You are on page 1of 16

 

  
The Small Theme and the Large Theme

   
THE MOTIVE AND THE SMALLE THEME

    !"# Motive ()



  
.4 5+6 + (5+6  7/-# (.$/0 1 023+ .
$ %&" ' ()*& +
3 &> (
?0+ (5+6 !"
?0+ Motive  *8 (9:; *<* ("= 4 #  
repeated %;C0 D  (5; 50"/0 <#E Motive B 023 5"#+.a @A 1 *
.JK (5 transposed form F#G/0 %"H/0 50"+ I(5 exactly
IR B&$Q0 @/0 &S T<# Tonal L&M 3 F#G/0 50"/0 023 ! NO?PQ0  +
.  @ 83 3+
inexact U 9V 3  + Iexact transposition U 3  ##G/0 050"/0  +
.transposition
.sequence %#$ !"" Y
# Motive B F#G/0 50"/0  W8/0 023 %X
[*/\ 9]
A I !"" 050" + IMotive B &'( )* 050"  %Z > I  1
.a ^


 +
. ,-
.d+C0 (5+6Q0 Motive Y *8 !#5+.  @ Y+ #60 `cba 7M/ .`
+ Motive B 5> .e
f/g+IJK (5 /1" 0 (5 /" F#G/0 50"/ Motive B 5> .
.!#5+.  @  h?
.(Motive B [*= [j# k #60 ) 4 ? 4 5+6 BPK  f/g+ $ $ -*i ._
.*<* E/0  $/0 40</0 d\
 .

.#60 $5 + lPl + 4 5+6  h/:/0 1 !" *<*Q0 ("/0 !\


4 ,-
.0o @ 3+ Ia b c m
n   1 &> *//0 $E</0 Motives B ]

_
Motives B-= .(a bac):p/0 8/0 Y !"#+I Motives B h*  83
.R8 !9: !"# (Iac ) Motives B + .56 78* !"# (Ia b)

:<*<s0 t23 5
/ ;"  Y<* r)0
< +

= ,-
:p/0 8/0 Y *8 I#60 $5 .+
? 1 *<* ("= 7/ .`
.< )!6  1 &> (abac )
.u<= !#5+.  @  U
n0 .e

> ,-
(.
v 9V A5 /w #60 *x .+
? 1 *<* ("= 7/ .`
.A5E/0 /w0 = ' 0g\ #
*/ [<*G @A + .P
m X (#5 &/)I< E/0
:p/0 8/0 Y y ! hz ("/0 t23 .e
.4 5+6 .+
? 1 Motive %> y # *{.(abac)
.|$  [}$ T <E +  *<#\ 0m5; "0 .


small theme 
  
*<*Q0 ("/0 1 !" ! [8"€ /0 Motives B h*  5;  9X> 83
.(8*$ Motives  *   !"# ! "€ *<* ("= %"=).(9:G/0
: 7‚ƒ+ „Pl R*=
o# (a @A)? + 1 R*/\ 5HQ0 (aaba) h* /=
.(#0
 I*?=0) d+C0 (5+6Q0 _
.(b @</ †*i+ #50&0) *X/0 (5+6Q0 _
.(*<*Q0 ("/0 U‡\+ BA\) $0/0 (5+6Q0 _
? +

@ ,-
:p/0 h* /0 D=+ *8 I#60 $5 .+
? 1 (9:; *<* ("= 7ˆ/
.u<= !#5+.  @  U
n0.?  1 &> I(aaba)

0
# 
8 m;GK+ Ibp/0 BXQ0 1 &>b Ia @A  m<H Ib @A !"# m*?
.(A +I/X/0 %G/0 j0 )I*<#‰0 (5G/0 1

~
B +

C ,-
.(0m)*Œ rhythm m*K0. m<#\ "0).*<#‰0 ‹5;
?++Ib@A+ Ia @A h>

:w> i0; !" I60 <# Y Ž=) B + Y<* ! 8S=0 /

 f/2 m‚.I60 ^- ^"/0 023 1 ‘s #‡ F F.’ !   #{+ f8"€


.$E</0 #0

inegales + Itriplet feeling + Iuneven 8ths B U0
n0 f8"€ f/g D*</+

.( D 6+ 0 38$ *= &> L3+)


:w>   h" ! f8"€+ &>

  


! N?k+I(abac)p/0 8/0 Y *8 E  1 (9:G/0 *<*Q0 ("/0 !\
:(/< 9V)&" 9V [$o Œ I@/0 “ o5. Y T< k [#”


E +

.9 "/0 A r{ [*/\ ] I(9:; *<* ("= %*"H • E  1


.@/0 “ o5. d\ 3#\ km  v (9KC0 [ 9*:+ 350" @A !w0+
F +

*<* ("= !"* –0o‰0 023 ! N?k+IhA$ 1 (FE) 4/XQ0 r)$ @A !w0
.(AA)(9 >
H ,-
.(—I˜)4/XQ0 1 .5+ &>IAA 7M/ .`
Y *X/0 A B L[8 L> 0m
3o %&0+ Iu<= 9 "/0  @  U
n0 .e
.@/0 “ o5.
.*<* E/0  $/0 40</0 d\
 .

a
.bABAbp/0 8/0 Y   (9 > *<* ("= %"] L3 :Numero-uno
JK (9:; ("   (9:; *<* ("=  *8 IABA :*; !\
.[#”  ^0Ak0
8 P#
$/0 |$ T Id+C0 ("/0 d\ (.$/0 š  +I#.0E0
I +


JK" ?L9M   
*8/0  *>/0 “ !0›$# (ABA) (AA) :(9 "/0 *<*Q0 ("/ !:*;
o#
.* $H/0 Y<*Q0 1 (X" 
nQ0 (AABA)
m#.* 9 "/0  @ 8
*< + (AABA)(9 "/0 *<*Q0 ("/0 :*; U
n0
F 1 k+ 83 k R 0
n G8# k F2/0+ B dim œA8/0 LlPX/0 0
  )Im* 53+
.(^"/0 023  Kž !"

:((9 "/0 *<*Q0 ("/0 8  0.]5\ L3+)*//0 0.]5‰0 T 


.( C chord-the tonic)9 "/0  7/Ÿ “- A @A %>
0 -

~c
7/Ÿ + IF   IDm 
  + IC 9 "/0  7/Ÿ A B+C0 @</0 R  \ -
d\ 
*$ ! [8"€ /0 pushing chords lPX/0 /Ÿ/0 L3 t23 .G  '
./[+ “C0 o5. 7/Ÿ
lPX/0 /Ÿ/0
?- R  \ "/+ I(=Q0 /0 /Ÿ/0  7/Ÿ F- B @A
0 -
.(G FDm) </0
pushing chord ^
  (¡X/0) A @A L[8# ! hzI9 "/0  7/Ÿ B @A
 0g\ -
.9 "/0 +. 7/Ÿ +
7/Ÿ (¡X/0) A @A –”\ hz 3
8 I9 "/0  7/Ÿ 9V 7/Ÿ B @A
 0g\ -
.9 "/0 +.
.9 "/0  7/Ÿ (9KC0) A @A R  \ -
*8VC0  u
 $#+ % Im0
o u* BX 3+I0.]5‰0 t2¢ U£ )   p/0 BXQ0
#.*Q0 4  8 "/0 AP$/0 *S –
 /
*o BX [=I#5"/0
.(9 "/0 *<*Q0 ("/0 –8 [*= @# /0 **"/0 5[ƒ\+I* 50+
B @j$ !\) I(5+6Q0  X/X/0 (
?/0 Y
motives B ! /s0 t23 1 N?k
.((5+6Q0  d+C0 (
?/0 Y
U*/0 motives
 +

~`
N ,-
B h*  T  + .AABA :p/0 8/0 Y *8 (9 > *<* ("= 7M/ .`
.<?P/0 &*$/0 1 8* Q0 (9:G/0 *<*Q0 5"=C0+ motives
.a b a c :p/0 8/0 Y 3¤8 "€ ( OP) A UA .e
B  "1 f#
/  G# g\ .e e f g:p/0 8/0 Y ‘ [= B @A  .
023  !" F 1 R 0
n0 f8"€ ˜g&8/0 023).B+A L¥ &A 1 motives
.(^"/0
F2/0 (*X/0) e @</ ( ; j0) sequence ‘/0 T/0 U0
n0 f8"€+ &>
.(d+C0) A @A 1 R* 3 & 7 7/Ÿ Y ‘ R #&/0 023 1 NO?PQ0 
(.$A +I(
 I(5+¦I#5+ ) */Ÿ k + I*/Ÿ  U
n0 ._
.(508/0)  P  B */Ÿ P/0 8/0 &*A !" k ! L05+
 X>0 U
n k+ Ii0G > D#  */Ÿ P/0 8/0 d\ (5]‰ @A_
.hA$ %Z "H (
?0+ */Ÿ 
! B+?+ &>If/2 f/ &# 
8 |$ [}$  motives B u5 B+? .
.B @</0 1  motives B %$§
.9KC0 A @A d\ (.$/0 3IB @A 1 L*‚/0 f=
3 %$¨= .~

~e
.=> #.*&/ m*$*  y8 %M"H* f/g !©= IB @A 1 [j YC0 8/0 W. .Š

L> Žª&&; b>2/0 w0b (9 "/0 *<*Q0 ("/0 8 3 *&$ <$Q0 0.]5‰0 !\
k ¬?+I39V !+. [ 0
n0 f8"€ /0 f I
0</0  8*$ &¦ f/ .
«
|$ f/ h #
A F2/0  C0Ihz Œ X> T/0+ ­PEk0 1 !8$/0 f/ #
.@$/0  ?Q0 t23 1 Ž + m;GK ŽH/0+ 5‰0

~
"/+ m ‡ [* (E*/0 "€ Q#$
 R+S $  4  AP$/=
9V /Ÿ/0 U0
n0 1 *="/0 #s0 f/ = ! E#]+ I
#
] ®?+ *P<$
.EnQ0 */0&/ *C0 40</0 1 &>I(P
m X ) * #
/0
 7/Ÿ ) pushing chords B B&$ f
*< k 40</0 t23 U
n 
8$=
()* R/ Kž 7/Ÿ F B&$0 f8"€ % I(9 "/0 '+I9 "/0  I9:G/0  I9 "/0
.pushing B
*/0&/ *C0 40</0  DH 7/Ÿ F B&$0 f8"€ IJK (5 $+
1+  /0  ¯0 + I  /0 $0/0 + I(9 "/0 + (9:G/0 *X/0  Y *8 Q0 EnQ0
.° 0+ .$G/0 /?
@ 1 (L ) +I!#5+. @ 1 “C0 o5
> (F5)  U0
n0 f8"€+ &>
.!*z/0
$  T
 
 FU: &V
t23 |$  8/ L?* @/0 023 !C.0m
o 0m
* P
m &I #
*/Q ¡* @5 %&
 $#
.[8 */±\ (5; 8*E$#+ #.*Q0
.(™ ;)I  #.* * # p/0 ¡* /0 @/0

~_
Kž+ F y8 Y F« /0 #.*Q0 f L3 bm &– (
*0 #.*Q0
.%*< u/0 E<
$ i Y T< /0 f L3+.L
4*88Q0 P> ! T IL/0 y8Q0  *‹ X>
 $# #.*Q0 1 F$/0 y8Q0 !\
&S T< &[8 :; JK *88 83 ! &>I/0 1 Lz5
%"H+ „
³
.L*‚/0 y8Q0
r
3 0g [8"/+I #.*Q0 %> h8 k
A+ I#.*Q0 B?   °< t23
#.*Q0 4« Y
 &>I#.* 7*/-
8 R8 .# ! "€ F.]5\
.œA08/0 |$ [*= +
# 
8 m;GK
7*/Ÿ/0 *& –8l 1 L<*Q0 7/’Q0
&$# ! 3 #.*Q0 "/0 1  0 5 C0 
* G/0 " ‰0 .+
? 1 - ! hz (
*0 #.*Q= I* G/0 R 05
A Y
* G/0 (5
</0 P k m&‚0. Y$# ! L<*Q0 7/’Q0 Y f/2/.7/’&/ *$&/0+
.B+- km + R*/- U<#  –0.  R8"‡ /0
f/g 3 W
Q0 L<*Q0 7/’Q= Im}# 0m
o F5+}/ 7/’Q0 J
/ W&k0 G8 !\

#
« Y %&$/0+I!s0  W& 3  )**‡ Y (5.</0 *0/0 !gC0 f€ F2/0
Fj8/0 %*/ L<*Q0 R& W}K\ Y (5
</0 R>P 0 f/2>+.i T  +
hG$/0 
*$ /0 –8 /0
<8/ b0m9K b R/+ 8 +IL"/0+ L‚)0 R*M<] P" L&$/0+
%#
$ *&$ 7/’Q0 U<# JKC0  ( k+&/ ¨*+.‘/0 W0
‰0 1 0M2/
t§ L8/0 S/0  /? d\ %G# ¬? 8/0 t2 D*8 + h*  (.\+ %#
+
.R&

~
W ,-
4&*/0 d\ 5*/0  µ0= %"=).N ,- 1 [*/- Ž&A /0 #.*&/ m** m´5 %&0
 o5. %MX€ YC0 d\ %C0  µ0= %> f/2>IQ &*A %MX€ F.& %"H+
.–0./0 °E¯ Ž&M #60Q0 ! N?k I(!Q0  +"/0 @/0 o5.

~~

~a

You might also like