Fantasy & Legend = Scroll Saw PuzzlesFantasy & Legend = Scroll Saw Puzzles by Judy and Dave Peterson Fox cae Chapel PublishingDedication © 2005 by Fox Chapel Publishing Compaiy, Inc Fantayy & Legend Seroll Sew Paseles is an original work fist published in 2005 by Fox Chapel Publishing Company, Inc. The patens contained herein ae copyrighted by the author, Readers may make thrce copies of these pattems for personal use, The pattrns circumstances. Any such copying isa violation of copyright lw ISBN 1-56523-256-9 Library of Congress Cataloging. in-Publication Data Peterson, Judy Fantasy & legend scroll saw puzzles / by Judy and Dave Peterson. — East Petersburg, PA : Fox Chapel Publishing, c2005. Inclides indes. ISBN: 1-56523-256-9 1. Jigaw puzzles. 2. Wooden novelties. 3. Woodwork-Patterns I. Peterson, Dave. II. Tide. III. Fancasy and legend sceoll saw puzzles. TT174.5.86 P48 2005 0501 Printed in China 10987654321 ve srlling wool nd other materi inheremy inches the Gk of injury and dams this book ot grace thi crerting the poets inhi ook sae fr eneryoe, For this reasons book is sld ‘acim any Tabi fray injures lowes, damages cate in any way by the content of his bok oe he Je of thet ts complete the pots preted hee, The publaher an he authoTable of Contents Chapter 1: Getting Seared 3 tor 2: Cutting a Welch Dragon Staph (Chester 3: Sanding and Finshing 13 Chapter 4: The "7 Wanna Play? 30 Fleet 3 Gargovle, Pensive 34 Gargoyle, Watchful 36 Gargoyle, Woeful 38 Gain a [1], TST LT a a nace en | Metmaid Pegasus 46 Unicoen 4s (Goth (Gone Ma Hippogrift 56 Hydra 58 Imperial Dragon. 60 Taughing Dragon 62 Lythe 64 Phoenix 66 Rearing Unicorn 6s Slim 70 Landscape PatternsA\bout the Authors [A former schoolteacher and librarian, Judy found her niche in life as a woodworker. She bough her fast saw it 1990 and, within the fies six months, was eutting and creating her own designs. A winner of many design awards, Judy now sells her puzzles at art and craft shows around the country. She has also written swo and she teaches scroll sawing at the Woodcraft store in her hometown of Madison, articles featuring her puzzles for Scroll Saw Workshop magazi ‘Wisconsin. Ia her spare time, Judy reads, keeps track of politics on TV, gardens, cooks, turns bowls on her lathe, and puts together other peoples flat puzzles, Dave is a senior systems analyst for a small mail order company. His inverest in computers, databases, and spreadsheets makes him suited to tun the record-keeping side of Judy's small business. Add ing, and altee organizational skill aa digital camera, a Mai for into the mix, and our comes a book. In his spare time, he reads, is active inthe local Macintosh Users’ Group, has given workshop on sales for the W.A.A.C. (Wisconsin Alliance of Antsts and Craftspeople), writes occasional articles for the W.A.A.C. publication, and tres to keep up with his wife ‘This book is the result of their second collaboration, Fox Chapel Publishing published their first book, Dinoseur Puzzles for the Scroll Saw, in August of 2002.Aon ‘Why interlocking and freestanding puzzles? 1 like puzales. These days, when I'm not making my own puzzles, im likely wo be doing someone ches I did, however, plan to g9 into business designing and making jigsaw puzales. I bought «scroll aw because Ihave always liked wood and because I was fascinated by the sro saw work Tsu at ar shove. In 1989, when my family and I made oue annual tek to nearby Renaisunee Fig 1 bought a five-piece pusale asa sowvenit, While it was ‘was not interlock 10 you really ki up. ‘When I began designing my owe puzzles, 1 decided all of them would be intctlocking, 30 that they could be handled. The puzaes in this ‘book reflect that decision I maul in 1990—all ‘of them are intetlocking. This means that, once you have the puzzles in a standing position, you ean pick chem up by any piece and curn therm completely around without having them fall apart, But, you have ro make sure you keep them vertical and donit sip chem! ‘The first thing Teut out when I brought home that wonderful new toy, my First scroll say, vasa three-piece rabbit, Asa woodworker ‘of long standing, 1 used lumber I had in my ‘workshop. Ie was an old piece of 1 x4" pine. ‘One of the things I liked about the puzzle was that it was thick enough to stand, The concept of freestanding” pure stayed with me as 1 moved on to using hardwoods, ‘Why fantasy creatures? I bought my first copy of Edith Hamilton's Mythology when was about ten. I've been reading i ever since and have branched off into science fiction and fantasy. Most of the creatures in this book ate from Greek mythok ogy with afew additions fom European folklore, as wll as some Chinese dragons. TThe Welsh Dragon (featured on the cover and in the step-by-step section on page 6) was cone ofthe frst fantasy creautes I designed. Like many of my subsequ resulted from a would-be Deciding wha I sacte selling my puzzles becau ime what their interests were, (If you design a new puzzle, you might a8 well fone that people are likely vo buy:) Customes continued to ask for fantasy puzzles, which reinforced my own interest in them. Theie requests, combined with my save me a powerful reason fo Fanasy puzales, Why hardwoods? 1. They're naturally beautiful. As a lover of hardwoods, [have a natural aversion painting them because they're beautiful in their ‘own right. Besides that, hardwoods occur naturally ina wide vareyy of colors. Why cut a Welsh dragon out of a piece of pine and then pint it, when you can cut it from a red- colored wood? 2, The harder the wood, the less chip-out you get. The structure of hardwoods appears to ‘be more uniform, Uniform density makes your cutting more consistent. You'l spend less time ‘overall and end up with a more pleasing result. 43. The increased density also resuls in surface that can be more easily sanded to a silky, smooth finish. To parphrase something wwe sid in our fist book, Dinosaur Pussler forthe Seo Sa silky translates into sles at an at show. Tat r O bt etde® Mhaidral2 Fantasy & Legend ‘Where can you buy hardwoods? Look inthe yellow page of your phone book tunder “Hardwood Lumber Dealers" Ask your ‘woodworking finds. Check out the ads in oer favorite sro sing of woodworking tmagttine; some of chee magazines may be available at your local library, specialty wood ig fetailers, oF bookstore. Keep your eyes ‘open as you deive through unfamiliar area ng to and from shows, and we found one of our best and most reliable supplies in Ohio that way. Ifyou have We're on the road a ko, access to the Internet, use a search engine to find "Hardwood Lumber Dealers.” For more information about wood, your local public library is the source that’s available to everyone, Ifyou have a home computer, che imited to you. This is especially access to the Internet. Here ate a few of the resources available 1 those wi door to almost u mation is open ue if you also have computers and the Internet: How do I choose wood for color and cutting characteristics? [ry 10 choose woods tht are suitable forthe item being cut. For instance, the Pegasus i traditionally white. Consequently, Heat most of ry Pegasus puazles fom aspen of maple, 1 also pay atention to my customers. | sell more dragons in red woods than I do i any other colo, so I often use ted woods for dragons. Almost every puzzle has a wood in which it sells best | know that | might not have found the peefeet wood fora particular pactern yet, and that knowledge keeps me searching for new and wonderful woods. 1 ear most of ay puzaes from cherry, maple, and walt. Cherry appears t be the wood of Seroll Saw choice, at the moment, bur walnut is gaining. popular aspen, which is umully available locally. From [alto use a smaller amount of ‘ime to time, | find sweet gum, menqai susfiae, and other regionally growa woods to ‘use for my purzles. For the fantasy creatures, alo use redheart, lacewood, bovote, macacauboy petoba ross, padauk, as well as many others in lesser quantities. Man almost too hand, to eut with « scroll saw. Most of the woods that are “too hard” are exotics ‘When T run across a new species. pick wp a board. IF it’s heavier than a simila-sized bosrd of hard maple, I pus tnuly beautiful woods are too hard, of ack. always look for color and figure in every board I buy. Iw species, and I want any figure I can find— wavy, quilted, fiddleback, ete Is helpful ro learn “Lumberspeak.” (See the “Puzzling tip box, page 18.) Talo like co look for boards that show the contrast between heartwood and sapwood. (See page 56 in the Gallery section.) (On the Hippogrifl the light-colored wood is the sapwood, and the dark-colored wood is the heartwood. 1 the richest color for that What are some of the advantages and disadvantages of various hardwoods? “The biggest disadvantage of hardwoods is price. Most hardwoods are more expensive than most sofiwoods. However, you don’t have to buy 87 kinds of paint and spend the time paning ‘our projects of larning to paint if youre using hardwoods. “The biggest advantage of hardwoods is beaury, With catful selection, you can produce 4 relly good-looking puzzle, “There is one charactrintic of hardwoods thats both an advantage and a disadvantage: the hardness. 1 takes longer ro ct puzzle in hardwood. but the finished piece is stronger. This isa grea selling poine fr childrens woys (nd for puzdes for clumsy adults). Purzlesern Nene > RCIA Per eee ee See eee tee ea a eee eet et see ae have a dus collecor and an aie cleaner. The Pee ee tet) many of the small ones. Even ifyou have a das collector, however, the atin your Se eee ena re ee ny the ceiling and removes a high percentage of Seen et cee eee ere eet eet ee ey dluse mask that uses replaceable filters, Eye protection isa must | was in ith grade eg ty ee ete carit ind a company that makes the kind of eet ee eee ees ee ee ke ag ete ets eee a eee ee eee Serer eee ee translucent plastic devices side onto your frames and keep flying particles From hiting ee et eee tee ea es protection you use in your workshop should Pee ae eee Getting Started 3Figure Sausrng the Bld 4 Fantasy Youll ako do a beter job of cutting and be safer if your aw has a good, well-running dust blower This device, of course, blows the dust aveay from your cut line, I call chi a safety inrve because, before I had a blower I reached Lup without ehinking, to wipe the dust away from the cut lin, and cut myself! Donit let it happen ta you. Also make sure that you have enough light i your workshop so that you ean see what you're doing. [have exo swing-arm lamps (widely available anywhere larops are sold) mounted on my saw. These lamps come with clamps, and you can usually find somewhere to attach them if you don't have « mount for them on your saw I find that Ican cut longer with light ‘coming from both sides. This setup alo climinates shadows and a good amount of eyestrain, You need adequate light for every thing else you do in the workshop, to. also wear a hearing protector. If you're into sctious woodworking, you would be well advised coat least invest in 4 mask, eye protection, some type of hearing protection, and possibly a dust collector. A word about saws T have owned four diferent brands of saws and have used several others, Although ies easier to @ Legend Seroll Saw cut anything with a great, big, expensive, production-quality anwy all of these patterns have been cut with a cheap, rickety, diffcule machine, Just keep practicing. Thave never sen a saw with «truly accurste legree gouge. To be sure your tble is square to the blade, get a square and use i t level the table. Check your squareness if you have trouble eutting « tse vertical To check that che blade is square to the table, life the saw aren up as far asi will go and place the square next to it. Place a white piece of paper behind ie w allow yourself eo sce the blade and the edge of the square as clearly as possible. (See Figure 1.) If the edge of the square is not perfectly parallel to the level. Adjuse the blade, your table is table accondingly PARTS OF THE KEY Keyhole v Nit Guan Figure 2, Pars of a Key Cutting on the line Cutting on the tine i faetyimporant on the cuter edges of the puzzle. Is very important for facial features and is sometimes important on the inner cus IF you wobble on the outside edge of a pure, you can either recut itor ignore it. If you get off the line on the Feature cuts, ep. Look at where you ae and se ifthe cu can be saved, IFit can ey to doo Iie can, throw the puzzle out and 1 again On the interior (or interlocking) cuts, accuracy is nor teribly important, Whar is important is the shape of the key. In order for the key not to pull out of the keyhole, the head of the key must be larger than the neck of the key, It also must be balanced so that there is material on both sides of the neck. Purzies(On pusales with large pies, there is a lor of 00m for error. The smaller and more complex the pieces, the more imporeant accuracy is. See Figure 2, which shows how to cut the key, at swell as how it is designed, Pattern classifications Three yenstonal puzzles are much more diffcale for young children chan fle puzsles with the same number of pieces. With three dimensional puzzles, there are mall muscle control isues involved. That's why I advise people not to give a more complicated puzale toa young child, Also note that some of the puzzles in this book contain swallowable is critical that none of those ldren tunder the age of three. Herc the easy way t0 tel: ifa piece will pas through the hole in a roll of bathroom tissue, the pice is swallowable. trea ira alta Cen oe) Cee eed ee ree ang the pater in ples cover the pattern wih a eet ee Lonhapre epee inenneie nner et eee as ae Caner cetunduene erento Shona eee een eee Ce ead Pes yoni alan eee oye! ee a as SE ee ei] peepee ee aetna Bary ~The pursles categorized as “Easy” are this simple in carmparizon to the others book. I consider the Welsh Dragon easy to cut, but it has breakable pieces. I would avoid siving it wo any child who is cough with bisther toys. Intermediate — These ate litle more challenging Advanced ~ These challenging to cut. consider the Green Man puzzle to be the ‘most difficult one in this book, Landscape Puzzles — These differ from the ‘other puzales in that they represent scenes with landscape clements, They are more difficue to pat together (as well as to cut) han most of the others Sache has Gettingtting a Bh Dragon Nese estes eee eer eee cen swore, Many of my studenis are just geting eee ee eres tenn Peco heer et practice before you tackle some of the patterns en eee er ee etd eee eng Seen eto you mast select the board you want 10 use. Examine the board carefull, ooking for bad spots including checks, kaotholes, and obyious ene te ea eee eed ee ect ras Ae ay Sree ee es ‘Avoid the bad spots when positioning your pattern. Spray the pattern with repositionable spray adhesive and apply the pattcn to Cee aie ean td page 12 for information on building a glue box.) Be sure tha the adhesive you choose is eee ee eee Seer eet Sar eee ec ere eas from a non-repositionable adhesive will be 40 ere ee ee rd See ee eee eke ee ot) off leaving no residue, (Hint: The longer you Set ee et een ene sete a et) ee ee ee Kmart and Wal-Mart stores, as well as ee ces ee eens eter Se er nd ene Cea en remainder ofthe puzzle off and use the boand ees ee ee ec end ae ee oe ee eects Cutting a Ca ea) bfB Fantasy &@ Legend Scroll Saw Puzzlesreal aad Porites bent ee cera pred aie hebier bees ne eat ans Cerne) Cutting sharp points errr ati eaten eee oy Poeun erd nate eto neeniuasys) anes corer pep een tet ip eat mabe meee anieten Cer rr panalgr ee vet tir nirneetRy Fe penn eine nh pe re pain renee) Pere ones Stare cutting the underside of the nose of the dragon, ‘Notice how my hands change position with every change in cuting angle. Continue around the tongue (the arrom-shaped bit). 44 Cut the key atthe base of the head. Then,go around and up the back of the head. Cutti 3 oro shebouom ofthe cn ‘Cur the points and proceed to the eye. ‘Cut down the eye line and along the base of the eye. Back out (See the “Puan it out” tp box, above) to the point shown below.Turn and cut up, ‘over,and down to the base line ng a Welsh 0 hadRemove the scrap. Then, start the saw Remove the head. Note that the photo Follow the chest line and continue again back out to the top of the eye shows more than just the head around the first leg. ut, and cut down to the starting point removed. Before taking this photo, had atthe tip ofthe nose. Be sure to ‘ut down the ches ine and around to remove al of the scrap and finished the chws ofthe first leg. Once you have pieces a8 you cut them free. f you removed the head, peel the pastern of, don’, smal bic will hang up in the and set the piece aside. After the head, bade slot of your table when you least Inormally cut out the feet and then the expect it and when its hardest to get long body part. them our. Always tur the saw off when removing pieces! TO Netechomimsumingin ste vaste Here! have it otandremowed te | kes assemble te peas | ut to create a sharp point. Cut out both second leg and am starting on the ‘out each piece, This gives me a legs and remove ther. third. Remove each piece as you free chance to verify that the cuts were it,and peel off the pattern The vertical. If there’ a problem, the bower is working on my saw, but it Sooner you identify i the sooner you doesn't clear enough dust away to fan correct it. After you have cut {ive me good Wisbly. Therefore,| around the outside ofthe third foot, brush the dust off after removing youl need to turn around in the ‘each piece and in between 35 ‘waste to cut in £0 free the lg. necessary | recommend you do likewise. lo Fantasy & Legend Seroll Saw Purzles[3 Ceteitheteeand remit, | Cutten der Sare ati ee of Folowing tect tn i the al ‘the ta go up and around the tail curve and around, free and discard points and around the curve the oval scrap piece. Careful allow your blade t come forward out of the eval along your previous cut line. his part ean be tricky. f your cut was not absolutely vertical, youl find yourself re-cuttng a ine jus a hair off. the original which makes your dragon look ragged. Alsernately, you can back cout of the ova, turn around in the ‘waste, back into the beginning ofthe oral cut ine, and then gp forward. \ Ge) Swe. J at X ( 16 Sepersiocu teres ote lng 47] Nove how letine the wae, J The fal aon the Boy pee ou body piece turned the piece 180 depres, and see that | put my ngers quite close then came forward to fash the as {o the saw blade. The wicks to keep paint onthe body piece them beside the bide notin fron didnt gee the pattem glued down well enough, s0 | was forced to hold the pastern down as | cut. Cutting a Wels ho Dragonf at org the back age ofthe eal) Cut the mie wing pees DI ere epee we ec re ‘wing piece, tuning in the waste to finish cutting i ree. ——— Paste Dropeiow Pattern Rest *S. oy Fron int | Pace , nang er * Frone View Cutamay Sfevew Frac the neck pace rev Avo PI nedk pee free. ri 22 es riae cher ss ee ihe pene elleeeet ee ee Toet emer | egg Sepa pe nag an ope ay POR Ga, Seen ea Faye peter remy pomp pee SR ee pe eee eae een tees 12 Fantasy & Leg @ Scroll Saw PurziesASS sae ee eee eg ee ee mistakes in cutting. With puzzles, the most ‘common problem is that the pices stick. This Sere eee tn ea the key and the shoulders of the eyhole (See eee et ners) cS enter eee Pee eee eeraceet ee ee sanding process 1) sand the top and bottom of each piece, 2) check the cut surfaces for ete ee er ee non ono es fee ee eee Sanding and Finishing 13redialSanding and PF baisdhion ol:16 Fantasy Finishing ‘The General Finishing Process Because I usually wane the actual wood colors to come through [use Danish ol in Natural 10 fini sy putas. Ive had good luck with the General Finishes brand. Color on most ofthe exotic woods will change over time as a result of exposure to ultraviolet rays. Because ofthis, then I want the color to hold, use a clear, UV-blocking. Danish oil on these woods. The “tech guy” I spoke to at the company that makes this oil told me that the oil will double the life ofthe jeneral Finishes sells this product undee the “Outdoor Oil” label. Because making and sll cob. ws puzzles is my business, Ido alot of oiling, I sare by pouring the oil into a one gallon, resealable freezer bag. Next, [disassemble the puzale and drop the pieces into the oil. et them sit in the ol for a short time, and then remove them from the oil. As soon as theyre out of the bag of ol, I place them on plastic trays lined with paper towels 0 dip dy. Most of the pieces dry completely without wiping, buc I inspect all of the ine detail there isin sand wipe as necessary: The more cut a pure piece, the more attention it needs at this step. The extra attention is necessary for these pieces because more ol gets into the cut line than can be absorbed by the surfaces inside the cut. Then, the oil bleeds out, usually over several hours. Aer drying all ofthe pieces chat need it, T reassemble the puzzle and le i air-dry overnight. Remember that ol fures are extremely volatile. I dry the pieces with paper towels because paper towels dry quickly and completely [dispose of the paper towels by dropping them loosely into a large paper bag and letting them dry ‘overnight. This process permits no buildup of Fumes to cause spontaneous combustion. The importane thing is nor wo stuff them tightly into a plastic bag @ Legend Seroll Saw Finishing of the Conflict in Clouds puzzle | finished this purale with Cherry and Golden Fruirwood stains, as well as with Danish oil in Natural used Beblen stains, and the color names are the ones they use. Do a litle experimenting to Find your fsvorites. “The Golden Fruitwood color, a it came out of the bottle, was litte too orange For my taste. I darkened it with a litte Cherry stain. 1 dipped the pieces of the dragons and the pieces representing the water in the stain, wiped them jimmediately, and set them out to dey (on the paper-towel-lined plastic trays, as noted before). 1 dipped the pieces representing the moun tains and the ground in Chetry stsin and swiped them immediately. Afterall of the stained pieces were dry I dipped them in Danish i For the clouds and the pieces representing the base, I used Danish oil in Natural, I lefe the sky pieces unoiled With landscape puzzles that I expect children to ply with, Io all ofthe pieces Natural and lee them dry. Bare wood picks up fingerprints because it dloes not have the ol to protect itOn the following pages, you'll find a selection ena ea ene ee ten ccatting on the sight-hand side of che blade. ‘You should be aware that all of my patterns are ete Steet tes eens ae ee eke ee ene Sen eee Pes agen acres ee ee eee en ey popular. The gargoyles comprise another ‘group. They are all based on gargoyles found at Notre Dame in Paris. Sill another group are the patterns from Greek mythology. This Pete ee ee ae cee ee en ee ae) eee ee ed Of their own. These are the dragons I designed eee ea et ee ae ar ce Sere ee ae ee eT You can shorten or lengthen them, or reposi Pere ee ere eee cee ee Ce eee een Po eee ee ee ee base or as separate pieces, as well asthe more usual shapes. You need a ground line—either an actual one of a mental one—on which t0 Pen ee ae eee rsModifying the patterns ‘Any ofthe patterns inthis book can be enlarged. They probably should be enlarged if you want to give them to children under the 9¢ of 3. Once you get comforeable cutting the pares, wy experimenting and creating your owe designs. ‘An cary way co begin modifying pater is to change the shape of dragons eyes. Make the ye large and rounded for « “happy” expres sica of make thera ama and pointed for a fire” expression. You should abo change the stant ofthe mouth ine up or down vo go with the eyes The ilustation below shows oo eaalons ofthe same dragon head co convey these points. Happy Dragon Puzzling it out eed Cen eee ee are ee on creates Cree eee ce eee ed pechebanerimari rr tin mpercniee inert ourterr ener Pamor ter wenriernwrser Sep eet hn spear Soon Cee ean ere nara pean Den pcre) eaten ee rr ee er ern faerie ee enna. Ne ee eee en ee oor nn ete rrr the thickness ofthe board. f you go to speciakylumberyards, they Wil plane to pleninrarenseayienpeins Cee eet eee ee ee eee od Oe en et te ee Peete ore eee eer nena CO ee ee Dee eer Fierce Dragon ‘These ewo dragon faces hae been modified to change their expressions. The dragon on the let has a more tan rhagy ek Te Sg on ight art 18 Fantasy &@ Legend Scroll Saw Puzzles“The Pracece Patter sply 2 runing ine tha forms the ‘hapa, curves, polna,oyt tat and vo forth found in my paatles. So pracce! Patterns@ Lea 20 Fantasy & Legend Scroll Saw Purzries22 Fantasy & Legend Scroll Saw PuzzlesRedheart. approximately 6° ell. This was the fie ofthe belle Baby dragons and wat 0 popular that id more baby deagort Roady heiPon S)223-24 Fantasy & Legend Scroll Saw PurzlesRoady hgiton S)225:26 Fantasy & Legend Scroll Saw PuzzlesPeroba rosa, approximately 5” tll was running out of mimes 20 borrowed from line na poem by Lewis Carrolt"He would answer to Fe orto ay loud en” Cal fir anyehng you Thetis a very popular pattern28 Fantasy & Legend Scroll Saw PuzzlesSpalted maple, approximately 3° tall. Short for Too Darn Cute ts projet was adhped from a ‘lownglss baby dragon done by 3 friend of mine: When | sts "Seove im going to steal your Mee replied That not thf acs are Poa baton 5.012930 Fantasy & Legend Scroll Saw PuzzlesBlack walnut, approximately 6° tll. ‘Another ofthe bibs. thik ths one i abovt fur ears old with no one eo ply with. Roady tton S0332 Fantasy & Legend Scroll Saw Puzzles‘edheart, approximately 24" ell Satinwood, approximately 2” tall Pattern $013334 Fantasy & Legend Scroll Saw Purzies” a36 Fantasy & Legend Scroll Saw Puzzles38 Fantasy & Legend Scroll Saw PuzzlesPoa fitter $0139.40 Fantasy & Legend Scroll Saw Purzles42 Fantasy & Legend Scroll Saw Purzles44 Fantasy & Legend Scroll Saw Purzles46 Fantasy & Legend Scroll Saw Purzles48 Fantasy & Legend Scroll Saw PurzlesBird's cye maplo, approximately 5" tll ‘Another cassie shape. both ths and Pegasus are cut rom pieces of maple | bough rom an art show customer A fran came upto a a3 show and kad "Do you buy wood?” Sil question! erSO Fantasy & Legend Scroll Saw PuzzlesMacacaubo, approximately 81" al. Hes ramed for hu fama, The wood is pronounced "nah-alveah-WHY-bo Its South American ad ne of dhe lesser non woods52 Fantasy & Legend Scroll Saw PuzzlesHelpful Cutting Hints: Sart by dig hole ‘rough one of te eyes iaert your Bade thrgh the hole and reatach ic Tight the tsion. Cat che eye ‘hape and fellow the ext ine tothe other aye and at 4k Gxt down and around the neve shape, Back out fo the point where the nose ine touches the moustache and eat the mousuche ree. Release the Bade, ake ‘nt ofthe interior cuts, and start onthe leaves | general takeout the top fe aves, then the ‘jebrome,and then dhe ace The rest of easier 54 Fantasy & Legend Scroll Saw PurzlesPatton 8155:Photocopy at 105% 56 Fantasy & Legend Scroll Saw PuzzlesRoady tgiton 81215960 Fantasy & Legend Scroll Saw PurzlesIkea SEE IDR: oval62 Fantasy & Legend Scroll Saw PurzlesSra, ram's dragon designed by one of my gon ad. Roady tgiron $116364 Fantasy & Legend Scroll Saw PurzlesBubinga, approximately 8° ell [Another dragon sdsped rom Lora Sah vgn. (Can you spot te rght one!"Note: youre going to ue s drum sander fon this ane. do the fames and the body separately 66 Fantasy & Legend Scroll Saw Purzles68 Fantasy & Legend Scroll Saw Puzzlesg JO Fantasy & Legend Scroll Saw PuzzlesRedheart, approximately 2 el The second pater for bits of wood | used to throw aay. Roady tenon Soe) Lan scaDe aera Photocopy at Photocopy at 115% Temes backer boar for seh ofthe andkeape purses Thoyre eat to the eutine ofthe heiched Purtle Widout the backer boards, these pursls are Iposable ro ck up withou having pices ll ue. They ean be dispayed freestanding or withthe tacker board ln place you uve the sand “Te male the sands, cut dam from the same bosrd \ ed forthe pale. The stand incense the ‘ely with which you can diphy the pura. Conf o Cste nee wo stands while Confit a (ude requies tree. Ads he with of the ‘Sands to fe your paral Uucess plas te Hicknass ‘ofthe backer boar 72 Fantasy & Legend Scroll Saw Puzzlesontlict at pall 5llavidl. erifes inBuen marks, preventing. Castles Gonfliet at Cathe nee 2-73 Carrier, using a~ Gusting eyes~ Cutting sharp points: 8 Dragons Cute Pig a Hatchling Hie ED Gite Wanna Play Flert— Hilarion Flame: Gotcha! — Imperial Dragon Conflie at Caste Welsh Dragon Conflict it Clouds Drum sander, using a~ Figures, Greek mythology Centaur Grifin Mert ennnnnnnmnne AS More Great Project Books from Fox Chapel Publishing Scroll Saw Art Puzzles by Tony & June Burns Pages: 88 1-56523-116.3 $1495, Scroll Saw Holiday Puzzles byTony & June Burns Look For THES! Pattern Index Ceneaut . 20 Conflict at Castle Conflict in Clouds Catie Pie Finishing —- Confit in Cloud Flame~ Fleee Gargoyle, Pensive—— Gargoyle, Watchful Gargoyle, Woeful Gargoyle, Wael - Gargoyle, Worful-— eee aon nis Hahn — Pattern classifications Egy nnn Intermediate Advanced eno Landscape —— Hilarion — Hippogriff Laughing Deagon— Practice Patera bee Sey Mermaid o ing os Saws: me Phoenix - ‘Squaring the blade Practice Pattern Unicorns Unicorn Rearing Unicorn Conflice at Castle Wanna Play? ‘Welsh Dragon ‘Scroll Saw Farm Ti, Pues ‘Creating an American by Judy and Barnyard Scene with 20 Dove Peterson Easy-to-Cut Patterns Pages 80 PEE by Tony & June Burns 1-56523-184.8 $1495 Scroll Saw Workbook 2nd Edition Learn to Use Your Ree Aero d Scroll Saw in 25 Skill Building Chapters Tom Knight by John A. Nelson Pages: 22 Pages: 92 1-56533-244.5, 36523-207.0 $1495 —E BOoKs AT YouR LOCAL Book STORE OR WoopwokKING RETAILER Dinosaur Puzzles for the Scroll Saw Make Your Own Model Dinosaur Prehistoric Patterns for the Seroll Saw by Danny A. Downs withRee a rer PCR: (Create Frente evadl eeretnti Puzzles mba Besenteety a Ores ea tee Leer) Dem ane aC Rec ce eae Cee eet Rear ae) ae Ra NR ie gent raced ee AD ee ee co eo ars ieee OCC eR ees her expert scrolling skills, Judy Peterson has COU Cur uC hie eect Ce RO Con Carrs Drie teedes Thre ( Cole Urs Bee tea eter esa wood, using the proper tools, and mastering the critical steps of sanding and finishing n Easy-to-follow step-by-step instructions for Chee eee cu ca cied DARA ee era ae mcecs Be ee ao Cee a rsa Une ue ah and other storied traditions De ee cans captivate and challenge scroll saw enthusiasts of all skill levels ere eed od ISBN 1-56523-256-9 eaten’ eager as ree nd ] I) 1495 as ete Dae Cee oats ities olarseslzsz5e3 ocean) fae eee ara) 2563)