SEPP PREC EE COPEL OPEL E LE, CLOSELY RELATED MODULATION FROM THE MAJOR MODE Tovi modulation to the dominant (see below) is by far the mast common ‘modulation from the major mode, this chepter bogins with modulation ant because it involves no change in diatonic collection, only n tonic. Other modulations in this chapter involve changes in both diatonic collection Robert Schumann, Carnaval, Op.9, No.2, "Marche des Davidebitnder contre los Philsting” mm, 1-8 (1825) Non Allegro, 1480 oe ting chorale melody begin cing modulation, think of this somewhere afer the double ha (continues) 495= ee pie dee mer modulations from I to ¥ mor practi this important modu dominant is firmly ingrained in y 4.8. Bach, Chorale No. 3, ‘Straf" mich nicht in deinem’ SEE Joseph Haya, Divertimento for Harpsichord ob XVE'S, mt. 3, mn. 1-8 [original begins in C] 2 » £ fipeett eet MenuettoChapter 66: Hemiols Bp sitio ‘Whereis he hemiolainthe following excerpt? How might younotateitdiferentiy tomakelteaalertoread? shows Kinder’ ‘©n.7,No, 2, mm, 4-8 (1906) Bewogt und zart 1388 GRD ep Wie lei - se Sebo = @ Kin = de SSS je fon Her-2en ein und aus,Chopter 75: Advanced Meters Benjamin Britten, War Requiem, Op. 66, "Aus Dei ‘mm 3-18 (2962) [original a PS higher] = ———— 7S SSS ‘where shelled roads pan ZH iors bear with Him [Nikolai Rimsky-Korsakov, usslon Faster Festival Overture ‘0p. 36, mm. 1-3 (1888) 1635 Sofeal FERS =} e dim. e smorz Benjamin Britten, Peter Grimes, Op-88, “Oallye Works ofthe Lord"mm. 1-8 (1945) Allegro agitato (4.=126) ——— op aes snd Moon, fe the Lond (continues)