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KefflerW10 PDF
KefflerW10 PDF
Jazz II
28 March 2020
1. Traditional kinetic elements of jazz dance include the use of the flat foot, bent
and angularity/asymmetry (Oliver, 5-6); all of these elements can be found in the
combination. For example, the plié at 1:05 makes use of the flat foot, bent
knee/hip/elbow joints, and an articulated inclined torso. The arm extensions at the very
beginning of the combination (1:03) are body part isolations and the drop of the upper
piece, including during the relevé at 1:04 and the reach at 1:13.
2. There could be a more obvious lack of separation between the dancer and audience to
give the dance some more social elements of traditional jazz dance; it could be
incorporated throughout, but especially from the reach+plié (1:44) to the end of the
dance. There could also be more room for improvisation; the chaîné and pirouette section
across the floor (1:16-1:20) could be changed to allow the dancer to choose any four
turns to get them across the floor. Another place to add improvisation could be the
X-jump at the very end of the combination (1:54); this could be changed so the dancer
3. I think I would try to make this piece my own by putting a lot of emphasis on my arm
movements, specifically by making them really sharp and continuing to stretch them out
(when called for) until the last second. I tend to do this in my dancing in general because
Oliver, Wendy, and Lindsay Guarino. Jazz Dance : A History of the Roots and Branches.