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Wuthering Heights is a novel of revenge and romantic love. It tells the stories of two families: the
Earnshaw who live at the Heights, at the edge of the moors, and the genteel and refined Linton who live
at Thrushcross Grange. When Mr. Earnshaw brings home a foundling to live in the family, complex
feelings of jealousy and rivalry as well as a soulful alliance between Heathcliff and Catherine develop.
Believing that he has been rejected by Catherine, Heathcliff leaves to make his fortune. When he returns,
Catherine is married to Edgar Linton, but she still feels deeply attached to Heathcliff. Disaster follows for
the two families as Heathcliff takes revenge on them all. Only the second generation, young Cathy and
Hareton Earnshaw, survive to go beyond this destructive passion in their mutual love.
Structurally the novel is rich and complex. There are two generations of characters, and the themes and
relationships of the first generation are reflected in the second but with differences that increase our
understanding. Brontë’s use of point of view leads to many questions about the narrators who control the
unravelling of events. It is as if the main characters are seen through a series of mirrors, each causing a
certain amount of distortion.
Emily Bronte lived most of her life in England on the North Yorkshire moors like those depicted in
Wuthering Heights. Not many details are known about her life. As one Bronte scholar stated, "Next to her
genius, the most astonishing thing about Emily Bronte is the silence which surrounds her life." Charlotte
Bronte declared that Emily's "disposition was not naturally gregarious; circumstances favoured and
fostered her tendency to seclusion; except to go to church or take a walk on the hills, she seldom crossed
the threshold of home. Though her feeling for the people [all around] was benevolent, intercourse with
them was never sought; nor, with very few exceptions, ever experienced."
Emily Jane was the fifth of six children born to the Reverend Patrick and Maria Bronte on July 30, 1818,
in the village of Bradford, Yorkshire. Three years after Emily was born, her mother died of cancer, the
first of several tragedies that would befall the Bronte family. Just before Emily's sixth birthday, she and
her older sisters – Maria, Elizabeth, and Charlotte – enrolled at the Cowan Bridge School. Maria and
Elizabeth both fell ill, and on May 6, 1825, Maria succumbed to her illness. The other three girls then left
for home, where Elizabeth died two weeks later.
In June 1826, Mr. Bronte returned from travelling with a set of twelve wooden soldiers for Emily's
brother, Barnwell. Led by Charlotte and Barnwell, the Bronte children created imaginative stories, poems,
plays, and games about a magical world they created for "The Twelve’s," as they called the soldiers. They
founded a kingdom on the African coast with a city named Great Glass Town, complete with a
government, newspapers, magazines, generals, poets, historians, publishers, and actors. Their adventures
were recorded in tiny booklets, often less than two inches square, in minute handwriting. One hundred of
the booklets – whose word count is equal to the total published works of the three sisters – have been
preserved.
Charlotte discovered Emily's poems in October 1845 and convinced her sisters to collaborate on a volume
of poetry. They chose to use pseudonyms to avoid the criticism and prejudice often directed towards
women writers. In May 1846, Poems (by Currer, Ellis, and Acton Bell) was published, with the Bronte’s
paying for the costs; only two copies were sold.
Emily began working on Wuthering Heights in December 1845. She completed it in July 1846 and began
submitting it for publication (along with Anne’s Agnes Grey and Charlotte’s The Professor). In December
1847, the publisher T. C. Newby published Wuthering Heights. One year later, on December 19, 1848,
Emily died from the effects of a severe cold. Two years later, Wuthering Heights was reissued, along with
a selection of Emily's poems and a biographical notice by Charlotte.
About Emily Bronte, Virginia Woolf wrote that she had the ability to "tear up all that we know human
beings by, and fill these unrecognizable transparencies with such a gust of life that they transcend
reality. ...She could free life from its dependence on facts; with a few touches indicate the spirit of a face
so that it needs no body; by speaking of the moor make the wind blow and the thunder roar."
HISTORICAL CONTEXT
Wuthering Heights, which has long been one of the most popular and highly regarded novels in English literature,
seemed to hold little promise when it was published in 1847, selling very poorly and receiving only a few mixed
reviews. Victorian readers found the book shocking and inappropriate in its depiction of passionate, ungoverned
love and cruelty (despite the fact that the novel portrays no sex or bloodshed), and the work was virtually ignored.
Even Emily Bronte’s sister Charlotte—an author whose works contained similar motifs of Gothic love and desolate
landscapes—remained ambivalent toward the unapologetic intensity of her sister’s novel. In a preface to the book,
which she wrote shortly after Emily Bronte’s death, Charlotte Bronte stated, “Whether it is right or advisable to
create beings like Heathcliff, I do not know. I scarcely think it is.”
Emily Bronte lived an eccentric, closely guarded life. She was born in 1818, two years after Charlotte and a year and
a half before her sister Anne, who also became an author. Her father worked as a church rector, and her aunt, who
raised the Bronte children after their mother died, was deeply religious. Emily Bronte did not take to her aunt’s
Christian fervour; the character of Joseph, a caricature of an evangelical, may have been inspired by her aunt’s
religiosity. The Bronte’s lived in Haworth, a Yorkshire village in the midst of the moors. These wild, desolate
expanses—later the setting of Wuthering Heights—made up the Bronte’s’ daily environment, and Emily lived
among them her entire life. She died in 1848, at the age of thirty.
As witnessed by their extraordinary literary accomplishments, the Bronte children were a highly creative group,
writing stories, plays, and poems for their own amusement. Largely left to their own devices, the children created
imaginary worlds in which to play. Yet the sisters knew that the outside world would not respond favourably to their
creative expression; female authors were often treated less seriously than their male counterparts in the nineteenth
century. Thus the Bronte sisters thought it best to publish their adult works under assumed names. Charlotte wrote as
Currer Bell, Emily as Ellis Bell, and Anne as Acton Bell. Their real identities remained secret until after Emily and
Anne had died, when Charlotte at last revealed the truth of their novels’ authorship.
Today, Wuthering Heights has a secure position in the canon of world literature, and Emily Bronte is revered as one
of the finest writers—male or female—of the nineteenth century. Like Charlotte Bronte’s Jane Eyre, Wuthering
Heights is based partly on the Gothic tradition of the late eighteenth century, a style of literature that featured
supernatural encounters, crumbling ruins, moonless nights, and grotesque imagery, seeking to create effects of
mystery and fear. But Wuthering Heights transcends its genre in its sophisticated observation and artistic subtlety.
The novel has been studied, analyzed, dissected, and discussed from every imaginable critical perspective, yet it
remains un-exhausted. And while the novel’s symbolism, themes, structure, and language may all spark fertile
exploration, the bulk of its popularity may rest on its unforgettable characters. As a shattering presentation of the
doomed love affair between the fiercely passionate Catherine and Heathcliff, it remains one of the most haunting
love stories in all of literature.
The Victorian Age was a time of great economic, social, and political change. The British Empire had
reached its height and extended throughout one quarter of the world. The beginning of the Industrial
Revolution it was a time of great prosperity for some, but abject poverty for factory and farm workers.
Many Victorian writers dealt with the contrast between the prosperity of the middle and upper classes and
the wretched condition of the poor. Indeed, class distinctions will appear as an important subtext
in Wuthering Heights.
Like her fellow Victorian novelist Thomas Hardy, Bronte’s setting is limited to the Yorkshire moors of
northern England, a rural, isolated region. Rural life was governed by a strict societal hierarchy which
Bronte accurately depicted in Wuthering Heights. At the top were the Lords, the aristocracy, with its
hereditary or monarch granted titles, large estates, political dominance and patronage system. Next came
the gentry’s class, non-titled nobility landowners, who constituted local leadership. The Linton family
in Wuthering Heights is typical of this class. Next were the gentlemen farmers, many of whom were
prosperous enough to maintain a lifestyle like that of the gentry. Mr. Earnshaw, father of Hindley and
Cathy, is a representative gentleman farmer. Indeed, the distinction between the two classes appears in the
novel, when Catherine refers to herself and Heathcliff as being of “the lower orders.