40 Chapter One / Melodies 200. Moderato con moto 201. Allegretto 1 202. Cheerful fF Se P sub, Si @ W The next four melodies, in the minor mode, move'through the relative major. Before singing, find the point where that motion begins. 203. Allegro DNA A SA Ned NAN ADDS we CEE YEE VEY UW YEE 3Section I Al yd 204, Allegro moderato S 206. Andantino mf P “af ? 7 S 4 842 Chapter One / Melodies 208. Waltz tempo a a “2.2 Vw 5 > 4 rall. 4 be > y ‘a tempo f oP > Ser > f P 5 > 209. Allegro moderato 5 F pesante r P mf érese. St P > SS -@ SW Thenext three melodies include chromatic passing'notes. 210. Moderato con moto. SfSection I 43 211. Andante con moto 212. Allegro non troppo mf psf —— > 213. Lileing \ 214. Ben'ritmico mf f44 215. Maestoso Sf SS 216. Animé f Pe 217. Lento 218. ‘Slowly P with expression mf 219, Andante con moto mf trese. cresc. Chapter One / Melodies PIU Gwe Ge GORY YY YY UY Uw Geese POUSection II 45 SN % ® The next three melodies, in the major mode, move through the dominant. 220. Allegretto grazioso mp . ft 221. Fanfare f 3 222, Allegro assaiChapter One / Melodies >) 46 223. Allegro e ben marcato > f > 3 3 5 f 224. Allegro gioviale 4 wee U a & 225. Andantino f f 2 226. Allegro moderato se RE ye et Oe Gunwy aw Section I 47 D.C. al Fine P subito 227. Minuet 228. Modéré 229. Allegro gioviale nf FP ? a =48 230. Briskly fo 231. Etwas gedehnt 232, Allegro lunatico Chapter One / Melodies f 233. Scherzando mf 3 3 D.C. al Fine 3 8 Pee ee Oe we WYMELODIES = SECTION III To be used-with Section III of all other chapters Chromatic alterations are used with increasing sity of rhythms, intervals, phrase structures, and frequency in melodies of this section. Some indicate musical styles. modulation; some are factors in secondary dom- ‘The material of Section III can readily be corre- inant harmonies; others are melodic embellishments. lated with the study of chromatic harmony. Within these melodies there is.an increasing diver- 1 SS -@%_ W Skips larger than one octave are found in the next fout melodies. 234. Allegro f Poof P fo 235, Allegro moderato f 3 236. Andante con moto =~ 237. Allegro deciso . 9 f " C3 3 C3350 Chapter One_/ Melodies 238. Allegro con brio 5 2 Spt mf —=F > aT ? > ‘ } i > 239. Andante edtespressivo ; 9 > 3 > > 3 240. Largo emesto > P 2 a _———. oY 3 ‘ores. F ? > 3 241. Lively y 3 > 2 3 3 Kwsya Section I 51 242. Larghetto 243. Mit Kraft Ff * = = tor 244, Allegro gioviale mf 245. Valse (in one) POF) 246. Allegro grazioso52 Chapter * Melodies Nf Z%_W Skips to chromatic notes are introduced in the next five melodies. 247. Allegro moderato tf 248. Andante mosso 249. Tempo di valse P 7 251. Moderato on =~ ae eee Pet YY VOU Oe weSection 53 252. Gavotte mf 255. Allegretto54 256. 257. 258. 259. Chapter One / Melodies Andante con moto Fast Sostenuto ed espressivo P _~ Allegretto — a Te ~ PWT IOS we ee we usSection I 55 260. Schnell und frohlich cresc, 261. Largo 263. Etwas langsam und zart56 264. Allegro deciso 265. Briskly ‘af’ staccato cresc. poco a poco Sf & @ ® Secondary dominants are outlined in the next five melodies. 266. Energetic f 267. Andante con moto Chapter One / Melodies PU ew Se UO We DO FUSection I 57 268. Allegro S s 4 269. Sehr rasch ' - — OO . - mf P ' Fe pee, ™ cresc. tf mn =58 272. Valse 273. Ziemlich bewegt 1 274, Allegretto SS @ S&S Themeters] andj are introduced in the next five melodies. 275. Allegro f 276. Andantino ~ ~ mf f Chapter One / Melodies DUES I VOOGVSWV OE DEG YOU PE DIOUV IW IU I OU PE IUYUIU IE IUSection I 59 277. Allegro eq EE LS 278, Slowly and simply . 279. Moderate 280. Lento mf espressivo f60 Chapter One / Melodies 281. Presto 5 SP 282. Lilting wyUVyY 283. Andantino amabile we YUE