IDILIO

                (Allegro)
Arreglo: David Async; Martín Muñoz

      
  
Willie Colón

      
 = 130

  
 = 80 Cm

       
          
Corno en Fa

           
     

 


                
Corno en Fa

                

  

 
Corno en Fa

                  
    
 

Corno en Fa

           
         
3 3
  

  
3 3
Corno en Fa

                  
 
(Sordina)  

Corno en Fa

               
   


(Sordina)   

Corno en Fa

  
      
                       
  
A♭7


B♭7


13
F E♭

Cor. Fa

  
                      
     
  
3 3 3 3


 
Cor. Fa

               
     
3
 

 
   
Cor. Fa

  

      


Cor. Fa

            
 
3 3
 3


Cor. Fa


                 


   
 


Cor. Fa

                



Cor. Fa



2
    
      G7
   
Db7

 
                   
Dm7♭5

  
A


Dm7♭5
21 G7 Cm  = 150

      3 3
Cor. Fa

                        

3 3


      
Cor. Fa

  
         
           
3 3

   
 

                 
Cor. Fa

    
       
 


   
Cor. Fa

        
   
3 3


 

Cor. Fa

                  
 
 
      
Cor. Fa

                      
 
 

Cor. Fa

3
             Fm
           
                
        
      
30 G7 Cm C7 G7

      
 
Cor. Fa


              
3 3 3
3


   
Cor. Fa

      
          
 
3
3

    
Cor. Fa

      

 

Cor. Fa

          

 

Cor. Fa

         
Cor. Fa      

       
  
    
 

Cor. Fa

 

4
         
                
               
  
     
A1

  
39 Cm D7 G7 Dm7♭5 G7 Cm


Cor. Fa

        
          
3 3
3 3 

Cor. Fa




                              



 
Cor. Fa

           

 

Cor. Fa

           

 

Cor. Fa

                
Cor. Fa    
    
    
  
      
 
   


Cor. Fa

   

5
             Fm
                 E♭
   
   
            
49
B♭7 A♭7

   
     
Cor. Fa

   

3 3 3 3 3 3


Cor. Fa

   
           


 
    
Cor. Fa

    



Cor. Fa

          



Cor. Fa

     
  

 


Cor. Fa

     
  

 

  


Cor. Fa

  

6
            
           

  
              


  
      
B

 3
58 G7 Dm7♭5 G7 Cm C7

      
Cor. Fa

    

3 3
 3 

Cor. Fa

 
           
 
Cor. Fa

        



Cor. Fa

          
Cor. Fa 
             
Cor. Fa       
 

    
      
 
    

  

Cor. Fa

  

7
                             
 
             
  
67 Fm B♭7 E♭ A♭7 G7

      
Cor. Fa

    

3 3 3 3
 

 
Cor. Fa

   
                       


    
3

   
Cor. Fa

      

 

Cor. Fa

          
Cor. Fa 
   
Cor. Fa             

   

  

          



Cor. Fa

   

8
                    Fm
  
            
C


76 Dm7♭5 G7 Cm


Cor. Fa

     
    
3 3


  dim.


Cor. Fa


                 
           
 dim.
3

   
Cor. Fa

      
    



dim.

Cor. Fa 

         

 dim.

     
Cor. Fa

   
    
   
      


Cor. Fa

             

 

 
Cor. Fa

 

9
  E♭ G7 
 B♭7  

           
84 A♭7


Cor. Fa

           

 

  
Cor. Fa

        
    


  
Cor. Fa

       
       


Cor. Fa

          



Cor. Fa

        
  
                        
               
3
Cor. Fa

    
      
 
    
     
 

     
Cor. Fa

 

10
                    Fm
  
           
       
Cm

   
Dm7♭5 B
93 G7

     
       
Cor. Fa

      
      
3 3
  

Cor. Fa

   
                       
 

     
Cor. Fa

        
    





Cor. Fa

          

 

      
Cor. Fa

   
                  
3 3 3

      
Cor. Fa

            
    
   
Cor. Fa

 

11
             E♭
                
          
      
   
       3   
102
B♭7 A♭7 G7 Dm7♭5 G7

    
Cor. Fa

      

3 3 3 3
 3

Cor. Fa

     
     
   
Cor. Fa

       
Cor. Fa 
           
Cor. Fa 
    
 
      


Cor. Fa

    
 
      

   



Cor. Fa

    

12
             Fm
               
      

          
 
112 Cm B1 C7 B♭7

     
Cor. Fa

    

3 3 3 3


 
Cor. Fa


                     



   
Cor. Fa

     

   

Cor. Fa

         



         
Cor. Fa

    
Cor. Fa  
   
    
    



   
  

Cor. Fa

 


13
 
        
         
 
   
           
       
120 E♭ A♭7 G7 Dm7♭5 G7 Cm

     
Cor. Fa

    

3 3 3 3


Cor. Fa

  
        

           
        
3 3

  
Cor. Fa

       
Cor. Fa 
          
Cor. Fa 
   
Cor. Fa             


   
           

   


Cor. Fa

   

14
                        
 
                
129 G7 D7 G7 Cm C1 Fm G7

                      
Cor. Fa

 
                 
3 3
   3


Cor. Fa


                         
     
3 3

   
   3

     
3 3 3

      
Cor. Fa

          
            
 

Cor. Fa  

         

3
  

Cor. Fa

 
        
             
    
    
    
3


Cor. Fa

    
    
              
  


 


   
 3
Cor. Fa

 


15
          Fm      
         
D

          
1. Cm 2.


136 B♭7 E♭ A♭7 Dm7♭5

Cor. Fa

                 

       
          


   

1. 2.

Cor. Fa

          

 

        
1. 2.
Cor. Fa

     2.    
           





 
1.

Cor. Fa

           

 

Cor. Fa

  1.                
  
  
2.
Cor. Fa

  1.               
  
  
2.
Cor. Fa

16
          Fm
         A♭
      Dm7♭5
   
              
E

    
145
G7 Cm C7 B♭7 E♭ G7 Cm

      
Cor. Fa

         

3 3 3 3 3

  3 3
Cor. Fa

                      

                 
3

Cor. Fa

        
    
3 3


Cor. Fa

           
Cor. Fa 

         
    
  
Cor. Fa

         
     
 
 

Cor. Fa

 

17
         Dm7♭5  G7   
     C7     Fm
            
D1

            
Fm B♭7 E♭ A♭7 Cm


155

 
Cor. Fa


Cor. Fa                  


                

   
  

Cor. Fa

      
Cor. Fa    

          
Cor. Fa 
   
Cor. Fa                    
   
Cor. Fa                    

18
      
Dm7♭5    G7
      E1   Fm 
            
         
164 B♭7E♭ A♭ Cm

   
Cor. Fa

           
 
 
             
          

Cor. Fa

  
              



   
Cor. Fa

   
Cor. Fa      

          

 
Cor. Fa

                        
 
 
Cor. Fa

           
 
 
 
         


Cor. Fa



19
     
x4

    
  
Solo Guitarra

     
1.2.3. x4

  
172 G7 Cm
1.2.3. 4. Fm G7 Cm D
1.2.3.
Cor. Fa

  
                
        
    
   
4.

  
Cor. Fa

 
                
      


4.

    
Cor. Fa

      
   
3

                          
3

 
4.

              
Cor. Fa

             
   

Cor. Fa

                        
1.2.3. 4.
Cor. Fa


  
               
     
1.2.3. 4.
Cor. Fa

20
   Fm   
     
              
   
181 B♭7 E♭ A♭7 Dm7♭5 G7 Cm C7

 
Cor. Fa

       
     


Cor. Fa


          
 
Cor. Fa

                

Cor. Fa 
          
Cor. Fa 

Cor. Fa

             


             


Cor. Fa

21
     B♭7 
   E♭
     
Dm7♭5  
    
    Cm
 G7    E1   Fm 
          
     
Fm A♭7


190

   
Cor. Fa

                              

                
cresc.


Cor. Fa

  
                



cresc.

 
Cor. Fa

      
     


Cor. Fa

           



 
Cor. Fa

                           
 


 
Cor. Fa

         
                 



cresc.


Cor. Fa

cresc. 

22
  G7    
   
1.2.3. 4.

    
Cm
199

Cor. Fa

  
     
         

1.2.3. 4.
Cor. Fa

  
        
    
1.2.3. 4.
Cor. Fa

 
            
 
1.2.3. 4.

Cor. Fa

     

  
Cor. Fa

      
   
     
1.2.3. 4.
Cor. Fa

  
     
         

1.2.3. 4.
Cor. Fa

23
Corno en Fa 1 IDILIO

 = 80  
               
Arreglo: David Async; Martín Muñoz

       
Willie Colón


     
(Allegro)

                  
        
 = 130

    


 
Cm F B♭7
11

     Dm7♭5 
      G7

  Db7

            
A♭7

 
17 E♭

   Dm7♭5
     G7               
3 3 3 3 3 3

           
   
A

     
23 Cm  = 150 G7 Cm

             Fm
              
     
3 3

   


     
32
C7 G7

 
                                 
3 3 3 3

       
   
39 Cm D7 G7 Dm7♭5 G7

                          
3 3 3 3

          
47 Cm A1 Fm B♭7

                         G7
  
3 3 3 3

   


        
 
54 E♭ A♭7 Dm7♭5

                           Fm
  

3 3

    
 

    
61 G7 Cm B C7

                               

3 3 3 3




        

68
B♭7 A♭7 E♭

3 3 3 3
 
                          Fm 
     
       
C
75 G7 Dm7♭5 G7 Cm

B♭7   G7   

        
3 3

         
  dim.

      
E♭ Dm7♭5
85 A♭7 G7

               Fm
  
 
 
 

    
  
Cm

 
95
B

           
E♭
            
3 3

     
  

    
     
102
B♭7 A♭7 G7

                      Fm
  
3 3 3 3

        
     


    
 3 3     
109 Dm7♭5 G7 Cm B1 C7

              E♭
           
3 3

     


        
 
117
B♭7 A♭7

                                   G7
 D7  
3 3 3 3

    
  3 3    
124 G7 Dm7♭5 G7 Cm G7

3 3

        
 D

         Cm    
                 
1. 2.


Cm C1

 
132 Fm G7

Dm7♭5   G7
       Fm
                    
  3 


E

   
140 Fm B♭7 E♭ A♭7 Cm C7

            
3 3

            
          
 
149
B♭7
E♭ A♭ Dm7♭5 G7 Cm Fm

3 3 3

2
 
                                    
D1

     
B♭7 E♭ A♭7 Dm7♭5 G7 Cm C7
156

   B♭7   E♭
    Dm7♭5    G7
        
                
         
Fm A♭ Cm


163

       1.2.3.
    Fm G7 Cm
x4

              
Solo Guitarra


1.2.3. x4 D

     
  
  
E1 Fm G7 Cm
1.2.3.
4. Fm
170

Dm7♭5   G7
 B♭7  
                           
  
       
B♭7 E♭ A♭7 Cm C7 Fm


183

   Dm7♭5    G7
         E1   Fm  G7 
 Cm
                  
     
192 E♭ A♭7

cresc.

 
  
   
1.2.3. 4.

   
Cm
200

3
 Corno en Fa 2 IDILIO
Arreglo: David Async; Martín Muñoz

           
       
Willie Colón


         
 = 80

                         
 

           
  
12  = 130

     
  
                      
  A

    
 = 150


20
Db7

       
  
3 3 3

        
 

         


  

31

 
                    
 3 3





43
A1

          
        
 

 
60
B


                 


 
C
77

          
               


    
dim.
92
B

    
               
  

 
104
B1

          
            


    
121

3 3

        
         
             
D

           
C1

 
133 1. 2.

  3 

                                           

140



      
         
     
146
E

          
                             
 
D1

 
162


            
 
       
                
x4 Solo Guitarra

    
E1
169 1.2.3. 4.



     
                      

177
x4 D

       
       
                 
 
190

cresc.

 

        
                       
197
E1
1.2.3. 4.



2
 Corno en Fa 3 IDILIO
Arreglo: David Async; Martín Muñoz

                         
Willie Colón

  
      
 = 80  = 130

       
             
  

            
Db7


13

                      


        
A

  
24  = 150


                      
  

       


    
36

 


    
                 
A1


47

           



           
    
       
B


62

    
 

  
                      
      
74
C
3 3

               

       





   
82

         
  



dim.

      
B

 
94

  


          


             
     
 
B1


109

    
 

      

     

               
121
3 3



  
                          
  
C1

   
130

  
3 3 3





                  
D


E

     
136


1. 2.

3 3
  

  3 3
                               
  
148 3


        

      
    
155


           
            
x4

       
161
D1 E1
1.2.3.

       D
  
             
   
Solo Guitarra x4

   
174
4.

3 3

1.2.3. 
          
                      
188
E1



  4.    
  
201

2
 Corno en Fa 4 IDILIO
Arreglo: David Async; Martín Muñoz


              
Willie Colón

     
 = 80  = 130

    
    Db7      
 
     
       
3 3


 
16

               
3 3 3 3

         
 A

 
25  = 150

      
          
   

  
40
A1

      
         
  

   
56
B

   
  
               
C


74

          
       
            
dim.


88
B

       
 
  

         

100
B1

     
           


   
118

       
      1.     2.  
          
 D

       

133
C1

3
  
                   

140
E



                 
  

157
D1 E1

           D
 
                           
x4 Solo Guitarra x4

 
173 1.2.3.
1.2.3. 4.

                                  
   
181

                             

186
E1



 
           
 
200 1.2.3. 4.

2
 Corno en Fa 5 IDILIO
Arreglo: David Async; Martín Muñoz

 
Willie Colón

   
      
       
 = 80  = 130
3 3

  

    
          
A1

  
  
18
Db7  = 150 B C
3



         
      
D x4

  
97
B B1 C1 1. 2.
E D1 E1 1.2.3. 4.
1.2.3.

 
                            
Solo Guitarra

  
x4 D E1


176
1.2.3. 4.
 Corno en Fa 6 IDILIO
Arreglo: David Async; Martín Muñoz

   
                
Willie Colón

     
 = 80


 
 = 130


(Sordina)

 Db7
        
           
  

  


        
17


   
    
            
 

  


 
 = 150


27

  
    
   

         
 
A1


44

 
           
     

       

60
B

    
             
   

    

C

 
73

 
            
  

     
      
83
3

     


  
                      
         
89

   3 3 3  
  


 


         
B


96

 
          
    

 
 

       

109
B1

    
 

  

             
  
 
122

   
     


               
       
D

  
   
C1

    
133


3 1. 2.

 


                  
        
E


146

 

   
                            
      
D1 E1

 
160



  
x4

        4.       
           
 
x4 Solo Guitarra

  
D

 
173
1.2.3.

 cresc.

 

  
  
          
       
          
196
E1
1.2.3. 4.



2
 Corno en Fa 7 IDILIO
Arreglo: David Async; Martín Muñoz

    
              
Willie Colón

   
 = 80


  
 = 130

   
(Sordina)

 Db7   
  

                       
 = 150

 
18

   
 




                   
A1

   
35

 
   
   
    

       
52


    

  
                
B 

 
64

   
             
    

   
C

 
76


        
        
  

           
B

      
90

      


  

       


    
B1

    
102

 
 
        
   

  


 

114

    
     

               
    
C1

   
127

  
3

 

  
                  
D

   
E

    
136
1. 2.

 


 
                         
D1


155

 
x4

                  
             
x4 Solo Guitarra

       
E1 D
170 1.2.3. 4.



   

                                     
E1

 
188

 cresc. 

   
             
 
199
1.2.3. 4.