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The following chord is liberally borrowed from Ionian (major) mode for use in the parallel
Dorian mode (e.g., from C major to C Dorian):
In the following example, each of the previous examples of modal interchange is written
out for aural comparison. In the first measure of each two-measure example, CMaj7 (I) is
followed by either II–7, IV, IV–, or V7 for reference. In the second measure of each
two-measure example, CMaj7 is followed by a related modal interchange chord from the
preceding list. (In the final example, the I chord is I–7 in Dorian mode.)
It is suggested that you play these examples at the piano several times in order to train your
ear to hear them.
Modal Interchange
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JAZZ COMPOSITION THEORY AND PRACTICE
IV7 IVMaj7
(from C major)
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CHAPTER 2 HARMONIC CONSIDERATIONS
EXERCISE
Use modal interchange chords at the spots marked with a box. Compare your choices to
the original.
E Maj7 B 7 E Maj7 A –
C Dorian F7 C Dorian F7
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