charter OQ ciosety Related Modulation from the Major Mode 69.1 4, Learn to arpeggiate the following chord progressions. Change syllables to the rnew key at the point of modulation. al Ve VWwi_w bI 1 ii ere el LF al el 5. Learn to play the above progressions on the piano (or similar keyboard). For each of the following excerpss, look at the music to determine the initial tonic. This is the key in which che excerpt begins. Listen carefully and use the cues dis- ‘cussed in this chapter to determine the key to which the excerpt modulates. Melodic Dictation ‘The opening measures are provided for excerpts 69.1~69.4, Listen co each excerpt and write out the pitches and rhythms for the remainder of each excerpt. J. S. Bach, Suite No, 4 for Calo, BWV 1010, Courant, mm. 1-4chapter GO clos. lated Modulation from the Major Mode 227 3 2 SSS SS = 5 eee S| lodic Transcription en to excerpts 69.5-69.8 and write out the pitches and rhythms for each. Also ply any other appropriate performance indications. Initial Bottom number Clef tonic _in meter sign alto E 8 ueble_D a bass B 8 grand sal 1 (tans 2 voice) ss-Line Transcription cn to excerpt 69.9 and write out the pitches and rhythms for the bass line only. > supply any other appropriate performance indications. Initial Bottom number Exercise Clef_tonic__in meter sign 69.9 bass E 4 “monic Dictation opening measures are provided for excerpts 69.10-69.13. Listen co each spt and write out the bass line, then supply the appropriate Reman numerals figured bass symbols to represent each chord for the remainder of each excerpt. en the music modulates, indicate the new key and chord symbols in that key. + instructor may also choose to have you write out the top (“soprano”) voice as