Feliza Bursztyn was a Colombian artist born in 1933 to Polish Jewish parents. She created kinetic sculptures out of everyday materials to critique political and religious elites. In 1967, she produced a series called "The Hysterics" using scrap metal, aluminum, steel, and industrial tools to transform them into abstract sculptures. Some were more aggressive while others were more geometric. With this work, she aimed to break social norms and show that art can be experimentally expressed in different forms beyond reality using materials available in daily life. "The Hysterics" was originally exhibited in 1968 at a museum in Bogotá and won an art award that year.
Feliza Bursztyn was a Colombian artist born in 1933 to Polish Jewish parents. She created kinetic sculptures out of everyday materials to critique political and religious elites. In 1967, she produced a series called "The Hysterics" using scrap metal, aluminum, steel, and industrial tools to transform them into abstract sculptures. Some were more aggressive while others were more geometric. With this work, she aimed to break social norms and show that art can be experimentally expressed in different forms beyond reality using materials available in daily life. "The Hysterics" was originally exhibited in 1968 at a museum in Bogotá and won an art award that year.
Feliza Bursztyn was a Colombian artist born in 1933 to Polish Jewish parents. She created kinetic sculptures out of everyday materials to critique political and religious elites. In 1967, she produced a series called "The Hysterics" using scrap metal, aluminum, steel, and industrial tools to transform them into abstract sculptures. Some were more aggressive while others were more geometric. With this work, she aimed to break social norms and show that art can be experimentally expressed in different forms beyond reality using materials available in daily life. "The Hysterics" was originally exhibited in 1968 at a museum in Bogotá and won an art award that year.
The work i took to explore today relates directly with the 4 Week’s lessons of the
course. Transforming Everyday Objects. Feliza Bursztyn was a Colombian son of
Poland Jewish parents, born in 1933. Bursztyn based her works in sculptures, envolving kinetic art, all made from different materials that she had access on her daily life, and used to critique the political and religious elite. Bursztyn’s father owned a textile factory, wich made it easier to her manage these materials and spread her creativity as she wants. In 1967 she comes with this series called Las Histericas or The Hysterics, consisting in a serie of sculptures using different materials, forms, movements and mechanical noises. This work came up as a break with common preconceptions and social naturalizations, using all type of junkyard scraps, metal, alluminium, steel, and used industrial tools to transform it in a abstract sculpture, some of them more agressive, raw and some more geometrical and aesthetical. She used all this tools to provide a experimental way of expression, such as we all can do, and that fascinates me because it shows that our mind is a world to be explored and shows how we can express it in different forms that defy reality. Las Histericas was originally exhibited in 1968 at the Museum of Modern Art in Bogotá and won that year's XIX National Salon of Artists.