrey Hepburn in
Roman Holiday, 1953
I used a top pattern
from an old Living
magazine No.L5 and
the six-panel skirt
was self-drafted.
© Jamie Topp
Rita Hayworth, 1946

I adapted McCall’s 7615 to omit the collar and
use a straight skirt. © Beck Photographic
Read more about the Vintage

Photo project as well as
Christine’s cake-inspired
apron project on her site
www.christinensimpson.com
and enjoy more of Jamie’s
photography at
www.jamietopp.com

Discover the brand-new range of
patterns for dressmakers of all levels
EXCLUSIVE
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Designed in the UK for DESIGNS
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STYLISH THE
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DESIGNS COLLECTION
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#SR17 Sizes 8-20
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LS30.P22.indd 22 26/07/2016 16:21

GRACE
dress and
skirts
"This easy-to-make
dress is the
ideal day-to-
evening pattern.
Mix-and-match
style elements let
you create your perfect dress:
Decide between a ‘V’ or scoop
neckline bodice, a tea or knee-
length skirt that can be gathered
or pleated, and choose whether
to add a capped sleeve or stay
sleeveless. Whether you’re off
on a sunny day trip or have a
fabulous event to attend, there’s
a version of the Grace dress for
We ed:
every occasion"
Clai re
White 7mm flocked spot net,
£9.65 per metre,
www.whitetreefabrics.com
Dusky pink soft polyester
fabric, £7.99 per metre,
www.minervacrafts.com
LS29.P23-25 grace simple sew.indd 23 26/07/2016 12:49

SIMPLE SEW COLLECTION
We wanted to celebrate the style of
GRACE KELLY
with our latest Simple Sew pattern
Grace’s style was renowned
SAVE
for its simplicity – and her
classic and elegant approach
25%
to dressing has ensured it
looks timeless. She chose pearl
jewellery, cropped cardigans,
tortoiseshell sunglasses and on lace
dresses with modest scoop by visiting
icon necklines and nipped-in
Style waists, all in candy coloured
page 92
shades of cashmere and
silk. Her wardrobe always looked pulled together and
sophisticated – but never showy.
As an actress, Grace had achieved iconic status, despite

her career being surprisingly short. She worked for just
six years between the age of 20 and her wedding at the
age of 26, after which she retired to concentrate on her
new state duties as Princess of Monaco.
We ed:
We ed: Lilac 5mm plain colour spot net,
Duck egg large flower lace, £11.10 per metre, £6.35 per metre,
www.whitetreefabrics.com www.whitetreefabrics.com
Sea Green soft polyester fabric, £7.99 per Pale blue lilac trieste peachskin
metre, www.minervacrafts.com fabric, £7.99 per metre,

SIMPLE SEW COLLECTION
TUTORIAL
LACE OVERLAY
Create a timeless classic by sewing
a lace or chiffon overlay to your skirt
or dress
To achieve this look you'll need to cut all your

dress pieces from lace and an underlining fabric
(this can be the same as your lining or a contrast
fabric but importantly it should be of a similar or
lighter weight to your lace to prevent the dress from
being too heavy).
Lay the lace front bodice on top of the
underlining bodice so the RS faces out. Machine-
tack around the outer edges within the seam
allowance with a wide stitch length. Repeat for your
back bodice, waistband pieces and sleeves. You will
now treat the two fabrics as one and construct your
bodice following the instructions, eg assemble the
darts by sewing through both layers.
For the skirt pieces you can opt to repeat the
approach for the bodice and treat the two layers as
one, best if you'd like to keep the pockets. Or you
can assemble the skirt and underlining separately
and then tack along the upper waist edge before
attaching to the bodice. This will allow the lace
layer of the skirt to hang free, creating more
movement and drape.
If your skirt layer is hanging free, you will still
install the concealed zipper in the dress through
both layers of fabric. But when you move to
continuing the seam below the zip, you will do this
as two separate seams, one for each layer. Start
with the lining layer and take care not to catch the
overlay in your stitching line. You will need to clip
the seam allowance to ease the seam.
We ed:
Blue viscose nylon spandex
lace fabric, £9.60 per metre,
www.guthrie-ghani.co.uk
Navy blue trieste peachskin
fabric, £7.99 per metre,

Sweet
SHELL TOP
Dip your toes into pattern drafting with this easy
to make button-down shell top
Project LORNA KNIGHT Author of Complete Dressmaking Skills
Photography SIMON PASK
26 Patternless Top.indd 26 26/07/2016 10:41

SWEET SHELL TOP
""
MATERIALS:
" 1-2m lightweight woven fabric such as
cotton lawn or viscose fabric
" 6-8 1cm buttons
" co-ordinating thread
NOTES: A B
You can make a simple sleeveless top using a
basic rectangular shape. You will need your bust
measurement as well as your shoulder-to-hip
length and shoulder-to-bust length.
This project assumes basic construction

knowledge for assembling your finished pattern.
: C D
Draw a rectangle with a length the same as
your shoulder-to hip-length and width of half
your bust measurement plus 2.5cm for ease.
(See Pic A.)
Measure your shoulder-to-bust length, mark

this measurement on the vertical line taken
from the top left of the rectangle, and draw a
horizontal line that represents your bust level.
(See Pic B.)
E F
Find the middle of the horizontal lines and

draw a vertical line that represents the centre
front and centre back of the garment. (See Pic C.)
Draw in the armholes from a starting point

5cm above the bust level to the top horizontal
line (shoulder level) to suit your style. Use a
French curve to create a smooth and natural
shape. (See Pic D.)
G H
Draw in the front and back neckline shaping

to suit your style. Use a French curve, and ensure To make up the top, choose a suitable
the scoop is symmetrical. (See Pic E.) fabric and cut out one back on the fold and
two front pieces.
Trace off half the shape using the back neck
shaping; this is the back of your top. Mark the Fold the front band into position and top-
centre line with a curved arrow to represent stitch. Sew evenly spaced buttonholes down
placing the fabric to a fold and add seam and the right hand side and then sew buttons in
hem allowances to all the other outside edges. the corresponding places on the left.
(See Pic F.)
Finish the armholes and neck edge by
Trace off half the pattern again with the front binding with bias strips, pressing to the
neck shaping for the front of your top. Add 6.5cm inside as facings.
to the centre edge for a stand for buttons and
buttonholes, and add seam and hem allowances Make two narrow ties or rouleau straps to
to the other outside edges. (See Pic G.) insert in the side seams at the waist – when
tied at the back, these will add shape to the
On the front panel, mark vertical fold lines garment when placed at the waist.
for the 2.5cm-wide front band where the fabric
will be folded to create an integrated facing for Leave the lower end of the side seams
the buttonholes and buttons. Mark the waist open by roughly 5cm and top-stitching
position at the side seam and a point 5cm around the vents.
below for a vent at the lower end of the side
seam. (See Pic H.)
26 Patternless Top.indd 27 26/07/2016 10:41

THE DRESSMAKER’S DIARY
It’s a familiar tale; warm weather lures you outside, your

little ones are on school holidays, eager to play and your
social calendar fills up! Speedy sewing projects will keep
your creative juices flowing, and Elisalex de Castro Peake is
here to help!
W
e’re all The secret of successful summertime
going on sewing is to plan a small capsule
a summer wardrobe of matching makes that can
ho-li-daaayyy! No easily be completed in an evening and
more working, wait enjoyed the very next day. Breezy tops,
– or sewing?!!! – for simple skirts and floaty dresses being
a week or two… the order of the day. I’ve found that 2
Well, I don’t know ambitious projects only end up getting
about you, but I neglected as I struggle to find the time
certainly won’t be to make any decent progress, leaving
able to last that me feeling frustrated and unsatisfied.
long without fondling some fabric or
pressing a freshly sewn seam. Grainline Studio’s newest pattern,
the Penny Raglan tee, ticks all the
The notion that the summer holidays are boxes – lightning quick to sew,
a time to kick back and relax, especially stash-buster extraordinaire, and
when you have kids, is a total myth. In guaranteed to be something
my experience, the summer holidays you’ll want to wear every day,
means trying, and mostly failing to get all summer long (and well
a blog post written up or work on a new into the colder months layered
pattern after the kids are in bed, inevitably over a long-sleeved top). I’ll be
a little tipsy from all the Aperol Spritzes churning out at least three of these.
and rosé at dinner. Talk about first world
problems. Despite how I may have come
across in that last sentence, I actually do
love the school holidays, and spend ages 1 Elisalex recommends hand
in the build up thinking of and planning embroidery as the perfect
fun activities amongst the family holidays travel project
away. But for single mums who run their 2 Try the By Hand London off-the-
own businesses, and who like to spend shoulder top tutorial on the blog
their precious ‘me time’ scratching a 3 Penny Raglan Tee, $12
creative itch (like me!), there is very little (about £9) PDF pattern,
opportunity for selfish sewing over the shop.grainlinestudio.com
summer months. So I’m rounding up my 4 When Doves Crochet top, £19.99,
www.woolandthegang.com
x
5 Cascade skirt, $13.50 (about
Elisale
£10), www.megannielsen.com
LS30 P28 ELISALEX.indd 28 26/07/2016 10:47

THE DRESSMAKER’S DIARY
Nobody on Earth could have failed to notice

the explosion of the off-the-shoulder trend.
The best news for us sewists is that recreating
this look is both easy and infinitely adaptable.
Using the same self-drafted block, I have made
multiple off-the-shoulder (OTS) tops, dresses
and crops in woven and knit fabric, and you
can find my how-to over at www.
byhandlondon.com/blogs/by-hand-
london/113119237-draft-it-yourself-off-
the-shoulder-ruffled-sundress
3
For effortless summer dressing, not much
beats a classic wrap skirt. Essentially a glorified
sarong, the wrap skirt will prove invaluable for
both beach escapes and city breaks, and
Megan Nielsen’s dipped hem Cascade Skirt
pattern hits the spot. Sew it up the night
before your flight, hand-sew the hem on the
plane, and enjoy your holiday as you revel in
handmade fabulousness.
But what about those extended family holidays

when your suitcase is already stuffed to the
max and you’re pretty sure they’re not going
to let you take your sewing machine on the
plane as hand luggage? Situations like this call
for portable projects – think lap crafts such as
embroidery, knitting, crochet etc. Again, I find
that the key to holiday crafting satisfaction is to
work on something that you’ll be able to use or
wear as soon as it’s finished, thus encouraging
you to get it done there and then as opposed
to leaving it to get crunched in your beach bag
while you pass around the celebrity gossip
magazines instead.
I will not be knitting jumpers or crocheting

granny squares for that monster bedspread I’ve
been planning as I know that despite my best
intentions, it’s seasonally irrelevant projects 5
like that that I’ll only end up neglecting. Last 4
year I brought a plain top I had made with me
on holiday, along with everything I needed to
embroider the yoke with a Mexican-inspired
floral design. I was so excited to actually get
some wear out of my embroidered top that I
spent every spare moment over the first
few days blissfully stitching away in the
sunshine, and proudly wearing it for the rest
of my holiday.
This summer I’ve fallen hard for Wool and

the Gang’s backless When Doves Crochet top
and am already picturing myself on a Greek
island, yarn and hook in hand by day; swanning
around in my finished top by night. And let’s see
if I can eke out a crochet string bag to match!
Happy sewing
LS30 P28 ELISALEX.indd 29 26/07/2016 10:47

UNISEX KIMONO
Unisex
KIMONO
Easy to make and easy to wear,
this kimono is an ideal project for
matching loungewear
""
MATERIALS:
" 4.2m of 115cm-wide or 3.7m of 150cm-wide lightweight
cotton or silky fabric
" 2.1m of 115cm or 150cm-wide co-ordinating fabric for the
contrast bands
" 1.5m iron-on interfacing
CUTTING:
lt lp - Cut 1 о fd
Seve
Cut 2 et et Frоt - Cut 2
Seve nd
lt - Cut 2
Frоt nast nd
NOTES:
Use a 1cm seam allowance throughout.
Neaten the edges of all pieces before you begin.
:
ASSEMBLY
Stay-stitch the neck edge of the kimono back just inside
the seam allowance.
With RST, pin and then sew the back piece to the front pieces at the
shoulder seams. Press the seams open.
Open out the garment. With RST, matching the notches and
The Great British Sewing matching the small centre dot on the sleeve to the shoulder seam, pin
Bee: From Stitch to Style the sleeve to the armhole edge. Sew, then press the seam towards the
by Wendy Gardiner sleeve. (See Pic A.)
(Quadrille £25) © 2016 Love
Productions. Photography With RST, sew the straight edge of a pocket piece to each garment
© 2016 Jenni Hare. front at the marked position. Now attach the remaining two pocket
pieces to the kimono back, matching the placement lines. (See Pic B.)
30 Kimono.indd 30 26/07/2016 10:48

UNISEX KIMONO
A B C
D E F
SIZING:
36 38 40 42 44 46 48
118.5cm 120cm 121.25cm 122.5cm 123.75cm 125cm 126.25cm
Chest
46¾” 47¼” 47¾” 48¼” 48¾” 49¼” 49¾”
116cm 117.25cm 118.5cm 119.75cm 121cm 122.25cm 123.5cm
Waist
455/8” 461/8” 465/8” 471/8” 475/8” 481/8” 485/8”
133cm 134.25cm 135.5cm 136.75cm 138cm 139.25cm 140.5cm
Hem width
523/8” 527/8” 533/8” 537/8” 543/8” 547/8” 553/8”
Press all seams towards the pockets, then of the band will now just overlap the seam Try on the kimono and pin mark the
press the pockets away from the garment. attaching the band to the garment. position for the belt loops at the side
seams. Hand or machine stitch in place at
With RST, pin the front of the kimono to Press up the remaining garment hem by 5cm the side seams.
the back at the side, from the sleeves down to match the band fold, then on the inside press
around the pockets to the hem. Sew the seam under by 2.5cm. Top-stitch in place.
in a single motion, pivoting at the corners.
Reinforce the underarm and the pocket top Slip-stitch the neatened band edge over the
and bottom by stitching again for 5cm either seam on the inside.
TUTORIAL -
side of the pivot points. Clip into the seam SLIP STITCH
allowance where the pocket joins the garment ATTACH THE SLEEVE BANDS
at the lower edge and press the pocket Cut the interfacing to half the width of the
towards the garment front. (See Pic C.) sleeve bands and fuse as you did with the
contrast bands. With RST, stitch the short
ATTACH THE CONTRAST BANDS ends of the band together to form a circle.
Cut interfacing half the width of the Press the non-interfaced long edge to the
contrast band pieces and fuse to the WS of the WS by 1.5cm. RST attach the band to
bands down one long edge, aligned with the the sleeve. Fold the band to the inside, so that
fold. With RST, stitch the band pieces together the turned-under edge just overlaps the seam,
Used to close turning gaps or sew
to create one long strip. Press the non- and slipstitch in place. (See Pic F.)
double-turned hems. Anchor a knot
interfaced long edge to the WS by 1.5cm.
inside the fold of the hem, pick up a
MAKE THE BELT AND BELT LOOPS tiny thread from the garment fabric
With RST, pin the interfaced edge of Place the belt pieces RST and sew across
and then pass the needle back into the
the contrast band to the kimono front. If one short end to make one long strip. Fold the
folded hem allowance. Slide the needle
necessary, clip into the seam allowance to strip in half lengthways, RST. Sew around the
forwards inside the fold by about 1cm,
help fit the band at the neckline. Sew and raw edges leaving a turning gap in the middle.
then bring it up and through a tiny
press the seams towards the contrast band. Turn the belt RS out and press then slip-stitch
thread of the garment again. Continue
(See Pic D.) the opening closed. For extra help see page 32!
like this to complete the hem. On the
RS of the garment all that should be
At the hem, temporarily fold the band in Fold the belt loop strips in half lengthways,
visible is a tiny prick stitch and on the
half RST, and pin. Stitch across the band only, with RST, and stitch along the long edge.
reverse, a small V-shaped stitch.
making a 5cm hem. (See Pic E.) Turn the band Turn RS out, tucking the raw ends inside.
RS out and press. The turned-under long edge Slip-stitch closed.
30 Kimono.indd 31 26/07/2016 10:48

PROFESSIONAL FINISHES – FABRIC TIES
FABRIC TIES
The art of achieving a fabulous finish in your handmade garments is to spend extra time
on even the most straightforward tasks. In this tutorial we’re focusing on perfect ties!
Fabric ties or fabric belts are used corners off at an angle, close to
A
on so many garments and are the stitching. (See Pic A.)
often made from the same fabric
as the garment. Created from Turn the tie RS out, pushing
strips of fabric cut on the straight the stitched ends through to
grain, they are stitched with the opening in the centre with
straight stitch – take a look at a ruler or other blunt tool. Once
our kimono project on page 30 turned through, use a point
for an example. turner to ease out the corners
completely. (See Pic B.)
Most patterns that require a B
fabric tie will provide a pattern Slip-stitch the turning gap
piece for it. If you are creating closed. Press, with the seam on
your own, determine the length the lower edge of the tie.
required – remember that it
needs to be enough to tie into METHOD 2
a bow with tails. Add 3cm to Use this method to conceal
this measurement for the seam the seam at the centre back of
allowances. Decide on the width the tie.
of the finished belt – for a dress C
or kimono, this may be 3-5cm. Fold the tie fabric in half
Double this width and add 3cm lengthways, RST, with the raw
for the seam allowances. edges together. Stitch along the
long edge. Tack across one short
If you want the belt to have end temporarily. (See Pic C.)
some firmness, interface half the
width, applying the interfacing to Turn the tie through to the
the WS. RS from the tacked end, pushing D
the end through with a ruler as
METHOD 1 in Step 2 of Method 1.
This is the standard method for
tie belts, and has the seam along Unpick the tacking stitches
the bottom edge and the fold at and roll the tube so that the
the top edge. seam runs along the centre. Tuck
the seam allowance in at each
Interface half the tie fabric if short end and either edge stitch
required. Once cooled, fold the by machine or slip-stitch the E
tie fabric in half lengthways, RST, opening closed. (See Pic D.)
with the raw edges together.
Starting at one short end and METHOD 3
taking a 1.5cm seam allowance, This is a very quick method of
stitch across the end, pivot, making straps and ties, and
and stitch along the long is particularly useful for fabric
Edge, leaving a turning gap that is thick, sticky or difficult WS by 1cm and press. Fold the Stitch again down either long
of about 20cm in the middle, to turn through. The extra rows other long edge to the centre edge, an equal distance from
then continue to the other end, of stitching also help provide a of the tie and press. Fold the the centre stitching and edges.
pivoting to stitch the other short sturdy tie. neatened edge to the centre, (See Pic E.)
end. Trim the seam allowance, overlapping the raw edge of
leaving the turning gap seam With the WS uppermost, fold the other side. Stitch down Turn under the raw ends and
allowance untrimmed. Cut the one long edge of the tie to the the centre close to the fold. edge-stitch by machine.
LS30 p32 Fabric Ties.indd 32 26/07/2016 17:25

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LS Ad.indd 1 26/07/2016 17:09

Vera
WRAP
SKIRT
An easy-to-wear wrap skirt
with topstitch detailing
and curved border hem. An
optional bound pocket adds
a professional finishing touch
Project FIONA HESFORD Sewgirl
Photography DAN WALMSLEY
34 Vera Wrap Skirt.indd 34 26/07/2016 10:49

VERA WRAP SKIRT
A B C
D E F
"" TOP-STITCHING THE ATTACHING THE WAISTBAND

MATERIALS: SKIRT AND WAISTBAND With RST pin the raw edge of the
" 1.3m of 150cm-wide fabric (non-stretch) Sew a line of stitching in the co-ordinating topstitched side of the waistband to the skirt
" 30cm ultrasoft interfacing thread 1cm from the raw edge all around the upper edge, matching the side seams. There
" stitch and tear stabiliser (optional) lower curved edge of the skirt fronts and back should be a small amount of overhang at
" two 2cm buttons pieces and along one unfolded long edge of each far end. Stitch a 1cm seam all around.
" contrast topstitching thread the waistband. Press the seam allowance upwards, ditch
" co-ordinating thread stitch on the RS along the seamline.
" spray starch (optional) Thread your needle with your chosen (See Pic E.)
" denim needle topstitching thread, without adjusting your
bobbin. Adjust your tension to 5 and stitch Fold over the waistband in half lengthways
CUTTING: length to 2.8. If possible adjust your needle RST then sew down each short end in line
Cut 3m of bias binding (or use shop bought) position to the far right of the foot. with the finished skirt edge. (See Pic F.) Trim
Cut one of each for pocket templates A and B the excess seam allowance and clip the top
Using the co-ordinating line of stitching as corners. Turn the waistband to the RS, push
a guide, sew four lines of topstitching 6mm out the corners and press.
apart from each other around the lower edge
of the skirt piece. (See Pic C.) Sew four lines On the inside tuck under the raw edges, pin
on the waistband piece. (See Pic D.) If used, and secure the waistband with hand stitching.
remove any tearaway stabiliser.
Sew a buttonhole at each end of the
ATTACHING THE SKIRT BINDING waistband. Try the skirt on and mark the
Spray with starch if preferred and press position of the buttons. Place one on the WS
over 1cm along one edge. of the waistband at the right-hand side when
: worn and one on the RS at the left-hand side.
SKIRT ASSEMBLY With RST pin the unfolded edge of the
With skirt fronts and back RST, join at side binding to the lower edge of the skirt. Sew a
seams with 1cm seam allowance. Finish raw 1cm seam so it sits on top of the guide you
edges and press open. (See Pic A.) used for topstitching and lightly stretch the W E USE D
binding as you go.
Create a bound pocket on the RS (as
it faces you) skirt front. (See Pic B.) See Notch the curved edge of the seam
Alison Smith MBE's bound pocket tutorial allowance with small triangle cuts and fold
on page 82. the binding to the reverse side. Press so the
seam line is hidden at the outer edge.
With the RST join the interfaced
waistband pieces at short sides with a 1cm Pin all around then either machine-stitch
seam so you have one long strip. With WST on the reverse side matching the fold to the Non-stretch indigo denim,
£9 per metre,
press exactly in half lengthways, then fold previous line of stitching or, for a better finish, www.moresewing.co.uk
and press over 1cm along one long edge. hand-stitch all around with a slip stitch.
34 Vera Wrap Skirt.indd 35 26/07/2016 10:49

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LS30.P34 Subs.indd 37 26/07/2016 17:28

THE THRIFTY STITCHER
THE THRIFTY
STITCHER
Let’s join Claire-Louise Hardie, sewing expert
for The Great British Sewing Bee, with more
adventures in pattern drafting. Learn how to use
pre-drafted blocks to express your creativity!
Top tip!
I have had a lot of success
with the Palmer Pletsch
fitting shell, and found
that it provided a good
overall fit with minor
adjustments at
the waist
L
ast month I discussed drafting your competition by a group of amateurs, into The beauty of this method is there’s a lot less
own blocks as a way to make your unique dress designs. maths than drafting from scratch, which is a
own better-fitting patterns. big plus, and it’s super quick to trace rather
• If you plan to use a block like this, here’s a than draft.
OK, so here’s a little confession! Unless I’m couple of notes:
making a costume for someone like Dame • There is only one set of sizing for the Fitting patterns
Helen Mirren, I don’t generally draft my blocks base size 12 – with a chart explaining the If the idea of drafting from scratch leaves
from scratch, it’s just too time consuming when grading increments up and down from you cold, and you don’t fancy investing in
I can still make great-fitting, unique patterns that size, so you’ll need to work out your fashion blocks, then most big commercial
using a pre-made block. size from this with a spot of maths. pattern companies do a basic fitting pattern.
• There’s no seam allowance! You’ll need to These are perfect if you’re really happy
What kind of magical product is this I hear you add this after you’ve traced off your size, working with commercial patterns, and have
shout? Well, the block I have used for over a but this means you can add as much as all the seam allowances added, along with
decade is the Shoben dress block. you’re comfortable with, eg add more for familiar labels and markings. I use these to
fabric prone to fraying. teach pattern fitting techniques, and they
Shoben blocks • The skirt block is only to the hipline. are essentially a basic block.
This block was used recently in your favourite The measurements from the hip to knee,
TV sewing contest to create a set of blocks for and hip to ankle are provided, so you’ll Here’s a couple of notes on fitting patterns:
10 models. Since there was no drafting from need to extend the skirt beyond the • McCall’s, Vogue, Butterick and Kwik Sew
scratch, it was quick to customise each block. hipline yourself. are all the same company, so the fitting
Much like using a sewing pattern, you can • The block doesn’t have lots of lovely patterns are based on the same blocks
blend between sizes and adjust the length notches like a sewing pattern, you’ll need that those companies use to develop their
of bodice and sleeves to the model’s specific to add these in yourself. sewing patterns.
measurements. In half the time of drafting from • You may still need to do classic fit • The Palmer Pletsch/ McCall’s fitting pattern
scratch a set of unique blocks were created adjustments like swaybacks as you would comes with a sheet of really useful fitting
that were then transformed in the sewing any normal pattern. tips, plus additional seam allowances at
LS30.P38 thrifty stitcher.indd 38 26/07/2016 10:56

THE THRIFTY STITCHER
Make a jersey cowl-neck T-shirt horizontal line from the tip of the neck point
A really simple and effective project at the shoulder (as indicated in red on the
to get to grips with pattern drawing). The upper horizontal line forms the
manipulation is a jersey cowl-neck cowl neckline.
top. The process isn’t hard, yet the
outcome is really effective.
Start with a fresh copy of a simple

T-shirt block, which has no darts and
is a boxy shape. Lower the neckline to
where you’d like the cowl to sit, 4-6”
is a good starting point. Lay the block
over a fresh piece of pattern paper; in
readiness for some cutting, slashing
and spreading of the pattern pieces.
key fitting adjustment areas. It’s also got

Above the cowl line, draw a second parallel
cup-sized bodice fronts, allowing greater fit
line 2” away. This will form the facing for the
success if you’re not a standard size
cowl edge. Fold facing under along the first
• Most fitting patterns are sold as single sizes,
cowl line.
which is why the additional inlay on the
seams is particularly useful. Select the size
as you would a normal commercial pattern,
and opt for a cup-sized version if you often
need bust adjustments.
• Unlike a fashion block, the shoulder darts
have already been rotated into the side bust,
so there’s less work to do when creating
a style. (Very few designs have a front Draw three curved lines as indicated
shoulder dart, so this is usually the first task in the diagram. The upper two connect
when you start creating a bespoke design.) the shoulder to the centre front, the
lower line connects the armhole.
Once you’ve fitted and adjusted the pattern, Ensure the curve dissects the centre
trim off all the excess seam allowance and front with a right angle. Cut along the
then trace a fresh copy to use as your starting curved lines, leaving a tiny hinge at the
point for new designs. shoulders and armhole edges.
So now you’ve got a well-fitting block, you’ll Using a needlepoint tracing wheel, mark
need to learn some pattern manipulation around the perimeter outline of the new
techniques unless you only want to make pattern, and then remove the slashed original.
slim-fitted, high-necked sheath dresses for the Mark the pricked outline with a pencil and
rest of your sewing life! ruler, then cut out the new front pattern piece.
Pattern design is an art form, and like painting

you’ll only get good at it by trial and error. Neck facing Foldline
As they say, practice makes perfect! Allow

yourself time to experiment, this process can
be really rewarding if you’re open to new
ideas and techniques!
Place to fold
Spread the upper pieces apart ensuring

WANT TO LEARN MORE? there’s an equal space between all three
If you need some more inspiration segments. The more you spread, the fuller
for pattern designs, have a look at the cowl effect will be. Keep the armhole
the Japanese pattern magic books. and shoulder hinged as you spread. Draw
All the designs in these books have a vertical straight line up from the hem at
been manipulated from a block, the centre front, and then intersect with a
and there are illustrations showing
you how to do each one
LS30.P38 thrifty stitcher.indd 39 26/07/2016 10:56

DRAFT
Use a
well-fitting top
to draft a whole
shirtdress –
YOUR
no pattern
needed!
OWN
shirtdress
Join the DIY couture

movement by learning to
draft a dress to your custom
measurements using this
in-depth tutorial
Project ROSIE MARTIN DIY Couture

Photography VICTORIA SIDDLE / ROSIE MARTIN
SIZING:
QUARTER BUST= Full bust + 10cm ease, then ÷ 4
QUARTER WAIST= Full waist + 10cm ease, then ÷ 4
FRONT SKIRT Full hip + 16cm ease, then ÷ 4, then
WIDTH= + 3cm seam allowance
TUCK LENGTH= Under bust point measuring to waist
TUCK SPACE= Quarter bust - quarter waist
TUCK DEPTH= Tuck space ÷ 3, then ÷ 2
LS30 Shirt Dress 40-42.indd 40 26/07/2016 17:51

DRAFT YOUR OWN SHIRTDRESS
A B C
""
MATERIALS:
" 2-2.5m of light to medium-weight fabric
like cotton, viscose or chambray
" 10 1cm buttons
" newsprint or drafting paper
F
How to draft:
D E
Take a large sheet of newspaper and mark

off a 1.5cm deep section across the top and
down the right-hand side. Colour these in so
you remember they are there. These are seam
allowances. (See Pic A.)
Measure your nape to waist measurement H I

and transfer this to the paper as shown. G
(See Pic B.)
Draw a line 1.5cm below that and colour

between the two lines. Trim off any excess
paper below this. (See Pic C.)
Measure your QUARTER BUST

measurement across from the vertical seam
J L
allowance and mark that point a few times. K
(See Pic D.)
Join these marks with a straight vertical

line from the bottom of the paper and
reaching about three quarters of the way up.
Mark a second vertical line 1.5cm further to
the left of the first. (See Pic E.) Fill in the area
between the two with scribbles.
Lay the guide garment on top of the

newspaper piece, lining up the centre of
the garment with the inner edge of the
vertical seam allowance strip. Draw a sloping Decide how long you would like your SKIRT LENGTH up the side of the fabric, too,
shoulder edge onto the paper following the dress to be. Measure down from your waist and join this point with the top of the chalk
guide garment. This might change angle to wherever you would like your hem to line to form a rectangle. (See Pic I.)
slightly at the shoulder point so tip your ruler hang, and then add 4.5cm for seam and hem
to reflect this. You can smooth out this point allowance. This is your SKIRT LENGTH. Cut out this piece and lay it out on the
into a curve when you sew the front to the fabric, using it as a guide to cut a second
back later. Mark the underside of the sleeve Take your waist measurement and add rectangle exactly the same as the first.
as well. (See Pic F.) 12cm of ease to the full hip measurement to
determine the FRONT SKIRT WIDTH. You can To cut the back skirt piece, make a
Draw a curve where the lower sleeve line play with this measurement, making it wider fold in the fabric and lay one of the
meets the side seam. Join the upper and to create a fuller skirt. front skirt pieces on top of it. Use it as a
lower sleeve lines with a line that sits at a guide to cut the back piece on the fold.
right angle to them, 1.5cm beyond the point (See Pic J.)
where the curve meets the lower sleeve line. How to make:
Lay one of your bodice front pieces out
Draw in a nice scooped neckline, using a Cut out two front bodices from fabric. Do with the WS facing up. You are working with
curved object as a guide. (See Pic G.) not cut the back bodice at that time. the waist edge of the piece at the top and
the shoulder edge at the bottom! Work out
Add 1.5cm seam allowance above the Lay out the fabric and mark the FRONT the TUCK LENGTH using the chart provided,
shoulder line and fill in the gap with scribbles. SKIRT WIDTH along the bottom edge. Measure marking down from the top edge a few times
(See Pic H.) Cut out the pattern piece. the SKIRT LENGTH upwards from this point with chalk, then join the marks with a straight
and square a line with chalk. Measure the line of chalk. (See Pic K.)

DRAFT YOUR OWN SHIRTDRESS
Find the horizontal centre of your piece N O

across the waist edge and make a chalk mark M
that meets the tuck length line. This will be
where your central tuck sits. Measure the
TUCK SPACE measurement from this mark on
both sides of the line and make chalk marks
there, too. Repeat this marking process on
the other front piece. (See Pic L.)
Make a fold down the centre tuck mark

of one front and pin in place. Mark the TUCK P
DEPTH in from the folded edge the same
height as your TUCK LENGTH line. Sew down
this new line. (See Pic M.) Repeat and press
all the tucks to towards the centre front.
Q
Repeat this full process with the other
R
bodice front piece. Trim off a skinny
triangular slice of fabric to straighten it out.
(See Pic N.)
Pin one front bodice on folded fabric as

shown and mark out a shallower neckline
using chalk for the back. Use the bodice front
as a cutting guide. (See Pic O.)
Lay the back piece out and lay the two S

front pieces on top of it, RST. Match up the
shoulder seams and sew with a 1.5cm seam
allowance. Press the seams open.
Match the underarm and side seams,

pin then sew in place with a 1.5cm seam.
Trim away some of the fabric at the curved
underarm and snip into the seam to release
tension, making sure you don’t snip the Pin the unfolded edge to the front of the checking that the dress is the same length
stitches! Zigzag-finish all the raw edges. dress and sew with a 1cm seam allowance at both front corners. Sew in place with one
then press the allowance towards the placket. long line of straight stitch running close to
Assemble the skirt by sewing the fronts to (See Pic Q.) the zigzagged edge.
the back along the two side seams. Press the
seams open. Zigzag the raw seam allowances Now fold the placket in half so it wraps Sew a 1.5cm hem on both sleeves.
and also the full long edge across the top of round to the inside. Position the pressed fold
your skirt. so it sits 2 or 3mm beyond the placket seam Now we’ll sew buttons on the front of
line and pin in place. On the RS, stitch in the the dress. Position the first button at your
Gather the top edge of the whole skirt ditch to secure. (See Pic R.) bust then position and mark the remaining
using your widest stitch length until it fits the buttons evenly down the front. Sew a
corresponding section of the bodice and then Finish the neck edge of the dress with bias buttonhole at each of your chalk marks.
sew in place with RST. (See Pic P.) binding. With RST pin the binding round the
neckline with some excess protruding beyond Open the buttonholes by poking your
You need to create two button plackets. the edge of each placket. Sew along the fold seam ripper into the fabric and carefully
The width of the rectangle needs to be then trim and notch the seam allowance to slicing a hole in the middle of the stitches.
double the width you intend your finished release tension.
placket to appear, plus 2cm for seam Lay the dress out again with the plackets on
allowance. Our finished placket appears 3cm Press the binding to the RS as a facing. Tuck top of one another and make a mark with chalk
wide, so we cut our rectangle 8cm wide. the excess under at each end so it can’t be seen through each of the buttonholes. Sew a button
from the front, then pin and sew the binding to the placket on each of these chalk marks.
Press a fold 1cm deep all the way along down close to the folded edge. (See Pic S.)
one of the long edges on both placket pieces.
Hem the skirt with a 3cm allowance,

Arrowhead fold
NECKLACE
Create your own beautifully pleated ribbon necklace
with this tutorial from Ruth Singer. This eye-catching
design is surprisingly simple to make
Project RUTH SINGER
Photography ALEX WRIGHT teneight
LS30 P43 Arrowhead fold necklace.indd 43 26/07/2016 16:20

ARROWHEAD FOLD NECKLACE
A B C
D E F
45° angle. Clip the fold and press in place. measures 35cm or as long as required. (See
NOTES: (See Pic B.) Pic F.) Use the ribbon or cotton tape to tie at
the back of the neck.
It can be easier to work this on the Turn the tail under itself and up to
ironing board, pressing as you go
create the other half of the triangle so the
Sewing clips are easier to use than pins, ribbon points up. (See Pic C.) Pick up a copy of
especially if the ribbon is heavy her book Fabric
Flip the triangle you have just made Manipulation:
It works best to sew the pleats straight upwards, bringing the tail out of the way 150 Creative
onto a cotton tape or matching narrow so it points down. You should have two Sewing Techniques,
ribbon as you go triangles on top of each other now. Adjust published by
so the second one is slightly lower than David and Charles
the first. (See Pic D.) Reposition the clips
" so you have one on each side. Press to
MATERIALS: hold in place. At this point, position the
" 2m of 5cm-wide grosgrain ribbon bias binding or cotton tape along the
" 1m of 1cm-wide fine matching ribbon or centre back of the folds (with a 30cm tail)
cotton tape and take a few stitches through all layers
" co-ordinating thread to hold it together (keeping stitching very
small and invisible on the front).
:
Start by folding a triangle at the end Fold the ribbon under and towards the
of the ribbon, with both lengths pointing right. (See Pic E.)
down and the long tail on the right side.
Clip or pin then press in place. (See Pic A.) Fold the ribbon upwards to create Learn more about Ruth’s courses
another triangle. Flip the triangle up. Clip, in fabric manipulation on her site,
Fold the tail across to the left creating a press, stitch and continue until the piece www.ruthsinger.com
LS30 P43 Arrowhead fold necklace.indd 44 26/07/2016 16:20

SEWING AND
CRAFT CLASSES
Mostyn & Liverpool August-December 2016
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Request your free fabric catalogue today!
Telephone 01282 859281 @CroftMillFabric facebook/Croft-Mill-Fabric
CROFT MILL.indd 1 06/03/2015 12:19
LS30 P45.indd 45 26/07/2016 11:10

MY PATTERN PICKS
MY PATTERN PICKS
rah Gunn
Sarah of blog
Goodbye Valentino
inspires thousands
of her readers to
take up dressmaking
with the motto: “Sew
your own clothes,
save thousands of
dollars, and look like
a million bucks!”
We asked her to
share five favourite
patterns perfect for
a petite frame
VOGUE 8766
At 5ft 2”, dressing is about creating
a longer silhouette, and a well-
fitting dress is a petite girl’s best
friend! With bodice and skirt
FIND OU T MOR E variations, this classic dress pattern If you love Sarah’s
Learn more about how Sarah gave up is one of my favorites. It's easy to choice of orange lace
RTW fashion and see more fabulous fit and offers several variations turn to page 24 to
designer-inspired clothing on her perfect for many occasions. I’ve see more colours of
blog, www.goodbyevalentino.com. made it in all kinds of fabric, this stylish design
You can also follow her adventures including a shimmering Matelassé
as part of the Mood Sewing Network (pronounced mat-la-SAY) fabric for
www.moodsewingnetwork.com my Mother of The Bride dress.
LS30 P46-47 My Pattern Picks.indd 46 26/07/2016 10:51

MY PATTERN PICKS
SEWAHOLIC GRANVILLE SHIRT McCALL’S 6885

Before I returned to sewing five years ago, I
thought button-up shirts weren’t for me. I was Once I discovered that tailored shirts
wrong – it’s all about proper fit and proportion! were my friend, I tried sewing a
What I love about Sewaholic’s Granville Shirt is the shirtdress and I am in love! This McCall’s
combination of a flat-fitted back (due to a yoke shirtdress is sewn in a silk twill, but the
and princess seams) and the classic darted front. pattern is adaptable to many fabrics.
McCall’s also provides an excellent
shirtdress tutorial on its website.
VOGUE 9047
A great pattern for stable knits, this easy
sew is perfect for solids or prints. I’ve made
it twice in neoprene, a fabric that maintains
the shapely cut of the pattern. I’ve learned
to keep a silk organza press cloth close
by as this fabric does not like direct heat.
Otherwise neoprene is very easy to sew.
THE TUNIC BIBLE

I really love the flattering slightly raised
waistline of the dress.
My love of tunics led me to create
The Tunic Bible, a book with
accompanying pattern. There is
one main set of pattern pieces
but this includes interchangeable
collars, plackets and sleeves to
provides endless variations. The
co-author of the book and I have
made over 50 tunics, each with
its own distinctive appearance!
From everyday casual to preppy
chic, boho, or glamorous, you can
create the style that’s right for you.
The Tunic Bible by

Sarah Gunn and Julie
Starr is released 1st
November. You can
preorder it from
www.amazon.co.uk
LS30 P46-47 My Pattern Picks.indd 47 26/07/2016 10:51

FABRIC FOCUS
Faic foc
SING THE BLUES
Explore everything from seafoam to navy with our pick of beautiful blue fabric
nt y fresh!
Mi 2
1 3
FABRIC SHOPPING
1 Aqua Flamingos cotton, £11.99 per
metre www.dittofabrics.co.uk
2 Spearmint crepe de chine, £3.99 per

4 metre www.doughtysonline.co.uk
3 Lightweight cotton lawn – 105, £11.99 per

metre www.doughtysonline.co.uk
4 Turquoise cotton/spandex sateen, £7.49

per metre www.doughtysonline.co.uk
d ov ‫ה‬els 5 Buttercup Drops Stretch Jersey Knit
a Art Gallery Fabrics, £19.99 per metre

5 6 6 Clara Liberty Art Fabric, £14.50 per metre

www.fabricsforsale.co.uk
LS30.P48 Fabric Focus.indd 48 26/07/2016 10:26

The world’s most innovative fabrics
Linton Tweeds design and weave luxury fabrics

for the world’s most exclusive fashion houses
See our website for the Linton Direct collection
Use discount code

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LS27.P47.indd 47 28/04/2016 12:41
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LS30 P50.indd 49 26/07/2016 11:47

LS30 P49.indd 50 26/07/2016 11:49

FREE
SIZES
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PLEATED
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Just pay P&P
These stylish on-trend culottes are simple

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Culottes are this season’s must-have
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made up in many different
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To get your hands on this beautiful pattern,
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For more information on Simple Sew patterns and to view the other
fantastic styles available in the range, visit www.simplesewpatterns.com
LS30 P51 Simple Sew Send Away Offer.indd 51 26/07/2016 17:38

AMSTERDAM TOTE
Amsterdam
TOTE
This appliqué tote bag finished with
machine embroidery is brimming
with cosmopolitan European charm
Project DEBBIE VON-GRABLER CROZIER
""
MATERIALS:
" 30cm grey linen
" 30cm coral bias binding
" 50cm 32-count #5106 Zweigart Murano linen
" 50cm grey crosshatch fabric
" 1m lining fabric (includes pocket linings)
" 75cm H640 Vlieseline fusible wadding
" 25cm strip Decovil I Light Vlieseline fusible interfacing
" FQ S320 Vlieseline fusible interfacing
" 18cm grey zipper
" scraps of 4 different fabrics for houses
" scraps of smaller fabrics for windows & doors
" scraps of green & grey for trees
" black & coral thread
" pale blue Kam snaps
" ribbon scrap for zipper pull (optional)
CUTTING:
From Murano fabric, cut:
Template A
From lining fabric, cut:

Template A
2 25x32cm pieces for pocket lining
From grey crosshatch fabric, cut:

24x45cm rectangles for bag front
From coral fabric, cut:

2 10x45cm rectangles
42x45cm piece
From grey linen fabric, cut:

2 10x145cm strips for straps
From Decovil I Light interfacing, cut:

2 4x145cm strips
:
Fuse the Murano fabric pocket piece to H640 wadding.
Using the line drawing on the template sheet and your
scraps, cut the houses and their basic architectural
details (windows, doors, fascia etc) and glue them onto
LS30.P52 Amsterdam Tote.indd 52 26/07/2016 16:51

AMSTERDAM TOTE
A B
C D
the Murano linen 10cm up from the bottom. of the box only. Cut the centre line, Finish top-stitching where you left off
(See Pic A.) Repeat for the trees and trunks. including the two angles at each end before and attach the handles. Repeat for
(careful not to cut the stitching) and the back, with handles 6cm in from the
Set your machine up for free-motion ‘post’ the lining through the hole. edges. Smooth out the pocket lining before
embroidery by dropping the feed dogs (refer Smooth it out and press. sewing. The handles will overlap the sides.
to your machine manual) and embroider the Top-stitch a double line of stitching across
design with black thread. (See Pic B.) Top-stitch the zipper so it sits behind the handles where they are joined to the
the window you have just made and tie bag at the 38cm mark.
Take the pocket lining and, with WST, the ribbon scrap through the zipper pull.
baste all around to keep the layers neat. Take the other piece of pocket lining and, Cut two pieces of lining and curve the
Bind the top edge with coral binding made with RST, sew it in place. top. Make patch pockets of your desired
from coral fabric or use shop-bought binding. size from the coral or grey fabric and fuse
Trim the back of the bag so that it to S320 interfacing.
Trim the pocket and add half a Kam snap matches the size and shape of the front.
set to the top centre. (See Pic C.) Take one grey linen strap piece and fold in Sew the bag outer each side and along
half lengthways WST. Iron a centre crease. the bottom with RST. Clip the corners to
Attach one coral piece to each side of Iron a piece of Decovil against the centre reduce bulk and turn right way out. Sew
the grey fabric. Use a 0.5cm seam allowance crease. Fold the raw edges in and pin. the lining the same way but leaving a gap
throughout. Fuse to H640 wadding and, Repeat for the other strap. in the base for turning out later on.
using Template B, trim around the edges
in a curved shape. The top-stitching will be done in two With RST (bag right way out, lining
halves, firstly the centre section and then inside out) pull the lining on over the
Position the pocket over the top of the ends, which will attach them at the bag outer. Poke the handles down out
the grey panel and line the bases up. same time. of the way. Sew the top curved edge right
Sew the base. You can sew the sides too. around. Clip the curve and turn the bag
Attach the other half of the Kam snap Measure 38cm in from one strap end out through the gap and close it.
set to close the pocket. and mark. Do the same on the other
end. Top-stitch between these marks Carefully press the top edge and
Fuse the 42x45cm piece to H640 across the middle of the straps, leaving top-stitch. Attach a Kam snap set to
wadding and curve the top as before. the ends pinned to stay in place. Top- the top centre of the bag.
Place one 25x32cm lining piece to one stitch along the outside of each strap
side and work on the WS of the other. (closing them in the process) and then
twice more in the centre to create four
Measure down 3cm from the top and draw parallel lines of topstitching.
an 18x1cm box on the centre line to mark Visit our
the zipper box area. Draw a second line with Place the straps onto the bag, starting website for
angled ends for the cutting line. (See Pic D.) with the front 6cm in from the outer a fun
edges so that the strap overlaps the companion
Pin the pocket lining RST onto the seam between the coral and the grey purse project
bag back, 5.5cm down from the top in and hides the raw pocket edge.
the centre. Sew around the outer line
LS30.P52 Amsterdam Tote.indd 53 26/07/2016 16:51

VINTAGE PEG BAG
Top tip!
Why not try
oilcloth for a
weatherproof
version?
LS30 P60-61 Peg Bag.indd 54 26/07/2016 14:38

VINTAGE PEG BAG
Vintage
PEG BAG This charming bag is the perfect place to store

vintage wooden clothespins and will brighten up
any washday. Why not use your favourite scraps?
Project EMMA HARDY Learn to Sew

Photography DEBBIE PATTERSON
NOT E S:
A child’s wooden hanger is the perfect size
to use inside the bag, so that you can hang
it on a hook in the kitchen or utility room
when not in use – or on the washing line
when you are hanging out the laundry.
Take 5/8” seam allowances throughout A B

unless otherwise stated
"
MATERIALS:
" 20” floral fabric
" 20” gingham fabric
" 20” 3/8”-wide pink grosgrain ribbon
" 20” blue rickrack braid
" coat hanger
C D
Cut one back piece, and one top and one blue rickrack braid across the bag piece right side down on top of it. Place the
bottom front piece from the floral fabric. about 5/8” from the top of the base, with a gingham back piece right side up on top.
Repeat using the gingham fabric. length of pink grosgrain ribbon about 3/8”
below that, and machine-stitch in place. Machine-stitch all around the edge,
With RST, pin and then machine-stitch the (See Pic C.) leaving a gap of about ¾” in the centre top.
floral and gingham top pieces together along Turn RS out. Insert the coat hanger, and
the curve. Trim the seam allowance, turn RS Lay the front of the bag RS up on hand-stitch a grosgrain ribbon bow below
out, and press. (See Pic A.) your work surface, with the floral back the hook. (See Pic D.)
Lay the gingham bottom front piece RS

up on your work surface. Place the top front
piece RS up on top of it and the floral bottom
front piece wrong side up on top of that. Learn to Sew is published by CICO Books at £9.99, and available from
all good bookshops or call 01256 302699 quoting HV7 to purchase
Machine-stitch along the top edge, a copy at the special price of £7.99 including free P&P. For more
stitching through all layers. (See Pic B.) information, please visit www.rylandpeters.com
Turn RS out and press. Pin a length of
LS30 P60-61 Peg Bag.indd 55 26/07/2016 14:38

SEWING ROOM SWOON
5 6
LS30 P56 Sewing room swoon.indd 56 26/07/2016 15:13

SEWING ROOM SWOON
Sewg rm
SWOON
3
Orgaо ps
Do you find the messier and more disorganised
your sewing space becomes, the less you want to
sew? Walking into a tidy room is uplifting and
inspiring. Ashley Cramp of blog Lazy Daisy Jones
talks us through her top tips for staying ship shape!
I
find I cannot work in a mess. Even Pegboards are always a winner
though I do try my hardest to be They enable you to hang everything up
organised and tidy, I have to admit it and make everything accessible and easy
is not easy! There are several things I do to see. Plus, they look so attractive. I
that have helped me stay organised and hang everything up on mine from scissors to filing cabinet. Recently I have started to
therefore tidy in my sewing room. These crocheted pen pots. sort them into categories. It makes it
tips may help you too. so easy to quickly locate exactly what I
Label everything and am looking for and I don’t waste
Storage I mean everything! valuable sewing time sorting through
These lists always start with storage It truly helps to find things quickly. I store piles of patterns.
don’t they? Again I know from experience all my zips and trims in vintage vanity cases,
that if space is limited it may be difficult most of which are labelled. I make my labels Be imaginative with your
to fit in even more storage. Therefore, I from craft supplies and stickers. Scraps of styling and organisation
always endeavour to find attractive and ribbon always come in handy – you can tie Have fun, use anything you want as
transparent storage. I find it helps to see them onto anything. storage, raid the house and garage
what I have, my sewing treasures inspire before you buy new items. It is cheaper
me. For instance, jars on shelves sorted by Try to categorise where and and prettier!
colour are always inspiring. when you can
I keep my patterns in a large vintage turquoise Stamp your own personality
on your space
Make it yours, decorate with family
1 photos – if you have room, add a chair for
a friend to sit in so while you sew you can
2 chat. My chair is very often occupied by
the cat or the dog – they take advantage
of it when everyone else is at work
Last but not least

Of course it goes without saying that
a good declutter every few months
always helps!
See more of Ashley's colourful style at

www.lazydaisyjones.com
LS30 P56 Sewing room swoon.indd 57 26/07/2016 15:13

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58-59 Reader offer.indd 59 26/07/2016 17:35

Hands-on
CUSHION
Karin’s cushion is a perfect keepsake gift,
using a little one’s handprint as a template
Project & photography KARIN JORDAN LEIGH Laurel Studios
60 handprint cushion.indd 60 26/07/2016 14:39

HANDS-ON CUSHION
Karin used Liberty prints

here, but why not use your
kids’ favourite outgrown
clothes instead?
NOTES:
Finished size is 21” square A B
Use ½” seams throughout unless

otherwise stated
"
MATERIALS:
" ½ yard natural-coloured linen
" ⅔ yards red linen
" 9 different Liberty prints, 5” square or
large enough to cover a child’s hand
(handprints pictured were traced from a
five-year-old girl)
" 20” zip
" fusible web (we used Pellon
C D
805 Interfacing )
" fusible fleece
" 12 wt Aurifil thread for hand quilting (8 centre of the natural linen. Divide the square wt thread, hand-quilt the four lines. The pillow
wt Perle cotton can also be used) up into nine 5½” squares. Move the linen to front is complete.
" natural & red thread for machine sewing an ironing board and arrange the handprints
" air-erasable marker as desired. One by one, peel off the paper Place the front and back RST. Now find
" quilting or embroidery hoop backing and then fuse the hands to the linen what will be the bottom of the pillow and use
" 22” pillow insert according to the manufacturer’s instructions. a basting stitch on your machine to stitch a
line ½” away from the bottom edge. Carefully
CUTTING: Choose an appliqué stitch on the sewing press the seam open, avoiding touching the
Cut one 17½” square of natural-coloured machine and, with the natural-coloured fusible fleece with the iron. With the open seam
linen. You can also work with a larger thread, appliqué around all nine handprints. facing up, center your zip upside down on the
square of linen that can be trimmed after That’s 45 fingers and thumbs, but it goes seam. Pin along one side and sew a rectangle
the appliqué has been completed quickly! (See Pic D.) around the zip as close to the teeth as you can
Cut two 3½x17½” strips of red linen but without hitting them. Remove pins after the
Cut two 3½x22” strips of red linen If you haven’t trimmed the linen to 17½” opposite side has been stitched down.
Cut one 22” square of red linen square, do so now. Fuse the assembled
Cut two 22” squares of fusible fleece square onto the centre of one of the two Flip the pillow cover over and rip the basted
Cut nine squares of fusible interfacing large pieces of fusible fleece, taking care to keep the seam out with a seam ripper, exposing the zip
enough to cover a traced hand and slightly iron on the fabric and not the fusible fleece. as you go. Pull out the ripped threads.
smaller than the square of fabric it will be Fuse the 22” square of red linen to the second
fused to piece of fusible fleece. If at any time the iron Open the zip a few inches or you’ll be
gets gummed up by Interfacing or fusible zipped out of your new pillow!
: fleece, turn the iron down to a low setting and
Fuse one square of interfacing to the iron a dryer sheet to remove the residue. RST, pin and sew around the three
back of a fabric square according to the remaining sides of the pillow. Clip the
manufacturer’s instructions. Repeat for the rest Add the red border. Change the thread in corners, turn RS out, press seams and
of the nine squares. Make a template for the your machine to red. RST, align one of the two insert a 22” pillow form. All done!
handprints by tracing around a child’s hand 3½x17½ ” strips to the left of the 17½” square
onto a thick piece of paper or thin cardboard. and sew. Repeat for the rigt side. Carefully fuse
Cut out the shape. Place the hand template on both red strips flat onto the overhanging fusible
the paper side of the fused fabric/Interfacing fleece. Using the same method, sew the 3½
and trace. Repeat four times, flip the hand over x22” strips to the top and bottom of the pillow
W E USE D
and trace the hand onto the remaining four front and fuse. Stitch around the perimeter of Capel in red, Tana lawn, £19.95 per metre
pieces of Interfacing. Carefully cut out all nine the centre square, ⅛” into the red border. Betsy in pink, Tana lawn,
handprints. Set aside. (See pics A, B and C.) £17.95 per metre
Retrace the four lines of the central grid Claire Aude in red, Tana lawn,
£16.95 per metre
Using a quilting ruler and a Hera or air- onto the fabric using the Hera marker and
Phoebe, Tana lawn, £15.50 per metre
erasable marker, mark a 16½” square in the quilting ruler. With the quilting hoop and 12 All from www.sewbox.co.uk
60 handprint cushion.indd 61 26/07/2016 14:39

Oilcloth
APRON
This apron is stylish and

spill proof! It’s perfect for
whipping up something tasty
between sewing projects
Project VICTORIA PEAT Little Black Duck
Photography ALEX WRIGHT teneight
W E US E D
Nazca PVC Fabric in Saffron
£12.95 per metre,
www.johnlewis.com
62 Apron.indd 62 26/07/2016 14:39

OILCLOTH APRON
A B
C D E
" Trim the apron body using the below Turn under a 1.5cm hem all around
MATERIALS: cutting guide the apron. Sew in place with two lines of
" 1m oilcloth stitching approximately 7mm apart.
" 4m 1”-wide webbing :
" 2 x 1” D rings Take the 40cm length of webbing and
" thread press in half. Position over the top edge of the
" sewing clips pocket and sew in place. TOP TIPS
pressing cloth
"
" walking foot or Teflon foot for your Fold under a 1.5cm hem on the remaining
FOR SEWING
sewing machine three sides of the pocket. (See Pic A.) WITH OILCLOTH
" masking/painter’s tape or glue stick
Position the pocket centrally on the apron Oilcloth tends to be very sticky so
34cm down from the upper edge. Temporarily using a walking foot or Teflon foot
NOTE: will make it easier for the fabric to
Finished size is 77cm (L) x 67cm (W)
secure in place with some masking tape
or a dab of glue stick on the pocket feed through your sewing machine.
seam allowances.
CUTTING: Always use a pressing cloth, do not
Oilcloth: Sew in place with two rows of stitching press directly on the oilcoth. Test
Cut 1 82x70cm for apron body approximately 7mm apart, close to the folded the heat of your iron on a scrap.
Cut 1 20x40cm wide for pocket edge. (See Pic B.) Start with the lowest heat and
increase slowly if necessary.
Webbing: Turn under a 1.5cm double hem on one
Cut 2 1m lengths for waist ties end of the three longer straps. Sew in place Increase stitch length a little and use
Cut 1 75cm length for neck strap across the width of the strap. a leather or microtex needle
Cut 1 10cm length for D ring loop
Cut 1 40cm length for pocket trim Thread the two D rings onto the 10cm strap and
baste the ends of the strap together. (See Pic C.)
21cm 21cm
B B
Match the raw edge of the waist tie with the
raw edge of the side of the apron at point A.
27cm
Baste in place 5mm from raw edge. (See Pic D.)
A A
Match the raw edge of the neck strap with the

82cm raw edge of the top of the apron, 1.5cm in from
point B. Baste in place 5mm from raw edge.
55cm
Place the raw edges of the D-ring loop
1.5cm in from point B, matching raw edges.
Baste in place 5mm from raw edge. (See Pic E.)
70cm
62 Apron.indd 63 26/07/2016 14:40

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LS30 P64.indd 64 26/07/2016 15:19

George
THE GIRAFFE
Meet George: he’s a good-natured giraffe, but a little shy.
A little bit awkward and gangly, he needs someone to love
him. Could that be you?
Project CHLOE OWENS All Sewn Up
Photography LOUPE IMAGES/CLAIRE RICHARDSON
Illustrations LOUPE IMAGES/GEMMA CORRELL
LS30 P65-66 Giraffe.indd 65 26/07/2016 14:41

GEORGE THE GIRAFFE
A B C D
E F G
" Hand-sew straight stitches around the Next, lay the main body pieces RST.
MATERIALS: perimeter using matching thread. Pin the ears to the RS of one end of the
" 1m fabric for body head gusset, with the felt inners facing
" 20cm pink cotton for the tongue Draw an eyebrow above each eye with forward. Then pin the head gusset
" black, white & pink felt scraps for the the fading fabric marker, and with black in position on the main body pieces,
eyes & ears embroidery floss (thread), chain-stitch making sure that the RS of the fabric is
" fabric glue (optional) over the lines. (See Pic A.) facing inward and the ears are hanging
" air-erasable marker down inside the body. Now, starting from
" black embroidery floss (thread) Pin each felt ear piece RST to a fabric the top of the legs where the underbody
" co-ordinating thead ear piece. Set the sewing machine to a stitching ends and taking a 1⁄2” seam
" modelling wire or pipe cleaner for small straight stitch and, taking a 1⁄2” allowance, sew around the body and up
the tail seam allowance, sew along each side, the neck to the head gusset. Sew around
" stuffing leaving an opening in the bottom. Turn one side of the gusset and fasten off. Go
" pompom (or brown yarn and thick each ear RS out and press it. Then fold back to the other side of the gusset and
card to make your own) the ears into a concertina shape, as sew around it, then continue around the
shown. (See Pic B.) rest of the head and down to the other
CUTTING: side of the underbody. (See Pic E.)
From printed fabric, cut: RST, pin the underbody pieces to the
two bodies main body pieces. Taking a 1⁄2” seam Turn everything RS out. Stuff the legs
two underbodies allowance, machine-sew each underbody and neck tightly so that they will stand up
two ears in place around the legs, leaving the top straight, but stuff the nose lightly so that
one head gusset straight edge open. (See Pic C.) the mouth can be pushed in later, then
two 10½x1½” strips for the tail slip-stitch the tummy closed. (See Pic F.)
Pin the two tail pieces RST and, taking
From pink cotton fabric cut two tongues a 1⁄2” seam allowance, machine-sew Machine-sew the tongue pieces RST,
From pink felt cut two more ears around the edges, leaving one short end leaving the straight end open. Turn the
From white felt cut the outer eyes open. Turn the tail RS out through the tongue RS out and press it. Hand-sew
From black felt cut the inner eyes opening and stuff it. Then thread a thin the tongue to the end of the nose, then
piece of modelling wire or pipe cleaner push the very end of the nose in on itself
: through the tail, which you’ll bend into to make a mouth (a stitch or two might
Glue or pin the smaller black eye circle a corkscrew shape a bit later. Pin the tail be needed to hold it in place). For the
onto the larger white eye circle, then in place, so it’s inside the giraffe’s body. finishing touch, curl the giraffe’s tail
glue or pin these onto either side of the (See Pic D.) into a corkscrew shape and hand-sew a
giraffe’s head, making sure they line up. pompom to the end. (See Pic G.)
LS30 P65-66 Giraffe.indd 66 26/07/2016 14:41

O N ’T THE STYLISH GUIDE TO DRESSMAKING FOR ALL SKILL LEVELS
D ISS!
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2summer
FREEessential
multi-garment
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Plus
Simple Sew casual jersey
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Wedding dress hack by
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Jamie Kemp’s expert
shirt-making tips & tricks
High street styling – sew your SIZES
own seasonal wardrobe 6-22 &
Sew a holiday beach cover up 6-14
Inside Savile Row with women’s
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EVERY
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ISSUE 7
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LS30.P67.indd 67 26/07/2016 17:29

The
BAILEY
SUNDRESS
This fun sundress for girls
mixes flamingo print with
contrast panels and piped
detailing. You’ll learn how
to adapt a basic template
into the perfect design
Project MELISSA MORA Melly Sews
Photography ALISON EDEN COPELAND
LS30 69-70 Bailey Dress.indd 68 26/07/2016 18:18

THE BAILEY SUNDRESS
NOTES:
Main fabric requirements include a B
self-lined bodice
A A
Use a ½” seam allowance unless
otherwise instructed Front
Front Bodice Back Back
Bodice Bodice Bodice
FABRIC REQUIREMENTS:
C B
Size 45” or 60” wide Contrast fabric A B
2T 1½ yard ¼ yard
3T 1½ yard ¼ yard Piping
Center
4T 1¾ yard ¼ yard Front
Piece Pocket
5 1¾ yard ¼ yard WS
6 2 yards ¼ yard
Front Pocket Pocket
8 2 yards ¼ yard
Bodice WS RS
10 2 yards ¼ yard
12 2 yards ¼ yard
C D
SIZING:
Size Chest Waist Neck to waist
Side panel
2T 20” 19” 9” Side
panel RS Side Side
3T 21” 20” 9½” panel Back Back panel
Piping between panel panel
4T 22” 21” 10”
5 23” 22” 10½” Pocket
Pocket
Pocket Pocket
6 24” 23” 11” RS
8 26” 24” 12”
E G
10 28” 25” 13” F
12 30” 26” 14”
" Cut the back bodice along these two lines. length. Note: The hem band will be cut later.
MATERIALS: (See Pic B.)
" light- to medium-weight woven fabric such Cut two pieces of piping to the same width
as cotton Measure the centre front of the bodice. as the top of the pockets but remove 1/2” of
" 3 ½” or 5/8” buttons Make a centre front pattern placket piece the cording to leave empty seam allowances
" 2 packages of piping (3 packages for sizes that is this length and 2” wide. (See Pic C.) at each end.
10 and 12)
Cut one front bodice pattern piece on the Press the top edge of each pocket ¼” to
: fold out of lining. Cut two more front bodice the WS.
Modify the front bodice as shown. (See pieces out of main fabric, mirrored and not
Pic A.) Draw a horizontal line (Line A) at the on the fold. Cut one centre front bodice Pin the piping to the WS of each pocket,
level of the bottom of the armhole. Measure piece out of main fabric. Cut two back with the folded edge of the pocket against
vertically between the neckline and Line A. bodice pattern pieces out of main fabric and the cording. Using a zipper or piping presser
Mark a point halfway between the two. Draw out of lining (mirrored). Cut two straps 12” foot, top-stitch from RS of pocket to secure
a horizontal line (Line B) at this point for the long and 4” wide. the piping in place. (See Pic D.) Pin a pocket
new neckline. Mark 2” from the bottom of the to each skirt side panel, matching the lower
bodice piece, measuring up 2” from the side For the skirt, cut one front panel that hems. (See Pic E.) Baste the pockets in place.
(not the centre front), and draw a horizontal is half of the waist measurement in width,
cutline (Line C). Cut the bodice along lines B and to the knee in length. Then cut two side Cut four pieces of piping the same length
and C. skirt panels that are one-third of the waist as the skirt panels again, trimming the cord
width and the same length. Cut two back back. With RST sandwich the piping between
Modify the back bodice. Draw a horizontal skirt panels that are one-quarter of the waist one back panel and the corresponding side
line (A) at the level of the bottom of the width plus 1” each, and knee length. panel. Sew, using a piping or zipper foot.
armhole. Mark 2” from the bottom of the Repeat this process with the other side and
bodice piece, measuring up from the bottom Cut two pockets that are the same width back panel. (See pics F and G.) Baste the
edge, and draw a horizontal cutline (Line B). as the side skirt panels and one-third of the centre back seam closed.

THE BAILEY SUNDRESS
Centre front
placket 3/4”
Repeat to add piping between the front
skirt panel and unsewn side panel seams.
Mark the centre front of the skirt.
Cut two pieces of piping the same length Piping

between
as the centre front bodice placket piece
again, trimming the cord back. With RST,
H I
sandwich the piping along the centre front
seam of one bodice front and the placket.
(See Pic H.) Repeat with the other side of the Front
bodice front. bodice
Fold straps in half RST and sew into tubes, Back bodice WS
then turn through. Press straps with seam on
one side. Position each strap ¾” in from the
top corner of the bodice front and baste in
place. (See Pic I.) J K
Place the back bodice pieces RST and

baste the centre back seam. (See Pic J.) Place
the bodice front and back RST, and sew the
side seams. (See Pic K.)
Back bodice
WS
Repeat these steps with the
bodice linings, without sewing the
centre back seam. L M
Gather the skirt to fit, matching the centre

back seams, centre front and aligning the
centre of the side panels with the side seams.
Sew in place with RST. (See Pic L.)
Skirt WS
Insert the zip in the centre back and
complete the seam below the zipper.
(See Pic M.) Hem band
N O
Press under the bodice lining hem 3/8” to
the WS.
Press one edge of the hem band 3/8”
Unzip the dress. With RST sew the bodice to the WS.
lining to the outer around the neckline. Lining
will extend ½” past the zipper on each side. With RST sew the hem band to the
Stitch neckline and armholes. Leave openings bottom of the skirt, matching the seam
on back bodice to insert straps; each opening with the centre back seam. (See Pic O.)
should be above the piping line on the back Press the seam toward the band.
skirt. (See Pic N.) Clip corners. Turn lining to
the inside of the dress and press. Fold the hem band to the WS,
covering the seam from the previous step
Insert the straps into the openings on the with the folded edge. On the RS stitch in
back bodice and adjust to fit. Top-stitch to the ditch of the seam, to secure in place.
secure the straps.
Stitch buttons onto centre front
Pin the folded edge of the lining over the bodice to finish.
waistline seam. On the RS of the dress, stitch
in the ditch of the waistline seam to secure
the lining, or secure with a slipstitch.
Sundressing by
Measure around the skirt bottom and add Melissa Mora,
1” for the seam allowance and cut a band £20, published by
this measurement by 8” deep out of contrast Fons and Porter
fabric. Fold RST, matching short ends, and
stitch with a ½” seam allowance.

LS30 P71.indd 71 26/07/2016 11:54

Peekaboo
ZOO
Create a zoo of cute animal puppets for endless hours
of fun with this easy felt tutorial
Project SIAN HAMILTON
72 Zoo.indd 72 26/07/2016 17:23

PEEKABOO ZOO
NOTE:
Use the puppet photos to see what the
different animals’ faces look like once
completed. The elephant’s tusks are glued
to the back of the face piece in Step 3
"
MATERIALS:
Per finger puppet
" 6-strand embroidery floss skein,
to match body felt colour A B
" embroidery needle
" 10” square of tracing paper
" black permanent marker
" paper-cutting scissors
" small, sharp scissors
" 4 quilter’s clips (or clothes pegs)
" craft or fabric glue
Felt for the monkey

" 8” square mid-brown felt
" 2” square cream felt
" 2” square white felt
Felt for the lion

" 8” square yellow felt C D
" 8” square orange felt
Felt for the elephant

" 8” square grey felt
:
MONKEY
Mark and cut out the felt pieces using sharp
scissors. From the brown felt, you will need
one monkey back, one monkey front, one
monkey head and one monkey tail. From the
cream felt, cut out one monkey face and, from
the white felt, two eyes. (See Pic A.) E F
Glue the white eye pieces onto the cream-

coloured face piece and leave to dry. When the length. Thread up a needle and tie a knot in the Allow the glue to dry completely. (See Pic F.)
glue has dried, draw ovals with the permanent end of the thread.
marker onto the bottom of each white eye for To make the other animal finger
the pupils. Draw two dots for the nose and a Starting from the bottom, sew using a puppets, repeat the above steps following
curved line for the mouth. (See Pic B.) running stitch. Keep the stitches as small as you the templates.
can and about 1/8” in from the edge.
Glue the face onto the brown head piece
and leave to dry completely. (See Pic C.) Sew all the way around the monkey and
down to the bottom edge. Leave this edge
Lay the monkey back (the piece with ears) open for your finger. (See Pic E.)
down on a table and lay the monkey front
on top, ensuring the edges line up. Place the Knot off the thread, then cut the thread off
monkey head on top and clip all the pieces close to the knot. Now I Can Sew by Sian
together, so the felt will not move. (See Pic D.) Hamilton, is published
Lay the monkey down, back facing up. Glue by GMC priced £12.99,
Cut a piece of embroidery floss about the end of the tail to the middle of the back, www.thegmcgroup.com
24” long and separate two strands from the at the bottom and with the tail curl facing up.
72 Zoo.indd 73 26/07/2016 17:23

ARE YOU THE STITCHER OF THE YEAR?
Are you
THE STITCHER
OF THE YEAR?
A
little while ago, we headed out from Love Sewing HQ and popped
over to our lovely neighbour Janome. We had a really great chat
about everything there is to love about the sewing community
and it soon became clear that we want to celebrate everyone’s creativity.
Over some tea and biscuits (fuel for the very best of ideas) we came up
with a plan for an exciting competition – The Stitcher of the Year!
There are four categories to enter and you can submit one photo to
each for up to four chances to win.
Stitcher of the Year

Whatever your specialist sewing area, share your work
1. with us. This could be your latest dressmaking, quilting,
patchwork or embroidery project. Perhaps it’s your favourite
hand-sewn bag, home décor or cuddly toy! Anything stitchy
goes as long as you poured your passion into making it.
Simple Sew category

Are you a Simple Sew pattern superfan? Send us a photo of
2. your finished version of any Simple Sew pattern for a chance
to win. We love seeing Loretta, Ruby, Kate and Sophia, plus
all the other ladies, sewn up with your own spin on things.
Homeware & accessories

Do you regularly whip up new pieces for your home or wow
Enter now!
3. your friends with custom-made accessories? Share your
makes with us, whether they are cushions, quilts, handbags,
To take part, send us a picture of your make with a short
explanation of the pattern and supplies you used and
purses or picnic blankets. remember to include your contact details with all entries.
Makes for children Email: letters@lovesewingmag.co.uk

So many of our readers enjoy sewing for the little people in with Stitcher of The Year as the subject line
4. their lives. If you’ve made an adorable outfit, a much-loved
toy, or special present for a young friend or relative please Post: Stitcher of The Year 2016, Practical Publishing,
let us know. Suite G2 St Christopher House,
217 Wellington Road South, Stockport SK2 6NG
What can you win?
There is a fantastic prize bundle that is currently totalling over £10,000
with machines, accessories, and course vouchers from Janome plus T&Cs
bonus prizes from a host of other sources including books, fabric Contestants can enter each category for four chances to win but
vouchers and much more. We’ll be awarding prizes to the winners cannot submit the same entry to multiple categories. Entries to be
and runners up of each category so everyone has a chance to win a received by 26th August 2016. No purchase necessary. Open to UK
share of the amazing prize pot. entrants only. The judges’ decision is final.
LS30.74-75.indd 74 26/07/2016 16:28

ARE YOU THE STITCHER OF THE YEAR?
Over
£10,000
of prizes worth
£479 10 to
to be won Three 2000CPX CoverPro machines The 525S as seen on TV
win
Five 10”
tailor’s
shears
worth
£529
Five computerised DKS100 machines
Three packs of
special Janome Don’t forget!
sewing machine
You can still enter our selfie
competition for a chance to win this
amazing prize bundle of sewing tools,
feet (five feet haberdashery and a new sewing box to
3 to store them in!
win included) Simply show how much you Love Sewing

– send in a snap of yourself with a copy
The 9300DX overlocker
of the magazine, out and about in the
Five
sunshine. Get inventive! Send your pics
to letters@lovesewingmag.co.uk for
the chance to win.
10-piece Share your selfie online with

the hashtag #ilovesewing
machine worth
needle £150
packs Three vouchers for Janome

expert sewing classes
LS30.74-75.indd 75 26/07/2016 16:28

Join the 57 stores
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Summe r Sewathon
We’re continuing our Summer Sewathon campaign to get everyone stitching and bring you an amazing
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Abakhan Hanley, Stoke-on-Trent
fabric and patterns and much, much more.
55 Old Hall Street
Abakhan Preston Burnaby House Church Street,
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Preston PR1 2UQ 01623232242
01782 274 200
01772 202 677 www.thefaffroom.co.uk
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LS30.P76-78.indd 76 26/07/2016 18:12

Summe r Sewathon
SAVE 10%
LONDON Sew Busy
We are a unique haberdashery selling
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Branksomewood Road,
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at the listed stores*
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www.sewpretty.me.uk Husqvarna Studio West End Sewing Centre Ltd
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Sew Sew Fabrics We believe that our customers deserve fabric, haberdashery, sewing machines over 25 years and have established our
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01502 711 632
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Craft Corner
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LS30.P76-78.indd 77 26/07/2016 18:12

Crafty Baba Sew 2 Go
In the Saints district of Ipswich, Crafty Visit our new store for a good range of
Baba offers over 1,000 lines of fabric fabric, sewing machines, Tulip needles,
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quilting, and upholstery fabric are products arriving daily. New workshop
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notions, and classes. 131 Lockwood Road,
32 St Peters St, Lockwood,
Ipswich, Huddersfield HD1 3QW
Suffolk IP1 1XB 01484 888888
01473 210636 support@eastman.co.uk
info@craftybaba.co.uk www.sew2go.co.uk
www.craftybaba.co.uk
WALES The Sewing Shop (Chepstow) ONLINE
Notionberry Learn dressmaking, knitting, crochet,
A sewing and crafts café; we’re a cosy and soft furnishings from experienced
Abakhan Mostyn, North Wales Beckford Silk
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We stock fabric, patterns, haberdashery Beckford Silk is the UK’s largest online
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SCOTLAND Twitter @IDCRedditch
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My Little Treasures
We’re all things sewing – we have a
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0141 221 2220 LOVE SEW 10 for discount
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YORKSHIRE & THE HUMBER We sell fabric for craft, quilting and Sew Crafty
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grimsbysewingandknitting@gmail.com Sew Confident
www.grimsbysewingandknitting.com Sew Confident runs sewing classes and The Sewing Shop Canterbury
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10% off online orders with the code
please see retailer for details. Applies to in store purchases unless otherwise detailed.
Not valid in conjunction with any other offer. Expires 8th September 2016.
LOVESEW10
LS30.P76-78.indd 78 26/07/2016 18:12

FABRIC FOCUS
Faic foc
FANTASTIC FOXGLOVE
Take inspiration from bold florals and vibrant vintage colours with the
Foxglove collection from Cloud9
3 4
5 6
2
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FABRIC SHOPPING
1 Orange Foxgloves (150307) 2 Pink Cowslips (150605)
3 Turquoise Stem Dot (150503) 4 Gold Stem Dot (150518)
5 Grey Cowslips (150650) 6 Turquoise Fox in the Foxgloves
(150703) 7 Orange Evening Primrose (150407)
8 Navy Foxgloves (150312)
To locate your nearest supplier of Cloud9, see
www.hantex/mystockist
LS30.P79 Fabric Focus.indd 79 26/07/2016 10:55

A BRIEF HISTORY OF DUTTONS FOR BUTTONS
Illustration by Kathleen Clarke
A f
DUTTONS
FOR
BUTTONSAs Duttons for Buttons celebrates 60
sparkling years, we step behind the scenes
to learn all about this family-run business
D
uttons for Buttons has a reputation
as an Aladdin’s cave of buttons "Drusilla relished finding
and haberdashery and 2016 is unusual buttons during
a very special year for the family-owned
retailer. Held in great affection nationwide her travels abroad and
by those who sew, the Yorkshire-based firm
celebrates its diamond anniversary this brought back stunning
year. 2016 is also the 40th anniversary of the Italian enamel buttons,
Duttons for Buttons branch in Coppergate,
York, which is known as the area of the silk buttons from Portugal,
Viking settlement. Its premises are found in
a medieval building built in 1422. It has also iridescent buttons from the
been an incredible 110 years since parent former Czech Republic and
company R. Goodman & Sons opened its
doors as a trimming merchant serving the Venetian glass buttons"
tailoring industry in Leeds.
The first Duttons for Buttons was opened Drusilla White

in 1956 in Harrogate’s Lowther Arcade The first Duttons for Buttons in
by the present owner’s grandfather, Abe Lowther Arcade, Harrogate
Goodman. With the collapse of trade in
bespoke tailoring after the Second World
War, Abe decided to diversify interests
and, having always been captivated by the
splendor and diversity of buttons, saw the
opportunity to set up his shop in the lovely
spa town. The name Duttons was actually
acquired from the lingerie shop Abe bought
for the premises as it seemed irresistible as
the perfecting rhyming title for the shop.
Although the original Harrogate shop

closed after a major fire in 1988 that
damaged much of the Victorian arcade,
Duttons for Buttons can still be found in
Harrogate as well as in York and Ilkley. Abe’s
LS30.80 Brief history of Duttons for Buttons.indd 80 26/07/2016 15:17

A BRIEF HISTORY OF DUTTONS FOR BUTTONS
Over 12,000 different button designs
daughter, Drusilla White, was the champion there is an exciting range of vintage buttons,
of expanding the business and ran the shops including Art Deco glass buttons, rare buttons
until she was in her late 80s. from the early 1930s and vintage mother-of-
pearl. Duttons also stocks a range of ribbon
Drusilla’s entry into the family business was and trimming.
unexpected. She started her working life
as an orthoptist, treating children with eye Visitors are enticed into the shops by
problems at Leeds Infirmary but when her displays of more than 12,000 different button
father passed away prematurely in 1968, she designs. Duttons also supplies buttons and
stepped in to keep Duttons for Buttons going haberdashery to theatrical and film costume
and never looked back. She never imagined departments who need authentic period
that she would have been doing it well into items. The casts of Evita, Nanny McPhee,
her 80s; running the shops was to have Captain Corelli’s Mandolin and the Pirates of the
been a temporary measure to help out her Caribbean franchise have all worn examples
mother. Earlier this summer, history repeated from its extensive vintage collection.
itself with Drusilla’s daughter inheriting the
business, vowing to keep the wonderful world As well as being the first stop for stitchers in
of buttons thriving as the fourth generation in Yorkshire and around the UK, the business Yorkshire’s Aladdin’s cave of buttons
the button-selling legacy. also has a notable international reputation. and haberdashery can be found at:
The shops in Harrogate, York and Ilkley are a
A vital part of the team of knowledgeable staff destination for visitors from all over the world
Oxford Street, Harrogate
is group manager Michelle Horton, a button while its personal button-matching service
expert in her own right who has spoken (providing a selection of samples to match HG1 1QE
locally on the subject to organisations that any swatch) is unique. Details of the Harrogate Tel: 01423 502 092
include the WI, Countrywomen’s Association, store’s mail order service can be found on the
Harrogate Museum, University of the Third website, and this adds another level of expert 3 Church Street, Ilkley
Age, the Embroiderers' Guild and the customer service.
LS29 9DR
Soroptimists, as well as antiques groups,
church groups, and lace makers. Duttons prides itself on helping its Tel: 01943 601 850
customers show personality and
The shops are a treasure trove of modern style through even the smallest details of a 32 Coppergate, York
and vintage buttons and this makes Duttons hand-sewn garment. In keeping with this it YO1 1NR
the largest button retailer in the UK. Drusilla has released a range of hessian bags that
Tel: 01904 632 042
relished finding unusual buttons during her can be decorated with much-loved buttons
travels abroad and brought back stunning – perfect for any beautiful single buttons
Italian enamel buttons, silk buttons from you own but can’t find the right project for, To learn more about Duttons for Buttons,
Portugal, iridescent buttons from the former or if you’d like to indulge in a spot of colour- including its mail order service, visit
Czech Republic and Venetian glass buttons. coordinated embellishment! www.duttonsforbuttons.co.uk
As well as a vast array of modern buttons,
LS30.80 Brief history of Duttons for Buttons.indd 81 26/07/2016 15:17

COUTURE SEWING WITH ALISON SMITH MBE
Couture Sewing with

ALISON SMITH MBE
Jetted pockets
In this issue, Alison talks us through constructing a tailored pocket which
you can add to a jacket, skirt or slim-fitting trousers for a polished look
T
here are many types of pockets facing. Place the facing to the one end of
that you can make but jetted the pocket lining, WS facing to RS lining,
pockets (also known as welt and stitch in place.
pockets) as found on men’s and
ladies' jackets can be one of the most Place the upper welt over the pocket
challenging for the home dressmaker. facing/lining, RS to RS, match the raw
These pockets rely on very accurate edges and machine baste together along
marking of the fabric and stitching. As the previous basting line. Repeat with
there is no hiding any dodgy stitches, I the lower welt to the lining section.
am going to show you a technique that (See Pic C.)
can be thoroughly checked prior to
cutting the jacket! Place the RS of the upper welt to
the RS of the jacket front, matching the
I advise you to practise first on some machine basting line to the upper tacked
scrap fabric if you have not made jetted line on the jacket front. Machine along
pockets before. the basting line stopping and starting
1.5cm from the ends. Trim the seam
The components on your pattern allowance down. (See Pic D.)
may differ to the pieces I am using,
but you will have a jacket front, with a Place the lower welt/lining to the
placement line marked for the pocket, jacket front, matching the tacking
two strips, called welts, a pocket bag stitches on the RS of the jacket. Push the
which may be one piece lining and one raw edge of the upper welt out of the way
piece fabric, or may be as I am showing if necessary. Machine in place over the
with a pocket facing and two pieces basting line. The machine stitches must
of lining. The jacket and welts require be exactly the length as the stitching line
fusible interfacing. on the upper welt. (See Pic E.) Trim the
seam allowance as you did before.
How to construct:
Press each welt in half lengthways On the WS of the jacket check the two
WS to WS. Machine-baste through each rows of machined stitches. They must
welt 5mm from the folded edge – if your be 1cm apart (this measurement is for
fabric is thick then this distance can be 5mm welts), exactly the same length and
increased. One of these is now an upper parallel to each other. (See Pic F.)
welt and one a lower welt. (See Pic A.)
On the WS, with very sharp scissors,
Make a row of hand tacking stitches, cut between the two rows of stitching to
either side of the placement line on the within 1cm of the ends, where you will
jacket front, to match the depth of the cut into the corners. (See Pic G.)
machined line on the welt. (See Pic B.)
Press and, while warm, push the
Neaten one long edge on the pocket pocket and welt through the slash. Pull
LS30.P82 Alison Smith .indd 82 26/07/2016 15:10

COUTURE SEWING WITH ALISON SMITH MBE
A B C
D E F
G H I J
out the corners and manipulate into shape. These pockets feature
Press the welts evenly within the window.
(See Pic H.) on my new pattern Honey,
now available through my
On the WS, fold the pocket facing down
website at £18.99,
behind the pocket opening. Then working
from the RS fold back the jacket to expose the www.sewwardrobe.co.uk.
end of the welts. Machine vertically across Love Sewing readers
them to secure the ends. (See Pic I.)
can insert the code
LOVE
Your pocket is now almost complete. (See
Pic J.) Sew around the pocket bag to keeping
your jacket front out of the way.
Alison
at the checkout for
10% discount
LS30.P82 Alison Smith .indd 83 26/07/2016 15:10

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LS30 P84.indd 84 26/07/2016 12:01

Read a dressmaking pattern
A guide to basic markings and symbols
CIRCLE DOTS
These marks indicate construction details,
such as zipper position, pleating, or the
PATTERN CUTTING LINE end-of-stitching line, as set out in the
Each line relates to different size for the instructions. Some pattern companies will
garment. There can be up to 10 sizes on a use triangles or squares in place of circle dots.
pattern sheet so you can either follow a single
cutting line throughout or blend carefully GRAINLINE
between sizes to achieve a better fit. The arrow on the pattern piece must be ‘on
grain’ with the threads of the fabric so that
it can hang, move and stretch correctly.
BUTTON & BUTTONHOLE PLACEMENT
The grainline must always be parallel to the
The placement for a button is marked with an
selvedge (the self-finished edges) of the fabric.
X. The placement for a buttonhole is marked
with an edged line.
PLACE ON FOLD LINE

This edge of the pattern piece is to be placed
on the fold of your fabric, making it easy to
cut out a mirror image at the same time.
TUCKS/PLEATS
Transfer any tuck lines marked on the pattern
pieces to the RS (right side) of the garment.
Follow directional arrows where given.
DARTS
Parts of the fabric to be folded for shaping,
usually located at the bust, waist and neck.
ABBREVIATIONS
SA (SEAM ALLOWANCE)
Every project you sew has a set seam allowance.
This is the distance between where you sew
and the raw edge of the fabric – essentially an
invisible line around each pattern piece. These
lines are occasionally included on vintage
patterns. You must sew at the seam allowance
NOTCHES
in order for the pieces to line up correctly.
Make a tiny snip or chalk mark at each notch
Most commonly this is 1.5cm, but check your
location, within the seam allowance. These marks
instructions in case smaller allowances are being
are used to match pieces together before sewing.
used. Sewing machines have marks for the seam
LAYOUT DIAGRAMS allowance to the right side of the presser foot.
These explain how to lay each piece onto
the fabric to ensure that all of the pieces will RS (RIGHT SIDE AKA FABRIC FRONT)
fit on the fabric quantity suggested on the Instructions for placing right sides of fabric
envelope. Remember to follow along with together will be written as RST.
LENGTHEN OR SHORTEN LINE
the correct view and size. Don’t forget to take This indicates exactly where to shorten or
care with directional prints; you wouldn’t WS (WRONG SIDE AKA FABRIC BACK)
lengthen the pattern piece or garment to
want a floral print top with all the flowers Instructions for fusing interfacing to the
make changes for improved fit.
upside down. wrong side of fabric will be written as WST.
_LS20.P86 pattern markings.indd 86 21/10/2015 11:06

MACHINE REVIEW
MACHINE REVIEW:
Bernina
This month we’re looking at four gorgeous top-of-
the-range machines from Swiss company Bernina
BEST FOR RELIABILITY
1008S
This reliable machine has been around for many years, and remains
a firm favourite of sewists of all abilities. Ease of use makes the 1008S
accessible to beginners, but don’t be deceived by its simplicity!
This machine eschews flashy mod cons in favour of tried and tested
quality, with every unit produced to a high standard that translates
into longevity, reliability and fantastic value for money.
£679
The 1008S comes with 17 different stitches, including a buttonhole
and two decorative stitches, and is capable of handling tougher and
thicker fabric without breaking a sweat. It is also a fantastic choice for
freehand embroidery when teamed with a freehand embroidery foot.
£595 £895 £595
BEST FOR A HIGH BEST FOR CREATIVE SEWING BEST FOR AVID
STREET FINISH 350 PE DRESSMAKERS
1150 MDA This sleek, computerised machine is a L220
Bernina’s smart overlocker features its patented A good coverstitch machine is a
streamlined and versatile precision tool,
micro thread control (MTC) system, which godsend for avid dressmakers, creating
with an extensive stitch library of 85 pre-
makes for wonderfully precise sewing. A simple perfectly flat joining seams that are
programmed stitches, consisting of 20 utility
control dial allows you to set the over-edge super comfortable to wear. This is great
stitches, 2 buttonholes, 11 quilting stitches
length of your thread, meaning you can achieve for sewing sportswear, for instance –
and a massive 52 decorative stitches. This
a perfect seam for all materials and stitch types creating elasticised edges is a breeze –
variety makes the 250 perfectly suited to
with ease. That’s not the only feature of the and the three-thread narrow coverstitch
everyday makes and mends as well as more
1150 MDA that’s kitted out for handling a range is perfect for knit and jersey fabric.
intricate and specialised functions – the
of projects – thanks to its high cutting force, The L220 can also be used to create
ideal all-rounder for creative sewists.
the machine’s knife drive can cope well with all decorative topstitch seams for a range
kinds of fabric, from heavy to super lightweight. of garments.
Pick between different stitches with the
easy direct selection function on the 350’s
The benefits of Bernina’s experience and This machine’s fuss-free automatic chain
LCD display. This is a sturdy machine built
knowledge come through in the ergonomic looper threader means threading is quick
to last, with solid construction and top-
design of this machine, which is developed and simple, and in fact the L220 is an all
class functionality, and is a perfect machine
with you, the sewist, at the forefront. As a result round user-friendly model, sharing the
to grow and challenge yourself with, as it is
you’ll find this model a joy to use, as well as simple and effective ergonomic design
more than capable of accommodating your
loving the results it will help you to produce. that characterises Bernina machines.
needs as they develop.
ALL OF THESE MACHINES CAN BE PURCHASED AT WWW.BAMBERSEW.COM

LS30.P86.indd 86 26/07/2016 11:00

Temptations Craft
Boutique
An Aladdin's cave full of fabrics
THE AVID including Moon Tweeds
SEAMSTRESS 100% Cottons for Patchwork and Quilting
Gorgeous sewing patterns to Knitting yarn and haberdashery
inspire your inner avid Courses and workshops
seamstress.
Agents for Brother Sewing Machines
Visit our shop or buy safely online
31 Main Street, Bentham, North Yorkshire, LA2 7HQ
Tel: 01524 261 868
www.temptationsbentham.co.uk
THEAVIDSEAMSTRESS.CO.UK
For shop opening times, please see our website
Venn tailoring
Stockists of Elna and Singer Sewing Machines
Free machine training with instore purchases.
A wide range of fabric, haberdashery and craft kits.
One to one tuition available. Ring to make an appointment.
www.venntailoring.com
Tel: 02920388810
14 Llandaff Road, Cardiff, CF11 9NJ
If you are looking

for a bargain or
some inspiration
then this new
venue is the
place to come.
“Fabric Sale”
For Quilting and Craft Projects
Sunday 11th September 2016
10am to 4pm
De Ferrers Academy
Fabric,
Haberdashery, Kits, Dove Campus
Crafts, Embroidery. Harehedge Lane
Come and see Burton on Trent
all the stalls for a Staffordshire, DE13 0AS
bargain or two.
Refreshments FREE ENTRY
FREE PARKING
For information or to book a stand email
Jenny or Sue on Materialgirls16@outlook.com
LS30 P87.indd 87 26/07/2016 12:03

Sewg works
Book yourself in to one of this month’s
top workshops and expand your sewing horizons!
Sew Sew Fabrics 17th September

Bexleyheath Bag making
Join us for our sewing and dressmaking classes. Make a shoulder bag from a pattern
The showroom is just next door for any last- under tuition from Therese. Price
minute supplies and class sizes are limited to includes pattern and fabric of
ensure a fun and productive learning environment. your choice.
www.sewsewfabrics.co.uk £35
10th September 24th September
Get to know your sewing machine Sewing S.O.S.
New to sewing or have a new machine? Bring your Bring along a project you are
sewing machine along to learn from Sew Sew’s struggling with for assistance
tutor Therese. All materials will be provided. from Therese.
£30 £30
11th September 1st October
Patchwork class Kimono jacket
Make a gorgeous patchwork bag with Jayne Make a gorgeous Kimono jacket with
and Claire. Price includes fabric of your choice, assistance. Price includes pattern and
instructions and template. fabric of your choice.
£45 £45
Bobbins and Buttons Regular Saturdays 1st September

Leicester Bring your own project Beginner’s cushion class
Bobbins and Buttons is run by Julia Claridge, An opportunity to work on a project class This class for complete beginners covers all of
who offers a range of sewing workshops for you missed or to receive help with your the basics. Get used to your sewing machine and
beginners as well as more experienced sewists. chosen project. Bookable as a two- or have a go with an overlocker too! The perfect
She also offers a selection of good-quality three-hour session. way to prepare for a wide range of other projects.
fabric sold online. Classes are relaxed and Cost £16-24 Cost £25
friendly and always include homemade bakes.
www.bobbinsnbuttons.co.uk 28th September – 2nd November 15th September
Six-week dressmaking course Make your own leggings
This course is tailored to your level. Learn Learn to sew stretch fabric with a standard
dressmaking skills from reading patterns domestic sewing machine. Make a pair of
to fitting a garment and all the sewing skills leggings from the class pattern in adult sizes 8-20
required to finish your garment. Class price or 9 months-7 years for kids. Pattern copies are
includes some calico to make a toile if needed. available to buy for a small cost.
Cost: £110 Cost: £25

29th September & 6th October 8th September
Apron dress Make a T-shirt
A two-part class to make an apron-style dress Practise sewing stretch fabric with a standard
designed by Julia. Choose sizes from ladies domestic sewing machine and make a semi-
8-20 or 1-7 years for kids. Learn techniques fitted T-shirt from the class pattern in adult
including using bias binding and applying a sizes 8-20 and 9 months–7 years for kids, with
curved patch pocket. a choice of sleeve length. Pattern copies are
Cost: £48 available to buy for a small cost.
Cost: £25
LS30.P88 Workshops.indd 88 26/07/2016 10:49

Stitchscape 22nd October
Newton-le-Willows Give-it-a-go screen-printing
This bright and colourful sewing space is Karen Lewis is coming again to show the tricks
perfect for sew-a-holics to share skills with and joys of screen-printing. We had a blast last
each other with specialist equipment to hand. time, with everyone being surprised at how
We have a mix of sewcial sessions where you their creativity was encouraged by Karen to
can sew whatever project you like alongside provide original prints.
dedicated workshop times where you can learn
a new skill.
Cost: £75
www.stitchscape.uk
8th October & 13th November
17th, 24th & 31st August Give-it-a-go Christmas
Give-it-a-go teens sewing table decoration
These summer sessions are for teens to sew Let’s be well prepared this year for a change and
along with others and be inspired to create make a stunning wreath/table centrepiece. Four
things. A chance for creativity and fun all hours of ‘me time’ creating along with others.
rolled into one colourful space. Keep it for your own home or make as a gift.
Cost: £25 per day Cost: £40 per day,
including the pattern
17th August, 7th September,
12th October, 6th 13th September, 11th October,
& 12th November 15th November
Winter coat Machine embroidery sewcials 19th & 26th November
Celia Banks, of Sew Fundamental, is holding These Tuesday sessions are in addition to Give-it-a-go doll and toy making
four sessions where her expert Palmer Pletsch the Saturday club and give you a chance to Your chance to make either a doll or a cuddly
qualified teaching will be available to help you ‘sewcialise’, learn and be inspired by others who toy. These are great as gifts but could also be
with making your very own coat. love what you love. If you’re new to it, it’s a great fun things to sell at craft fairs or perhaps you do
Cost: £55 per day relaxed atmosphere, so there’s no pressure at all. projects for a charity.
Cost: £10 per day Cost: £35 per day including a pattern
1st September &

1st November, Liverpool
12th September &
13th November, Mostyn
Advanced overlocking
with Celia Banks
These classes are designed for those
who have completed the ‘Introduction
to Overlockers’ class and build on the
17th November, Mostyn skills learnt in order to further your
Make a panelled flared skirt development, covering spaghetti straps,
Abakhan fishline hems, attaching elastic and much
Liverpool & Mostyn with GBSB’s Paul Clarke
more. A small project will be completed
There are plenty of exciting classes coming up at Come along to make your own panelled
during the class.
the Liverpool and Mostyn stores of family-owned flared skirt using Kwik Sew 3987. You’ll learn
how to insert a godet into a basic skirt to add Cost: £42.50
business Abakhan. The company is a source of
top-quality fabric, accessories and haberdashery movement and flare. The pattern can also be
for sewists nationwide. adapted into a maxi skirt with ease. 14th November, Liverpool
www.abakhan.co.uk Cost: £45 5th December, Mostyn
Fun with free-motion
8th September, Mostyn 6th October, Liverpool embroidery – Christmas
31st October, Liverpool 30th October, Mostyn with Felicity Owens
Secrets of a Chanel-style jacket Make your own winter coat Free-motion embroidery is the ideal way to
with Celia Banks with Corrie Robinson ‘draw’ quirky colourful designs onto fabric
Join this intensive workshop to be introduced We all need a warm coat for the cold winter using your sewing machine. Felicity shares
to the classic techniques needed to produce months, and ideally we also want to look smart her unique hand-drawn designs with a
a wonderful cardigan-style jacket, including and on trend. This workshop gives you both with Christmas theme along with tips to
shaping fabric with steam shrinking, underlining, a pattern that’s absolutely stunning! You will cut create truly professional results. All
attaching stays and quilting the lining. and stitch a lovely coat perfect for winter walks. motifs are supplied.
Cost: £45 Cost: £50 Cost: £45
LS30.P88 Workshops.indd 89 26/07/2016 10:49

Sew Me Something
Dressmaking workshops for beginners and
PATTERNS
those wishing to improve their skills.
Beautiful fabrics for your handmade clothes
www.claire-tyler.com www.bloomsburysquarefabrics.com
07771882903 07919307844
claire@claire-tyler.com victoria@bloomsburysquarefabrics.com
Claire's Threads Bloomsbury Square Dressmaking Fabrics
@ClairesThreads @BloomsSqFabric
FABRIC
2/5 The Administration Building, The Wharf Midhurst, West Sussex, GU29 9PX
Learn a NEW CRAFT this

SUMMER!
Explore our full timetable at
katiemakes.co.uk
ka
atiemake
kes.co.uk
ke
e
WORKSHOPS
sewing, knitting, crochet, photography, patchwork, machine-
3 The Minories, Stratford upon Avon, CV37 6NF 01789 330588
embroidery, lace-making, felting, millinery, pattern drafting…
www.sewmesomething.co.uk
A new kind of
A warm and friendly welcome is guaranteed sewing shop
Open Monday - Saturday 10.00 - 4.00
A huge range of hand-picked fabrics
Fabrics from: Makower, Nutex, Lewis & Irene, Fabric Freedom, Time-
less Treasures, Springs Creative, Disney, John Louden and more!! Quality quilting supplies
P and Q Notions, Embroidery & Picture Framing. High Class Haberdashery

Small friendly classes, workshops, individual tuition arranged to suit. Workshops and sewing retreats
The Hop Farm, Maidstone Road, Paddock Wood, Kent, TN12 6PY A warm welcome and friendly,
Plenty of parking! knowledgeable staff - always
contact@purple-pixie.co.uk 8 The Market Place, Horncastle, LN9 5HB
Find us on Facebook: www.purple-pixie.co.uk Under the archway, between Age UK and the locksmiths
purplepixiefabricandcraft 01622 804924 www.sassysewing.co.uk
01507 524566 sassysewingshop
Sewgirl
Sewing Gift Kits Workshops for Adults & Children One-to-one Sessions
wholesale enquiries welcome
www.sewgirl.co.uk / info@sewgirl.co.uk
LS30 P91.indd 91 26/07/2016 12:03

DISCOUNTS & GIVEAWAYS
ea de r DISCOUNTS &
R
offs GIVEAWAYS
Pretty sewing goodies, patterns to win and a
super discount to fill your fabric stash
WIN a Complete Bra Kit

from White Tree Fabrics
Constantly frustrated in your search for a bra that’s just right? Enter today
to be one of three winners of a comprehensive bra kit for sizes 32A to
HOW TO ENTER
For a chance to win one of these prizes, enter your details,
along with the name of the product you want to win, at
www.ppjump.com/lovesewing30
38DD. Each £29.95 kit contains a Kwik Sew 3594 pattern and everything
T&C: By entering these competitions, you accept that your email address may be
else you’ll need to make not one but two finished bras! To see more from passed on to sponsors for marketing activities. Closing date: 15th September 2016
the wonderful White Tree Fabrics, head to www.whitetreefabrics.com
WIN a pair of Dragonfly

Fabrics pattern packs
We’ve got two fabulous skirt pattern packs from Dragonfly Fabrics for
one lucky winner to get their hands on this month. The Everyday Skirt
by Liesl & Co kit is worth £35, coming with 1.6m of Brussels Washer
Linen, the pattern and instructions, interfacing, elastic and thread.
The second pack, for the Tilly & the Buttons Dominique Denim Skirt,
is worth £24.80 and contains washed denim fabric, the pattern and
instructions, elastic, a safety pin and thread. It couldn’t be easier to
sew up your own beautiful skirts – find out more about these fabulous
kits at www.dragonflyfabrics.co.uk
25%
discount on lace at
Get 10% off
www.drago
co.uk when
at
nflyfabrics
you enter
.
the code LO
White Tree Fabrics by 31st Augu
VE29
st!
If you like the look of this month’s
stunning Grace dress and skirts
and want to get started sewing
your own as soon as possible,
get yourself over to
www.whitetreefabrics.com where
you can get a huge 25% off all lace
available across the site, and trust
us when we say that the selection
you have to choose from is
impressive, so you can make your
CODE: LS30 CODE: love29

Grace up exactly as you want her
and for a bargain too! Simply enter
the code LS30 when you check out
until 8th September!
LS30.P92-93 Discounts & giveaways.indd 92 26/07/2016 14:13

DISCOUNTS & GIVEAWAYS
WIN a pair of tickets to the Knitting

& Stitching Show Harrogate
Enter today to bag a ticket for you and a loved one to head to
one day of the Harrogate leg of the Knitting & Stitching Show this
November. The show, which will be taking place 24th-27th, is
perfect for anyone with a love of textiles and needlecraft, with
workshops, demonstrations and exhibitions to dive into and
plenty of opportunity to shop for fabric, tools and accessories
from the best retailers around. To find out more head to
www.theknittingandstitchingshow.com/harrogate. Remember to
enter the code LOVESEW when you check out to get adult tickets for
£12 instead of £14.50 and concessions for £12 instead of £13!
WIN a Baby Ziggy pattern

from Madeit Patterns
Madeit Patterns is all about modern and stylish garment patterns
for kids. The brand is brought to you by the dynamic and creative
duo Anna and Olu, whose combined experience and passion
infuses each design. We’re thrilled to be offering 10 lucky readers
the chance to win ‘Baby Ziggy’, a versatile boxy top that is quick
and easy to sew in sizes 0-18 months and perfect to mix and
match for babies with serious style. See more trendy patterns for
babies and older children at www.madeit-patterns.com
CODE: LOVESEW
15% off at Crafty

Sew & So!
WIN a set of Hemline
machine needles
Five lucky winners this month can add a set of top-quality
Hemline machine needles to their toolbox of essentials with a
This month there's a fab discount
for Love Sewing readers over at
www.craftysewandso.com – simply
enter the code Crafty15 when you check
out by 10th September. The code applies
set each of assorted universal, stretch, embroidery, sharps and to all of the fabric available on the Crafty
ballpoint needles. Hemline’s needles are suitable for all modern Sew & So website, including the new
machines, and each set is worth around £11 each. Hemline Michael Miller Arrow Flight range! The
products can be found in craft and fabric stores nationwide – for collection centres on a metallic gold
stockist information email hemline@stockistenquiries.co.uk delicate arrow design against a classic
solid background, and is supported by
delectably bright and beautiful prints.
CODE: Crafty15
LS30.P92-93 Discounts & giveaways.indd 93 26/07/2016 14:13

THE SEW NG SHOP
Haberdashery Essex Online/Market Hampshire
For quality dressmaking fabrics; linens,

viscose, jerseys, cottons, interfacing & more.
Based in Leigh-on-Sea, Essex, Customers receive 15% discount SEW BUSY
we are a friendly, well-stocked craft on all orders until 31st July 2016. Stockists of Michael Miller, Riley Blake, Makower, Stof,
BANBURY SEWING CENTRE shop, stocking a wide range of craft Use: Cotton68 Tilda, Robert Kaufmann, Dashwood and others. Buttons,
57 Parsons Street, Banbury, Oxon, OX16 5NB Order online or visit us on the market, see
products and supplies. haberdashery, patterns, unique gifts and craft workshops.
Tel: 01295 262344 website/Facebook for weekly updates.
www.facebook.com/versatilefabricsuk or Branksomewood Road, Fleet, Hampshire GU51 4JS
Email: enquiries@banburysewingcentre.co.uk tel: 01702 512 289
Tel: 07517 956 326
• Suppliers for sewing, knitting, craft, felting and contact@ Tel: 01252 444220
much more. Telephone orders welcome. thesewingboxessex.co.uk www.versatilefabrics.co.uk www.sew-busy.co.uk
Wigan Stansted Essex Somerset Merseyside
A light and colourful space for

stitchers of all kinds to enjoy some
me-time, doing what you love, from
Sewing classes/workshops quilts to vases to jackets. Workshops
for adults and children available and Sewcial sessions.
THE SPINNERS WHEEL Teach Me to Sew Registered Kids Can Sew® instructor www.stitchscape.uk
Dress Fabric - Patterns - Haberdashery Sewing Classes for all
Sewing lessons available www.thestitchacademy.com diane@stitchscape.uk
60a Park Road, Wigan WN6 7AA 11 Brook Rd Stansted info@sewchet.com www.facebook.com/stitchscape
Friendly help and advice CM24 8BB 01963 32608 Unit 2, Southworth Business Suites
telephone - 07974 110161 Southworth Road, Newton-le-Willows,
www.teachmetosew.co.uk Facebook - The Stitch Academy WA12 0HS
Vintage style dresses made to order
tel. 07752209936 Twitter - @sewchet 01925 291953
www.facebook.com/spinnerswheel
Leicester Greater London Hampshire Cheshire
Reads of Winchester
Suppliers of sewing machines.
Janome, Elna, Bernina, Toyota, Jaguar
Both new and reconditioned.
Shop, Sew, Create Many machines on display Sewing Workshops based in Sandbach,
All in One Space demonstrations available. Cheshire Classes available:-
in the Heart Of Leicester
Sales service repair ‘Beginners and Advanced Classes’
Workshops • Fabrics ‘Get to grips with Zips’
haberdashery supplies
• Haberdashery • ‘Make a Tote Bag’
‘Get creative making a Cushion’
St.Martin’s Square
Tel 01962 850950
Contact Mandy on 07772684907 or
Leicester LE1 5EW 1 St Thomas Street, email: info@sew-stitch-creat8.co.uk
CraftySewandSo.com Winchester, hants SO23 9HE www.sew-stitch-creat8.co.uk
info@CraftySewandSo.com Open Monday to Saturday 9am to 5pm 2 May Cottages, Sandbach, Cheshire CW11 4SD
Harrogate Leicestershire Alton, Hampshire O ADVERTISE O
To advertise please
1956 - 2016 contact Jane on
Visit us at...
0844 826 0613 or
12,000 button designs
email jane.bates@
Haberdashery, ribbons, trimmings,
for s e w i n g w o r k s h o p s ,
practicalpublishing.co.uk
needlecrafts and lots more
For mail order Duttons for Buttons, Oxford St. fabrics & haberdashery
Harrogate HG1 1QE 1 1 6 Castle Stre e t, Hinck ley,
Tel. 01423 502092 Lei c es te rshire , L E10 1DD
e: michelle@duttonsforbuttons.co.uk 0 1 4 5 5 6 9 8 0 3 4 w w w. t h e s e w i n g c a f e . c o . u k
www.duttonsforbuttons.co.uk
www.facebook.com/DuttonsforButtons
Personal shoppers welcome Harrogate, York and Ilkley
O ADVERTISE O
LS30 P94.indd 94 26/07/2016 12:04

PURPLE
STITCHES
Basingstoke
We caught up with Vivian Poon of Purple Stitches this
month to hear a bit about the latest exciting goings on
at this modern and quirky independent shop
Hi there! How are you today and what’s fabric with big and bold colours but we What are the best and most challenging
going on in the shop? also like vintage knick knacks, such as things about running a fabric shop?
We are great! Since we moved to our new old bobbins, vintage sewing machines, The best thing about running a fabric shop
shop back in February, things are getting crockery and old dressmaking patterns. is that I can pick and choose fabric to my
better and better. We have expanded the Everything, from fabric to haberdashery heart’s content. I love being able to share
range of fabric and haberdashery that is arranged in rainbow order. We my love of sewing with my customers by
we stock and we also have a dedicated also have many project samples helping them with their fabric selection,
workshop space too, where we run regular dotted around the shop to inspire troubleshooting their projects and teaching
workshops in quilting, dressmaking and our customers. in various sewing and craft workshops.
other crafts.
Which fabrics do you stock? Running a shop is not without challenges,
Tell us a bit about how Purple Stitches Any personal favourite brands I have two young sons that require my
came to be or collections? constant attention (our shop is very child
Purple Stitches was started as a side We love Dashwood Studio, a friendly because of them!) as well as a
business to my handmade soft furnishing quintessential British brand, and we demanding part-time job as a pharmacist.
and homeware business four years ago. stock almost all of its collections. We Running the shop is my way of relaxing
We were selling off the excess fabric back also collect low-volume fabric too with and I love every minute of it. I’m always
then. Soon, we were invited to set up shop over 30 bolts currently in our collection. looking out for new ideas to bring the best
within a vintage shop in North Hampshire. I can’t really make up my mind about products and services to my customers.
Armed with 10 bolts of fabric from my own my favourite, it changes every time Nothing makes me happier than happy
stash, Purple Stitches was born. It has since something new comes in. My current children and satisfied customers.
taken over and become the main stream of favourite is Millefleur by Cathy Nordström.
our business. Looking back, it has been an I have a few dressmaking projects already Finally, is there anything exciting
interesting and fun ride. planned for this collection. coming up that you’d like to tell our
readers about?
What can customers expect when Tell us a bit about the workshops We are starting our very first Block of the
they step through the doors? you run at the shop Month project in early September, and you
A bright, modern and airy space with We run a great variety of workshops from can sign up for this now. It’s based on the
vintage charm. We specialise in modern sewing machine basics to intermediate Gravity Quilt by Jaybird Quilts using Kona
quilting, catering for sewists with different Solids. Our monthly subscription clubs will
skill levels. We are currently running also be available soon. More details will be
classes in beginner’s patchwork, hand announced on our website in due course.
embroidery and beginner's dressmaking,
as well as Christmas sewing workshops.
We also run Sewcial Evenings on the Purple Stitches, Unit 35, Basepoint
second and fourth Thursday of every Business Centre
month, providing a fun and relaxing Basepoint Enterprise Centre,
environment for sewing and fabric Stroudley Road
enthusiasts to indulge in their passion Basingstoke, Hampshire RG24 8UP
and share their knowledge. www.purple-stitches.com
07900 828431
LS30.P95 Shop of the Month.indd 95 26/07/2016 10:27

NEXT MONTH IN
Sis
6–20
T H E U K ’ S N O .1 S E W I N G M A G A Z I N E
ShaThennon collection
DE 4-IN
SIG -1
N
YOUR FREE
DRESS & TOP
SHORTS & TROUSERS
TOP
Presenting the Shannon collection! This FABRIC SUGGESTIONS
pattern
pack includes your new staple T-shirt
dress Trousers and shorts: medium-weight
and top pattern plus stylish sailor trousers wovens;
and cotton, denim, and linen
preppy nautical shorts. The pull-on jersey
dress Dress and top: cotton and viscose jersey,
and top features grown-on sleeves with and
sleeve ponte de roma knit
©Practical Pattern Designs Ltd

and neckline bindings, and a topstitched
hem.
The wide leg trousers have slash pockets, NOTIONS
a side
zipper and sewn-on buttons, plus the
shorts Dress and Top: 2m of stretch bias binding
have rolled-up hems. (optional)
Trousers: 6 19mm buttons & 9” concealed
zipper
FINISHED MEASUREMENTS
FABRIC REQUIREMENTS
DRESS & TOP
MULTI-
TROUSERS
only, not for commercial use

DRESS & TOP TROUSERS
Size Bust Waist Hips Waist Hips Size 45” wide 60” wide 45” wide
6 60” wide
32½” 29½” 38” 25” 35½” 6 2.2m 2.2m 2.25m
8 35” 31½” 1.6m TROUSERS
40” 27” 37½” 8 2.2m 2.2m 2.25m 1.65m
10 37” 33½” 42” 29” 39½” 10 2.2m 2.2m #033
GARMENT
2.25m 1.7m
12
Simple Sew Patterns are for home use

39” 35½” 44” 31” 41½”
14 41” 37½” 46” 33” 43½”
12 2.2m 2.2m 2.5m 1.75m Sizes 6-20
14 2.25m
16 43½” 39½” 48” 35” 45½” 16 2.25m
2.25m 2.5m 1.9m ADVENTUROUS BEGINNER
2.25m 2.5m 2m
18 45½”
The
41½”
Shannon
50” 37” 47½” 18 2.25m 2.25m 2.5m 2.1m
20 47½”
PATTERN
43½” 52” 39” 49½” 20 2.25m 2.25m 2.5m 2.1m
Trouser inseam: 29”
collection
Create your perfect capsule wardrobe
with this multi-garment pattern
Go online for exclusive video tutorials
The Shannon
www.simplesewpatterns.com info@simplesewpatterns.com
#33 Nautical Collection envelope.indd

1
27/05/2016 15:34
4-in-1 Collection
Presenting the Shannon collection!
This pattern pack includes your new
staple T-shirt dress and top, plus
stylish sailor trousers and preppy
nautical shorts. The pull-on jersey
dress and top features grown-on
sleeves with sleeve and neckline
bindings, and a topstitched hem.
The wide-leg trousers have slash
pockets, a side zipper and sewn-on
buttons, plus the shorts have rolled-
Wo r t h
£12.50!
PLUS! CLEVER TUTORIALS FROM ELISALEX DE CASTRO PEAKE L TOP TIPS FROM WENDY WARD
96 www.lovesewingmag.com
LS30.P96.indd 96 26/07/2016 10:42

ISSUE 31 ON SALE 8TH SEPTEMBER
MAGICAL MERMAID DOLL
Off--
lr
Suо dre
EASY-TO-SEW RUCKSACK
SEE PAGE
36 TO
SUBSCRIBE
IDE
Inspiring dressmaking, JANOME SEWING MACHINE GU
accessories and home projects:
FREE
• Magical Mermaid doll
• Off-the-shoulder Sutton dress
36-PAGE
• Baby’s Turtle rattle
• Easy-to-sew rucksack
T
• Pelican appliqué T-shirt SUPPLEMEN
• Jersey sewing tips from
Colette Patterns
• The ultimate guide to pattern
matching stripes
• The history of nautical style
D EXPERT GUIDANCE FROM CLAIRE-LOUISE HARDIE L IN-DEPTH TECHNIQUES FROM ALISON SMITH MBE
*All contents subject to change.
www.lovesewingmag.com 97
LS30.P96.indd 97 26/07/2016 10:42

30-minute make
DRESS
FORM
LAVENDER
SACHETS
These French country-style
lavender sachets with dress form
appliqué will add a lovely scent
to your handmade clothing
MATERIALS:
" 7x5" gingham fabric for sachet front
" 7x5" polka dot fabric for sachet back
" fat eighth floral print for dress
form appliqué
" fat eighth white print for oval
appliqué foundation
" ½ yard cotton lace or rickrack
" ¼ yard cotton tape for hanging loop print and cut out. Fuse the stand
" scrap of brown print fabric for and top onto the back of the brown
dress form stand print fabric and cut out. Peel off the
" French laundry tape or scrap ribbon paper backing and position the dress
" fusible web form and stand on white oval fabric (see
" polyester fiberfill photos for placement). Press in place
" ¼ cup dried lavender buds with a hot iron.
" 2 3" squares of muslin for the lavender
" cardstock for the template appliqué Using co-ordinating thread, sew around
" air-erasable marker the shapes staying close to the edge.
NOTES: If you desire, add a small decoration

such as a vintage French laundry tape
The finished size 6½x4½”, excluding the monogram or flag to the lower right side of
hanging loop the oval and stitch it in place.
All seam allowances ¼” unless ASSEMBLE SACHET

otherwise indicated Centre the appliquéd dress form on the
A
front of the gingham fabric. Pin in place. Pin
the lace trim or rickrack under the edge of
:
the oval. Hand-stitch the oval and trim to
PREPARE APPLIQUÉ the gingham. (See Pic A.) with the RST. Stitch around the outside of the
Trace the oval template onto card and cut sachet, leaving a 2” gap along the bottom
out. Trace the oval onto the back of the white To make a small tag, cut a piece of edge for stuffing. Clip the corners and turn the
print fabric using an air-erasable marker. Cut ribbon or tape measuring 2”. Fold the ribbon sachet RS out. Press.
around the oval, adding a ¼” seam allowance. in half. Baste it in place approximately 1”
Using the oval template press the seam above the bottom right-hand corner. Sew the two squares of muslin together
allowance over the card, so when the oval is leaving a 1½” gap in one side for turning. Turn
turned over the right way, the seam allowance To make the hanging loop, cut a piece RS out. Fill it with dried lavender buds and
has been pressed under. of ribbon or tape measuring 6” in length. stitch the opening closed by hand.
Centre the ends of the ribbon on the top of
Trace the dress form and stand onto the back the sachet and baste them in place. Gently fill the sachet with fiberfill.
of the fusible web. Cut out leaving at least ¼”. Insert the lavender bag. Hand-stitch the
Fuse the dress form onto the back of the floral Layer the front and back of the sachet opening closed.
LS30.P98 lavender sachets.indd 98 26/07/2016 12:57

For more information on local stockists
The Horn Maxi

contact 01793 834304. Our latest
brochure can be downloaded now from;
www.hornfurniture.co.uk
Potentially huge surface, fully open
Hobby Table
(181cm/71¼ins by 100cm/39½ins)
or half open for smaller projects–
the choice is yours!
Cupboards for storage both sides—one
Need space to create?
side with an adjustable shelf and the
other fitted with removable baskets.
Whether you’re a Sewer or Quilter...
Super sturdy! Extra stable construction
with a double legged leaf support.
Rounded corners to keep projects safe

We’ve got it covered!
from snags and from either yourself or Have a look at our full range online now...
children catching themselves
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...or contact us for a brochure
Available in 3 finishes, Beech Teak &
White.
Fitted with 8 large, lockable easy

rolling castors. Making it no problem
£599
to move from room to room.
Cupboards both
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Extra stable double

the tip
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to
io n cutting to stand and work at
Precis
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an
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Possibly the best scissors you’ll ever get to use! to fin
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scissors….. a perfect companion for your new table. www.lovesewingmag.co.uk 99
(Pease note: The sewing machine and accessories are not included)
LS30 P99.indd 99 26/07/2016 12:05

Go ahead…
MC15000
The incredible Memory Craft 15000v2
get creative!
incorporates all the best features for
sewing, embroidery, quilting and craftwork Add a decorative touch of beautiful
and has the largest work area of any
equivalent model available. It’s the first
embroidery to fit your lifestyle
machine of its kind to have Wi Fi, the first The world of Janome professional style embroidery
to work with an iPad and the first to have
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embroidery machines utilise intuitive technologies.
MC14000
This long arm combined sewing and
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MC500E
The Memory Craft 500E is a dedicated
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possibilities optional embroidery
design software is available which
can convert artwork into stitches
and stitches into works of art.
For further information:

Telephone 0161 666 6011 or visit www.janome.co.uk
The
100 world’s leading
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LS30 P100.indd 100 26/07/2016 12:05
4728 - [Ad 220x300] Embroidery Range 2016.indd 1 12/07/2016 15:39

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SEWING BEE HIS & HERS KIMONO V MASTER JETTED POCKETS

AGES CREATIVE RIBBON TUTORIAL

LS30.COVER.indd 1 27/07/2016 15:02

LS30 P12.indd 12 21/07/2016 14:38

WWW.LOVESEWINGMAG.CO.UK Happy sewing!

LS30.P03 Welcome.indd 3 26/07/2016 16:30

LS30.P4-5 Love Sewing contents.indd 4 27/07/2016 14:12

WIN Publishing & Advertising

SEE PAGE 36 Distribution

65 Stockport SK2 6NG

19 98 Practical Publishing International Ltd

Ashley Cramp Rosie Martin

LS30.P4-5 Love Sewing contents.indd 5 27/07/2016 14:13

SILVER COTTON REEL

Big Bee Two fashion forces have teamed up

£7.99 trousers fall from the elastic waistline.

LS30.P6-8 Love Sewing Loves (3 page version).indd 6 26/07/2016 10:33

LS30.P6-8 Love Sewing Loves (3 page version).indd 7 26/07/2016 10:33

LS30.P6-8 Love Sewing Loves (3 page version).indd 8 26/07/2016 10:33

Janene chose to Marie chose

LS29 P9 BVSA News.indd 9 26/07/2016 10:58

HOW TO WORK WITH LEATHER

SEWN PROJECTS TO MAKE £9.99 Collins & Brown

LS30.P10-11 Library.indd 10 26/07/2016 10:56

Book of the Month

Are you inspired by any other

Thanks for your time!

LS30.P10-11 Library.indd 11 26/07/2016 10:56

LS30 P02.indd 2 21/07/2016 14:31

If you've made something using the projects or patterns

"The Thelma dress

"This is the Ruby

LS30.P13 reader's makes.indd 13 26/07/2016 10:45

This month I’m making…

To start with, I made the full-skirted version of the

LS30.P14 This month.indd 14 26/07/2016 10:53

Innov-is 800E Temptations Bentham LA2 7HQ

Creative South East

LS30 P15.indd 15 21/07/2016 14:40

with Wendy Ward

Are you happy?

LS30.P16-17 Behind the seams.indd 16 26/07/2016 10:59

LS30.P16-17 Behind the seams.indd 17 26/07/2016 10:59

LS30 P18.indd 18 21/07/2016 14:42

LS30.19 vintage photo project.indd 19 26/07/2016 16:53

I had been collecting photos of old dresses I

LS30.19 vintage photo project.indd 20 26/07/2016 16:53

Rita Hayworth, 1946

Read more about the Vintage

LS30.19 vintage photo project.indd 21 26/07/2016 16:53

The Lizzie Dress

Visit our website for…

Now available from

LS30.P22.indd 22 26/07/2016 16:21

LS29.P23-25 grace simple sew.indd 23 26/07/2016 12:49

We wanted to celebrate the style of

Grace’s style was renowned

As an actress, Grace had achieved iconic status, despite

LS29.P23-25 grace simple sew.indd 24 26/07/2016 12:49

 To achieve this look you'll need to cut all your

LS29.P23-25 grace simple sew.indd 25 26/07/2016 12:49

26 Patternless Top.indd 26 26/07/2016 10:41

This project assumes basic construction

To achieve this look you'll need to cut all your

Measure your shoulder-to-bust length, mark

Find the middle of the horizontal lines and

Draw in the armholes from a starting point

Draw in the front and back neckline shaping

lt lp - Cut 1 о fd

Branch sort code Bank/Building Society account number y subscri?

Orng qui d sy...

Start with a fresh copy of a simple

Spread the upper pieces apart ensuring

Take a large sheet of newspaper and mark

Measure your nape to waist measurement H I

Draw a line 1.5cm below that and colour

Measure your QUARTER BUST

Join these marks with a straight vertical

Lay the guide garment on top of the

Find the horizontal centre of your piece N O