Defoe's novel Robinson Crusoe is presented as a fictional autobiography narrated in the first person by the older Robinson Crusoe. The use of this narrative device allows the reader to experience the story and Crusoe's adventures in a realistic way and feel close to the protagonist. Crusoe's account is characterized by extraordinary attention to detail, reflecting both his profession as a merchant and Defoe's experience as a journalist and trader. Defoe invested the novel with a didactic purpose, demonstrating how divine providence saved Crusoe after he sinned by abandoning his family and forgetting his religious teachings.
Defoe's novel Robinson Crusoe is presented as a fictional autobiography narrated in the first person by the older Robinson Crusoe. The use of this narrative device allows the reader to experience the story and Crusoe's adventures in a realistic way and feel close to the protagonist. Crusoe's account is characterized by extraordinary attention to detail, reflecting both his profession as a merchant and Defoe's experience as a journalist and trader. Defoe invested the novel with a didactic purpose, demonstrating how divine providence saved Crusoe after he sinned by abandoning his family and forgetting his religious teachings.
Defoe's novel Robinson Crusoe is presented as a fictional autobiography narrated in the first person by the older Robinson Crusoe. The use of this narrative device allows the reader to experience the story and Crusoe's adventures in a realistic way and feel close to the protagonist. Crusoe's account is characterized by extraordinary attention to detail, reflecting both his profession as a merchant and Defoe's experience as a journalist and trader. Defoe invested the novel with a didactic purpose, demonstrating how divine providence saved Crusoe after he sinned by abandoning his family and forgetting his religious teachings.
The cannibals return to Crusoe's for abundant and realistic detail
island and Crusoe is obliged to attack Defoe's novel is narrated using the them in order to save their two first-person narrator, a device that prisoners: one is a Spaniard and the allows the reader to feel close to the other is Friday's father. A week later a protagonist and to follow his ship is sighted. Crusoe boards the adventures in a very realistic way ship and can now return to England. On his way home he discovers that his plantation has been very successful which makes him a very rich man. A FICTIONAL BIOGRAPHY The story of Robinson Crusoe is Defoe's invention yet rendered with such attention to small detail as to make readers of the day see it as fact. The tale of Robinson Crusoe is presented as a fictional autobiography with the now old Robinson looking back on his life and adventures. The use of an omniscient, first-person narrator enables the reader ti understand and share Crusoe’s feelings. Crusoe's account is characterised by extraordinary attention to detail, reflecting both Crusoe's commercial profession and Defoe's own involvement in both trading and journalism. In the Puritan tradition, Crusoe keeps a diary on the island through which he not only adds a sense of veracity to his story but also provides a record of his moral progress. Addressed to an expanding middle-class readership, Defoe's language, as we have seen, is direct and simple. ECONOMIC MAN This shows that Defoe invested his novel with a didactic, moral purpose as he demonstrates the power of divine Providence in saving a castaway who has sinned by abandoning his family and forgetting his religious teaching. LANGUAGE Defoe's use of language reflects the climate of the time. The Royal Society, founded in 162, had advocated a use of language that was close to the speech of 'artisans, countrymen and merchants, and Defoe's long experience as a journalist had taught him the value of simple prose, addressed to an audience of 'honest meaning ignorant persons': Defoe writes in plain, simple prose creating a powerful