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  • D' Artagnan: Estratto Dall' Overture Per Orchestra Da Me Composta

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    Angelo Palmisano
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    The document is a musical score titled "D'Artagnan" composed by Angelo Palmisano. It contains musical notation written for orchestra and later transcribed for band. The score consists of repeated melodic phrases and increasing intensity through instrumentation and dynamics, building towards a climactic conclusion.

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    Original Title

    Tuba

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    The document is a musical score titled "D'Artagnan" composed by Angelo Palmisano. It contains musical notation written for orchestra and later transcribed for band. The score consists of repeated melodic phrases and increasing intensity through instrumentation and dynamics, building towards a climactic conclusion.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    3 views2 pages

    D' Artagnan: Estratto Dall' Overture Per Orchestra Da Me Composta

    Uploaded by

    Angelo Palmisano
    The document is a musical score titled "D'Artagnan" composed by Angelo Palmisano. It contains musical notation written for orchestra and later transcribed for band. The score consists of repeated melodic phrases and increasing intensity through instrumentation and dynamics, building towards a climactic conclusion.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    D' ARTAGNAN

    BASSI Estratto dall' overture per orchestra Angelo PALMISANO


    da me composta trascr. per banda
    Allegro = 112

                     
                        
            

                               
               
    8

     
                    
    cresc.  cresc.
       
                    
    15

      
               

                          
    25

         
             

         
                                 
    34

               

     
                        
    42

                
       
      
    52

         
             

                 
    64

                
      
    cresc.

                                    
    72

                 
                   
    2

                                 
    80

            
             
      


            
    88

        
           
       
     
    101

             
            
      
     
    cresc.

      
          
    112

          
        
        

                           
    123

              
                 
      
                 
    131

                     
           
          

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