Dipartimento di Filosofia Dipartimento di Lettere Lingue Arti.

e Beni Culturali Italianistica e Culture comparate

Dottorato di Storia delle Arti

Image courtesy of Pula Film Festival

Venice, 11-12 February 2020 Bari, 25-26 March 2020

Ca’ Foscari Centrale Centro Polifunzionale Studenti
Sestiere Dorsoduro 3246 Piazza Cesare Battisti 1
Organised by

Venice,
Marco Dalla Gassa
Federico Zecca

With the collaboration of

Andrea Gelardi

11-12
Angela Bianca Saponari

Venice Organising Team

Allegra Bell, Andrea Maddalena
Bernardi, Alice Bordignon,

February
Daria Vita Fede, Monica Garavello,
Michele Giliberti, Francesco Lughi,
Milena Mastrangeli, Anna Mostardi,
Stefano Oddi, Cecilia Parini,
Giorgia Rizzioli, Letizia Rossi.

Bari Organising Team

Giorgia Alemanno, Alessia
Calabrese, Noemi D’Alessandro,
Nicola Del Nero, Valerio Fiume,
2020
Luigi Palma, Erica Petrelli

Info
reframingfilmfestival@gmail.com

Follow us
reframingfilmfestival
Tuesday, 11 February 2020
9.00 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario Baratto’
(‘Mario Baratto’ Room)
Welcome & Registration

9.30 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario Baratto’

(‘Mario Baratto’ Room)
Institutional Greetings
Flavio GREGORI (Provost for the University’s Cultural Activities
and Relations)
Giuseppe BARBIERI (Head of the Department of Philosophy and
Cultural Heritage)
Piermario VESCOVO (Coordinator of the International PhD
Programme in ‘History of Arts’)
Giulia CARLUCCIO (President of Consulta Universitaria Cinema)

10.00 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario

Baratto’ (‘Mario Baratto’ Room)
Keynote Presentation 1
Dina IORDANOVA (University of St Andrews, UK)
The Corrective Role of Film Festivals
Chair: Roy MENARINI (University of Bologna)

11.00 | Ca’ Foscari Centrale (Main Building) – Sala Archivio

(Archive Hall)
Coffee Break

11.30 | Ca’ Foscari Centrale (Main Building) –

Aula ‘Mario Baratto’ (‘Mario Baratto’ Room)
Panel 1. Ethics & Ideologies of Curatorship
Chair: Andrea GELARDI (University of St Andrews, UK)
Valerie DIRK (University of Vienna, Austria)
Aesthetic Struggles: European Film Festivals and the Aesthetics
of Realism
Darae KIM (University of St Andrews, UK)
Navigating Cultural Censorship and Impeachment
Sima KOKOTOVIC (Concordia University, Canada)
Subversives in the Desert of Transition: Insurgency, Resistance,
and Political Strategy of a Film Festival
11.30 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Panel 2. World Cinemas & Festival Curatorship
Chair: Jean-Michel FRODON (The Paris Institute of Political
Studies, France)
Natália FÁBICS (Media Institute of Moholy-Nagy University
of Art and Media Budapest, Hungary)
The Role of the East Asian Film Festivals in Channelling East Asian
Cinema to the European Film Festival Circuit During the 1980’s and
1990’s
Farah Clementine DRAMANI-ISSIFOU (CELSA & Gaston Berger
University, France/Senegal)
Curating African films for Festivals
Viktor ULLMANN (Freie Universität Berlin, Germany)
The Staging of Iranian Cinema at the Berlinale
14.30 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario
Baratto’ (‘Mario Baratto’ Room)
Panel 3. Film Festivals: Theories & Methodologies
Chair: Dina IORDANOVA (University of St Andrews, UK)
Hannah Jane MCGILL (Edinburgh’s Queen Margaret University, UK)
Politics, Ethics and Cultural Gatekeeping. The Role of Ideology in
Film Festival Programming
Rachel JOHNSON (University of Leeds, UK)
Film Festivals and Ideology Critique: A Method
Laura WALDE (University of Zurich, Switzerland)
The Film Festival as a Cultural Format
Kate TAYLOR (BFI London Film Festival, UK)
How Film Festival Studies Can Interface with Festivals –
Can we be Friends?
14.30 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Panel 4. Making Waves: Film Festivals
& New National Cinemas
Chair: Jacopo CHESSA (Veneto Film Commission, Italy)
Konstantinos TZOUFLAS (University of Zurich, Switzerland)
Films from Countries in Crisis and Switzerland: The New Argentine
Cinema, Romanian New Wave and the Greek New Wave and Swiss
Film Institutions
Mihai FULGER (Romanian National Film Archive & University of
Bucharest, Romania)
TIFF, the Festival of the New Romanian Cinema
Farshad ZAHEDI (University of Carlos III de Madrid, Spain)
The Realism and Geopoetics of Iranian Cinema in Film Festivals
Maja KORBECKA (Freie Universität Berlin, Germany)
Youth, Auteur Cinema & Chinese Media Giants: FIRST International
Film Festival
16.30 | Ca’ Foscari Centrale (Main Building) – Sala Archivio
(Archive Hall)
Coffee Break
17.00 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario
Baratto’ (‘Mario Baratto’ Room)
Keynote Presentation 2
Jean-Michel FRODON (The Paris Institute of Political Studies,
France)
Who Chooses? Who Speaks? Can Festival Programmers and Film
Critics Stand Away from the Market Diktats but not from Societal
Issues?
Chair: Federico ZECCA (University of Bari ‘Aldo Moro’, Italy)
20.45 | Teatro Ca’ Foscari (Ca’ Foscari Theatre)
Talk & Film Screenings
Carte Blanche for Alberto BARBERA (Director of the ‘Venice
International Film Festival’)
In conversation with Giulia CARLUCCIO (University of Turin
& Consulta Universitaria Cinema)
Wednesday, 12 February 2020
9.00 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Welcome & Registration
9.30 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario Baratto’
(‘Mario Baratto’ Room)
Panel 5. Film Festivals: Origins & Histories 1
Chair: Fabrizio PANOZZO (Ca’ Foscari University of Venice, Italy)
Cyril CORDOBA (University of Lausanne, Switzerland)
Between Tourism and Politics: The Early Years of the Locarno Film
Festival (1946-1959)
Andrea GELARDI (University of St Andrews, UK)
Heralds of (Third) World Cinema: The Antifestival Movement in the 1960s
Giuliana MUSCIO (University of Padua, Italy)
The Strange Economy of a Festival Devoted to Silent Cinema
9.30 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Panel 6. Film Festivals & Geopolitics
Chair: Duccio BASOSI (Ca’ Foscari University of Venice, Italy)
Elizabeth WARD (University of Hull, UK)
Competing Identities at the Berlin Film Festival during the Cold War
LEE Sangjoon (Nanyang Technological University, Singapore)
Southeast Asian Film Festival, US Cultural Diplomacy, and the
Cultural Cold War in Asia
Marie REBECCHI (University of Sorbonne Nouvelle Paris 3, France)
Jean-Luc Godard and Le Livre d’image. From Cannes Film Festival to
the Amandiers Theater
Dunja JELENKOVIC (University of Versailles, France)
Film Festivals and the Battle with Cameras – Who does Trieste
Belong to?
9.30 | Ca’ Bottacin – Aula A (Room A)
Panel 7. I festival di cinema sperimentale,
video arte e new media art in Italia (Experimental
Film Festivals, Video Art and New Media in
Italy between micro-circulation and the media
materiality)
Chair: Cosetta SABA (University of Udine, Italy)
Jennifer MALVEZZI (University of Parma & SantaGiulia Fine Arts
Academy, Italy)
Underground Prima e dopo. I festival e la polemica italiana
sull’Expanded Cinema
Lisa PAROLO (University of Udine, Italy)
Dalla ‘mostra’ al ‘festival’. I contesti della video arte tra anni
Settanta e Ottanta
Diego CAVALLOTTI (University of Cagliari, Italy)
Netmage e la scena alternativo-radicale bolognese di inizio millennio
Rossella CATANESE (IMT School for Advanced Studies Lucca,
Italy) & Clizia CENTORRINO (Université Grenoble Alpes & Italy-
France Film Festival)
Festival e dispositivi della controcultura analogica
11.30 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Coffee Break
12.00 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Keynote Presentation 3
Gian Piero BRUNETTA (University of Padua, Italy)
‘Il cinematografo del mondo al Lido di Venezia’ (‘The Cinematograph
of the World at Venice Lido’)
Chair: Marco DALLA GASSA (Ca’ Foscari University of Venice, Italy)
14.30 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario
Baratto’ (‘Mario Baratto’ Room)
Panel 8. Film Festivals: Origins & Histories 2
Chair: Toshio MIYAKE (Ca’ Foscari University of Venice, Italy)
Christel TAILLIBERT (University Nice Côte d’Azur, France)
& John WÄFLER (University of Lucerne / roadmovie & Zoomz
Film Festival, Switzerland)
From Music to Film: on the Emergence and Stabilization of the Film
Festival Concept in the 1930s and 1940s
Mina RADOVIC (Goldsmiths University of London, UK)
‘The Ones that Did Not Happen’: The Fascist Influence in the
Venice International Film Festival 1932-1945
Stefano LOCATI (IULM University of Milan, Italy)
Before Rashoø mon: The Italian Critical Reception of Japanese Films
at the Venice International Film Festival between 1937 and 1951
Giulio TOSI (Independent Researcher, Italy)
Distant Matsuri: Theory and Criticism of Film Festivals in Postwar
Japanese Specialized Press
14.30 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Panel 9. Biennale 1. La Mostra del Cinema durante
i Fascismi (The Venice International Film Festival
under the Fascisms)
Chair: Gian Piero BRUNETTA (University of Padua, Italy)
Giuseppe GHIGI (Independent Researcher, Italy)
1932: ‘Eccellenze, Signore e Signori… il cinema diventa arte’
Antioco FLORIS (University of Cagliari, Italy)
La grandeur tedesca sugli schermi veneziani (1934-1940)
Stefano PISU (University of Cagliari, Italy)
Sovietici a Venezia (e italiani a Mosca) nei primi anni Trenta
Riccardo TRIOLO (Independent Researcher, Italy)
La serie Cinema conservata all’ASAC (1932-1968)
14.30 | Ca’ Bottacin – Aula A (Room A)
Panel 10. Amateur & Archive Film Festival
Chair: Cristina BALDACCI (Ca’ Foscari University of Venice, Italy)
Paolo CANEPPELE (Austrian Film Museum, Austria)
I festival del cinema amatoriale. Metodi di ricerca, fonti, storia,
prospettive
Paolo SIMONI (Home Movies - Archivio Nazionale del Film
di Famiglia, Italy)
Locale e globale. Il cinema privato e le nuove frontiere degli Archive
Film Festivals
Juliana MUYLAERT MAGER (Independent Researcher, Brasil)
Recine: Notes on Film Festivals, Archive and Audiovisual Patrimony
Branka BENCIC (Apoteka I Space for Contemporary Art, Croatia)
Film Festivals that Embraced Contemporary Art – Fragments on
GEFF, MAFAF and Reflections of EXPRMNTL
16.30 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Coffee Break
17.00 | Ca’ Foscari Centrale (Main Building) – Aula ‘Mario
Baratto’ (‘Mario Baratto’ Room)
Panel 11. Making History in the Margins
Chair: María Paz PEIRANO (University of Chile, Chile)
María Paz PEIRANO (University of Chile, Chile)
Small Festivals, Small Histories: Researching Festivals’ Impacts in
Local Film History
Sebastián González ITIER (University of Edinburgh, UK)
A ‘Small’ Film Festival Circuit
Aida VALLEJO (University of the Basque Country UPV/EHU, Spain)
Rethinking the Canon: The Role of Film Festivals in Shaping Film History
17.00 | Ca’ Dolfin – Aula Magna ‘Silvio Trentin’ (‘Silvio Trentin’
Lecture Hall)
Panel 12. Biennale 2. Esporre il film. Festival,
mostre e il senso della storia nell’Italia fascista.
(Film Displaying. Festival, showcases and the
meaning of history in the fascist Italy)
Chair: Roberto ELLERO (Ca’ Foscari University of Venice, Italy)
Carmelo MARABELLO (IUAV University of Venice, Italy)
E42: o del futuro che c’era. Memoria, cronologie del cinema,
display, nel progetto di allestimento di una mostra storica

Bari,
sul cinema tra passato prossimo, presente e avvenire…
Andrea MARIANI (University of Udine, Italy)
L’esposizione del film, la memoria del cinema e il senso
della storia nei Cineguf (1934-1942)

25-26
Francesco ZUCCONI (IUAV University of Venice, Italy)
Esperimenti di messa in pagina del film nella storiografia
degli anni Trenta

17.00 | Ca’ Bottacin – Aula A (Room A)

Panel 13. Doc Film Festivals

March
Chair: Marco BERTOZZI (IUAV University of Venice, Italy).
Vittorio IERVESE (University of Modena and Reggio Emilia &
Festival dei Popoli, Italy)
‘The Feeling of Being There’: Reflexivity and Identity of the Festival

2020
dei Popoli
Jacopo RASMI (CREM University of Lorraine, France)
From the Festival to the Platform (and Backward): The Politics
of Programming in the Lussas Documentary Film Festival
James FENWICK (Sheffield Hallam University, UK)
The Evolution of a Documentary Film Festival: The Cultural Growth
of Sheffield Doc/Fest

20.45 | Teatro Ca’ Foscari (Ca’ Foscari Theatre)

Talk & Film Screenings
Carte Blanche for Jay WEISSBERG (Director of the ‘Pordenone
Silent Film Festival’)
In conversation with Carlo MONTANARO (Fabbrica del Vedere)
Live musical accompaniment by Giacomo FRANZOSO
Organised in collaboration with Science Gallery Venice in occasion of the exhibition:
‘Illusion: Nothing is as it seems’ (CFZ - Cultural Flow Zone | 29.01.20 > 04.04.20)
Wednesday, 25 March 2020
9.00 | Centro Polifunzionale Studenti – Sala Leogrande
(Leogrande Hall)
Welcome & Registration

9.30 | Centro Polifunzionale Studenti – Sala Leogrande

(Leogrande Hall)
Institutional Greetings
Stefano BRONZINI (Rector of the University of Bari ‘Aldo Moro’)
Davide CANFORA (Head of the Department of Literatures,
Languages, Arts. Italian Studies and Comparative Cultures)
Loredana CAPONE (Councillor for Tourism and Culture,
Apulia Region)
Simonetta DELLO MONACO (President of Apulia Film Commission)
Antonio PARENTE (Director of Apulia Film Commission)
Giandomenico VACCARI (Apulia Film Commission
Research Center)
Felice LAUDADIO (Director of Bari International Film Festival)
Giulia CARLUCCIO (President of Consulta Universitaria Cinema)

10.00 | Centro Polifunzionale Studenti – Sala Leogrande

(Leogrande Hall)
Keynote Presentation 1
Marijke DE VALCK (Utrecht University, Netherlands)
Constructions of World Cinema on the Film Festival Circuit
Chair: Federico ZECCA (University of Bari ‘Aldo Moro’, Italy)

11.00 | Centro Polifunzionale Studenti

Coffee Break

11.30 | Centro Polifunzionale Studenti – Aula A (Room A)

Panel 1. On the Legacy of Women’s Film Festivals:
1970s-1990s Cultural Organizing
and Contemporary Feminist Practices
Chair: Rosanna MAULE (Concordia University, Canada)
Rosanna MAULE (Concordia University, Canada)
Women’s Film Festivals and Women’s Cinema: The Festival de
Films des Femmes de CrŽteil
Antoine DAMIENS (McGill University, Canada)
1970s Film Festivals and the Subject of Feminist Film Studies:
Collaborations and Regimes of Knowledge Production
Theresa HEATH (King’s College London, UK)
‘Film Ladies Are Spoiling for a Fight!’: Legacies of Spatial Tactics
and Dialectics at Early Women’s Film Festivals
11.30 | Centro Polifunzionale Studenti – Aula B (Room B)
Panel 2. Film Festivals, Spaces & Communities 1
Chair: Luca BARRA (University of Bologna, Italy)
Kristian FEIGELSON (University of Sorbonne Nouvelle Paris 3,
France)
When the Global Met the Local: The Film Festival East/West in a
French Rural Area
Victoria LOWE (University of Manchester, UK),
‘Una piazza magica’: Umbria Film Festival, the piazza and the
politics of place
Rosana VIVAR (Saint Louis University Madrid, Spain) & Luis R.
SUAREZ-CANEDO (University of A Coruña Spain)
‘Cans is charming, but comfortable it isn’t!’: Fostering film through
parody in a local film festival
11.30 | Centro Polifunzionale Studenti – Aula C (Room C)
Panel 3. Constructing Local & National Identities 1
Chair: Angela Bianca SAPONARI (University of Bari
‘Aldo Moro’, Italy)
Hossein HEMEN HEIDARI (University of Basel, Switzerland)
Film Festivals and Constructing a Collective Cine-Memory in Iran
Ratheesh RADHAKRISHNAN (Indian Institute of Technology
Bombay, India)
Films on the Edge: On Film Festivals and ‘Local’ Aspirations
Nicola TOMLINSON (University of Liverpool, UK)
Film Festivals and Cultural Consumption in Catalonia
13.00 | Centro Polifunzionale Studenti
Lunch
14.30 | Centro Polifunzionale Studenti – Sala Leogrande
(Leogrande Hall)
Keynote Presentation 2
Dorota OSTROWSKA (Birkbeck College, University of London, UK)
‘Festive Chronotopes’: Space, Audience Experience and Curating
of Film Festival Cultures
Chair: Valentina RE (Link Campus University)
15.30 | Centro Polifunzionale Studenti
Coffee Break
16.00 | Centro Polifunzionale Studenti – Aula A (Room A)
Panel 4. Queer Cultures & Film Festivals
Chair: Giovanna MAINA (University of Sassari, Italy)
J. Daniel LUTHER (London School of Economics and Political
Science, UK)
Curating Queer and Asia: The Film Festival as a Critical Public Sphere
Xingjian TANG (University of Nottingham, UK)
Understanding the History, the Functions, and the Role of the
ShanghaiPRIDE Film Festival: 2009-19
Kanno YUKA (Doshisha University, Japan)
Weak Connectivity: LGBTQ Film Festivals in Japan
Siddharth CHADHA (Uppsala University, Sweden)
Re-Constructing Precarity: Anxieties of Swedish Queer Film Festivals
Esther MORENO MORILLAS (University of Valencia, Spain)
The Experience of a Researcher in Pornographic and Erotic Film
Festivals: Pornfilmfestival Berlin and London Porn Film Festival
16.00 | Centro Polifunzionale Studenti – Aula B (Room B)
Panel 5. Film Festivals, Spaces & Communities 2
Chair: Andrea Gelardi (University of St Andrews, UK)
Peize LI (University of St Andrews, UK)
Mapping Films in Urban Spaces: Film Festivals as Compasses of
Cinema
Tetê MATTOS (Universidade Federal Fluminense, Brazil)
The Rio De Janeiro International Film Festival and the
Configuration of the City of Rio De Janeiro
Sarah SMYTH (University of St Andrews, UK)
Festival Publics at Sheffield Doc/Fest: Whose Festival?
Hyunseon LEE (Universität Siegen, Germany & SOAS University,
UK of London)
The Origin of Busan International Film Festival: The Interplay of
Individuals, Institutions and other Film Festivals
Nathaniel KOHN (University of Georgia & Roger Ebert’s Film
Festival, USA) & Kristi AMATUCCI (Georgia Gwinnett College, USA)
Roger Ebert’s Film Festival: A Space of Wonder
16.00 | Centro Polifunzionale Studenti – Aula C (Room C)
Panel 6. Constructing Local & National Identities 2
Chair: Roy MENARINI (University of Bologna, Italy)
Eija NISKANEN (Helsinki Cine Asia Film Festival & University of
Helsinki, Finland)
T&RA Duhok International Film Festival and the Establishing of the
Concept of ‘Kurdish Cinema’
Katrina TAN (Monash University, Australia)
Shaping Discourses on Filipino Regional Cinema: Film Festival
Programming in Cinema Rehiyon
Sean CHADWELL (Luang Prabang Film Festival, Laos)
A Town Without a Cinema: The Past and Future of the Luang
Prabang Film Festival
Estrella SENDRA (SOAS University of London, UK)
Africa and/in Festivals: Decolonising Film Curation
Krzysztof STACHOWIAK & Malwina BALCERAK
(Adam Mickiewicz University in Pozna, Poland)
Festivalization of Culture and the Role of Audience in Co-Creating
Cultural Events: The Case of the Largest Film Festival in Poland
(Gdynia Film Festival)
Thursday, 26 March 2020
9.00 | Centro Polifunzionale Studenti – Sala Leogrande
(Leogrande Hall)
Registration
9.30 | Centro Polifunzionale Studenti – Sala Leogrande
(Leogrande Hall)
Keynote Presentation 3
Roy MENARINI (University of Bologna, Italy)
The Archival Film Festival Goes Digital: From Screening to
Streaming:Transformations in Exhibiting Film History
Discussant: Skadi LOIST (Film University Babelsberg ‘Konrad
Wolf’, Germany)
10.30 | Centro Polifunzionale Studenti
Coffee Break
11.00 | Centro Polifunzionale Studenti – Aula A (Room A)
Panel 7. Television & New Media Film Festivals
Chair: Marijke DE VALCK (Utrecht University, Netherlands)
Luca BARRA (University of Bologna, Italy)
Evolutions, Challenges and Strategies of TV Series Festivals in Milan
Veronica INNOCENTI & Paola BREMBILLA (University of
Bologna, Italy)
This Is Not a Comic-Con: Investigating TV Festivals in Italy
Edoardo MILAN (University of Bologna, Italy)
Other screens, Other festivals? Relations Between Film Festivals
and Television, Web, Museums
11.00 | Centro Polifunzionale Studenti – Aula B (Room B)
Panel 8. Film Festivals & Institutions
Chair: Giovanna DE LUCA (College of Charleston & Nuovo
Cinema Italiano Film Festival, USA)
Melika GOTHE (Berlinale Generation & Hildesheim University,
Germany)
Film Festivals as Form of Cultural Mediation
Tomaso SUBINI (University of Milan, Italy) & Roel VANDE
WINKEL (KU Leuven, Belgium)
OCIC and the Catholic Prizes at the Venice Film Festival from 1950
to 1968
Paolo NOTO (University of Bologna, Italy) & Francesco
DI CHIARA (eCampus University, Italy)
‘Sincerely happy for yours and Isa’s renewed triumph’: Film
Festivals, Awards and Feature Film Competitions in the files of the
Italian General Directorate for Show Business (1949-1965)
Vincent BAPTIST (Erasmus University of Rotterdam, Netherlands)
Evaluating FIAPF: Towards the Construction of an Organizational
Film Festival Taxonomy
11.00 | Centro Polifunzionale Studenti – Aula C (Room C)
Panel 9. Circulation & Gate-Keeping in the Film
Festival Circuit
Chair: Dorota OSTROWSKA (Birkbeck College, University of
London, UK)
Skadi LOIST & Zhenya SAMOILOVA (Film University
Babelsberg ‘Konrad Wolf’, Germany)
Film Festivals as Distribution Window: Film Circulation on the
Festival Circuit
Gabrielle KELLY (American Film Institute, USA)
SCREEN LABS; Script Development at Film Festivals as the New
Development Deal
Gavin WILSON (Gulf University for Science & Technology, Kuwait)
Distributing Anti-professional Cinema: Negotiating
the Circuits and Inter-circuits in Liminal Film Festivals
Serhii VASYLIEV (Kyiv National I.K. Karpenko-Karyi University
of Theatre, Cinema and Television, Ukraine)
Ukrainian cinema at ‘A-list’ International Film Festivals in 2018
13.00 | Centro Polifunzionale Studenti
Lunch
14.30 | Centro Polifunzionale Studenti – Sala Leogrande
(Leogrande Hall)
Keynote Presentation 4
Gianni CANOVA (IULM University of Milan, Italy)
I Festival cinematografici in Italia. Rilevanza culturale e impatto
economico
Chair: Marco DALLA GASSA (Ca’ Foscari University of Venice,
Italy) & Federico ZECCA (University of Bari ‘Aldo Moro’, Italy)
15.30 | Centro Polifunzionale Studenti
Coffee Break
16.00 | Centro Polifunzionale Studenti – Aula A (Room A)
Panel 10. The Political Economy of Film Festivals
Chair: Francesco DI CHIARA (eCampus University, Italy)
Marco CUCCO (University of Bologna, Italy)
Film Festival Resilience: A Political Economy Investigation
Silvia BRAGAGNOLO (Independent Researcher, Italy)
Film Festivals, Networks and Productions: The Role of the European
Union
Raluca IACOB (Astra Film Festival, Romania)
Economies of Film Production: The Case of European Documentary
Film Festival’s Industry Programs
Caroline KLIMEK (York University, Canada)
Granting Gold: Funding New Media Technologies at Canadian Film
Festivals
16.00 | Centro Polifunzionale Studenti – Aula B (Room B)
Panel 11. The International Circulation
of Italian Cinema
Chair: Paolo NOTO (University of Bologna, Italy)
Damiano GAROFALO (Sapienza University of Rome, Italy)
Italian Films and the International Film Festival Circuit (2008-2017)
Giovanna DE LUCA (College of Charleston & Nuovo Cinema
Italiano Film Festival, USA)
Italian Exports: Italian Film Festivals in the USA
Emiliano MORREALE (Sapienza University of Rome, Italy)
Festival internazionali: un nuovo canone per la storia
del cinema italiano?
Fabien LANDRON (University of Corsica ‘Pasquale Paoli’, France) Credits
I Festival dedicati al Cinema Italiano in Corsica. (Ri)costruire
l’italianitˆ dell’Isola?
Organised by
Guy BORLÉE (Fondazione Cineteca di Bologna - Il Cinema Ritrovato) Università Ca’ Foscari di Venezia Dipartimento di Filosofia e Beni Culturali
The Cinema Ritrovato Festival on Tour: National and International Dottorato internazionale in ‘Storia delle arti’
Distribution
Università degli Studi di Bari ‘Aldo Moro’ Dipartimento di Lettere, Lingue, Arti.
Italianistica e Culture comparate
16.00 | Centro Polifunzionale Studenti – Aula C (Room C)
Roundtable. Curating Short Film Festivals Supported by

Chair: Rich WARREN (Encounters Film Festival, UK) Centro Studi e RIcerca di Apulia Film Commission
Science Gallery Venice
Enrico VANNUCCI (Venice and Torino Short Film Market) HostelsClub
Laura WALDE (Winterthur International Short Film Festival,
In partnership with
Switzerland)
CUC – Consulta Universitaria Cinema
Rich WARREN (Encounters Film Festival, UK)
AIRSC – Associazione Italiana per le Ricerche di Storia del Cinema
Bif&st – Bari International Film Festival
Fondazione Veneto Film Commission
Teatro Ca’ Foscari a Santa Marta

Media Partner
Venezia News
Cineclub Venezia

Venues

Ca’ Foscari University of Venice (11-12 February)

Ca’ Foscari Centrale – Aula ‘Mario Baratto’ & Sala Archivio
Calle Foscari, Sestiere Dorsoduro 3246
Ca’ Dolfin – Aula Magna ‘Silvio Trentin’
Calle Larga Foscari, Sestiere Dorsoduro 3825/e
Ca’ Bottacin – Aula A
Calle Crosera, Sestiere Dorsoduro 3911
Teatro Ca’ Foscari
Calle Larga Santa Marta, Sestiere Dorsoduro 2137

University of Bari ‘Aldo Moro’ (25-26 March)

Centro Polifunzionale Studenti
Piazza Cesare Battisti 1 – Bari
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