That Ole Devil Called Love, 8 As Time Goes By, 32 Let Me Tr in, 16 Love Is Blue rae Est Bleu), 4 Morning Of My Life (In The Morning), 38 This Guy’s In Love With You, 18 Try A Little Tenderness, 23 Fool (If You Think It’s Over), 14 l’ll Never Smile Again (Until | Smile At You), 20 Against All Odds (Take A Look At Me Now), 35 Sometimes When We Touch, 11 Nights In White Satin, 6 Annie’s Song, 26 The Power Of Love, 42 Separate Lives, 45 Feelings (Dime), 29Love Is Blue (L’Amour Est Bleu) Music by Andre Popp Original Words by Pierre Cour English Lyric’by Bryan Blackburn Slow my | world is blue is my world my | eyes ery - ing for you I'm with-out you. grey, my |life is grey. lone in my bed. green, my | jea - lous heart, Cold is my heart since | you went a - way. 1 doub-ted you and | now we're a - part. how the | bright sun E A E A E (© Copyright 1966 Ste. Nowvelles Des Faltions Musicales, Paris, France. 4 ‘Shaftesbury Music Co. Lad, 12 Stretford Place, Lordon W/. “All Rights Reserved. Intemational Copyright Secured,now the 2 Gh Black, lost and A6 black, the | nights I've known, a - lone. blue is my world, now | I'm with-out you. BT long - ing for you, love we knew, T'm with-out you.Nights In White Satin Words & Music by Justin Hayward Slow —): ——_ 4 1 n = = —— a, es -; r Git P Nights in white sa - tin, Gaz - ing at peo - ple, ppg fos. fy. go SSS Sp Se - ; nev-er reach-ing the end. Let-ters I've writ-ten, some hand in hand, just what I'm going through, Ja. 1. ers Em D c G ea a SS # is3 tortie ro nev-er mean-ing to send, Beau-ty I'd al - ways missed they can't un-der-stand. Some try to tell me, with these eyes _ be-fore. Just what the truth is thoughts they can-not de-fend, just what you want to be, yp a. mA. 1 PALI = os = = = — Em D Cc G 6 ° Cong 1967 by Tyler Music Ltd, 19/20 Poland Street, , Lend, WL. Hine ce neta eeT can’t say an - y - more love you. you'll be in the end,That Ole Devil Called Love Words & Music by Doris Fisher & Allan Roberts Medium slow blues tempo i Of P ~~ Some-one’s whis-p'rin’ in my | ear. say ]no, no, go a-way, but Fm7 br opbr 4s Ebmaj7 EbBs bs Fm? E7 ig SS he don’t hear. He fol-lows me a-round, | buildsme up, tears me down, 1 as ‘ 2 + Eb6. Dm7 G7 cm Cm#? Cm? Cm6 b — — bh pp ee Boe | 4 $i = et é try my best to shake him, but Ole Dev-il called s be ze a? - ai m7 F9 Fm7 pbs Fm7 — C7b5s bo Fm? pbpBb 7 #5 emai? D7 Gm co ? sings that si-rensong, I just | got-ta tag a-long withthat |Ole — Dev-il called cm7/F FT Bio Bho Fm7 E749 | fight a-gain, I know | darn well He'll con-vince me that He's | right a-gain b> ab). G7 c7be Bb aby G77 FT Bbsus Bb 10Sometimes When We Touch Words & Music by Dan Hill & Barry Mann, Moderato & ask me if love and 1 |chokeon my re- ply. = mance with all it’s stra —gy — leavesme | batt-ling with my pride, c FIC Gic Td | ra~ ther hurt youhon |- est - ly, than mis | lead you with aie. But | through the in - se-cu |- ri - ty, some | ten-der-ness _sur-vives, o And | who am I to judge on | what you say or I'm | just an-o = therwri | - still | trapped with - in my £ 2 Dm7 G c (© Copyright 1977 McCauley Music/Mann & Weill Songs Inc /ATV Music Cor. (forthe Worl). ‘©Copyright 1977 ATV Music Ltd. 3/5 Rathbone Place, London WI (forthe UK and Eire) un ‘All Right Reserved Intemational Copyright Secured12 on = ly just be = gin he - si - tant prize figh 2 see the real___ you._| _ And | some-times when we touch, trapped with-in my youth. | Dm7 CE c the | hon - es-ty’s—too much have to close my eyes Iwan-na_| hold you till is D7 G oF Em Dm GIL c Dm7 to Coda => both break down and cry. Iwan-na | hold you till the fear in me— sub 4 G Em Dm7 Guc CT Dm? Fm At times I'd like to break | __ you 2 drive you. to your knees. At | times I'd like to break through and hold 2 D&S al Coda sub-sides. s Gu c Gic F c 13Fool (If You Think It’s Over) Words & Music by Chris Rea Moderato A dy-ing flame, You're free_a- gain Miss teen-age dream, such a tra-gic scene. Am7 D Gmaj7 Em Who could love and do that to you? He knocked your crown and ran_a - way Am7 D G All dressed in black, he won't be com |- ing back. First wound of pride, but how you cried | _ and cried. Am7 D Gmaj7 Em Save your tears, | The pains of se - Til buy your first Am7 D Esus E E7 Am7 “4 (© Copyright 1977 by Magnet Music Ltd, 22 York Street, London, W! forthe world ‘Al Rights Reserved. International Copyright Secured.+ ven - teens, un-real, they're on |- ly — dreams, Save your ery —— good wine, we'llhave a real good time. - < D Gmaj7 Em Am7 % Fool, if you think it's 0 |- 8 D Esus E EF Am7 D “cause you said good-bye. Fool, if'you think it's o |- ver, Pll tell you why. Gmaj7 Em Am7 D7 Esus New-born eyes al-ways | cry with pain at the | first look at the morn-ing sun. E E7 Am7 D7 Gmaj7 After repeat ao DS 10 fade Fool, if you think it's 0 + ver, it’s just be-gun. Em Am7 DI Esus EET 15Let Me Try Again ‘Music by Caravelli French Words by Michel Jourdan English Words by Paul Anka & Sammy Cahn Moderato 1 said that I was | leav - ing, was such a fool to | doubt you, — just could-n’t say good + bye It was | on - ly self de - to go it all a -|lone. There’sno | sense_______ to life with - Z Wee | ee eed ceiv-ing, to | walk a-way from some-one who means, y-thing in life to you. You out you, now| all I do is just ex- ist and | think about the chance I've missed. To learn from ev - "ry lone-ly | day, Tve | learned and I've come back to is not an ea-sy | task, but | pride is such a fool-ish tg P ab eb Fm FmjE> (© Copyright 1973 Les Eeitions Musicales Vendanges/Nowvelles Editions Edie Barclay, France. "MAM (Music Publishing) Lid, 12 Stratford Place, London WI for the World (exe. USA, Canada, France, former French colonies, Tunisia; Morocco, SACEM territories, former Belgian Cong, former Ruands-Urundi, 16 [Europe No. 1, Radio Luxembourg, Monaco, Andorra and Algeria). “Al Rights Reserved International Copyright Secured.CHORUS: Let me try let me try a Dm? G7 c Am Dm7 Gr Cmaj7 Bm7bs eH E Am Am/G more. We can have 2 cD b7 GTsus a Cc Am Dm? G7 maj? Just for-give or T'll die, please | let Bm7 bs ees E Am Dm Gisus G7 7This Guy’s In Love With You ‘Words by Hal David ‘Music by Burt Bacharach Moderately slow this guy, this | guy's in love with you. Yes, I'm in love. Who | looks at you This guy's in love, and | what I'd bs Dbmaj7 eb Abmaj7 way 1 do? When you can tell we make you mine, — Tellme it so? Don't 2 cm Bomin Eb know each ve - ry well. How show you I'm let me last to know. My a sha-king, Don’t & 58 2 Abmaj7 Abm6 Gm7 cm © Copyright 1968 Jac Music Co, Inc & Blue Seas Music Inc. USA. 18 Island Music Lid, 334/336 King Street, London WE, All Rights Reserved. International Copyright Seoured.—— got to know you ‘cause Vve heard some talk heart keep break- They |say you think 'm fine. your love, want__ your love. Slower P Say you're in with this, Abmaj7 eb Dm7— Cm7 FT D.C. to Fade —— an guy, Til just 2 Bb —I— by ra 19I'll Never Smile Again, (Until I Smile At You) Words & Music by Ruth Lowe Moderato mf Fm7bs Bb7 eb FB Bb7 loved me inthe past, but our ro- mance did - n't i 4 — Fibs br eb br eb = —— ==> thrilled me with your kiss, dar - ling, | now 1_ pro = mise i £ $ 542 ob = Fm7bs Bb7 E> FI3 br eb re Fm7 0 © Copyright 1939 San Music Co. Jc, USA. ‘Campbell, Connelly & Co. Lid, 89 Eth Stet, London WL "AiSRights Reserved otemational Copyigh Secured.be Abm6 G un = til IT smile at Bb7 bits through, Fm 4 ED tears would rs Bb7 ED fill i br DB my good _ would —s pig br eb love Fm7 D7 a-gain, 21Tm so in love with aod bs Bb B ee a - gain to some- bo - dy —3— ig Fm7 Bibs By eb | i — | _ he ! Gm7 cr Fm7 Fo BbT Eb FR Bb Emaj7 be 22Try A Little Tenderness Words & Music by Harry Woods, Jimmy Campbell & Reg Connelly 5 = == SSS SS Mf In the [bus - tle of to. -| day, we're | all in - clined to with a [ten - der word of love, youcan make the wrong things A with - out them, lit - de tn - der - } try a lit-tle ten-der -| nes You know she’s wait-ing<_- Irs | not sen-ti she |has her grief and gen - tle, makes it bye You won't re - gret_ it, wo-man don’t for-get it, | love is. their whole hap - pi It’sall so ea-sy, ty a lit-tle ten - der ~ | ness. 2 — - zs eo * & mm Po Dm7 a7 c c 25Annie’s Song ‘Words & Music by John Denver Moderato Like the} moun-tains in storm in © Copyright 1974 Chery Lane Music Co. USA. 26 Cherry Lane Music Ltd, 18/20 Ridgeway, Wimbledon, London SWIS. ‘Al Rights Reserved. International Copyright Secured,sleep -y blue | o + cean. G D pict DB DIA Come, let me Dsus. D Dsus. G A t = = + eS aS , ——F let me give my life to you. Let me like a night’ in a for - est. Like the fe 2 2 f—- * = £ ee = - e G D pct DB drown in your | laugh . let me | die in your moun-tains in | spring —_— like a |walk in ‘the D/A G Fim Em G 2A Bm up me my al - ways be sleep - y blue lay down be storm in the with you. © - cean. D come love me fill me ! ! ! Dsus up D Dsus 28 Dsus D oe DFeelings (Dime) English Words & Music by Morris Albert Spanish Lyric by Thomas Fundora Em Em/D¢ Em7/D A9iCh Feelings, noth-ing more than | feel-ings, __ try-ing to for | t Amc DI G Ftm7 BT get my] fet-ings of | tove rs Agich ==: a Tear-drops, roll-ing down on boys y lta _ ee = try-ing to for 2 a | Lat ad Am/C D7 G ET feel-ings of — | love. © Copyright 1974 Eaitora Augusta Lida, Sao Paulo, Brazit For the whole World except the American Continent: Intemational Melodies Geneve, 8 Rue de Hesse, CH-1204, Geneve, Switzerland. 29 ‘Assigned for the testory ofthe United Kingdom and Eire to ‘Bucks Music Lid, 1a Farm Place, London W8. All Rights Reserved Intemational Copyright Securedc Am? D7 Bm ET for all my life Fl | feet I wish I'd never —== met you, girl, you'll nev-er come a -| gain. — c Am? D7 Bm Ey feel - ings, Am D7 Fem7 BO Bibo “I a-gain in my Sem Em/D4 Em7/D AvCR Feel-ings. feelings like I've | nev - er lost you and feel-ings like IllAmiC DI G ET t0 Coda have you again in my | heart, - c Am? D7 Bm E7 Am D7 Fem7 B9 Bo Repeat to Fade Am D7 Bm Ey Lh AN) Th Le 31As Time Goes By Words & Music by Herman Hupfeld Moderato BE FT pb Bbm/D> Brypb c7#s C7 This |} day and age we're liv-ing in gives Fm7 By B% =D Bb? pb Cm cause for ap-pre-hen-sion, with | speed and new in-ven-tion and | things like third di-men-sion. Yet we be Fm7 Bb7 Ebmaj7 c7 cho CT = ? get a tri-flewea-ry with | Mis-ter Ein-stein’s theo-ry, so we | must get down to earth at times, re Fm Bb7 Bb G7 cm Bb pI © Copyright 1931 by Harms, Ine. New York USA. 2 Redwood Music Lad, 14 New Burlington Street, London WI, United Kingdom copyright owner. ‘Ail Rights Reserved International Copyright Secured.Ss | a FS Gio ee No mat-ter what the pro-gress, or 2 what may yet be proved, P the == ooh | ge | lax, re-lieve the ten-sion, Gm D sim-ple facts of life are such they Fm kiss is still akiss, a | sigh is eb as time goes by, ply. m7 Bb7 Fm7 Bb7 Ebmaj7 still say “I love you,’ on | that Bb eb Gm7bs Bb Fm p can-not be re-moved, Bb Frmbs just a sigh, Ebm6 EG Cm And you can re-ly. Ebm6 Eb6 cm BD must re-mem-ber this, The Fm fun-da-men- when two lov-ers woo, Bb7 tal things ap - they Bb7 mat-ter what the fu-ture Gmbrings, as time goes | by. 34 Fin? Bor Fm7 Bbr gb ab G7? ab eae z SS pS =: == i 7 ne - ver out of date, hearts full of pas - sion, jea - lou-sy and hate. § g $ 8 78 — C7 Fm7 re Wo-man needs man and RP cm still the same old sto-ry, a Fm Bb7 world will al-ways wel-come man must have his mate, that 2 FT fight for love and glo-ry, Gmibs lo vers ae Gm7 Eb Gm Bb7 as | time ba no-one can de b, Bh case of do or die! eb goes E° Fm? Bb Eb Ebm6 Eb6| Against All Odds (Take A Look At Me Now) Words & Music by Phil Collins Slow —— oe - $s S = =e p fe : 2 D4 z & + oe ATsus/E Asus A ATsus/E A(add B) = a E pp oP pre “6 SE SS} How can I just let__ you walk away, just let you | leave without _ a trace? When I a E a i chm B ATsus Em7 _¢ _ — et er ——E = = stand here tak - ing ev - ‘ry breath with you,_| ooh. You're the g z £ [Dey ? = G AIG Fem7 Bm? 2 —S——_! eee SS oe oe s 5 v on - ly one who. real - ly knew me at all__| _ ‘gag # Em7 A 0 copy 80 ton God Th Mus Caer ‘Hit and Run Music Publishers Ltd, 81-83 Walton St., London SW3. 35 iran iy La 9 on SLa0 Asus 36 of» 2 2 ts a Ss oe So ———— So take a look at menow, | , well, there's just. an 4 44 == 7 ———— ‘Asus A DIA oe 4 si of 6 oy oe ! Tate ft fp ft eto SS SeeeS emp - ty space, and there's no-thing | left here to. re- mind) = me,____just the 4 Log $$ $ £ ETA Bm G BS a —~ Pate tt Ke Py > = I == i— mem-ory of your face. Well, take a look at me now, _ - 2 a4 a : Em7 Asus: D/A ' to Coda ~~ F za —~ ea pope ee te op et = = SS emp-ty space and you comin’ back | to. me is against the odds and that’s what 4 - ; ig z % t t 4 £ EVIA Bm G 1 DS A ~ f foo = s epee to fa : co I've got___ to face. __| 3 ee § § _§ § § /% ; ——4tor —— Take a good look at me now, Em7 Asus A P-copa I've got to take. Em7 Asus A ATsusiE, Asus A Take a look at me now, Y ATsus/E. A Asus AID AICHE Gladd A) X 2. How can you just walk away from me, When all I can do is watch you leave? “Cause we shared the laughter and the pain, And even shared the tears, You're the only one who really knew me at all. Chorus 3. I wish [could just make you turn around, ‘Turn around and see me cry. There's so much I need to say to you, So many reasons why, You're the only one who really knew me at all. Chorus. 31Morning Of My Life (In The Morning) Words & Music by Barry Alan Gibb Moderato = =—- ~— 9 Ae =] = i f moon is at its rest. meet you as be - fore, + £ £ * f F Bb you will | see a time 1 love the best, you will | find by the oc - ean floor. £ watch - ing play on = light, Build - ing 8 in the s F Gm7 Am7 pools of in a iced from | cold _— night. no-one | un ~ der-stands Gm7 Am7 (© Copsright 1966 Abigail Music (Australia) Py. Lid Rights assoned to Penjane Music (Austra) Ply. Li 38 Camprell Connelly & Ca. Lid, 8)9 Frith Steet London WI "Al Rights Reserved iniernational Copyright Secured} : ) ) ! morn - ing the In the FE the | min-utes take so 2 Bb morn-ing of my long to drift c7 a life. way. the life CT BhiF Please be 2 39i I: i = pa with your | life, Gm morn - ing and you've to live your | day. 8 Bb cr F © - ning, fly you to the moon, F Bb F top right hand |cor-ner of the | cei-ling in my |room, —_ where we'll 2 £ pb stay shines Gm7 Am7To swing on {clothes - lines, Gm7 Am7 yawn > ing, ‘tis the | morn-ing of my Gm7 Bb CT : . | | | Bb F BF BbjF 41The Power Of Love Words & Music by C. deRouge, G. Mende, J. Rush & S. Applegate Bb in the |morn-ing Gm bb Oo as I look in your See | Thold on to your |} bo- dy and feel cach move you it seems Fm far a ~ Your voice is warm and_ | ten der. a love that But nev-er won-der where I am “cause 1am ryt oy ph Eft F ro © Consih 1985 Libraone Mustvrag (CBS Songs Munverig Ob) 42 CBS Songs Ltd, 3/5 Rathbone Place, London W' AT Rights Reserved Intrnaionl Copyright SecuredBbiD F not for -) sake “Cause 1am your la - by your and you are my man| when-ev-er you reach por”? Sli | ~ —— | F The sound of your heart | beat - ing, made it clear sud-den - . = je 2 = 3 Gm F Eb Boo bob ' an pS a sy po : eB | ly can't go on a oS = . se D&. al Coda @ copa pb E a to fade The pow-er of loveSeparate Lives ‘Words & Music by Stephen Bishop Ab Bb7sus4 eb —_— _ ee = = =— = —_s ie You |ealted me from the room in your ho - {tel, —\2 2 Be - all full of to ~ mance for some-one you had | met, and Ab bo >. — 5 ae je - i tell - ing me how sor - ry you were — fleav-ing so soon, and that you yo = — = - Ab == 5 z =: | miss me some-times when you're a - flone in your room. Do 1 oue8 = = — o cr Gt tg ian ni ob Co a Na 4s ‘All Rights Reserved, Interational Copyright SecuredFm7 BIG BIC feel lone - ly too? You eb Bb7 eb to ask me how I Fm7s to Coda Bb ab Abjpb Eb ab to speak to me so | kind, T can’t go. Jon, By hold-ing on BoC Cm7_ Gm7 Fm7 Abpb Fe now that we're | liv - ing “is ab eb AbjED Cc Fmibs S 2. Well I held |} lives. Gm9 It’s so ty-pi-cal, loveFm eb ab eb Fm7 eb bes 3 === SSS are — oa = 2 Te Ae se So leads to i - so-la- tion, So you | build that wall, so you — sp 4 D& al Coda Fm7 Bb7sus4 cm Fm7bs zh =" —-? aA ~ y z= ——s -— — ¢ eS = z build that wall and make it strong - er. 3. You have no =} & z sb, — p— =" ay —— Q copa Ab AbiBb eb EWG Fm7 Abjpb f (on) find my-self look-ing in your | eyes. But for |now we'll go on liv-ing sep'rate Eb Fm? AbC) G/B AbjBh ED an EF Zz FS - + r = 7 $ = oF T ———___} Yes for now we'll sing sep-'rate | liv es fo ve'll goon liv-ing sep-"rate S55. J ch “ ~ ete 4 & : : 2 = = I= fee = Chorus 2: Well, I held on to let you go. -“ And if you lost your love for me, you never let it show. There was no way to compromise So now we're living separate lives Chorus 3: You have no right to ask me how I feel. You have no right to speak to me so kind. Someday I might find myself looking in your eyes. But for now, we'll go on living separate lives. Yes, for now we'll go on living separate lives, 41