Origami Collection 2013 Copyright 2013 by OrigomiUSA. a volunteer based, not for-profit educational arts organization committed fo the elucidation and dissemination of poperfolding os « craft and art form. All rights reserved. including the right to reproduce this book or portions thereof in any forrn without prior written consent OrigamiUSAy 15 West 77" Street New York NY 10024-5192 (212) 769-5635 waworigami-usa.org Cover Illustration by Nathan Zeichner Cover based on the Jane Winchell Butterfly. courtesy of Michael LaFosse Origami Basics section by Marc Kirschenbaum_ Conversion to CreateSpace by JC Nolan. Publication Team — Managing Editors Marcio Noguchi Mare Kirschenbaum Omer Shalev JC Nolan Nathan Zeichner Daniel Scher Submissions to the Origami Collection and other OrigamiUSA publications can be sent to origamiusa pub@gmail com Please include a permission form with your submissions A form and copyright guidelines can be found at wwrmorigami-isa org/submissionsTable of Contents About the Collection Picture Index The 2013 Origami Collection Origami Basics Index by Model vi 221 227About the Origami Collection The Origami Collection was bern in 1980 from ideals, fostered by the founding members of OrigamiUSA, Michael Shall (1949-1995) launched this yearly anthology to shore ‘origemi models from around the world, His mentor, Lilian Oppenheimer (1898-1992), provided the springboard for this effort, as many of the models were drawn from her collection and connections she cultivated. Alice Groy (1914-1994) also provided inspiration by streamlining the communication of origami ideas. All of the novice-levet works in this collection ore dedicated to Alice and her love of simple, elegant pieces Throughout the years as our presentation hes grown more polished, the goal of showcasing great origami has not diminished. The editors of the Origami Collection spend many hours curating, testing and editing origami designs to produce a book that will appeal to origemi aficionados of all levels and interests. Voriety is a key criterion: you will find works here by established origami artists as well as many hidden gems from up-and-coming stars. Most of the pieces are making their debut in these pages. We hope you are as excited about discovering these diagrams as we are in presenting them.Picture Index Aharoni, Gilad Minotour Head Page I Boudlas, Christophe Cott Mask Page 3 Boudies, Christophe Deer Page 4 Chan, Kade Alien Poge 7 Chen. Sy Butterfly Card Page 13 Chen. Sy Stond-Up Pejorita Card Page 14 DiAuria, Pasquale Birdbath Page 17 D’Aurio, Pasquale Butterfly Bookmark Page 21 Defoirdt. Tom Tiepia Page 23 Gilgade, Fernando Beetle Poge 25 vi Picture IndexGross, Gay Merrill REM Star Variation Page 30 Hagiwara, Gen Lien Poge 34 Hirschberg, Jonathan Allosourus: Page 41 Hudson, Andrew Dollar Eagle Page 54 Hudson, Andrew Otter Page 57 Picture Index Katt, Linda Rocking Horse Page 62 Katt, Linda Welrus Page 65 Khoi, Do Tri Boar Page 70 Kirschenbaum, Mare Satellite Page 72 Kosuge. Akihiro Chick Page 79 vilLimet, Sebastien Crazy On Page 64 Llanque, David Koala Page 91 Lopes. Rodrigo Ornamental Fish Page 99 Lu, Dai Giant Squid Page 106 Lukyanoy, Andrey Heart with iris Page 113 Martinez, Leonardo White Reindeor Page 116 Miyajima, Noboru Unicorn Page 122 Miyashita, Yasushi Mooser, Emmanuel Mooser's Train Page 136 Mrajca, Miroslav Headset Page 153 vi Picture IndexQuyet, Hoang Tien Cockatoo Page 158 Quyet. Hoang Tien Elephant Page 161 Rosemarin, Jane Mittens Poge 163 Heber. Sara Apaza Splashing Duck Page 166 Scalambra, Federico Red Boron Page 169 Soto, Eddy Fox Page 186 Sprung. Carmen Felic Star Poge 190 Su. Jyh-Chang Tahir, Hadi I Love You Page 196 Tai. Hsi-Min Rabbit Mask Page 199 Picture IndexTan, Dong Viet Toucan Page 202 Vass, IIdiko Saiboot Heart Page 205 Weinstein, Michael Chori Dish Page 207 Welsh, Ryan Rhinoceros Beetle Poge 209 Zod, Evan Flower Page 218 __| Picture IndexMinotaur Head Giles Anaront Low Internediote | ©2013 - lowe 2, Crease angle-bisectors on top layer and collapse: 4. Start wit a square, colored sie up. Valioy-fold in hall. 3. Meuntain-fold tip. Tum over 4. Valley old sides to canter. 5. Vaeysfold sides to center. 6. Valley-folds. 7. Outside reverse-folds. Minotaur!Gilad Ahoroni10. Pleat nose, ‘tucking the tip inside top pocket, 8. Tum over. 11. Curved shaping. 42. Valley-fold mouth up. 18. Shape eyes and horns. Minotaur Head Minotaur!Gilad AharoniCat Mask Christophe Boudios Low Intermediate ©2012 - France Cot Mask/Christophe BoudiasDeer Christophe Boudias High Intermediate ©2011 - France 3. Pi eplati (Squash foi), “ON 1. Marquer les ts. 2. Pier suivant Ia diagonele. “On Retourer Plygtor © 7. Renter Se angles, ‘ 10, Pi vai. Ui. N 6. Rentterles angles. 9. Renter les angles. 11. Marquer les bissectrions, 12.Plorvors 13, Plier vers labas. la gauche. 16. Répster ies i val 14, Piper, 15, Pi vaiée, seraren ia ‘ebté gaucho. Deer/Christophe Boudias/)\ 10. emerte mode. 20.Piorvers la croite, 23, Prochaine tape: ‘Vue en coupe dola ‘pour eacher i pointe V/ “alte gauche. ‘Squash fol. [7 25. eu mertgne 1, caches Va vinterieur 30, Plier la patio ‘en couleur vars la gauche cp 34. Répéter les. 29.Pi en creille tapes 27 a 29, de tepin Deer/Christophe Boudias32, Pian orale de Lapin 35. Pi montagne ‘pour Spaula Répéter dernore, 4 Se 36. Pil inverso Itereur | 38 Piivalée pour Ja patto amre, 39. Pl orlle de fan pour ntériour ‘de la patle arnars, Répéterles ‘tapas 38-39 sur /auve pat. Basculer le cou vers fares 42, Plinvors intéiour pour los pattes. Forme la queue. Sortr ces our les paties avants, Spaissours ce papier de la tte. 0G 34. Plier Mépaule| vers Vavan, Répéter deribre. 49, Double orale ce lapin pour los patos arrigres.Pli montagne pour ia couche Ssupperioure de papier du vane, 48, Ouvrirles oreiles, PH vale sur le nez, mocelage du vertre, Ph inversé intérieur sur la pate avant, Deer/Christophe BoudiasAlien Kade Chan Complex ©2008 - Hong Kong Alien Kade Chan(Ropes bering Tg Alien/Kade ChonAlien!Kade ChanAlien/Kade ChanButterfly Card Sy Chen mediate ©2013 - Maryland [A 24 om squere makes @ 6 om x om card. 4, Start from a duc-color square with > x the butterfly color side Facing up. 8. Foid along the indicated line and Lnfola; Hide lower fap between 7 8. Two crimps. Tavocg lapeat Metin: LY 10, Reverse the left edge (ure the mountain to valley) 11. Outside reverse. 12. finished - closed and open re ¥ Butterfly Card/Sy Chen 13Stand-Up Pajarita Card syGies Intermediate ©2012 - Maryland Designed in 9/2012 and diagrammed from 10/2/2012 ta 10/5/2012. AO inch square makes a 3.5in x 2.3 in card. 4. Start from a duo-color square with the pajaita color facing up. 4. 5. Squash 6. Squash > 14 Stand-Up Pajarita Cardi/Sy ChenStend-Up Pajarita Card/Sy Chen 1525. Bring the flap behind tothe left. 24, Repeat stops 17 t0 23 for the flap behing. 16 Stand-Up Pojarite Card/Sy ChenBirdbath equcle Bihan Intermediate ©2012 - tialy Begin with an A4 rectangle. American lettersize is okay. but the bath section will be smaller. Usare un foglio a4 Brdbath/ Pasquale D'Auria i72p a 3 : Birdbath/Pasquale DAura 18Birdbath/ Pasquale D'Auria 1931 allargare gli strati esterni e schiacciare quello interno arlano solo di “cip"l! d © Birdoath/Pasquale D'Auriaa . g So ea a2 a gf x is Sa a © x i. E av E = 5 5 a ' > Ele Oo) 2 : £/2 P a5 ° : aol: i : =19 solo i (One layer} in strato. 24 tutti gli strati il colmo per una farfalla? : 22 Butterfly Bookmark/Pasquale D AuriaTilapia | Tom Deford igh in ©2012 - Belgium 4. Precrease in fourths. Valley- 2. Reverse-fold the four 3. Turnover, 4. Rabbit-ear both fold the two edges to the comers. corners centreline, S.Foldtheflap totheleft. 6. Valley-fold one flap to the 7.Reverse-fold atthe inside. left. Repeat behind. S.Pulloutsome trapped paper. Repeat 9,Rabbit-earonefiap.Repeatbehind 10. Valley-fold to the right. Repeat behing, behing,41, Fold the flap to the left. Repeat 12. Slide the tail upwards and press to 13. Reverse-fold thetipdown. ‘behind. Mountain-fold some paper flatten, Reverse-fold the corner underneath. Repeat behing. upwards. 14 Reverse-fold the tipto the right. 15, Finished tilapia, Made! Torn Defnirdt, 2008, Diagrams: Tom Defoirat, 2013 ‘Wuewrtomdefoirat tk wwwlickcom/verduiveld 24 Tlapia/Tom Defoirdtene Beetle Fernando Gilgado | ames | ©2012 - Spain COMENTARIO: | | Tene lo pass abo de is figuras que parven de una ‘cael, como los fincas esas (bao hy (stesticamento ( : Leehunaace an? oe blero, bere hy que tener Gus oferta varias pos que pueden ro verse con Civica en los Ciagramas. urease parte siperon ene! 065, Silas dos capas que lever hacia arriba en el aso Esrecomendable plegarla con pope mefalizado, para que aint ia forme! lo imensional del cuer an er despues de haber $e 55a Tas dos dagonalesBajar aplanando las solapas interiores ‘Sacar el papel dablando: por las marcas Levantar los bordes dobland lo en monte (Elias stretch) 26 Beetle/Fernando GilgadoSacar el papel del interior Abrin oplastando laesquina trasera eele/Fernando Gilgado 27Repetir 53-54 simétricamente Separar as slaps de lejando itera sobre la trasera 50 51 SED Aplastar dejando una solapa hacia arriba y dos hacia abajo arriba y una hacia aba Beelle/Fernando GilgadoLevantar Ja punta ai ando el interior Tirar de fa panta y arrastrar la otra Aplastar dejando tres iapas en la parte superior Pivotar las patas para introducirlas entre las solapas Fernando Gilgado (2012) Spain sy ickecom/phtos/etigaco “Trabar of cuerpo doblando en monte tridimensional Dr forma tridimensional evar tas solapas hacia al cuerpo el centre aplastando las esquinas jelFernando Gilgado 29REM Star Variation altel roe Simple ©2012 - New York REM Star stands for “Rachel's Easy Modular Star.” Rachel Katz’ original model can be made from either five or six units, using either squares or 2:1 rectangles. This variation adds inside reverse folds to give the star points a slender and spikey appearance. Paper: You will need six 2:1 rectangles. If you cut three 3-inch (7.5 cm) squares in half, you will have six rectangles, each 1.5 x 3-inches (3.75 x 7.5 cm). You may use one, two, three or six different colors or patterns. Japanese fail is a good cholce, as well as a lightweight, crisp kamt (origami paper), i 1. COLORED RECTANGLE side up, bookold in half, short adge to short edge, forming... 4... COLORED TRIANGLE. “Arms” up: Fold each bottom corner up to the top corner, forming a... is 2....small WHITE BQOK. Open the book and turn over tothe... 3... WHITE RECTANGLE side. Fold each side edge down to the bottom edge, forming a. 5.... small COLORED SQUARE. Lower the “arms, unfolding back toa... 6... COLORED TRIANGLE, Partially unfold a “mouth” on the right side only. Your unit is finished. Fold five mare. 30 REM Stor Variation/Gay Merrill Gross| the end of the diagrams. These creases will make the step 17 {— 7 | Note: Before you assemble, check out the optional precreases at | | reverse folds easter to do. Pe Hold units 1and2 as shown. The narrow colored corner on unit 2 will point North. Slide the narrow point on unit 2 into the mouth on unit s. (Note: The receiving unit [1] is always horizontal; the entering unit [2]is always vertical.) 8. Close the mouth on unit 4. Notes The sptianel precreases are not shown, uti you have made them you may now inside-reverse- folel the trlangutar ‘ovartagping section instead of waiting until step 1 9. Utilize the alternating mountain and valley creases to collapse the triangular section where the éwo units overlap and swing the section behind the triangle on unit 1. Gather together all of the layers except for the open mouth square on unit2, 10. insert the point on unit inte the mouth ‘onunit 2 and repeat from step 8. Continue adding units making sure you gather all overlapping sections together behind the triangle on unit +. After adding unit 6 and dosing the mouth on unit 5, slightly loosen the gathered layers so you can place the triangle from unit 1 into the mouth on unit 6, completing the circle. Star Voriation/Gay Merrill Gross 3132 11. individually inside-reverse- 12. Turn over ta the front fold each overlapping side. To shape the model, triangular section by bringing compress and release the the outer folded edges to the folds on your completed “wheel spokes.” REM Star Variation, Optional Precreases: It’s little more work, but fora neater finished model and easier assembly, after step 5 you may choose to precrease each individual unit as shown (bisect all three comers of each triangle as for a rabbit ear) and then unfold the precreases and proceed with assembly from step 6, A, After step 5, fold the upper 8. Fold each half of the section of each sloping side bottom edge to the edge to the vertical center — adjacent slanted folded creas only from the top edge, bisecting each lower corner down to the existing comer. Crease only as far as crease and unfold. the intersection of the existing creases and unfold. REM Star Voriation/Gay Merrill GrossD. Relower the points ea back to the bottom. : ¢. Rabbitear-fold, right E. Your paper is now and ieft: Using the “grained;” repeat on all 6 precreases, pinch each units. Proceed to the lower corner in half and assembly at step 6. The then raise the points to precreases you made will the top. help you with the reverse folds at step 11. Variations: The model may also be folded from five units. Vary the position of the inside reverse folds for a snowflake or flower variation, Notes on Model Design: In201, Rachel Katz was helping the Origami Peace Tree Project with an origami exhibit. She needed some stars for an origami representation of the U.S. flag, Her own modular star made from 5 or 6 joined waterbomb bases (with the 4 “arms” on each waterbomb base folded up) had too much depth so she experimented by cutting the reat sections off and that is how she discovered the unit for this mode! which is basically the front haif only of her waterbemb base unit, Rachel's original REM Star diagrams can be found on her website: www.origamiwithrachelkatz.com, as weil as OrigamiUSA's 2012 Origami Collection. My variation with the narrowed points was inspired by a modular star from a different unit that was shown to me in 2002 by Phoenix, Arizona folder Cathy Wilimzig. Stor Variation/Gay Merrill Gross 33Fold the corner ta the Cireted point and unfold. Fold the edges to the centerline and swivel the hidden layer. Lion Cavplee Fold down and show ‘the hideon layer. Gen Hagiwara ©2012 - Japan Tar 19 By Ger PAGINA Fold the edges to the center line and swivel the hidden layer. Untold. 34 LioniGen HagiwareFold in hats. Fold up the flap and squash the hidden corners. 14 Fold the flap down at the joint and untotd. Rabbit ear fold using Pull out the comers. the crease lines, 35mp} Make this side of the triangle slightly shorter. ‘Swivel fold ‘Squash the comer at 1/3 angle. 36 Lion/Gen HagiwaraFold the tio at an anale at ‘about the quarter mar. Flip the corner using Pleat and slide the corner. (Squash fold) _ Inside reverse fold at Close the flap. the existing crease lines. Repeat 22-83 on the other side.46 48 Fe ye outer *. Fold edge to edge ‘and unfotd [layers to otherside, 7 45 47 in progress, Flatten. Outside reverse fold using the crease lines, Fold the comer down at circled point and untold, (ray view) Insert the starred corer between the layers next to it. ‘The eoener ia alse indicated in 20. Fold the comer. Repeat behind 38 Lion/Gen HagiwaraFold the tip. and shape the head. ‘The head wil be thros- dimensional. ross section view of 56-57. Repeat on the other side. ies ier iorornslvlen. Grim the corer athe joint, Fold the comer. [Gen Hagiwara 3969 Shape the tall, ‘Shape the front legs into three-dimensional posture. Model Completed. Make the model in standing posture. ‘Fold the model’ 3 391 36" Make crease slong Preat and slide the comer. the edge behing, (Squash fole) Inside reverse fold. Repeat 3640" fon the amner side. 40 Lion/Gen HagiwaraAllosaurus Jonathan Hirschberg ©2012 - California Complex ‘Note: based the head (steps 109-119) on the head design of another allosaurus origami model I saw long ago, but I've forgotten precisely where, = Crease horizontally and vertically 2. Fold to the center crease and unfold, 3. Crease as shown. inbale creasing only where indicated, Tr 1 [ Yi i a L 4 ss 4. Make a crease through the 5. Fole the right edge to the & Uadslthta ciop’ intersection indicated by the ‘bolded raw edge. i Ral step 4. circle 7. Repeat steps 4-6 vertically 8, Foldtothebolderease and 9, Repeat step 8 vertically. onthe top edge. untold, ~° * zurus/Jonathan Hirschberg 41| | IN 10, Crease diagonally. 11. Fold along the intersection. 12. Fold the bottom edge up to the bolded raw edge. 13, Unfold to step 11. | - : at iy 14, Repeat steps 11-13 vertically. 15. Fold to the bold creases and unfold, 16, Fold to the bold creases and 17, Repeat steps 11-14, 18, Fold to the bold ereases and unfold. unfold. 42 Allosaurus/Jonathan Hirschbergt i f ; 19. Fold to the bold creases 20. Crease at the angle bisectors 21, Crease diagonally through and unfold. between the bolded creases, the circles. bbut only in the region indicated by the dashed line. 22,Pleat as shown, Tum over. 23. Fold along the angle bisector. 24, Fold the comer along the crease. ‘The following steps will focus ‘on the circled region. 25. Unfold to step 23. 26. Reverse-fold in and out along 27. Reverse-fold. the creases. . .28. Repeat steps 23-27 on the right. 29, Repeat steps 23-28 on the 30, Make the indicated creases. other side. 31. Collapse on the creases, 32. Step 31 in progress. 33, Fold the flap in half and unfold. The neat few steps will fucus on the circled region. i: 3 e 34, Spread-sink the flap. The 35. Pinch the point and 36, Fold the corners to the next step shows you how swing it to the right, center line and unfold, to flatten the right side. Allosaurus/Jonathan Hirschberg37. Repeat steps 23-28 on 38. Repeat steps 33-37 in the circled 39. Swivel-fold the two sic the left. region, flaps. 5 dl FI . 42, Fold and unfold. 40, Tur the model over. 41, Pleat diagonally as shown, NE 4 Z “S) i at t t 1 * y EPREPR ch 43. Rabbit-ear the corer to 44. Squash-fold the comer flap. 45, Petal-fold. the crease made in step 42 along the angle biseetors. 46. Pleat in thirds. The mountain folds are 47. Unfold to step 43.48, Make the indicated creas on existing creases and the yalley folds are at the angle bisectors between the mountain folds and the center diagonal. josaurus/ Jonathan Hirschberg52, Reverse fold through each of the three layers individually. See the next step for details, The creases already exist. $4, Squash-fold. The mountain and valley folds on the front face are on existing creases. Repeat behind. 46 a : 49, Make the indicated 50. Make the indicated valley- 51. Pleat on the indicated creases. The valley- folds. The creases go creases and fold the model folds meet at the through the circled inhalf. Rotate the model circled intersection. intersections. The left- 1/8 counterclockwise. most and right-most creases are angle bisectors of the bolded creases, 53. View of the compound reverse- fold, Collapse on the ereases, 55. Reverse-fold through all layers individually along the existing creases made in step 50. ell Allosaurus/Jonathan Hirschberg56. View of the compound reverse- fold. The bolded creases are 57 Side view of result. 58, Pull the front face out and squash from step 53 and should be fold the flap. This requires you to refolded after collapsing the rest unfold the hidden fold indicated by ofthe pattern. Note that they ‘the dotted linc. Repeat behind. may be shifted slightly to make the collapsed model lie flat. 60. View of the compound reverse- fold. Collapse on the creases. Note that the folds from steps _-1- Fold and unfold through all layers 53-54 and steps 55-56 are along the indicated crease. 59, Reverse-fold on the existing shown at the bottom. creases through all layers individually, just like steps 53- 54 and 55-56. 64, View of the sink folds in step 63, Open sink the two flaps 65. Collapse on the creases. . along the creases made in Note that the folds from steps dowa: Repeat behnad. step 61. 53-54 and steps 55-56 are shown at the bottom. 65. Unsink the left side and simultaneously unfold the left edge of the sink in the previous step. See the next step for the 67. Spread-sink the center interior flap. See the next step for the crease 66. View of the creases made in the previous step. The bold breakde crease breakdown, gray lines are creases from step wn 64 that should be unfolded. jsourus/Jonathan Hirschberg 47J 69. Open sink the small flap on “| the left along the folded edge in front of it and unfold the flap on top. Repeat behind, 71. Fold the lower edge up. Thal 72. Grab the point and valley fold the top layer in half. Simultaneously slide the point out to the right to cover the big white triangle. You will make the hidden folds indicated by the dotted lines, 74, Inside petal-fold the raw edge. 75 with the two layers behind it while incorporating the reverse-fold, 77. Repeat steps 72-76 behind. 78. The next few stops will examine the model from below. . Fold down the top edge down 70. inside reverse-fold the top flap in and out on the existing creases and inside reverse-fold the bottom flap along the angle bisector, Repeat behind, 73, Release some trapped paper at the dotted lines and squash- fold only the raw edge, 76. Fold the top edge down to close up the pocket, 79, Fold one layer down. 48 Allosaurus/Jonathan Hirschberg82. Close-up of the exposed layers. Continue folding step 81 while making a small squash fold where shown, The exact orientation of the mountain folds is not important because the next step will correct them. Repeat behind. The ‘model will not lie flat. 84, Flatten the model by outside reverse- folding the raw edge upward on the existing crease. This step must be folded behind simultaneously. 81. Swing the long point to the left, valley-folding along the fold made in step 79 (dotted line), ‘Starting from behind the layer with the bolded triangle, go behind the inside petal fold of step 74 and put your finger ‘there to make the fold. Look at the little picture of the layers for reference. Repeat behind. The model will not lie flat. . Close up the inner pocket by mountain- folding on the existing crease and bringing it up to meet the top edge. Repeat behind, then flatten the right side of the model by outside reverse-folding the right comer. Note that the outside-reverse fold is a new crease slightly offset from the existing crease. 85, Swing the long and narrow point to the right. Repeat behind. 86. View of the rest of the model. Fold and unfold the right flap at the angle bisector. The next few steps will examine the model from below. 87. View of the underside, Spread-squash the central flap. The next step will deal with flattening the right comer. urusiJonathen Hirschberg 4988, Spread-squash the right comer on the existing creases and flatten the model. 89. Close up the underside of the model. 90. View of the rest of the model. Fold two flaps down in front, Repeat behind, 92. Crimp-fold the protruding flaps in the center while sliding up the middle of the three big flaps on the left. The reference for how far to crimp- fold is to line up the bottom tip of the bolded triangle with the bolded dotted line, Look at the small picture of the underside for reference. ‘Note that the little points in the top and bottom flaps are not shown, 94, Squash-fold the front flap, The valley-fold is at the hinge between the front flap and the interior flap. Repeat behind, 91. Stick your finger in the middle of the underside and reverse-fold the left bundle of layers along the dotted line while swinging the three long flaps on the right toward the left 93, Valley-fold the small flap into the pocket. Repeat behind. 95. The next few steps will focus on the flap in the circled region. 50 Allosaurus/Jonathon Hirschberg96, Double rabbit-ear fold the point, The right image shows the distribution of layers in the crimp fold. 98. Outside reverse-fold each of the three smaller points at the tip. Note that the innermost outside-reverse-fold is slightly further back than the others. 97. Crimp-fold the point with the same distribution of layers as in step 96. 99. Spread apart the three little points 100, Completed arm. Repeat steps 101. 95-99 behind. Interior 102. Pleat the large flap on the creases. Exterior and interior views of the flap with folds are shown above. The interior view is in the pocket directly behind the bolded triangle in the exterior picture. The dotted line in the exterior picture shows the location of the valley fold in the interior. The point should end up vertical. Ihe next few steps will focus on the tlap in the oval region. 103. Double rabbit-ear fold the point to the right. Alosaurus/Jonathan Hirschberg 51104, Inside reverse-fold the point at the 105. Outside reverse-fold the 106. Spread apart the three crease above and then outside three small points. The points slightly and inside reverse-fold the point at the crease dotted line represents reverse-fold the carner at below. Both are done together to the hinges between the the top. Repeat steps avoid putting strain on the small small points. 101-106 behind. points at the tip. The dotted lines show approximately where the flap will be. 108. Pull out the hidden fish 109. Squash-fold along base in the center that the existing creases. 107. The next few steps will focus on the flap _was formed in step 45. in the oval region. 110, Inside reverse-fold 111. Mountain-fold the 112. Crimp-fold to make the tip of the flaps. top layers behind, the point lie approximately horizontal. The hinge on the crimp fold is about 1/3 of the way between the two grey creases. 52 Allosaurus/Jonathan Hirschberg113, Inside reverse-fold the 114. Inside reverse-fold the 115. Outside reverse-fold. flap as shown. lower flap in and out to the position indicated by the dotted lines. 116, Rabbit-ear fold the smal] ‘117. Inside reverse-fold the tip, 118, Valley-fold the tip inside flap. Repeat behind, into the position indicated the pocket. by the dotted lines. 120. Mountain-fold the sides on the right flap. Mountain-fold the lower layers on the chest. 121, Final shaping. Curl the tail, round the body, neck, and head, and pose the body as desired, 122, Completed Allosaurus. Alosaurus/ Jonathan Hirschberg 53Dollar Eagle Andrew Hudson Intermediate ©2012 - California 1. Fold through the midpoint, so that the corner 2. Bisect angle, then turn over. ends up just below the edge. 3. Bisect angles (don't fold all the way) 4, Bisect angles (don't fold all the way) = 5. Fold a line connecting the two points. 6. Rabbit-ear, adding the mountain crease as the model folds flat. 7, Fold a line connecting the two points. 8. Pleat the existing crease into the center. 54 Dollar Eagle/Andrew Hudson9. Unfold across the middle. 10. Precrease the angle bisector. 12. Bisect angles. 13, Unfold. 15. Fold the wing across. 16. Fold point to point. Eage/Andrew Hudson19, Tum over. 20. Precrease to center. 21. Open sink both sides. 24. Wrap these points underneath 25, Shape the head. 26. Shape the beak. the indicated layers. This Is similar to a closed sink. inished! 56 Dollar Eagle/Andrew HudsonOtter High Intermediate Andrew Hudson, ©2011 - California 1. White side up. Precrease angle bisectors. 2. Fold onto diagonal through circled point. 3. Precrease angle bisectors. 4, Fold through circled points AZESS 7. Fold onto line Unrough circled point. 5. Fold onto diagonal through circled point. 8. Symmetrical to step 7. 6. Fold in half. Otter/Andrew Hudson 5710. Precrease angle 11. Fold perpendicular 12. Repeat step 11. bisectors. Turn over, to edges, through circled 13. Fold onto diagonal 14, Fold through circled 15. Precrease angle through circled point. points, Turn over. bisectors. Turn over, Z| N 16. Fold onto diagonal 17. Precrease angle through circled point. bisectors. Turn over, 19. Fold through circled 20. Fold through circled 21, Fold over the corners. points. points. 58 Otter/Andrew Hudson24, Establish this crease 23. Reverse-fold. 22. Fold the paper in half. through all layers. 25, Reverse-fold again. 26. Complex petal fold, 27: In progress-- squash the top layer. 28. Repeat behind. 29, Pull out the head flap. 30. Complex petal fold on existing creases. 31. Wrap the shaded 32, Fold the front 33. Swivel the raw edge layer to the front. legs upward, Repeat on the front legs. Repeat Repeat behind. behind. behind Otter/Andrew Hudson 5934. Swivel to shape the torso and front legs. Repeat behind. 37. Reverse-fold the back legs. Note that 38. Compound swivel fold to thin the the upper layer does not change. tall and form the back leg. Repeat behind, Repeat behind. 41. Swivel, tucking this paper inside Repeat behind. 42. Open the head for the next few steps. 60 Otter/Andrew Hudson44, Fold behind again. 45, Fold in half to lock. 46, Outside reverse fold to taste. 47. Crimp the head symmetrically. 50, Slide the head out a little bit. 51, Shape the feet with reverse folds. Finished! Otter‘Andrew Hudsen 6162 Rocking Horse Leds en Intermediate ©2011 - Wisconsin Rocking Horse/Linda KatHorse/Linda Katt ReckngRocking Horse/Linda KatWalrus | Intermediate Linda Katt ©2011 - Wisconsin Wolrus/Linda KattWalrus/Linda Katt67 irustLinde, KesttRapaar Stars {o-is on omen Sw. 68 Walrus/Linda KetBoar Intermediate Do Tri Khai ©2012 - Vietnam Boar!Do Tri KhaiSatellite Complex | 1. Colored side up, Valley 2. Valley [ud the sides rothe 3. Mountain fold fo the fold in hal, edge, colored corner behind 5. Unfold the pleat 9, Reverse fold, nh 13. Mountain fold the 14, Open sink the top flap 15, ‘Squash fald the flap mode in half while in half (precrease fs vp. pulling out the top Mare Kirschenbaum ©2011 - New York 4, Valley fold clong the engle bisector KS A A Ax 8. Precrease along the ange bisector. 12, Repect steps 7-11 in rmirror image. 16. Swing the layers from behind back over. 72 Satellite/Mare Kirschenbaumba HA ADA Vv. fe ear the corner 18, Soha onl 19. Reverse fold the comer 20. so onli 21. Repeat steps 17-19 in 22. Mountain fold the flap 23. Mountain fold to align 24. ‘Swing the flap back mirror image. up. with the folded edge. down, 25, Swing over ene layer. 26. Precrease. 27. Swing the flap back 28, Repeat steps 25-27 in over. mirror image. Sotelite/Mare Kirschenbaum74 29. Swing the tip dove. 3 Vale fold down while swiveling the sides outwards. Note in the ‘ext step how the creases align with the folded edges 31, Lightly precrease, 32. Closed sink through the indicated intersection. 38. Lightly precrease. 33. Lightly volley fold up. 34. Turn over. 39. Precrease with a mounicin fold 40. Fold down the sides (co not crease sharply) ond coliopse the frant down, Satellite/Mare Kirschenbaum41, Tuck the flap inside. The tip will lie Bush with the top of the model 42, Open out the last two steps 43. Lightly valley fold up. 47. Precrease with « mountain fold. AB. Swing down the sides while rabbit earing the front. 49. Undo the previous siep. 50. Swing the beck flap down. 51. Tum over. 52, Precrease the hidden corners along the angle bisectors. Sotelite/Marc Kirschenbaum Pie}53, Wrap around a single layer, 54. Reverse fold the hidden corner 55. Repeat steps 53-54 on the ‘long the existing crease, other side. 56. Lightly precrecte, 57. Precrease with mauntain folds. 58, Precrease. using the indicated intersection as a guide. 59. Precrease with mountain folds. 60. Precrease, 6 Pracrease the sides towards the horizontal crease, 6 Satelite/Mare Kirschenbaur62. Collapse the sides inwarels, 65. Pull opert the sides, making the central single layer as flat as possible. 68, Squash fold the flap down, inserting rabbit ear. 63. Precrease through all layers. 64. Unfold to step 62, 66, View from prievious step. Rabbit. 67. View from previous step. Valley ‘ear the sides up. ollowing the {old the flap down, allowing *he central section to become box- side edge to spread cpart like. (mostly) flat. 69. Volley fold the flap up at aright 70. Repeat steps 67-69 on the angle. other side, otelte/Mare Kirschenbaum 740-41 SS ®. 71. Redo the folds from steps 40- Al. 72, Redo the folds from step 48, 73, Pull out a set of pleats from each side, 74, Pullout the tropped sides at right cngles. A hidden volley fold willbe formed at each side 77. Reverse fold 75, Spread out the pleats 78. Pleat the flap up. 76. Swing the center flap to one side. 79. Rabbit ear down, 80. Point the flap outwards, 81, Completed Sorelle ©2011 Mare Kirschenbaum 78 Satellite/Mare KirschenbaumChick Akihiro Kosuge Comey ©2012 - Japan x v 1Chick/Akihiro KosugeChick/Alahiro Kosuge 61Chick/ Akihiro KosugeOpen the tos, GhiclAkhiro Kosuge 83Crazy Owl Complex Sebastien Limet Halle (diagrams) ©2012 - France Crazy Owl/Sebastien LimetGary Oul/Sebostion Limet aCrazy Onl/Sebastien LineGreay Owl/Sebostien Limet 89Poe eet es ELE poe ee Geen ho: 2s 90 Crazy Owl/Sebastien LinetKoala David Llanque lan ©2009 - Peru complex Fecha de Creacion: 25/07/2009 Fecha de diagramacion: 25/07/2012 Papel: Doble color, Sandwish. tamafio recomendado: 35cm. Comentarios: Los acabados y retoques con cme, mantener fijos los pasos ai momento de dar el yolumen del craneo. 1. Dobler y dasdoblariae diagonales, 2. Doblary desdobiar por el media. 3. Doblar y desdablar, 4. Dobler y desaoblar 5, Doblar y desdoblar, 8, Rapatir o pasos 3 ol S KoalafDavid Llanque 91SEEK SKA SY 0. Lievar hacie arribe, Koala/Dovid Llanque27 Doblar y desdoblar foala/David LlanqueKoala/Dovid Lianque54 Repetir los pasos 46-83. oole/David Llanque96 Koala/David Langue72. Repetir los pasos 05-71 79. Abrir la solapa leer dita tas Grol braze feauierde., 74 Wetaroneoe. 177. Marcar segun eI punto insicado. 78. Doblar y desdobler. 79. Doblar en valte |as 80, Dobiar en vale, 4, Bajar a punta gel papel da aes, 3 levando hacla ade tas de los costados aplasiar fa punta inferio: 23, Doblaren valle la punta Kedla!David Llenque 9798 Koala/Devid LlanqueOrnamental Fish fish gen de nb —e ©2010 - Brel Fald disgonals and unfold. Fold taking the line marked on step 3 to ‘the edge up. Fold and unfold demarcating the triangle in the half. Lill ai Fold and unfold across one fine that divide the angie in 1/3, approximately, Fold across the tine taking the flap to the left. mamental Fish/Rodrigo Lopes de Lisboa 99geese sc 1 1 & 3 next the edge. \ 7 ‘Turn paper overto \ a 10 Repeat the, steps 3 to 10, Repeat the step 6 on the rigth side. Qutside reverse fold on the two lines marked on the steps Gand 6. 100 Ornamental Fish/Rodrige Lopes de Lisboaone horizontally imaginary line (Line B). Use the point marked with the circle as an axis. Fold one line aligned with St FA a the edge of the isosceles t Yi - Py triangle (Line.A) taking to Inside reverse fold across the Jine marked in step 15, Open the flaps folding down. Fold and unfold one vertically diagonal. Make a Rabbit ear. & Fold acroos the line next to the edge. ntal Fish/Rodrigo Lopes de Lisboa 101Fold dividing the angle in two, taking the edge down of triangle to the edge up, Fold dividing the angle in two, taking the edge up of triangle to the edge down. Crimp inside on both sides at the same tle. = Ts ‘ Unfold the flap folded in step 22. ating that goss from point A to BL Fold taking the point Ato B. 102 (Ornamental Fish/Rodrigo Lopes de LisboaCrimp inside on both ‘sides at the same time. 7 Unfolod the flap folded In steps 26 and 27. Fold across the line hiding the flap inside the layer. Fold across the line, Ornamental Fish/Redrigo Lopes de Lisboa 103Fold across the lines. Fold back to make the detail of the back fin, Lo Fold across the lines hinding the flap inside the layers, leaving a small part ‘aut to be the mouth of fish, Maio the same'of steps 34 and 35 in the back flap, to make the other eye, ‘Open a small part of flap making a squash fold, modeling an eye of the fish, Fold making a line that goes from point A to 8. 104 Ornamental Fish/Rodrigo Lopes de LisboaModel the fins to a, > Make lines to detail the fins if you want to. The two sides vision of finished ornamental fish. namental Fish/Rodrigo Lopes de LisboaGiant Squid —=o_.w—__ 1 2 9 Dai Lu ©2012 - Chine “Oo ARABI. FEAR. 106 Giant Squid/Dai luRW 10-11: AE RII. 16 a aDRT. Ret Gant Squid/Dai Lu9 BWR 15-17 em, 2, » FKL 15-20 5 ia y 2 = e ss 8 o* & z = & S He-WARM 23-27 HBR, 4 ei 4 UH. 20 21 23 26 : 29 sete ae g sy § AWM M 2-26 1D. 30 @ —P Giant Squid/Dai Lu& seentaaMeeT. & 2 7 38 2 3 6 : & << RIA. 32 33 OTERO. ARMANI. 36 Wis 92-35 Ow FRAN. 39 40 4l SBR. 43 44 Oo wr. EDK. Gant Squid/Dai Lu 109ah. ‘RMR AAS, 1/2 te Pea, aaa. mara Ea. 54 56 ol RRMA EE ware fosaaaaT. lo Giant Squid/Dai Luava Buu. Ree. 64 BMH 52-65 NH. searniste Giant Squid/Dai Lu lilBME 52-67 EH, 16 sek CMR. MLS 112 Giant Squid/Dei LuHeart with Iris iberldiocw Intermediate ©2012 - Ukraine Devoted to Francis Ow (Singapore) 8. Fold on alf marked lines Heort with fris/Andrey Lukynov 1310. Fold base form "Square” 12, Bend back all the corners. Next fold classic iris 13. Open and flatten. 114 Heart with Iris/Andrey LukyanovWhite Reindeer High Intermediate | 4, Marque diagonales ymedianas. Leonardo Pulido Martinez ©2012 - Colombia 116 White Reindeer/Leonardo Martinezi 21 Guiese por la capa intema (Base de! Pajaro) 724 Hundir 25 Hundi 28 Marcar y hundir (es necesario abrir un poco el modelo) 31 Estirar (Haciondo presién en e! cuadrado central, estirar hacia abajo y reacomodar la estructura coma lo muestea la figura 39) 118 White Reindeer/Leonardo Martine:a White Reindeer/Leonardo Martinez48 Hundir a capa intema (capa del medio) 51 Bajar esta capa 120 White Reindeer/Leonardo MartinezWhite Reindeer/Leonardo MartinezUnicorn Nabors Miyajima Complex ©2003 - Japan Fold comer to comer and untold Fold alaaigithe line connecting 2 circled pitts and unfold Fold angle bisectors Fold along the line connscting 2 circled points and unfold 122 Unicorn/Noboru MiyajmreFold angle bisectors and untold circled points Unicorn/Noboru Miyajima Fold up the corner to the circled intersection and unfold ‘Make a rabbit-ear fold Fold crossing the circled intersection an Fold along the line Fold along the tine connecting 2 circled ‘connecting 2 circled points and unfold points and unfold Fold the edge to the circled intersection and unfold Fold angle bisectors and utFold angle bisectors and unfold Make a inside-reverse fold Fold ong the line connecting 2 oieled points and unfold Repeat on the left side 8237) Fold the comer to the right side Fold angle bisectors and unfold Fold the coner to the circled Feld coner to comer point and infate and unfold 124 Unicorn/Noboru Miyajimaa squash fold Fold angle bisectors ‘and unfold ? Make a inside-reverse fold Fod mnait Mako a owivet fold Open a layer (Repeat behind) Unicorn/Neboru Miyajima 125Mako a crimp fold Fold the comer tothe left side Fold angle bisectors and unfold GS § flap tothe right side Repeat behind (69-60) Fold the corner to Fold along existing crease ines Make. a swivel fold the right side. and fatten 126 Unicorn/Noboru MiyajmmaMake a rabbit-ear fold Repeat behind (70-73) ‘Make a crimp outside ‘on both size Fold angle bisectors and unt z selena point and unfold Fold comer to comer and unfolé * Fold anale bisectors Make a rabbitear fold Fo tha rere bined inside Uricorn/Neboru Miyajima 127Make a inside-reverse fold Make a inside-reverse fold Fold the edge ir (Repeat behind) Make a double-rsbbit-ear fold fold the comer make a opon-cink fold the comer 128 Unicorn/Noboru MiyajimaMake a inside-reverse fold Repeat behind (98-100) Fold the edge inside Faie behind) Push down the edi Model Completed Unicorn/Noboru MiyajimaHorse ‘Complex Fold edges to the Fold lines connecting the diagonals nd unfold, citled points Fotd in hale, Fold end unfold. Open and squash. 10 o Fold ad wnt Rabi or fa Yasushi Miyashita ©2010 - Jopan Open and squash. Pull out inside Jayers 130 Horse/Yasushi MiyashitoAMS Fold and unfold. Fold up three flaps, Swivel fold. Open sink and repeat 13-14.0n the Inside reverse fold. Swivel the edge and fold the corner to the { WV Fold and unfold, 28 HorselYasushi Miyashita 131; 23 6% 24% 132 Horse/Yasushi MiyashitaPull out inside layer, And repeat behind. Double rabbit ear fold. Fold inside. And repeat behind, Fold inside. And repeat behind, Inside reverse fold. And repeat behind, Xray view, Swivel fold. And repest oa other side, 51 Rabbit ear fold forelegs and hind legs. And repeat behind, Horse/Yasushi Miyashita 133Fold down left Crimp. foreleg and hindleys Fold inside flap down a little. 58 in Inside reverse fold. ‘Crimp outwards, ‘And repeat on the other legs, 134 Horse/Yasushi Miyashita61 \ Inside reverse fold, Pull out the layers. Repeat behind, Inside reverse fold the tip and make Model completed. Horse/Yesushi Miyashita 135Dr. Emmanuel Mooser Mooser’s Train UC Nolan (diagrams) ©1962 - Switzerland Time to Fold: ~ 2 hours Difficulty: Complex (low compli) Reduction Ratio: 6 Paper: Trimmed 2x1 rectangle (varies) Kori - Fair (requires tape) Fol - Fair Tissue Foil - Good Wer-fold - Good ‘Mooser's Train hos inspired and challenged folders for nearly five decades. Far the first lus yarrs rier ts design the only instructions for its folding was @ hand-written crease map devoid of instructions. Later. in 1967. hand-written notes were added by Raymond McLain but it still existed as a rare ond sought out ‘origami prize. hard to find and even harder fo decipher. MeLain's notes and crease map became much clearer when Robert Leng reproduced clarified version his book "Origami Design Secrets" in his excellent chapter on box pleating, t was not until late 2012 when my friand Hank Simon generously arranged to have diagrams produced and made available for everyone, | hape these pages make the model fun ond ‘opproachable for folders of al ages. - UC Nolan, 2013 Table of Contents Introduction .. 136 Credits Origincl Design: Dr. Emmanuel Mooser (c. 1952) Original Diagrams: Raymond K MeLein (1967) Rear Locking Sequence: Andrew Hudson (c. 2006) Coal Car Variation: Grag Bubniak {c. 2004) Extended Cab Variation: Mike vitlov (c. 2005) Caboose / Fuel Car Variations: JC Nolen (2013) Diagrams: JC Nolan (2012-2013) Folding Strategy .. 137 Boxcar and Veriations .. 138 Locomotive and Variations. 144 Dollar Bill Version .. 149 Folding Templates .. 150 Final Images .. 152 Diagrams V1.0 ©2013 - JC Nolan. Color versions of these diagrams, scalable templates, step-fold photos and other resources available at www.tinyurl.comigamitrain 136 Mooser's Train/Dr, Emmanuel MooserSo how does one approcch this model? MeLain's instructions gave general clues on how ta approach the work but for ‘purposes of simplicity it is much easier to attack the work in separate portions, Rather than trying to execute the entire model all in one large collapse. it is much easier to break the work up into its separate components and become familar vith the indivicual folding sequences first - then the entire work can be attempted on a singe sheet of paper: This is the copproach that has traditionally been used by people shering the work with each other and the one that we take here. Inthe original 12x32 crease map each portion and the various perts of each care are easily identified: 10 squares for cach of the boxears and associated couplers and 12 for the locomotive. Note that this means that the locomotive is folded from a proper 12x12 squore where the boxcars are folded from slightly smaller 10x12 rectangles. The map can be further broken down into the various portions which make up the cars: sides, couplers. front/rear. etc Wheel Wheel Wheel Whe Wheel Wheel “Cow-catcher 2 r . S ‘Whee Wheel Wheel ‘Whos Wheel Wheel rca xX ice x a ademas (obssae (rasmus) Rather than going through the process of creating a 32x12 pattern and lying in the associated crease patterns here we've provided colorized templates which the folder is encouraged to duplicate or download, cut out and then fold directly, Ackliionally. we breck down each rap inte several independent sequences which con be folded separately ‘and then addled together. This allows the folder to get famiiar with the sequences and get « better understanding of the overcll sequence before attempting the work on a single sheet. Later, when the folder works with ‘reof paper its recommended that a crease mop stil be used but in this case transferred directly on back of the sheet using sewing paper and tracing tools which are designed to mark cloth ‘which can be purchased inexpensively at any sewing store. Is important to note that the crease mops in these diagrams are all from the bottom of the model rather than the top. The diograms and associated templates utlize color to indicate valley (blue) cind mountain folds (red). Depending on where we are in the sequence, for purposes of clarity the crease lines may or may not be shown as dashed to indicate only the most important folds in each step. ‘his allows the folder to focus on the most important folds in each diagram for each step. LS Sa ee Rear Side Coupler and Side Course and Lscomotive Locomotive / (squares) ( squares) ‘wonvback (squares) ‘roni/back ‘Main body Front Stace (osruares) tasers) (oquares) ——(Ssquanssh Mooser's Troin/Dr. Emmanuel Mooser 137Boxcar / Caboose ag none nol nos Crimp on the outer horizontal creases, Add the creases. in the order shown: horiz~ Contes, then verticals and the diagonals last. Mid-fold Mooser's Train/Dr. Emmanuel Mooser Outside view, now unfofdl the whole thing. Like this, next view is from the outside. Start the collapse by pinching togather 6 each pair of dots as each pair of Xs moves toward each other 138Add the remaining creases “s aN \ Partially unfold just one corner. i RS bY Fold back up on existing creases, integrating the new ones. Meoser's Train/Dr. Emmanuel Mooser Collapse again on the some creases as before None of the new creases are added in yet Pop point X up from underneath integrating mountain folds. note only critical creases are shown. “ us Zs — Repeat the sequence on ‘remaining three wheels 139Like this, next view from the bottom, QO, Open out, just a bit. xy Turn the two points inside out and pleat back up on Repeat on other side. Note that triangular area indi- creases. Ihis one will wrestle a bit but once achieved cated by arrow on the right may not lie totlly flat. wil is pretty simple. Basically, we are just turing the line likely be rounded. You may at your option lis in the XY inside out fo free up @ trapped layer in the folds ‘riongular creases to flatten it out and tighten back of to allow them to be tucked inside in the following step. the caboose, but it wil stil not fe le. % Ty Repeat on other side 9 AF Close up the bottom. > a7 140 Mooser's Train/Dr. Emmanuel Mooser[| _ “sy —! Like his net view s fom the bottoms QI Gently open cut the top layers only. Tuck all layers at two points deep inside, Complete the lock by tucking the two flaps under L| . ¥ Like this, next view is from the side. Like this, next we open out the wheels, > Close up of wheel stem as shown. Push the center layer inward as the outer edges spread to round out the shape of the wheel. Repeat on all four wheels Mooser's Train/Dr. Emmanuel Mooser TalCaboose (Boxcar Variation) To creote a caboose with @ roof we le in @ pleat and then sink the two outer edges. This will be easier of you unfold the model firet and lie in the existing creasee. Note that the placement of the creases can be varied to create roofs of different lengths. placement, ete. The crecses can be placed anywhere inside the center of the wheel siems. Also, the width of the pleats could be varied to create a higher or lower roof. CI Sink first ving the ereases in by hand Sink again in the opposite direction to ‘even out the surface of the lowered roof, 2]3/4|5/6 7 8|9 i012 a2 Completed caboose Note that because the pleats shorten the overall length of the caboose it works better to add some length to the ‘original base. Above we work with a 12x12 rather than the standard 10x12 which is used for the boxcar. also the pleats have been moved closer to the wheels to make mere room but the effect stil comes out a little stubby. [6/9 10j1a]i2 {afayaya]siel7 142 Mooser's Train/Dr. Emmanuel MooserCoal Car Variation O Sink not as easy as one might expect Lie in the additional creases. In Buoniak’s original o implermenetion he shotened the overall length of Completed coal car variation. Crumpled up paper the cor to make it slightly shorter, but the seq- can also be added to create the effect of coc uence will also work fine on 0 10x12 square. 34.516 7 8/9 1011)12| ila Fuel/Tank Car Variation Another simple variation, sink on @ diagonal {— WW —— You can string together as mery cars as you lke if you add the space fer each car to the original crease map. To compiete ihe coupling fatten out the sides of each pair, Ahtemotively you could (theoretically) hide the paper for each coupling by ‘executing the end closing sequence used on the recr car for each set of bars IMoosers Train/Dr. Emmanuel Mooser 143sala vo one o/S ag Locomotive |7/ 8/9 10/1112 1\2 (12°3/4/5/6 Peni estvsmienvin teria davai semiencen| t ‘Add the creases, in the order shown, Note that the center to herizonials do not ge all the way fo the edge of the paper. Crimp on the outer horizontal creases Same colapse as with the boxcar, Pinch together at each pair of dots as each pair of Xs moves toward each ether. 7 Like this, next view is from the outside, ‘Mid-fold. Note that the horizontal creases only go part way to the right edge as that area wil later be used for the cow catcher. co Outside view. Unfold entirely, 144 Mooser's Train/Dr. Emmanuel Mooserbeth [| Keep going... integrating the new creases, pushing in at the arrows cond pinching at the dots. Fold the model back up on the existing creases storting with the outer pleats Mid-fold. Note agein that the middle creases do not go all the way fo the right edge. Next view from the outside, 7 4 Outside view. Lie in the additional creases on each side of the model a Like this, unfold completely one last ime. Mooser's Train/Dr. Emmanuel Mooser 145,Next, lay in the creases for the wheels, then addin the last sel for the coweathcer and stack Start the collapse by pleating up the sides starling fo integrate the creases af the recr. This is not nearly as hard as it looks. Start by pleating up the areas at the front which will become the cow= catcher Then collopse by gently pushing inward where indicated, bringing points X toward toward each other while simulicneously integrating the folds from previous steps, Point Y is the smoke stack and it wil naturally swing under as you go Above view, swing the stack upward Mid-fold view from the side. 198 yout being the fue partion af the cow-cotcher toward each ether. Mooser's Train/Dr. Emmanuel Mooser. ike this. next we add the wheels. It is up to the integrate the wheel creases or add them inline Fold back up with the i newly arranged creases, ‘Again. pop the point ‘upward from underneath, folder to decide whether to unfold the model and Open the model just slightpy and pop the point X upward from underneath. Open up ogein, the rear flap swings flat a eV, Fold back up on the creases pinching where indicated to create the wheel stem Open again, one last time Pop the last point in to place. Mooser's Train/Dr. Emmanuel Mooser 147/} Y=! 2 we ay sand swing in to place, pinching where indicated Finalize by popping up the center of the tank fating out the cob portion (on the left) and opening the wheels, LU [| ‘Two-cut stack Wrap-around stack There are two ways to complete the stack. MeL.ain's original instructions called for moking @ small eut in the front of the fank and enother in the top ond tucking the stack through while vitlovs version used a wrap- around opproach, both ore ilustrated in the final photos. ss for fina finishing and securing the stack/body, i is up fo the folder whether tape. tissue foil, wer-folding or some other mechanism is used to retain the final shape. Extended Cab Variation Open the model as shown and pop the upper point inward as you pop the lower point outward. creating « triangular flap that points foward the front, Repeat on both sides. Fold back up on the nevaly arrenged creases and shape the tank and stack 148 Mooser's Train/Dr. Emmanuel MooserDollar Work When folding from a dollar bil the most erica issue is thatthe width! length ratio does not match that of o dollar bil, Maoser's Troin hess a wicth/length rato of 12/32 = 375, However. a dolls precise size, 2.61" x 6.14 has o widthilength ratio of 425. meaning that thot if you scale the width of the template to the widih of c dollar bil there will be extra paper hanging off th ‘One Dollar (26.23 squares wide) ‘Thus its necessary to remove some portions of the model which are not as erica. We need to remove a fotal of aperoximately four blocks. This con be done in several ways: adjusting the longth of the boxcors. adjusting the length of the couplers. emoving oper from the rear closure or some comrbinotion of el three. Itis also possible to remove some poper from the tank of the locometive though this more complicated and may require the rearrangement ofthe locorotive's wheels, In the example below ‘we remove one square from each of the two couplers ond one from each boxcar. creating the following ternplate/crease map, i | 8/9 10/11/12) ey 5 itis possible to wet-fold though currency being designed to be resist to siaining will not easly absorb the methylcellulose used i wet-felding, Another chose is whether fo use 2 fresh or wom bil. Both are fine but wil gve different results, Fresh bills wil toke creates easly and give a very crisp result but the creases will be hard to reverse requiring some sort of tool when implementing wsheels, extending the eab, ete. A worn bil willbe less willing to take creases but will be more forgiving in performing colapses, ‘The adjusted template shove ie axciet cizalpraporton af a real dellar bill and the folder may duplicate it and adhere it directly to the back of the bill or use the tracing techniques described on the 2nd page of these diagrams, ‘The final challenge has to do with the media itself and how you get the crease mop onto the dollar. While foi-backing works best Mooser's Train/Dr. Emmanuel Mooser 149Mooser's Train - Boxcar / Caboose Map For purposes of simplicity, when learning to work with this ~\c model: duplicate this page. cut out the template and work directly from that. Colorized copies of all templates and diagrams can be found at http://tinyurl.com/gamitrain. 150 Mooser's Train/Dr, Emmanuel MocserMooser's Train - Locomotive Map of For purposes of simplicity, when learning to work with this model: duplicate this page. cut out the template and work directly from that. Colorized copies of all templates and diagrams can be found at http://tinyurl.com/gamitrain. Mooser's Train/Dr. Emmanuel Mooser 151Mooser's Train/Dr. Emmanuel MooserHeadset Miroslav Mrajea Complex ©2013 - Czech Republic ‘White side up. Fold and unfold in half, Turn over. 6 ie Fold the edges to the center and unfold. Turn over, 5 ee ei +t ate at — : Heodset/Miroslav Mrajea 153Fold the edges behind, then unfold everything. ‘Reverse-fold the four comers, Fold and unfold. ‘Open-sink the edge. Pleat as shown, Reverse-fold the comer. Fold and unfold. Headset/Miroslav MrajeaIn progress. Headset/Miroslav Mrajea Unfold completely. Zoom in. Collapse on existing folds. 155Pleat to make 3D. 156 Headset/Miroslay MrojcaShape model (mountain fold). Finished Headset. Headset/Miroslav Mirajca 157Cockatoo Haas oreo Intermediate ©2012 - Vietnam 158 Cockateo/Hoang Tien QuyetCockatoo/Hoang Tien Quyet 159Outside reverse fold. Jee 28 made in step 26. Completed 160 Cockatoo/Hoang Tien Quyst| Hoang Tien Quyet Intermediate ©2011 - Vietnam Elephant/Hoang Tien Quyet 161162 Elephant/Hoang Tien QuyetMittens Jane Rosemarin Intermediate ©2011 - Minnesota 1, Start the right mitten. mark, 4, Pinch the vertical halfway marks. 7. Crease the diagonal ‘then untold entire fap. Nitens/Jane Rosemarin 1639. Crease through both layers. Easier to do in the al 15, Make the vertical valley fold then return the flap to its previous position. * The small diagonal crease will form as you close the flap. 10. Extend existing creases. ‘11, Next three diagrams show ‘this collapse in progress. = 14, Open up the flap without making any new creases. The model will not lie flat. The next step will blunt the tip of the thumb. 16. First fold the lower edge so that the horizontal folded edge is just covered. Then fold the dark area behind, Pocket v. 18, Fold a strip slightly less wide than the thumb (just under 1/8 of the original width). Tab 19, First pull the pocket down slightly to make more room for the tab. Then insert the tab, align the layers and fold In half. 164 Mittens/Jane Rosemorin20, Shape and lock the top: Precienfe miten oomersto Ny? 21.Valey fold the fap taste, This does not have to be between the two reference ata 45° angle. Bisect the left on points. Close mitten back triangle with a precrease. 3] tas tosten20 Open to step 19. bt 22 22 A. Reverse foid left corner. 22.8. X-ray view. Open model slightly, and fold flap under to tock, 22, Completed. nA I 23 A. Reverse fold to make a pocket. 23 B. Mountain fold a precrease through both layers. 23 C. Result. 24, Inside view. 24, The right side has a two-step lock. Open the model slightly, keeping the left side locked, and tuck the triangular flap (shaded) 25. Tuck the triangular underneath all layers of the reverse fold (23 A). Close up the mitten. flap into the pocket formed by the reverse fold of step 23 A. Place a note inside. Or make a left mitten that’s a mirror image, and connect them with ribbon for use as an ornament. Mitens/Jane Resemarin 165Splashing Duck | Intermediate 166. Heber Apaza Sara ©2011 - Peru Splashing Duck/Heber Apaza SoreSplashing Duck/Heber Apaze Sara 167Desde este paso ay que tener en cuents muchos aspacios. El cusilo el gico las alas, Se puede der variaciones al ‘modelo, aprovechar los pliegues ‘de) cuello para abrir los ojos. La p!a puede presentarse an posiciones diferentes, Felictaciones silo as logrado 168 Splashing Duck/Heber Apaze SaraFederico Scalambra ©2010 - ltaly Red Baron Complex PARTI COMUNI per monoplano, biplano e triplano FUSOLTERA: Usare un foglio di 22 x 28 unitd 169 Piegare seguendo il crease pattern e riaprire. Colore sopra, Red Baron/Federico Scaiambra170 Piegare sequendo il crease pattern. 3 Piegare seguendo il crease pattern. Red Boron/Federico ScalambraTurn over and rotate Piegare seguendo il crease pattem. Piegare ¢ riaprire sequendo 1 il crease pattern, = Turn over and rotate Richiudereintascando in corrispondenza delle rece in modo che lletta 1 sia sopra alla 2. Spingere al centre il madello sequendo le pieghe. cesistenti per formare il posto de pilota, Red Baron/Federico Scalambra viMOTORE: Usore un foglio di 10 x 14 unita. Colare sotto, Usare un foglio con unité leggermente pid grandi. Piegare sequende il crease patterne rigprire. Dy 172 Red Baren/Federico Sealambra | |Piegare seguend il crease pattern: si forma una scatola tridimensionale. Piegare seguendo il crease pattern. 4 6 << 7 ° CA a Vo ELICA: Usere un foglio di 10 x 3 unita. dee Piegare sequence i [ crense pottern ereprive. Colore sopra. Ff 3 ] — Piegare seguends il crease pattern, we 6 Amst 7 Red Baron/Federico Scalambra 173DERIVA © STABILIZZATORE: Usare un feglio di 16 x 4 unit Colore sopra. Piegare seguendo i crease pattern ¢ ricprire. 2 y Ravetcite interme. Alzare gli stabilizzatori a 90°, Sogomare gli stebilizzatori a 90°, 174 Red Baron/Federico SealambraRUOTA SINISTRA: Usare un foglio di 6x 6 unita, 2 Do LAR Colore sopre. Piegare sequendo il crease pattern Inmodo che laletta 1 sia sopra alla 2. RUOTA DESTRA: Usere un foglio di 6 x 6 unit LA Sagomare la ruota e formare Taletta per Vincastro sequende ‘Verease pattern. Colore sopra. Piegare sequende il creese pattern Jn made che laletta2 sia sopre ala 1. APPOGGIO POSTERTORE: Usare un foglio ai 5 x 3 unit pepele| Ay, Colore sopra, Piegare sequendo il crease pattern. 5 Formare laletta per lincastro ‘seguendo il crease pattern, Sagomare le ruota e formare Taletta per lincostro seguendo iVerease pattern. & 3 Continuare a piegat arrotelande la cart Red Baron/Federico Scalambra 175MONOPLANO ALA DESTRA: Uscre un foglio di 16 x 12 unita A Seade axfo Colore sopra ty | Piegare sequent i rp crease pattern eriaprie. , oad T 2 Piegare sequendo il crease pattern, 1 4 Piegare sequendo il crease pattern per formare faletta per lincestro, Richiudere intascando in corrispondenza delle Frecce in modo che lalette 1 sia sopra alla 2 176 Red Baron/Federico Scalambra‘ALA SINISTRA: Usore un foglio di 16 x 12 unita 1 Piegare sequence il crease pattern, Piegore seguendo il crease pattern per formere lalette per lincastre. Colore sopra. Piegare seguendo il crease pattern e rigprire, F Richiudere intascando in corrispondenzo delle frecce in made che Faletta I sia sopra alla Red Baron/Federico Scalambra 177BIPLANO (Piegare tutte le parti comuni e proseguire con i passaggi di seguito riportati) PRIMA ALA DESTRA: Usare un foglio di 20 x 10 unit : Colore sopra. i Piegare seguendo i crease pattern riaprire Piegare sequendo il crease pattern Piegare sequendo il crease pattern per formare Valetta per Tincastre, ¥ 5 Richiudere intascando in corrispondenza delle frecce in mado che faletta 1 sia sopra alla 2. 178 Red Baren/Federico ScalambraPRIMA ALA SINTSTRA: Usare un foglio di 20 x 10 unita. Colore sopra, Piegore seguendo il crease pattern e riaprire. Piegare sequendo il crease pattern, Richiudere intascando in corrisponderza delle frecce in modo che leletta I sia sopra cia 2. Piegare seguende il crease pattern per formare aletta per lincastre. Red Baron/Federico Scalambra 1791 SECONDA ALA: Usare un foglio di 10 x 38 una. Colore sopra. Piegare sequenda il crease pattern. Richiudere intascando in corrispondenza delle reece inmodo che Foletta 1 sia sopra calle 2. 180 Red Baron/Federico ScalambraGIUNTO LA SECONDA ALA: Usare un foglio di 6 x 4 unita, 1. 2 Piegare sequends il crease pattern, at *% Rovesciata interna, GIUNTO PER LE ALT: Usare un foglo di 5 x 3 unita Formare laletta per lincastro seguendo il crease pattern, Colore sopra. Piegare sequendo il crease pattern, TRIPLANO (piegare un biplano completo e proseguire con i passaggi di seguito riportati) GIUNTO PERLE ALT Usare un foglio oi 5 x 3 unit 1 2¢ Formare Feletta per lincastro |__| sequends i crease pottern, Colore sopra * Piegare seguerdo il crease pattern, Per il triplano servono in tutto 5 giunti Red Baron/Federice Scalambra 161TERZA ALA: Usare un foglio di 10 x 40 unitd. 182 Colore sopre Piegare sequende il crease pattern, le Richiudere intasconde in corrispondenza delle frecce in modo che laletta t sia sopra alla2, Red Baron/Federico ScalambraSISTEMA TASCHE ALETTE Tutti gli incastri, a parte il motore, usano un sistema @ doppia olette e doppia tasca. E possibile posiztonare i pezzi facendoli scorrere nelle tasche. riniuaeetele ASSEMBLAGGIO MONOPLANO a a . 13-2-2010 Red Baron/Federico Scalambra 183ASSEMBLAGGIO TRIPLANO 13-2-2010 Red Baron/Federico ScalambraSACAR LA CAPA QUE ISLA, OCULIO26 ¥ SAGAR LA CAPA QUE BIA, RUN TLEGUE [SCALONADO 14 fe a Fox/Eddy Soto 187188 Fox/Eddy SotoFox/Eddy Soto 189Felix Star } ‘armen Sprung Low Intermediate ©2012 - Germany Farbige Seite oben! 190 Felix Star/Carmen SprungTreat the creases as one “S\4e layer. Crimp in and out along the existing creases. Zusammenbau. Die hintere Lage des rechten Idoduls in die Tasthe des linken Modus stocker, 0 weil wie méglich, 30 dass * auf * tit. Die restichen Module entsprechend anbauen. Den Fitigel nach hinten um die Kanle des Nachbar moduls legen. ‘Aut der Rickselte entsprechend wiedertolen. Seim siebentetigen Stera die Spitzen vorsichtig Seilich zussmmendrlicken, so dass alle Module (bis in oie Spitzen) eine dreicimensionate Form annehmen. Felix Star/Carmen Sprung 191Rabbit | Intermediate yh-Chang Su ©2013 - Toiwan 192 Rabbit yh-Chang SuRabbit/Jyh-Chang Su 193194 RabbitfJyh-Chang Su18 19 20 Curve the ear. 21 22 23 Complete Rabbit. ~— Rabbit/Jyh-Chang Su 195,| Love You Hadi Tahir High Intermediate ©2012 - Indonesia 196 | Love You/Hadi Tahir| Love You/Hadi Tahir 197rasio kertas dan model jadi 198 | Love You/Hadi TohirRabbit Mask Moca Te High intermediate | ©2012 - Taiwan ease tN AMID SRIImIE CGE NONE TUNONMMT ARE sarin eas ismeconmoum yr Fas Rabbit Mask/Hsi-Min Tai 199200 Rabbit Mask/Hsi-Min TaiToucan | Complex Dang Viet Tan ©2012 - Vietnom Toucan/Dang Viet Ton 201| Toucan/Dang Viet Tan 202foucan/Dang Viet TanToucan/Dang Viet Tan|: boat Heart lllko Vass Low Intermediate ©2012 - Hungory Fold only to the center to avoid unnecessary crease marks. \ In steps 3 and 4, fold SS only the upper layer. 3 Sailboat Heart/lidiko Vass 205~S Valley fold the upper layer. 206 Sailboat Heart/Iidiko VassCharlie Dish Michael Weinstein ©2010 - Ohio Intermediate 1, Blintz fold. 2. Blintz again, and unfold, 3. Cupboard door fold both ‘Then turn over. ‘ways ond unfold. 5. Unfold one side while 6, Refold to step 5, rotating the corner. 7. Repeat steps 5 and 6 on 8. Unfold to step 1. the remaining four corners. 9. Reverse fold in and out. This will make the corner ‘three dimensional, Charlie Dish/Michae! Weinstein 20710a. Step 9 completed, view 104, ..and from the outside. from the inside... Repeat step 9 on the other 7 corners, 11. Mountain fold the corner Charlie dish version 1. I never 12, Valley fold the long flap in behind all the layers to lock liked this, as I found it quite half. the side together. busy. If you like it, enjoy, If not, a few extra things you can do to clean it up. 13, Pull out some paper from 14, Mountain fold the resulting 15, Mountain fold the resulting behind the front flap. laps in half. laps in half. 16, Repeat steps 12- 208 Charlie Dish/Michael WeinsteinRhinoceros Beetle | Carriles Fold rat, Vite ido up, Crease wong the diagonal Fold ana arto ‘Repeat nebind 11 Close the tap, oivase throughal layers bissectng he ergle Fold the edges on both sites. ‘Opens, fotding an artoematnapeN neyo: broke Ryan Welsh ©2013 - The Netherlands Fold the tap down, ‘Releaee the comer. Rhinoceros Beetle/Ryon Welsh 209‘Agito fate comers halfand una efotcNeap evety Asating te ayers ‘xing one tap in backtomnetet. ‘Garay ctcese some kasped epee soyeu get eranguer tiron-cimensiandl shape, ire using exiting senses. ‘ihe top he layers al rat be isiaten symmetricake. Fat the top not Rotate, ‘crease Brough al eyers 210 Rhinoceros Beetle/Ryan Welsheverse-fou te es In angoot Feld buna of layers toe ht "There 6 9 new to repeat behind ‘ireteh the po, ng up as for es It go. The two lone ‘rel points ibe pushed in and Te 87 reise gman sina sie Seotanartdeg he Crean nin. ang Stet Rsoes ees conan. “causing pain down, Repeat ape s8 on the hh aig ano uno. Rhinoceros Beetle/Ryan Welsh ailReta toon 48, Fon hig ye aT Fats tne ta wrap, ncereeting the canvas eh, Tso vary mach er Siiart tanga Western as. ae a 212 old an ek pot Wake an ssimmetics imine ‘ra roaves casted tha green seps, LUnelnne ia ante Inthepiewous stops, Rhinoceros Beetle/Ryan WelshFolds secona isp dain. This ‘sau89s te two uoper pains fe come own a0. Spreadaquashtcs Crease the other corer aeicay, we aie going t ropeat step 62 Close the tap eek up. fn this comes ut ths tne ta closed sink. ‘nearporating a revere fol “This can onto done fn 30, 20 i up the edge 64, Inptogess. Flaten te pyramic shape close te fap beck up eur evere fold At point A te paper ia eckea. Fold the assembly of layer back up. Fold the corner up. Reverse fol tne comers, Rhinoceros Beetle/Ryan Welsh 213Release se rapped apes. Fotintne aes, Fpinacintes Fatt ne ayer ie teh revercesfiang tt tp. Folate two paints utters ses Fait ep nsice Fe ne waver tuyere wo. ‘ide fang the sal gl ni, Repeat steps 6-71 ontne note Fe he a comer insico Release same paper. Fete inh anu 214 Rhinoceros Beetle/Ryan WelshPepa iors 02-85 onthe se “Thine pant,sazashtoldng Spee “uk ie ack score ops ntoraenom ae pes 90 Moonta he bles ‘aps spas TeSotest paints sch out caren. Unt, “nfs eeses you BS 8 ntd_—_Folanun re Mapas fr 95 wh gS uation fos and bag these ote ‘ater crease. Tho paper ent carves fat Rhinoceros Beetle/Ryan Welsh 215Revmreaolstne ae ‘alee ar . Tenet rer Herowl anartooke repost sens asco 106 comercial 104 Lf Pace the drk reins on op. ‘This ls silartoamured sek, 100 ‘Te rs ofthe previo ep Is shown Inthe smal pire. Reve, Fels the sal io dow elow he ep tye hare are two hl Insngles Tur fnese nse Goethe ea ura thal shows the anges frome char side Fee tne re Carine 216 Rhinoceros Beetle/Ryan WelshPine ea ake sma poe samp. end the po g said pe able on 4? a carte kor Rhinoceros Beetle/Ryan Welsh ing wearer, Aso putt upthe bods. Repeat ezate an ‘verbena tv 9s Fold sty ain Vunlansi, aang ne edges 82 smocth ‘ie tis orate fhe need seca 20. bLup re onl om tha ateron, The eat len of Ee tien fe. 127 Rhinoceros Beetie aug ofthe need: shape the head eos rte Amgre 30. These ae al sot havea nam 217Flower Even Zou Complex ©2012 - New Jersey 3/8) ) 1. Fold in haf horizontally, Make 2, Fold the bottom edge up tothe 43. Fold in half diagonally pinch along the lef edge, then unfold. existing crease, Make another pinch along the left edge, then unfold, 4. Fold in half vertically, snake a pinch, along the bottom edge, then unfold. 6, Valley-told the fap over to ‘the left wail both edges align, 7. Biseot the angle with a valley fol, ‘8. Montain-fold the top Iayers behind, 9, Cut throug ll layers. The layers om the ‘opposite side can be uted as references, 216 Flower/Evan Zod)14, Fold and unfold. Then, rotate the model 1/10 turn, 13, Repeat step 12 fourmore ines 14, Valley-fold the bottom corner up to align tocreate asmaller central pentagon. with the indicated point. Extend the erease ‘Then, som the model over. from the edge tothe central pentagon. 19, Create 8 vertical minantain fold by: palling 20. Fold the fap over to the right tho top exge over to align withthe adjacent ‘by creating a vertical valley fold. edge. The moxie! will not lie flat, 12, Align the bottom commer with the top edge ofthe cent, pentagon. Thea, unfold, 21. Biseet the angle with a valley fold. Flower/Evon Zodi 21924, Create a mountain fold along the tease created jn step 19. The madel ‘ill nt fe at from now en. 25. Mountain-fld the top ayers 26. Mountain-fotd the top layers behind __27, Repeat steps 24-26 four more sims. behind along an existing crease, ‘long the existing vertical crease, ‘Twisting the central layers on the opposite side will roduc rension in the petals. Make sure tha the entra point faces outwards, 28, The result. Tur the model over 29, Sepocute the layers in the center. 30. Completed Flower ‘Theo, shape che petals o taste 220 Flower/Evan Zod!Origami Basics Valley Fold Line Styles li E fv Hidden’¥-Roy ‘Origami Bosics 221222 Arrows Fold Forward Closed Sink Wor Fold Behind S| | Fold ond Unfold — bo Sor SN t [Aw Sor SN ants i 1 Sink/Reversol Push Ini Turn Over Repeat t Rotate 90°, 2 Turn, Ete. @ J “a “Op @ Origami BasicsManeuvers Reverse Km & Origami Basics224 Common Bases Kite Base/ Ice Cream Cone Base Fish Bose Waterbomb Base Preliminary Base Sink Triangularly fa = ob eset Origami BasiesOrigarni BosiesIndex by Model Croay Owl Limet, Sebastien Deer 4 Boudias, Christophe Dollor Eagle - 54 Hudson, Andrew Alien 7. Elephant 161 han Kade ‘Quyet Hoang Tien Allosqurus Al Felix Star 190 Hirschberg Jonathan Sprung, Carmen’ Beetle 25 Flower 218 Giigado, Fernando Todi Evan Birdbath 17 Fox 186 Dituria, Pasquale Seto. Eady Boor 70 Giant Squid 106 Khai, Do Tri Ly Dai Buiterfly Bookmark 21 Headset 153 Diuria Pasquale Mrojea. Miroslov Butterfly Card 13. Heart with Iris 3 Chen. Sy Lukyonov, Andrey Cot Mase 3 Horse 130 Boudias, Christophe Miyashita, Yasushi Charlie Dish 207 | Love You 196 Weinstein, Michael Tahir. Hoh Chick 79 Koola 91 Kosuge, Akira Tenque. David Cockatoo. = 158 Lion 34 Quyet: Heong Tien’ Hagiwara, Gen Index by Model 227228 Minotaur Head 1 Stand-up Pojarite Card M4 Aharoni, Glad Gan Sy ‘Mittens 163 Tlopia 23 Rosemarin, Jone Defoirdt, Tom Mooser's Train 136 Toucon 201 Mooser. Emmanuel Tan. Dang Vier Omamental Fish 99 Unicom 122 Lopes. Rodrigo Miygjima, Noboro Otter 57 Walrus 65 Fldson Andrew Kost Linda Rabbit 192 White Reindeer 116 su. Jyh-Chang ‘Martinez, Ceonarde Robbit Mask 199 Tax Hain Red Baron 169 ‘Scolambra, Federico REM Stor Variation 30. Gross. Gey Merril Rhinoceros Beetle 209 Wash Byon Rocking Horse 62 Katt, Lincla Sailboat Heart 205 Ws. Weko Satelite 72 Kirschenboum, Mare. Splashing Duck 166 Heber. Sara Apazs Index by ModelI aac 18647092R00131 Chariesion, (04 Jone 2013IB 7a 1as40s63 | 90000, ol 7ei48ata: