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Architecture

Built in U.S.A. Post W a r Architecture, Henry-Russell Hitchcock and

Arthur Drexler, eds., New York, Museum of Modern Art, 1953.
Fitch, James Marston : American Building, Boston, Houghton, 1948.
Hamlin, Talbot : Architecture through the Ages, New York, Putnam,
1940.
Richardson, A. E., and Corfiato, H. 0.: The Art of A?.cl&itecture,London,
English Universities Press, 1938.
Zevi, Bruno : Architecture as Space :How to Look at Architecture, New
York, Horizon, 1957.

Art in Everyday Life

Faulkncr, Ray, Ziegfeld, E., and Hill, G. : Art Today, 3d ed., New York,
Holt, Rinehart and Winston, 1956.
Goldwater, R. (in collaboration with Renk d'Harnoncourt) : Modern
Art in Your Life, New York, Museum of Modern Art, 1953.

D,rawings
Watrous, James :' T h e Craft of Old Master Dra.loings, Madison, U. of
JVisconsin Press, 1957.

History of Art
Gardner, Helen : Art through the Ages, 3d ed., New York, Harcourt,
1948.
Gombrich, E. H. : T h e Story of Art, New York, Phaidon, 1950.
Hauscr, Arnold : T h e Social History of Art, New York, Knopf, 1951.
Myers, Bernard S. : Art and Civilizatiorr, New York, McGraw, 1957.
Sewall, John, I : A History of Western Art, New York, Holt, Rinehart
and Winston, 1953.

Industrial Design
Oiedion, Siegfried :'Mechanization Takes Command, New York, Oxford,
1948.
Idea 55. Gerd Hatje, ed., bibliography by Bernard Karpel, ~ e York,
w
Wittenborn, 1955.

Kouwenhoven, John A. : Made i n America. The Arts i n Modem CiviEiza-

tion, New York, Doubleday, 1949.
Read, Herbert : Art and Industry, New York, ~ a r c o u r t ,1944.
'
Wallance, Don : Shaping America's Products, New York, Reinhold, 1956.

Modern Art
Barr, Alfred H., Jr. : Picusso :Fifty Years of His Art, rev. ed., New York,
Museum of Modern Art, 1946.
-: W h a t l a Modern Painting ? New York, bfuseum of Modern Art,
1953.
Elgar, Frank, and Maillard, Robert : Picasso, New York, Praeger, 1956.
Masters of Modern Art, Alfred H . Barr, Jr., ed., New York, Museum of
Modern Art, 1954.
Myers, Bernard S. : Modern Art i n t h e iliaking, New York, McGraw,
1950.
See also :Ritchie, Giedion-Welcker, etc., under Sculpture; Hayter under
Prints and SiZk Screen; Fitch, Hitchcook, etc., under Architecture.

Painting
Constable, W . G. : T h e Painter's Workshop, New York, Oxford, 1954.
Hale, Gardner : Fresco Painting, New York, Rudge, 1933.
Mayer, Ralph : The Artist's Handbook n,r ;Materials and Tech,tiqztes, New
York, Viking, 1957.

Prints and Silk Screen

Guide to the Processes and Schools oj E,tgravivy! ! I ;iSitish Museum
Handbook), London, 1923.
Hayter, F.',V. : New Ways of Gravure, New Sork, taantheon, 1949.
Heller, Jules : Print Making Today, New York, Holt, Rinehart and
Winston, 1958.
Hind, A. M. : History of Engraving anrl Etching, Boston, Houghton,
1923.
Ivins, William M., Jr. : Prints and Visual Communication, Cambridge,
Mass., Harvard U. Press, 1953.
Sternberg, Harry : Silk Screen Color Printing, New York, McGraw, 1942.
Weitenkampf, Frank : Hozo to Appreciate Prints, New York, Scribner.
1929.
Zi.grosser. Carl : Sir Cenluries of Fine Prints, New York, Covici-Friede,
1937.

!' :ulptu?'e
Giedion-U'elcker, Carola : Conte~nporalrjSculpture, New York, Witten-
born. 1953.
Lynrh. John : Metal Sculpture. New Forms and New Techiques, New
York, Stur!:n 1957.
Rich, Jack : TIIE.lfaterials and iilcthods of Sculpture, New York, OxfolSd,
1947.
Rilchie, Andrcw ',' : Sc~llptureof the 20th Centunj, New York, Museum
oE J10,lei.n Art, 1952.
Ef ruppc k, Jules : The Creation of Sculpture, New York, Holt, Rinehart ,
s;,d Winston, 1952.
Sphinx, the
Apollo
Apollo and Daphne, See Berini, G. L.
Soviet Union, (Soviet Russia)

Turks
Etruscans
Asymmetrical balance
Furniture
Athena (Parthenon)
Athena 1,emnia

Athena, Athenian Art

Acropolis
Adam, See Michelangelo; Creation of
Adam
Argentine
Aristotle
Old Masters
Spain, Spanish, Spaniard

Australia
Lion of Mark, the
Istanbul. See Hagia Sophia
Principles of Design
Scandinavia
Alexander the Great
Asia Minor
Iron Work
Stipple engraving
Tile Work
Metal Work
Counter Reformation, the

Augustus
Kleenex package
Roland, Song of
Aphrodite. See Praxiteles MIA
&I *33jl
Aphrodite of Cyrene \Y &+J+ 4 1 r;;a>jl
Africa, African Art Y99 , Ah 6 V1 &j Y \ (jplJ , @-j l
Plato Y - Y ' Y7\ d,b*\
Academy of San Carlos Y9f &JJr &,d\+4\
Pilasters iv
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Alva ; Three Figures YAV , Y A t , \ 9 V G N \-4.)1
Nazi Germany, Naziz .
t * A , 2 . 1 , Y Y 1 1 r dy_jUI $jl;J\ LU\
Le Beau Dieu. (Amiens Cathedral) .\YV . .c:r yc; ( +I +lJ&rr ) prhllt &I
, Y t o ' YYV., Y Y 1 , \ t 1
Water colour
Oriental water colour \Vb
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Olivetti typewriter (lettera 22) , Y\V ( Yt. h.c j + ) +WI 4ji
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Snake Goddess (Crete) Y e * , \ i f . \Yo (ex)j+lgi
Winged Deity Y49 , Y9A dl +
Frontality Ye\ % 9 A &L\
Emperor Justinian with Archbishop Ye U L Y l d4 j- d$\~Yl
Roman Empire ri\ c3,s , ~ L JYJ+,=\, ~ I
North America YA9 , t 7 9 ~ U GeP'I
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Latin America Y 1.i+-W uyl
Central America +3\ &
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Amsterdam Y T t cI>*I
Intonaco \ b V (&\ > ~ gL.9I. ~
Ingres, J.A.D.
England. English Art
Y Y t ' A\ Vo . pel
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Angouleme, Cathedral of Sf. Pierre t\o - t \ t r_... & - d I L;\jSU I

t\?
Bible, the 09 - bV S Y I
Indonesia IVY L J - u l
Inca A h m\
Panathenaic. amphora y t o , V 9 A-ls^L.Lkj T
Portland Vase Y * Y &A*,,? +I
K'ang-Hsi Vase $U . r 2 ~ p jj T
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Black Figured Vase vv >,dl ,j,J 3 'pU.1 &LC +I
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Glassware Yet -
Ye* Gkj j\>I
Black Plastic Salad Bowls Y \ 1 3,dVl **I 3 ax4 >\>\
Opera, Paris y'",24
Houdon, 'J.A., Voltaire YVY @$ ! \ Y 1 f - 1 - E , ;>>>I
Jerusalem Y V \ +,>t
Southern Europe ttl -+.+\
+>J>I
Eastern Europe Y \ t 3 4 1+>,>I
Northern Europe Y \ l -gul +>,>I
Western Europe Y9V * '.$I +,,I
Europe, European

Christ destroying his Cross

Legs,
Miguel Hidalgo y Costilla
Social attitude, revealed in art
Ovid, Metamorphoses
Oxaca (Mexico)
Hagia Sophia, Istanbul
Persia
Irish
Italy, Italian Art

Rhythm
Aeneid (Vergil)
Aeneas

Pope Julius 11, Tomb of YoY - YoT ;+J j W I

( p 3 J ~ f!uJ
Paganini. See Ingres, J.A.D. 9,T ,L\ &'k'.,
Padua \ o V I>+
Parthenon, Athens, See also 4 3 1L;u-5 +I &i, j+~vl
Panathenaic Procession & .L L
"
U\
Barlach,, Ernst, \tY 6 3YJL
Freezing Girl \ L Y 3&1 3 +-j' o u
Baroque . \ i V , \T\ \ V ( j 1 9A)J J ~ I
! Y L Y , Y T m t , T 9 L , TVV , Y o \ , YLA
-
, YVY , Y I 9 ' Y I O Y I \ ' t o o Y L I
6

YAY Y A *
t

Baldini, Baccio Y o V 9-+ , *"Jb

Paleolithic. See also Stone Age. ( k\ pJ\ &+I $1 ) A3-k
Ballet Russe de Monfe Carlo L * h &JJ\JJK & y Gk
~ a ~ l i o nAstorre
i, . f \ h &>+-I
Pantheon, Paris
Pantheon, Rome
-
AV
I

A 3 CIIL)-J+ j+ul
\ L LJJ, 3*.W\
Bauhaus . . YY3 ' Vj9
Butler. Reginald \ Y * *J a +.
Beethoven, Ludwig van T \ db S>J, 2*.
Black Sea i Y ayyl
Mediterranean , \ t t , \Yo VV tt - LVJ-pJl ,-Jl
4

.
Y * i 799
YA9 , T9V. , &jlAl
Brazil, Brazilian Art
Braque. Georges t
Yo
-+ . , T'* GJ*
,
d,!l
Brancusi, Constantin
Praxiteles; :M \ J ?
Aphrodite T 0 m-39j
f
Hermes Y - 3 'ep
Tower of Pisa. See Pisa 12. A' \2.CJ?
Leaning Tower. See Pisa J;\ -.
1-!, 3;Ul
Barcelona t - t r s v a+,!
I

Bernini ' T 3 - , \ t v . ' \ T i ' \ T Y l \ T o 7 3 &.,!

Y3t * T9\ 79. -
Brueghel, Pieter T h o 3. AJ,!
Borromini, Francesco JJJr &JAI &+I> , &>A
San Carlo alle Quatra ~ o n t a n e , , T t A , ) * LJJ , c ~ y IQ\J>U\
Rome n f . ~ o o ~ , t v 71-
,
Bruke, Die Y 9 t &\a ~ J J ? 4

Britain, British Art \ I t , A* Y9' jUP)_AJ j 3 1 ,

. .
YT9 T T * , T * A \ 9 T : , \ A t
u'\2. A1 3*l,
\Vo
';>+I
1

Annunciation and Nativity. See 4

Pisano, Niccolo 3&

Resurrection of the Virgin Y V l *lJdI
Beckman, Max .
Y9V YAA Y h t &L , jG. .
Departure YVV 4 V t Y , \ o t , l o - 3 t &)I
Man with Bowler Hat \v9 ; & d l &JJt 9
Planographic. See Lithograph j l - 4 AI +lJ+*
Blake, William \ A t &JJ +.
Book of Job illustratioq \ A 9 &-\;]I41 ~ Y J uw
Benton, Thomas Hart TAA a ~ \,pLr J ,dp.
Venice Y0T - 4 1
Hall of Mirrors, Versailles
Massachusetts Institute of Technology
Virgin Portal, Paris-Notre Dame
Cathedral
Paradise Gates (G hiberti)

Botticelli, Sandro

Buddha and Two Boddhisattvas

Buddhist
Posada, Jose Guadalupe
Poussin, Nicolas; Sf. John on Patmos 3!9 j*
&*- .r Y+ dl-2
Y?Y a YO\ tfV . tYV 8 \ ? A - \?V
Poseidon Y Y o d3+A
Bologna YO* G J A
Polyclitus. See also Doryphow Y?A ,,p\d$ 3~33 ' &&A
YYV Y * Y
Pompeii Y?V e A
Bewick, Thomas \ A t & L J , A-y.
Pergamum 'rv* f ~ k *
Berman, Eugene Y9t * A '
Perugia t\A
Pisa Y??-y?Y. \\\ .l2.
Pisano, Giovanni Yt9 YYV j b x- jl*.
Preaching Pulpit, Pistoia k~Cr;l+ - d l , L.J- , k J l +
Sant Andrea YY.9 YYV -
Pisano, Niccolo YYA YYV J& , ~ 1 2 .-
Preaching Pulpit, Pisa Y Y 9 I ; = ?j k J I ,+
Bapistery of the Cathedral YY\ -
YYA 1 2 .j + d l
Pisanello Y \ Y."++lie
Pissarro, Camille .
Y\Y , \ V Y \ ? \ VY YV JA. 3 J k .
.
6

Peasants Resting , \ o Y , Y h T t j ~ - j jp% +

YtV Y i i 4

Pevsner, Antoine 6 \ t o , \ Y Y , \ Y Y * \ Y \ 2l+l < j

*
Y?\ , Y A A . Y f \
Picasso, Pablo
, Y0V. s \A9 \A\ Y * +,L* , -ffi.
. YA?
4

, YAA , Y A t , YVY 6 Y4t 6 Y t 9

f\A- f\V 6 t \ Y , t 0 A - Y 9 V , Y90
Absinthe Drinker Y 9 A -.yI uJq +'
Blue Period Y 9 A ' ~ J ~ 4L I 1
Classicism f . 7 &scUl
Convulsive Cubism 2. y ' Lilii]\ t.;',J\ -1 -,"
Cubism t.. -1
Curvilinear cubism t . 7 &+-I i ~+I j
Gertrude Stein Y 9 9 2"- 32je
Girl Before a Mirror t * Y ~'iyfbl iiW
Grande Danseuse Y 9 9 *\
Guernica f0A . t.7 , t * t , Y A t Iftje
Le grand coq t * Y , f * Y c@\ A+\
Man with a Lamb t ' " SO) a &J
Mardi Gras (The Three Musicians) t * Y * t * \ k i ' l j+$\
Metamorphoses, Ovid t * Y +,I , J U L Y \ A-
Red and White Owl t o v t;? s - ~ .~+c ~ t& >
Peace and War i A f%d1> uj\
The Race t * Y &UI
Red Table Cloth 2.7 -1 i;r;lr c C h t
Rose Period
 Stained Glass Cubism i * Y +A! &jJ\ j1-
Three Dancers i.f i Y &)r=11 i;lUlJI
Violin i** , YVA , YV.9 3w
Woman in White , t o y , Y V Y &\ '+ Uj
Pueblo Indians \!T ( J YP 9 . e
Bellows, George \A! ~ J X j&
.
Bingham, George Caleb \ h e d K EJ* ?k.

Tabler and Stojowski. See Statler-Hilton

Hotel
The Merchant George Gisze. See Holbein
Tanguy (Yves)
Tone Processes
Form experience
Taste in art, Victorian
Trajan
- ,Planned Obsolescence
Cellini, Benvenuto
Cennini, Cennino
. Tschoukine (Sergei)
Design,
elements of
principles of
Painting
Color uses of
Forms in
Movement and depth in
Social function of
Spatial devfces in
techniques of fresco
Tempra
0il
Gouache
Oriental water color
Pastel
Texture
Tempra painting
Tang Painting
Fresco painting
Buon fresco
Fresco secco
Mural painting
Oil painting
Easel painting
northern Painting
Embroidery
Bayeux Embroidery
Abstract expressionism
Packaging
Eastern art tradition

Western art tradition .

,7\ 27. t9 ,t 7 . \Y &.A\ $1
\V* - 117. 9 9 . A t . V o . 7Y
. .
4

T \ \ , T * A 7.7 , \A\ \Vo \VY

Tho , T72 792 - .
Y 9 T YVV
Foreshortening \ o r &>,LA 1ICcPiiJ\
Mannerism n\, t o 7 +I 2 &I
Composition, varieties of YtA - Yf7 ; .
.f _ l j \ 2-6-
Egg Tempera , \7\ -
\ 0 9 &I *\-
Counter-Reformation , Y9Y , YAO , YVV , 7 t a U \ >-A\ &I
T90, TI\ ToA, to7 .
Balance
synchiomism
Toulouse-Lautrec, H. de.
See Henri de Toulouse
Titian; Portrait of a Young T A T , Y o Y . \I:
' Yo jF
Englishman tTY - Y Y * &+I + 0 ~ 9 . 4
Terborch, Gerard 'CYm\ L 1 9 1 JL.2
2 \ 7 - t \ Y Yo\
1 6

The Concert \ o y i+$l"i3+\

Curiosity j o t JQ
Girl Reading 2\v - t Y 0 f$ i u
Turner, J.M.W. Childe Harold's
Pilgrimage
Tiryns
Theseus
Theseus (Parthenon pediment)

Theseus Conquering the Minataur

Tello
Tintoretto; Last Supper
Tenniel, John
Tiopolo, G. B.

Bull of Luke, the t T 7 ( JJ JY ) L$ # - d l J>

Revolution ; French, German, Mexican , r h o , y7v , \ A . ,1 ~ +9 p ~ \ : ; > d l
T IT
T 9 Y -1 ' Y 9 t GUY\
 (c 1
Gabo, Nahum Y9\ YAA , \2. \Y'Y rF A X
. U Y L LI,
6 6

Gattamelata. See Donatello +-l;,l &I

Jacob, Max Y 9 A rt'(L
Callery, Mary \ Y Y ' \ Y o ~ J L&$k
Mount Olympus. +4.J.,See Theseus &,=-&& JCP-~J~J-?
Gros, Baron A.J., YAO ( ~ J J >~ .c'i
I JZ
Napoleon iilnong the Plague-stricken \i(?J ) 2 r W 1A&,, *LPI( 2 h&E
a t Jaffa T h o . YVY
Gropius, Walter Y Y I , Y Y 7 ,A\>
Greuze, J . B., The Father's Curse .
r h o Yv9 A\$\ ih! : v * j~ > ~ .
Cruikshank, George \ 9 \ , \ V 9 C J , ~~ U - J X
'GI-uen,Yamasaki, and Stonorov. See o*"\~ ,h~\ >JJ+-J $jl+ij &JE
Gratiot-Orleans, etc. $1 d &J:\
Algiers my +
,I
Pacific Islands Y * V d++i , ;J
Jesuits Y 7 Y +.>>I
lle de France 99 j
Weimer Republic f A y - 1 , LJ-
South Africa Y 9 V &.>i U+
South America A h %piU+
Guadalajara VY l~kYb!,,
Gouache \97 \ V Y
I \V\ -
Goebbels 10 9.x
Giotto , Y 9 * , YT , \ l 9 \lY .
\OV j~
YO\ , T i 9 Y f 7 ' Y Y * , '197
1

Goethe, J.W. Von V \ 2 9 *J*.c, cy?

Gauguin, Paul yV7 , Y t 7 - Yto . Y t Y \At . GLf-
Goujon, Jean ; Diana Y h i - YY 6ka ! Gl? , d ~ x
Gudea , \Yo
Y O

George 111 \ V o dU\ ~ J T

Giorgione , \oY , 0. , T* Y9 , Y O j z ~
YA9 - YAA Y f 9 YC,Y 8 .
Gorky, Arshile YAA , YYO ~ J JJTI
Gericault, Theodore ; Raft of the ~ ~ 2 . J-y
2 -
Medusa Y A l , 77 . \o - 15 Lj+ &>
Goliath T O Y dJz
Julius 11, Pope &I & 4 . I & \( kL?\ ): ju\ 3~4fl
Y0
Junes, Inigo ; Banqueting Hall c j y \ L Y ~, S f ,+\ j ; y .
Whitehall Y 7 T 3 p -2
Coya Francisco \ V \ - \ V A ,L-+!) +x
Asta su Abuelo \ 9 T oat+ Jl iiayJ1
Disasters of War \ s t u>t &La
Execution of the Citizens of Madrid. \A. * + xb 'C Ji .YAo ++*>1+
, 70 , YV
fUrI
. Yo
 They Make Themselves Drunk
Ghiberti, Lorenzo. Paradise
Gates
Jeremiah. See under Michelangelo
Guernica. See Picasso, Pablo
Gill, Eric
Gillray, James
Gainsborough, Thomas
The Blue Boy
Honourable Mrs. Graham

Cup Bearer. See Crete *J +\ C)Qb

Chinese ink AY Y+
Volume of space yro - rir \\? - \\Y
, c\yJ\
World War I YAV , Y Y ? -YYo \ A \ Jjy1 u>\
Y 9 Y . YAA YVA
World War I1 .
, t*? YfA , \A\ .
\ o V "+uIGuI u3-1
i*A
Wild Horse (Lascaux) rr ( +Y) LSj9jL.P)
Engraving ; Line, \ A * - \ V A 4 \ o &A\ : $-I
Etching \AV +LLb _&\ +,,
Steel \9Y - \A9 M I1 &
t i f
Direct carving \iY -\i\ +i4\ &\
Etching \92 .\9\ -
\ 9 * , \VA +u!!
&1
Crosshatching \,+r -dul&&JaLt +\
Drypoint \9Y , \ 9 * -
\ A 9 b$\ jal
Aquatint \9t -\ 9 Y JUI A+ +\
Wood engraving \ A f - \VA 4 1 & +\
Woodcut \ 9 V , \hi -
\VA /\ JUl & +\
Linoleum cut' \ A 0 - \ A t @\ )-
Indirect carving \r\ +
A
, d+ j*
Last Judmlent \ \ ( L@\ r,, 1 p\
i3"OH
Sage under a Pine Tree. See Rla Yuan
Armor Suit (Italian)
Jewelry
,jIdtL &I
r\\
Y\9
C*xi'
- Y \ * ( qu&
6
,
Y \ O
LJA. iL
1Y \ \ &-
Horus YYi LpJy-
Hittites Ye* 6 r 9 v &&\

Sortie of Captain Banning Cocq's &\-J &\ $!L 3%~ j 3

Company. See Rembrant : Night' J4" &Jb
Watch -
T.V.A. Dam Y I V dl 3 J- 219
 ! \ 7 t , AY A\ , o i , Y\ \ A &\PJ .
, YY7 - YYY YYY YoY .
\ I 1 \VA.
.
4

, Y 9 0 YAY , Y 7 0 YSV Y Y \ . . YY* -

fY' -
f\9 i\T f\Y -
Anatomy Lesson of Dr. Tulp . Y Y \ UfJ ~ 4 ; r J b jo e.3
&>a
Y7L YY*
Man Seated on a Step
Man in a Steel Gorget

Man with a Beard

Man with the Golden Helmet

"Night Watch" (Sortie of Captain

Banning Cocq's Company of the
Civic Guard)
Portrait of a Man
Portrait of a Young Man
Portrait of a Young Woman
Raft of the Medusa. See Gericault,
Theodore
Symbolists. See also Art as Symbolic
experience
Evangelist symbols
Rubens, P. P, ; Descent from the Cross

Roszak, Theodore, Cradle Song \ Y Y I \ Y \ ' \ T o 4 1 +1 c '

\~>l*- d\j>J
Ruisdael, Jacob van ; The Mill Y7Y Y 7 Y z3>u ! jb y$b , jjj
Russia, Russian Art, Ballet. See also +\ &3J) Q;?U\
>A\
--
9 1 ~
llxryl
J J
Soviet Union
Rowlandson (Thomas) \9\ ( &J ) LY-'3J
Rohlfs, Christian ; Two Heads YAL . \VY &LC> ! L k , J , L4.)j;
Rome, L ~ J
Roman art , A\ , 09 , Y .f - L\ \A j L j J \ dl
\!9 . \YY . \*9 . \so - \.: 9Y
, Y.7 - Y.0 . Y*Y , \7A - \7V . \YV.
' YAL YVY' . Yo\ , Y\o , T\Y , Y\\
- YY'I YY'I '
1 Y\V - Y\7 ,Y\Y 8 Y9i
t.7 Lo\ ,'rho .YVY ,Y7V a Y1\
Arch of Titus
Column of Trajan
Romantic, Romanticism

Rouault (Georgw)
Remington, F. The Bronco Buster
Renoir, P. A. ; Luncheon of the Boating , Y o , 'I'I , Y $2 Js WJ 1 J \ ~ - J
Party YY* a YYY . YV
Read, Sir Herbert Y'\ "39 ( ..p" ) U-J
Revere, Paul TT* - 'I.\?J*, J$J
Reynolds, Sip Joshua Yf\ , \?T \Ti I+* (e > , jdp-~
Rivera, Diego 'IAV =-A \+-J
Rivera, Jose de ; Contruction ? o sL.f 31 4",j* . \&-J

Engraved glass 7-T J+ ckj

Etched glass 7-Y J+- ckj
Stained glass 'I*\; I \O p c L j
Cut glass T o T c+ e4j
Arnolfini Marriage. See Van Eyck, Jan A-T ,jL jk \ +#$J! el&
Red-figured vase VY ,--V d+, d k I k+ ~ y r %pj
.
Zeus. See Artimision Zeus ,psi bMdi*t &%j

Sargeiit, John Singer

Tres Riches Heures du Duc
de Berri
Saarinen, Eero, Trans-World
Airlines Terminal, Idlewild
Airport, New York
Water Tower, General Center,
Detroit
Stalin (J. V.)
Hoover Dam
Truss Ceiling
United Nation Secretariat
Alexandrians
Scott, Sir Walter
Skidmore, Owings, Merrill, See
Lever House
Augustan Peace, the
Sloan, John
Smith, David
Centaurs and Lapiths (Parthenon,
Athens)
Senefelder, Aloys
Seurat, Georges
In the Theatre
Sunday Afternoon on La
Grande ratte
High Renaissance Y o * , Y L Y , YYY - Y\o &iJ\
b+.!l J a c

Rose Period. See Picasso, Pablo -&. +.b 1-J &JJ\( 4 1 J 4 1

Y A A . Y o Y . Y o g , Y ~ I Y ,YYY - Y \ o
Middle Ages. See Medieval Art A d \ 3A
Vault. Sec Barrel vault, Groin vault
Barrel Vault
&bib
J
;z,&
~
. &d\l* a , \ . Y
I \
d l J-I
> A 1
it
.L;it
Industrial Architecture Y\V - Y\o e l ;JL
Machine Architecture Y\A - Y \ V d \ * 9 L&~Ib ; J L
Post or Column \ . Y - \ * \ GEi >+
Column of Trajan, Rome
Vendome Column, Paris
AV. L ~ Jb b 1 j ; >+ .
Y 9 Y , A V LI",~G , rj+ 2 p s
Elements of Design
Victorian Period
Yo\ -
YiL .
YYo , - . . d l
T O Y , \A
-Lc
41
Old Testament \t9 i* & d l 41
Louis XV Period Y\Y + L ~ L * ~ Ud) . 3 4

Occidcntal. See Western art tradition &*A\ dL- $1 &.>

Granada, Alllambra, the Ye? SI>I + &L,i
Twilight, Medici Tombs Y o i &.A\ AL;in , &I
Spoils from the Temple of Jerusalem (y-53 &J- L 3 > ) f d 4 3 i J-+
;,I;&
(Rome Arch of Titus) TV\ - YV-

Chiaroscuro V? - Vo { %$I ak;d J ?UIJ e-U\

Y9Y 4 \OY
Light and Dark (Value) , Yf\ - YY9 YY0 ( +J\ ) pu\j e"u\
TOY' YfV 6

Vatican i \ h jGUi
Blue Rider, the (Vasari, Giorgio) Y 9 i 109 (ZJF 1 ~ L J L3;jV
) d~u\
Vasari, Giorgio . jo9 e J 2 &Lib
.
1

-
.ez
Van Gogh, Vincent , \oi \ o Y 7Y' , Y * a jb
, Y A 9 , Y'At , Y V 9 , Y V V , Y i 7 YtY'
L \ Y , t.0 6 Y9A
Corn Field and Cypress YVV -YV? iA >+\ . ii*> i;>j3h,
Night Cafe ' \ o i - \oY , I f i 7 Y , 7 Y # &
YVV. YiV Y'ii , YfY
.
6

Van Dyck, Anthony Y?V ' \ A 9 6 V 9 jp.1 &-I2 A L

Van der Weyden, Rogier ' YVo -
YVL .
Y 7 0 LC-,> >.*U A> b; 4

YY
Descent From the Cross
Van de Velde, Henry Y P t 32;a '-+ 3 3 6 9
Lantern slide projector t.Yr - YY\ $\+I 3- p).;L
Phyfe, Duncan Y \ 9 6LCa -"L
Regency Period YV9 ( 4-Yl ;;+?I ) &LA\
Dawn, Medici Tombs YO0 -
Y o L +-dl , +I ;k.
Pottery. See Ceramics G> &I >U\
Bragona.rcl, J. H.; The Lover Crowned ' Y \ Y ' \ A 9 *UI e-9 . a . c A*\>
Y70 -
I'TL , Y Y * YYY 6

Solids and Voids Yi 7 -

Y t o c Y L 0 t+'Y~3 "Upll
Space YO\ - Y Z Y , Y Y O . \9 ( ~ ~ - 9 ) . e \ p l l
Franco (Francisco) t . L ( -13 ) & l j
Hcrsemen. See Panathenaic Procession A-L&L+\ d,l\& I d L j
France, French Art ' Y \ \ 6 \ A 1 6 \ A * ' v7 &.)I &\ ' E>

Dying Gaul
FA7 - YAo , YAY YAY
L \ Y a Y A 7 Y 7 y YY.
-
Y7. , Y T * .
1 YYA .. -
YVY ' YVV 091 A 2 $A s;J3
Concert Champetre. See Giorgione j x ~ x +-)I 4#l
Dartmouth College Frescoes. See Orozco Jjj>ji & I LF-;I> +/L - 3
Vespucci, Amerigo
Mosaic
7- . 09 p-Jy1
Y.7
' &-*
5 L + A 1

Flanders
L~lcmings,Flemish Art
Y7Y Y7\ . Y \ 7 a YY jj&%
\ A 9 , \ V 9 , \ 7 Y &Ad\ j a j l , ;+I
, Y \ A - Y \ V , Y A 9 YAA YVo - YVi -
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a

YA* YY*
Flora 09 1~93
Florence : Sacristy of San Lorenzo i A \ > & & L A \ & L A \ ;;F ' \.A>+
Cathedral YOA , Y O i , Y o * j>>d &.&I
Y'7Y YoA , Y o i , YO*
Florentine, Florentine Art YYV - Y Y 0 01 . ' 17 &>$"1\ ;r.ll.'j+>+
Art, physical approach to, form in YO - YY &A\ , ~ J U ~\z;jy\ \ &I .
Color in ; texture in Y9 -
5 0 'pd\ ' 6$\
Sung dynasty art Ye\ ' \ Y t -
\ Y Y *L :,-I$
Moslem Art .
Y 7 ' , A L Y I $1
Ottonian Art vv jyL\ J l
Aztec Art AA & j Y l $
Assyrian Art - .
Y 9 A , Y9V , Y \ Y \ * o , t o &J+$\ $1
Y* \
Assyro-Babylonian Art
Mohammedan Art
A 0 &L+\ -
&>u='31 ; f J l
AA $1
Greco-Roman Art Y f \ , \ i 9 >LjJ\ >"jY\ - 91
German Art, Germany Y \ Y , T I \ , \ A t , V 9 !+Ul , >UVl 91
-
, Y A * , YYY Y Y \ a Y Y * -
Y\'7 , Y\'7
L * A , L * o - 2.5 Y9t .
Y9Y YA9 - 8

American Art , Y Y I a Y \ 9 a \ A * , \ Y 9 a '7* $1 AapYl

.
Y'AA Y'Y'Y' , Y 9 V YAY' .
YAY Y'YA-
Babylonian Art Y 9 V Y * I &.@I jell.
Iberian 'Art: Y 9 9 & p-.- Y l $1
 Carnegie Hall, New York
Wood block, colored
Gothic typeface
Cyprus. Cypriote Art
Egyptiai Coptic
Groin Vault
llome
Sant Apolinarc in Classe, Ravenna
St. !;;natius (Loyola)
St. Peters Rome ; Crucifixion Chapel
. St. George (Byzantine enamel)
San Lorenzo, Florence
(Medici Tomb) See Michelangelo
Santa Maria hlaggiore, Rome
Cordova
Constantinople (Istanbul). See Hagia
Sophia
Oath of the 1101-atti. See David, J. L.
Banqueting EIa11, Whitehall
12alazzo Farnese, Rome

Versailles, Palace of ; Hall of Mirrors

Royal House ; Mcdford, Mass

Talgo Lightweight train
Arch of Titus, Rome

Gothic : art

Churches

- Canon (the)
Canon (of propo~tion)
Harp of Queen Shubad
Value. See Light and dark

(9)
Cantilever \\* . L9 J Y J ~
Amiens Cathedral, Interior view \\L 8 Y v , y \ &+\> 3.;. 8 -
-I- G\JL~
 Le Beau Dieu -
i \ t s +\ a 1
Pisa, Cathedral and Leaning Tower Y7V a Y77 , \ I \ $U\ E>l> 12, ~ > L U
Chartres Cathedral .
Y f V Y t o ' 7 . 0 , t 9 , t V _j>G-q1>Jjc
Notre Dame Cathedral, Paris YVV -Y V 3 , YVo r'>_jy ql>+'J
t\t ' Y\t
Virgin Portal, .
Y , V I YVO .I,.AILly,
View of exterior 'C\t 6 t \ t &-L Jl";"
Catholics, Roman ,t i , I 6 I YAo jL,J\
Y9Y
Caravaggio ; Death of the Virgin r Y V I , Y i A 6 YZV, S I > ~ isgo
\ ! *CIl>K
Y9Y , Y9*
Carranza (Venustiano) tsi ( yL+ + ) 1>1>Lr
Caribbean ii d">f
Ardagh Chalise Y \ \ kl3>\ &A >kJ1 %LA..!\ &X
Calder, Alexander ; Pomegranate \ Y Y ;la>\ ! >&\A\ ,>AJu
Kandinsky, Wassily . . .
YA9 YAV YAT , 77 +\> 1 &-L1'$
Y9
Dreamy Motion YAV ' \ v \ . ar,
\ v * ab
Little Worlds 1 9 7 o+ +\$c
Canova, Antonio ; Perseus YV. - Y7A d:+e +&1 , Gy'5
Kahnweiler (Henry) 2.v ( 3 9 /L.Y'K
I1 Libro dell Arte (Cennini) \ o V , \07 ( 3 &I\ Uu
French Gospel Lectionary Y \ f +1 +jSdA&) ?L(
Scripture YY. ddll c,'LXI~
Batallon hfama Y 9 f r L L , L ... d
Jacobsell stacking side chairs

Crete
Cupbearer
Clodion (Claude Michel)
Klee, Paul
Clermont-Ferrand, Notre-Dame-du-Port
Clement VII, Pope
Cleopatra
Canada, Canadian Art
Pazzi Chapel, Florence

Baptistery of Florence. See Paradise

Gates
San Carlo alle Quattro Fontane
(Borromini)
Church of St. Anthony, Padua
Christ Church, Oxford (Glass)
London Bridge
Correggio
Corridos
 Q,is 4,-L&c.A\ 2 4 1 LLA
Light and Dark areas I 7th - Y f V YYo ij'ldl, L j \ 4 1 1 ~ L L L I
Y70
Geometric areas 7 7 0 . YLV - Y t 7 , YYo +u i j L L
Residences A 7 $L
Lake Shore Apartments. See Mies van jb > I. a.- & j,=J ;L
der Rohe
Futurists Y L 7 j4+I
Christ ~ v . 7 ~, 7 iY O. \ : , Y Y A , \ O Y , 7 7 & \
, TT7 -
TYo , YY* -
YYA , Y Y * YVV
, T T Y Y o V - Y o 7 , Y L T - Y L \ , YYA
f\A
Chri,t Enthroned among the Four-and-
Twenty Elders. See Moissac
w *J!
3 . ~ 3 3 *
dL-.y
~ 3 EY"f\
5
A\
Christianity, Early YVY , \ 7 V ;&I 1-
Meissonier, J.L.E. Y v ~* i * J * &W
Sergeant's Portrait, the YVL w ;I>*
Williamsburg Housing Projects \ \ A d G N c A 9 g 3 aL3+
Gratiot-Orleans Housing Project, Detroit u-J2-> , 3gJ,i a*-\* & G I c2+
YAL, \\V A V , A7
Pankration VV L~Lall
Egypt, Egyptian Art , A l - A o , V V . t o . \9&&\;aJI . y
, -
, \\i \ \ Y 6 \ \ \ , \ . I , 7A
Y*A Y*Y , \ L T , \ L o -
\ Y 4 .. \ Y 7
Wiener Werkstatte \ ~ & ci -
Gesso 17. u+?-
Concepts of beauty YA9 -
YhV JGI + L a
Ant i-Napoleon prints \A -
\ V \ j+,L JU;, ak,?p.
Currier and Ives prints \A* *,j'r a\s2+
Japanese Print \ A 0 \ A * ijL.l+l d c & l
Political Meanings in Art YAV -
YAo $1 2 "+". ,.jL
Olympia, Temple, of Zeus 4 3 1 d ~ +j
.
I

Hebrew Temple, the, Jerusalem YV\ - YV* + j j T &,---Jl G I

Hory u ji Temple,Nara Y9L - Y 9 Y , A h , Y 9 IJU , J . ~ ~ . J P-l+
Capital goods Y \ o +A\ a \ d \
Grant's Tomb, New York A 7 d>y+ &\? GJ+
Tomb of Lorenzo de Medici. See +I & &.JU. 9 1 j dA+, ;
Michelangelo
Physical beauty, Standard
Bibliotheque Ste, Genevieve,
Paris
\ 9 &I
9 ) h.~'! - . - , JvIde
--dl

Mexico, Mexican Art ,\Ae, \09 1 \ o * 6 \ v ~ \ $ I , ~ I

- Y 9 T , Y A 9 6 YAA , T A \ Y T A , YAV
1

T9L
Pointing Machine \ L \ &-h-
Texture (General)
Mendez, Leopoldo
Y L T , YYo , \ o T ( ++y >! I);
\A@ J A . ~ LI"',~
Deporation to Ceath \ A 0 &$I JI ,$I .
Tugendhat House, Brno

House of Jacques Coeur, Bourges

Ralph Johnson House. See Harwell
H. Harris
Robie House, See Wright, Frank Lloyd
~ockefell'erCenter, New York
Savoye House (Le Corbusier)

Philip C. Johnson House

Kaufmann House. See Wright, Frank
Lloyd
Lever House, Ncw York
Textiles
Rhine District
View of Toledo. See Greco, El
Linear Perspective
Perspective and space
Aerial Perspective
Venetian
Pazzi Corispiracy
Death of St. Francis, See Giotto
hlurano
Morland, George
Moore, Henry
Morris, William and Co.
Moses. See under Michelangelo
Chinese Music
Panthenaic Procession, Parthenon

Mondrian, Piet
Composition

Monet, Claude \-VT 6 VT, YV. 23, .+Y

Isle on the Seine near Giverny j& 2 ?$? e l k 35 Zd.2

T V 7 , TVo

Moissac, Christ Enthroned among

the Four-and-Twenty Elders
3.+3 %J! * cfi 4k.p
TT7 , TTo
"Falling Water". See Wright, Frank
+J & I j+I
u-!J &UI
Lloyd
Medals
Mercury
Miro (Joan)
Michelangelo
 - -L.LiL&!\
&,a J, .- to*

, TTY .T7\ T i 9 , TT\ , TT*

, ';oh,
, Y97 - T90 . T I T TAA YAY T I T 6 . 4

i \ A , L\V ,T9V
Bound Slave T o t , TOY A+
Creation of Adam , \ o V t \ o Y I \ i t , oV
YOV , Y o t
David YoY I T o \ - Y o - e t a
Drunkenness of Noah Y o V cg; a+
Expulsicn From Eden T o &a$#I ,y a p t
God Dividing Light From Darkness YOV tw\
,y J$J\ u)\ W"
Holy Family (Doni Madonna) i\v ( 29 SIJ* ) LUI k ~ \
Jeremiah \OY I \o* , t\ , T9 LoJy
Last Judgment, Sistine Chapcl - Yo3 &.-.yA L.$, &91 &A\
ri-0 , TOV
Moses , \Yo 8 \YA
\Y7 \ Y L , \i&p
t -
TOT
TOY , \ o \ 1 \o0 -
Pieta T O \ , Y o * ;io>)\
Pieta, Cathedral of Florence TOO GJ+ -rJ&K 4 b ) l

Y T \ , YOAI T o 3
Rebellious Slave Toi Y o Y aJd1 +dl -
Sacrifice of Noah Y o V cp &d"
Sistine Chapel murals d ov '$-?+.- JJ@-I ~.+i
YoV . TOY, Yo'*
Studies from Libyan ' VY , V\' * \ arpst ja i~.rL*lJ>
Sibyl v9 , vv
Tomb of Julius TI . 'COY I YoY $ 2 1 &%Sj?. a&
Y'oV r Y o i
Tomb of Lorenzo de Medici ,. 09 -0 5 &.A j a gj.b~gl ;+
Yo3 ' T o t I \ t Y
Nativity and Annunciation to the .
9 1 ..2 j \ 9 * 3i;\ Z k J U +\J SF\
Shepherds. See Pisano, Giovanni
Enamel
Champleve enamel
Cloisonne enamel
Maps, Nicolas
Mics van der Rohe, Ludwig

Lake Shore Apartments

Seagram Building
Tugendha t House

Napoleon, Napoleonic
Crucifixion and Ascension window y r =WI
JI a 4 1 3 d d l ;,ijL
Fountain of life 170 ;+i iJ>L ~

+
Tang sculpture \ y o *L" ijN'
Stone sculpture \ i Y - \ i *& y y G4
Wood sculpture -
\ii \ i Y &-s-.
Bronze sculpture \ Y 9 - \ t o &>>A i;he
~ e r r a - c o t &sculpture \YO - \ T i 9 9 , d l &b &
Iron sculpture \ Y 9 &+-L w-
Ivory sculpture -
\ i r \tt d
Brass, Copper sculpture \ Y 9 -L13 _ . L Y l &U\ 36 LA
Sculpture and other art materials , \f - \ t Y d43LY\ j 4 d I aLL> d l
\LA- \ t i
Metal sculpture \5. -
\to j b
Descent from the Cross. See Rubens ;;..a +I ja J 3 9 I
Caprichos. See Coya, Francisco ~ _ + - . / + \+I
j 09;;
Section 'd'or y 9 5 +iJ\ +\-
Proportion, .Hierarchic, varieties -TI1 , 1to &+i ~ l j i ,, V J & l
tY9 -
tti . 179
Eagle of John tr-7
Ecstasy of St. Thcresa. Scc Bernini, G. I. J a C J&\ I>.$ &"dl G#
Syndicate of Technical Workers, Painters y 9 r ;JUl> d ,.., l c-I +L;
and Sculptors (Mexico) Y9C
Austria YVV', \ti ' d l
Knossos (Crete) \91 i r (>-J)
'yyy
Nicholson, Ben \Yt 2 , L+$+

Spanish Hapsburg
Hathor
Hal*unobu ; 1,overs under the
Umbrella in the Snow
Harris, Harwcll, H., Ralph Johnson
IIouse, Los Angelos
EIals Frans, Laughing Cavalier
Malle Bobbe
Officers of St. George's Company
Hayter, Stanley William
Hitler
Herculaneum
Hermes and the Infant ~ i d n ~ s u s
(Praxiteles)
Iranian Plateau
India
Indians, Mexican
 Hogarth, William

Marriage a la Mode prints

Hodler (Ferdinand)
Horace
EIolbein, Hans

Holland

Netherlands
Homer, Winslow
Hernandez, Mateo
Javanese Panther
- - Stressed skin construction
Workers Council for art. (Berlin)

Wattcau, Antoine

Embarkation for the Isle of Cythera,

Gilles
Players of the French Comedy
Seated Lady
Wassily Kilndinsky

Wilde, Oscar
Fauves

Contrapposto
Krater
Millefiori glass, Roman glass bowl

Chinese Bowl
United States-Unity

Wood, Grant

Japan, Japanese Art

Yoors, Jan
Leaping Flames
 f.oY

Greece, Greek Art iY 19 , \ A iL&\ $\ b'J-'\

. \*\
6 6

91 . A h . Y V . 0 9 . it
s

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Yli -
Ylt YtA YY9 .
u

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tlA , ti' -
tt9 , tto
Aphrodite of Cyrene \ Y * , \ \ I&- JL,+i; ~ , > > j l
Discobolus (Myron) \I"* \ Y V , \TI \ T i -
-
Y * Y ,Y7f YIY \YV \tl . -
Panathenaic Amphora Y V A +'+ ; .+i
Panathena ic ~r'ocession \ t \ +>I LJL>
A-GL.2212 +LA\ bi
Parthenon 9i 3t;*-j1+
4

Syracusan Coin, Y\\ +4 2