MELODIES « SECTION I
To be used with Section I of all other chapters
These melodies contain simple modulations, more each melody is clearly defined. Some phrases are
complex thythms, and diatonic skips in a variety of longer; some are less symmetrical; syncopations are
contexts. As in Melodies, Section 1, the tonality of __ introduced; and the vocal range is extended.
4
RNS Thenext six melodies introduce skips in the V? chord, ip both major and minor.
142. Andante
143. Andante
P
144. Andante con moto
mf
146. Allegretto
f
147, Andante
Pw GE we
Ne ee te
PNWSection II 29
148. Con moto
af f —— FF
—_= Ff p
149. Larghetto
151. Andantino
f P
152. Con moto30 Chapter One _/ Melodies
153. Ballando
mf =
f
4 Sy
{ >
SAW ® Thenext five melodies introduce less frequently used meters: §, 8, % and §. 5
154. Andante cantabile 3
>
>
P >
155. Doux et expressif >
f —~{ 2
P — mf }
156.’ Larghetto 5
>
>
P PP z PP >
157. Pastorale >
>
>
3
eouuwSection It 31
158. Andante con moto
mf = nf
1 S28
BE @_ BY Teplets are included in the next three melodies.
> 159. Maestoso
oP — See
a
f
—_32 Chapter One / Melodies >
162. Andante >
>
>
mp >
:
ete fe f °
SS
163. Ziemlich schnell 4
€F85C. poco a poco
—
f
38% & Skips of all diatonic intervals up to an octave are included from this point on.
164. Andante con moto
we wwe VEG eee UWE Y
innit. —~
|
POCUR YOY EY Ue YOU UE EU
166. Langsam‘Section It 33
97
S& @ W Ties are included in many of the melodies from this point on.
167. Allegretto
dO
168. Andante
Sal fine
170. Allegro . -34 Chapter One / Melodies
171. Allegro
f
172. Alla marcia as
173. Andante
3X B® BV The next six melodies begin with upbeats 2) or 7,
174, Allegro marziale riten.
f rif vo Pe 8
wo
POPP Ge
vue
we YE OY YY VOY Eu
BECSection It
178. Andante pastorale
177. Con moto
179. Gaio
a
3536
BX % 8 syncopations are introduced in the next six melodies.
180. Allegro
J
Chapter One / Melodies
f /
181. Sustained
182. Gaio
183. Largo
—s
P eresc. S subito
184. Lively
185. Brisk
dim.” “p
Vv Pe YY IW WU WII UI
DU ww
Wo eR
DOUGSection I 37
c
- 186. Andante
.
187. Andantino (in one) '
- 188. Andante
190. Allegretto38 Chapter One / Melodies
—~ >
191, Allegro ¢ .
PwiUIUG.
192. Valse (in one) '
Ww vw
>
193. Andantino grazioso >
S82 ®& Thenext four melodies include chromatic neighbor notes.
194. Andante
>
—
Sf
195. Andante :Ye}
&
Section It 39
196. Andantino piacevole
197. Moderato
f.
A a
198. Massig und 2art
199, Lively40 Chapter One / Melodies
200. Moderato con moto
201. Allegretto 1
202. Cheerful
fF Se
P sub,
Si @ W The next four melodies, in the minor mode, move'through the relative major. Before singing,
find the point where that motion begins.
203. Allegro
DNA A SA Ned NAN ADDS
we
CEE YEE VEY UW YEE
3Section I Al
yd
204, Allegro moderato
S 206. Andantino
mf P “af ?
7 S 4 842 Chapter One / Melodies
208. Waltz tempo
a a “2.2
Vw
5
>
4 rall. 4
be >
y
‘a tempo f oP >
Ser >
f P 5
>
209. Allegro moderato 5
F pesante r P
mf érese.
St P
>
SS -@ SW Thenext three melodies include chromatic passing'notes.
210. Moderato con moto.
SfSection I 43
211. Andante con moto
212. Allegro non troppo
mf psf
——
> 213. Lileing
\ 214. Ben'ritmico
mf f44
215. Maestoso
Sf
SS
216. Animé
f
Pe
217. Lento
218. ‘Slowly
P with expression
mf
219, Andante con moto
mf
trese.
cresc.
Chapter One / Melodies
PIU
Gwe Ge GORY YY YY UY Uw
Geese
POUSection II 45
SN % ® The next three melodies, in the major mode, move through the dominant.
220. Allegretto grazioso
mp . ft
221. Fanfare
f 3
222, Allegro assaiChapter One / Melodies >)
46
223. Allegro e ben marcato >
f >
3
3
5
f
224. Allegro gioviale
4
wee
U
a &
225. Andantino
f
f 2
226. Allegro moderato
se RE ye et
Oe Gunwy
aw
Section I
47
D.C. al Fine
P subito
227. Minuet
228. Modéré
229. Allegro gioviale
nf FP ?
a =48
230. Briskly
fo
231. Etwas gedehnt
232, Allegro lunatico
Chapter One / Melodies
f
233. Scherzando
mf
3
3
D.C. al Fine
3 8
Pee ee Oe we WY