® 16-THE: 2445 20 » Waadm Jane 6. Desmond, editor Meaning tA Motion New € utrue® at srubovtres of DANCE ‘iii DUKE UNIVERSITY PRESS Dwham& Land oy Post. Contemporary Interventions. A ei died by Soy Fi rdf12 DANCING BODIES Susan lngh Foster you a ahd wo eer be ou ar haiti dy wa sue, |mpencalle shaped cold and mae Bor rl ae evo our dey a wht ee of dat agian el >= Des Dil" onthe Dea a Da (Alsnescacs: in. anderough he by expense bodyotdess. eleven an Derr obercd team al he acne dat can be applied toe Fh the boy oy gh ts ‘spose ote methods and eect cla ‘When read eceat eal wong aout the a, Iam 00 dhe ad, dighted ahs ew meri ato th er, ame thee) to ata symbol for dene oe senaliy for sop, er he: wh igu 0 woman or forthe cae nature he at‘Tese wing Seldom tes the bo now istea hey move uly past arms pea heaton thew a theoeal agenda hat ets mctng knows er unknown aan nil prembe The body tems nyse an pene ‘al acoovenent receptor the new acre postions ‘Akers hese weg sca at le the body bat oa a 2 prc the vaousdscounes that este t Hee vex oe eft Fergenes of eeuaonthat concer the istrn of sone orem we lea inguin des about he signee of suey seal pat and tw hehe een suber standby extension incorpo it he lager wok of power ‘Whar missin bh spproacher—the syncdochie ubstaion othe body for theoeueal por ors metonymi replaemen bya 50 of mesure Imens—isa one eat and-bones apron othe bly based on aaa ofcourse or paces that mame Ran Bri fe sti sy ‘hen he dserbes Buna pupet peeformance othe msl oh236 Expanding ges Sd hae of wong Mel Foucaue deinets spc of he matrcae Isp when he desenbs he dsoptrary procedures he ine erehieya ‘puta oniatone hats ie ase wo nan pat of the oe yin of care? These eo caries rds, though wen one coir wh might he done eran usage of cating the byl dscns shrough hich its mole shape wansformed and essence erate Sach deplete alps arp cle punt pation gore Ing poste, caqute, al comporment, and wats datuly eed "on. ‘etal coriander plae of wer coat nthe pefomang as pers of sanding, ing siting, tng, walking ‘sl all pence tat neue he development of wha Nae! Mase has edad "echniucs fthe bd" Such races, Focal hs dean sted ate part of the ibe of elute ee They vet mth ain ad ‘ome te Bothy Foee to eyo asks, peroem ema and (oem sigs “The daly praca partcpacon of body ayo hes dpi of es body of sda Fath acpin eer 0 ang sles mo a ther wope hat mate coer These topes muy be den fv anaemia Sbcoune othe sce of kines o they may bc the By to = Imahie an arial or ther wo bet oenene. They ma be arse. Ines eal dscns ofthe bo ad's actors or as psi aone ut show chow w bere Whether murder enacted, depen ange is meuing by eopreenng Inv lw Isha ater o deeb one ich bed es hat of ‘he theatre dancer The aged tht Lam ubesing sone uh at sen bt never parcpl i het dunce’ MY commen fl ‘sector: he it four on the fxmation of nc bly concen, sd the second sitter bis boy consonant asl ad aie ‘moment Bodh ae my oed ina Westen mew or cosh the [upoe and ae of ieee can vd, even they yt prvaes Fespecneon, Westen asumpuns abou the bay he sland te epee hPa Ding Bade “Tpit dacer pendant from woo sso po ds seen Ais per wek for aghttoten ears cet doing adh Dung te couse fof hs aa the body crm lade one or 0 ett The Desig ads 257 lancer pursues 4 cnn techie for ree the boy and he bay ‘ext confor wo te ineseons gen,Yt suey ness Sines fom expecatons reveal tw dimers ard ml ce is tuslines or aby xa courant omens ace) Othe bay” or offen sone with the th" esa pring i ‘tay tht most the dancer comoue Ca sensations 0 prove iment or poges—the esl of 4 momentary thing of one owed tnd avarens ofthe bey th deep pl paca pra Encouragement. The prevaing eapenene weve ne ofl ing {oegute mice ebance Dancer constants ape ere fey between wha they wan do arb they can Even i ag bial menbeship inthe ofssion, une ever haces nt es ‘abi The sgl consnes wo develop and tant de dy ine ‘pons one chorengaplie poet andthe devas vee fig Trang us creates evo Bakes: one perce snd tang she he ese ea. The dancers presse iy devs ris fens Information that wa aoa, hape olor, and pape meat por tan insehese Dancer ec hae pon af thrown ote va ‘hares as thet moe. They heat he Sous prey cob on bad pr cose ner bythe bch yin and mses rae ing poppe gnc the Bes exer rd at The ithe bn ent th the ground objec opens wh pat ic and the sens ts terpertrc anda They sl seat an eth Thy ete [neste ndeatns uf he teston relation, ane ne sd ewe fexetion for eery ce the ct a an and ees the posi ne bane to anh the eons an past the bd tognvin anche entie bia. of ths inormaconaboxe he frreched bod may be inert int he ance nel x where Corbis wth nase val o kien ages of ay age of ‘he ances bades, and enema ovale age of dancing oes The ‘incre bay may pec se sap nd proportion oft ell iespertse at aceon pei monemens Boh bey, the peed and the el cons ofthe seta muse an pervs ese sada at stu af he bdo ba Te la stomach seme tan eeay ‘sens estan misma; ther onans andthe endcrne sysctl Both bodes af const andes each nce te deepen the other Bath eu om the process of aking ance cscs, wel ‘athing dance and aking about Cama thee acti: hp he Aner develo silat atendngin dpicing eating andere igboxly movement A ted int bo the demons ody bas8 Espandng atr she aeons by eepliing ont nit erent ‘Whee heed body cert ant sper, dense ‘ey dca emphases or ven Cages sts hee oo rove dancng ies mena ncn cece par of [sy in oder wo presen an aa the elThe demu By phys inline by tbe teh and somes none we ange the mor ania he bles obs sen in tea ir oer images For example whe lok another va the dass Tse hero Is bod potas ato end or on scemanes, br the boy sen Snot deed ound ocr coe eae “Sel ssema rogers fry "ac cigs xs ost ered bx nny nrmason spec, {corgi wh demote el bods Lach ecg cl ‘a aly seg eb al abet saps ma yy, ‘hey tema thats caso dg ‘ui Mow cng ofr bts bay pesaginsmapunge hye ‘nora well princes onemng pope save een ‘ice tecniue cies pcg pr men y porn seco mre wt pede enor bal te Unk the pot aes ocd inde of plying + musi inset dance cle uy tend eno nana tine They car dys an wey oman ey ech Fase fers a eta ct dae compat Phases on esos af nes ma be tg oe acon, eeepc oo terme or lef pormance mote oenaddeed ca a specie woh raher tani echoes Fume, ae tu ‘Sera to pactceetenmch on Thr enna commun Ishi eine ata cnet opocch code amt dpe tke covet deena bly ed mad he sea noe ody hey present ad peed vt) ene nce sane om gh and one The demand of bth th pertened ad eel es es ‘chine y ech are ap of dene Fath dance techno es a een encase it land someunes epost ey eso! bay ae ‘aon dancer may bee Sone ea ofthe ema a he Socket” the ong in” icc te spe betwen hl od ‘epee vere ateastel cine vba epg ha os purl” Tecnu mighvae tbony ay eof aber as "ang he wo te bone a se ofp or gine the sare ad Dine Bobs 233 es, a effort hat eiced expand o codes pci eave body Dancers pl eer soi lenges of ‘Ec body tego he don oie erage clan They lar curve rungs ha body parsean frm and pce tec parca hope {renting They Kia ohne pms srocure ora he aw of lr tom cpr 0 an Kl, eas imp hes pas a Toth he exes hechesa any cvs ord by he cheat wal highiy epetive Dagar ceanay bene hem tinge dan naa teu Wn epee age wed describe tb and ir acdons heme the body copra a nappa or nomen Ue when fe pst ake on» conceal over ne sag hi fine anogadon oth a pea ovement Fo cramp my Sst ‘Sreenivasan the ack gh mace bat ‘Suna nem tcc the oven th hs age i id by ‘Conor marr som aac thle poepn hat_ free ii appeing ‘Orc mons ad yes of sy the ing proces repeated econ Sues be ody iden and nes spec or pts ht were eno tecogned: andi earache wen termsof games at ‘inet opr Neier te preced boy or el bod remain ‘Sevan ugh pean dfn of both ate teed an rene ‘fav muuey af one mer ofthe bus pony eles the cer Competent sew ages and ecosie mia one 3M ae Pee tie One ocean he mca ocean ese nes ‘ow ono einginto he po de “supporting” ‘Neaphorsopen ost no eed metaphors eating be dancin a gr em fr concen che buy Te daly ones iin ‘Sroobe meapor rove sd hey prodace by a ome eo” and soe“ Good fab form he ats fo ene sere ‘chad hy owt alent ate wo samang oor ome hm Bad hay ecgpsle such oce hey aed en inde peclens ere pecan, the meaphone stems prove Eetecv in onnssog ba so in prevego uig Sr he incr my dtr nro cour rem ine det pher xh new nerve fever geet Dy [incaghrs bul up ough pong Kr dines nborto mew th saa rte el boy tend sonmses tence oer coger bo een thy cay encounter rex of by estan ot ncaa Tee de0 Eagan Ag sae angered by he into of ting and they proce ih ‘Eroed often ctneteteimages of he presed bod The ing spree ‘evel he pre boob hort dent in the eal poprton fie parm aes of ney and lack of erento endun ca he tn greg dmeriosIsinabtywinitae shapes, oa yn oro ‘avr tense appropri becme a aera inaeguy ‘Working wo covet bal habits to mony the bos sera, and ince is capa he dace eqn nar pin and ears qu 0 dlstnguish betwen seven! Kinde contort a tat wl ead genet Sseenth or ex desracve pin aed he nore psionic sof spar of the body rep the cumulae eur bal bpt ‘ul tom no much waion oe stegth scsi be an die, ‘rermbon,inentrsers and 0 on. Some Pail foa ont sd ‘abe andthe dancer ores then avupd asconstan feats of badly ‘png Other, nterien and unpedicabe case the dane chase Mer them inser of cage hat coud preven ha cree Asbo the perce andthe eal bores develop de ress cop the dances consebesness Over tine, dancer icra ni theragmentthequai ofthe movement andthe by ps0 ony in tedance sto but in quo santos ewe. Tey may or my ot ‘pp tech peniples lnm athe dance cc to day cote ad to th but thy cera atend moe fly tte ace Thy ah an [nee informacion fm pate performance of tc acs 0S [ego ages tori sete oftheir own aly movements Mos dance cases emp sei movements then performing, hc her eigen he dance ns sarees eer Danes ‘not than tote who donot dnc, ony sere what ter person bey ‘ovement fee, Walang dow theses thy rite the cheers Posture and gait of pst in eomnenaon, ey See the bac, a tos gsteladons of oes. Tht apc for Lnesiene empathy, howe fare nade roe eng. The mephor sed 0 a te dang dy Sedo if ever, fer ote seal bay The een se of me in Ieaming to dance promos orm of acini enact with th bed archi ars mugged the enn ofc yard ce, bly inadesuacies The mses empty developed by dancing ata i solves an appa of th hers aloe wn peered bodes The Set ‘dies, ptas acento andinfrmed by she deni Dos, roman ey spare A dancers daly concede boy thu ange etme er his pei bay —ith all is puns ad doverans and mages, bok fa Dang Baer 248 tained and el of oter bos, Dancer ema betwen sometimes Fase get, mages fon all tee ods 8 they elec motor ean, ‘ep ated an hep tack of bly motion doughour te a The ‘nears amed ding instruction serve as both markers and epee tf devcopng bly conicramess They a inegrae te aingof Sly wich ashe, soc and mor Bees abou dance Te epart of smear leaned cis fncaogs nt ye deine te dace Sou Dt thot shih be epstemolgeal oun for peo de, Pe Bt of Dae Teg havea wo describe he development of dancing bali conscounes in wy hat wold apy wo most programs of ree Each ane te however, conse» specaaed and specie hay one ta pests Fen chorographers or aon aches von of nce, Each ache (eats aby hating in how it oks ad what an dn Genel de ‘Splean sls amparca bettered only pathy nebo eh ‘han ae dace enn sie the Des ox pre te vcs of ‘movement fund in cont prowuon and evra ony fens bay ut alo hes to fashion a eres slf ha a felaoon wih te ot, peforms he dance Aesdeoe exprosion cn rer when lf ss de bly ater comming ethos tel Kets or when the sel mes th dyad realness mph staan Body and ef an ao cet nancaing th on cord ‘onmmenng on ech other ly ther tlt ae aso pol, cach roduc opecie seer apcron dancer, dances wee Te orer 1 sre the dierent forms a expesn, bah ad osc cane, havecomplel ie serio ive twcractnceny chess tat forse dwn bos and seer ‘Thee dsp ‘hich mplasie he dierences among ters, decom ore ‘ape a eis! wang about he eh wel rm bse tins [have heard orkave mae srs stadein cats Far fon compre, "cy present only a ew hey fears of ech cig oer | ps elasnahpsbecween body a sl hat eh an iain he dyin dance recigu ‘al TerguThe dominant apd most fami ofall earl dance technique ule OF he Se best be cone ert eon ne wth eiement for he dancers pynsjue Sues hi ecigue ‘Epes npr on i, lang ibs epic of plan the forma pom fears ofthe tain gue 1). The lea boy ht, ek, reese,sas Expunglpae Daag Bas 23 sangeet eae shapes the ytin of pracy, nen He pa tne ere al wh ea efiriceness Succes ao request Prom Iingstueo ona an cal ede commtneno tener “The pened bch never ufc thin or wel poporoned, mae med ine seen the sbeet forms presented in es and hen Stage “The dancers ef ets octet fie acto fs soe the choreographed math te ion by arden te bod re ‘ecand hen prfor de of movernen. ‘les onguted seve eve of ompetenc, esate aden progress though a andarded er of physi As with the evel of hoes the ents aie cs poe om sinew more omplex Dances bins standard ay sequence wih one ar sabliing te body by felding «tte They perform movement, announced (a Prenl) y the teacher oognatg se turing base ponons Sn on onesie and then chung tebe on te ther The movements wor es (voy in ane at psn ano aes enen the arms 0 ree ‘trons and embelshment on ceca angular deg. The oso provies tu and ually exc eter concn he Ou appends se the hea: Approninay one halo he scones paar bere Slew then move the cer of te rom for loge, more nese embunaonsavaying tempos Cit end win eens eps ns ineich dancers evel atone the oom agony wo or tae Sie Deceptions of movements and corrections te raed os 1038 pars of Nee Yok iy. Cama tons Clan eee the boa to conform ro aac shapes they place the pls ot hed perenne teresa eae ‘pect oeasons cr ex the limbs sg agar nes asp. Ad eae {Peal ete aed om te pasion fun, ity Of shape and ges ‘guy al maar the sent pevoranc The acres he ores appooch by pesorming smal except from he phse-selom, ever ance quent Thee buy empsed in peforunces ofthe pee dancers hus rnin inc fom he de trons ty tae mods peoper pace rom the teicher uch lenge author aden atime he tem of aus and inerralze the imple east and rank tee own and ots pformanees Compt Son-altbough que, rein pat Dense standards or pein ate 0 ‘Sat detned The sete sone bse on he pas of cls beauy fer dances no eve cones of nee to ceed a armpit tare sa ance ‘Da Tages Resting pt agi the acca and Heth npn of ally, noes Duncan and scr oer echy-evenel enna) choreographer and permet once aly ew nce a44 Expand Apes 2 btn Pea: aed Cary toe Clan, aw Yt Re ire ering ta Deg Bais ss tes anda concmit pprch oni th by Chiming fr ebay in nei eedom and mem, Duncan pone tote for whem he incl to a evanescent ean of ecg le ors (are =) He wor bas bee eomtracebys suber of empane aren pvr and ‘cach thought te Unt Stes Iba ao been peeve the pracoce of dance cmp tor summer stay, pms 1 won, or Duncans tos lowing in i rato, the dancing bod ma fects cigal matures Unadoredty the conned datortoar of move. ‘rena dee sot sncur the el body ners na primal eset ‘tingrion oh within one st and wit eter, Ke barons ps ‘ge forthe kb rd graf phraing emanate fom che protean tty (the espig cot o Is henthe repon of esol ples, at Sal and ny ee and convene The el by ese thin vey body uly ofa your cen, thug, sce wl make self ot OF hoc reveutonay force ht eves noble appre mosves a cpus Inarderw ciate the nasa ody ant allow itoring feted tabi, Dusen approach voces he tay of base” man movements tech wang tung peg tg dow sanding ering nda Inga performed wa gree aed fans, ied by paras of Iresh Tew bn vee for sequence ptced wo musk of grea tuntenthcntry csocal ompnen, Dancers so acto spl nagiay owed by he eet mer and harmon development Se ‘in conered abe the testers of the hur oa dance ach ‘albu fervent cuts of eng When sans ae kd "vets, siding (Jucthyod hen se ores the an cy apart bay ado ia Fimo hme i ‘Stns mate the wprtensou iene a fall bed commitment of the each, ho eqn dances sone them The aca shape of the linemen tha hedges nvementin che danced tenor een’ bodes (uh «pronounce dine betwen pervs al bode cull on sean prtntousperfrmanes Intend 104g) [trang carn The le by thon cne aha achive igen‘movement and harmony wih she sl, as fom «marin elec of ‘raha Tig or Martha Gra i dacing bn mst poses he ssengh eat, and endurance neesay to prmnlethe expen sel ‘sh fly espns norument ge) The gala dane oepeaia sche for te deep confit th aman prce, cen be essed oy "hough asgoruseagprogeam. As wth Daan th body kane ar pest index ofthe self fcr Theva’ aly expres tae feng, ‘hough ke he body aay to mars hem sates one of Dna cuberine—the ses wo dat nd epee, the ac of expres to ‘ered for movement be ihtand ee Bowing The helby tence asitmanss an ape esponsnenes, sso shows inthe said uly ad “intion of ts muscle he nde of expen, Grahunsechniqu courted oa of he tocar ke developed i he lsat the Amenian west nce crn for many ea edit ‘entiics wo prove» echerent and wable seat bal ing ance scoot around her Theat half case much met he bales stadt spends atx are—consi of exrces perme sig onsng poston students hen pace segues sandngan, bal ane Ing aos the foor The exrces pipe ovement onan she 0 aad ot wi ested tension othe pena the bod The slow progression fom stig suing to wanchng td he wage successions trom central oprphcal boa ai bth he ony he siicuky of toy eaesson Exersen repeated with sigh rans com posed bythe teacher each a, case the ny spl tnd spn coe, {xteding ot anther ping bck mo han ponsons Th bach pa ‘ani acon 2 mh by ts own potent egy ab he davon tenure ofthe mae scmparimen aves onthe downbeat but hea surges mos immediate in + new dition. Ahough he pee mere ‘eqaremens for these miatre eels traction ae where las analmost mir appara, ele cst predominate otal ‘The pnp meuphor plored in thee extise,hat fenton nd ‘leu, promos acomecion between pyc and pycolo fnetn ing Seadensinospeceeh deve i he eso bay he ee sd ict itera o exer pace trogh ros putea of rene, Uae ncaa in which he stant iy ct ne aged en the ‘onnens mae i Gran’ css sf ony inde pychogea ‘xeric: thy alee tthe el condon by cote pyvesne Dri Bes tay 2 Moth Gon ne Cot ar avy che Calon Nw Yok be Ueno it A aan, ‘od le odosat Espen Ade eon iin sc ngeand mo prc ofbeconing aati ute ‘Sage mn ete omen fogs crag oe iy ePat dance mnie soe daar nro eles Ss os Schr csr bys wspenece Te de pee boty eyeing ter yn rman ma age cn vs cee oe Goin Taig. Mee Cuingha, a meme of he inl geen ion of Armenian more nest Martha Graat' ompany he ie ‘orto develop his cn approach to choreography and ecu Cansinghan’ mth reset he yen alee bes nse ing comple pt an nporl pases (gate. His concep of he neing body fses body and sel bene te ein the real pun ‘of enhaning th bodys acucy The se doesn se he ec or apresive purposes sia Gram or Datan the dene il ie ble o the cafe tk of preparing ac pecan movement nthe hale however aruda nhc deason of competence and di tinea aie preva Cenungha sproach octets une peer ‘lkinss and eh unanspate. Thien preteen ended sage ‘Secs come. Eseries the techn cas ary rm de dy the stems cxploe the boys sop and tt prsble age of mnement They resent pines aces nd vets ep ke bey bre a te foor=all ing quotan names for parts of the bn and tiation. Se sue of ese moves, omplexin drt, meter nym, ae ‘atons with he aru space, Student fossa acomphing et body enuncaonsof tse spatter lon The dance sane eo cslune boa accmpltent by caning ale sn concent, be “Suck on is or er fet" Where balers ne! bx ples era ae sons over thers Cnn el by bud egal tng “The water pees movement sciences a problans be she, St eos aah Fos en and demons, gh ther aa, he enn ein mone es i ih of an Spc changes of weight 2 cu, polythicptn nen bens Pascal parr at of monet cote oor The compe Fister be emphas on compose by experimenting i ‘ull ai anes cette ingen Sh sec Cinghom dtr ake Fro On ay Carle Dac Clctn ‘atin Yt eer ering ner co eosSimuloneosly and the ware rioshi ater han newt the the ‘ina npn Tig, 1 he Caningha bode lady ealated sn eontactomprsiason x weed ad ements at technique, devdoped colioravelyi the eat 9ye by See Pax, ‘any Se Sith Lisa Nokon, a thers expe hela eons 9 ay and woe bd ich es fo ato Bow 2 py "as gre) Contcinprovnson gas palsy spy ashe Ui technique classes were coplemeated by frequent informal practice sessions owe as “ms” which dlowed dances t len fom, perfor fon aad ses parameters for bow eo mone Buds ot deat set vray of erent for rdens ore though improv he rent error exablahed by these ae etal aes Cases inte pace tpl sil of wey fra semen of the nals of he Raber an apeting 3 ss 1h eache and sade a dee the up aan seen sel ence Lely seg bo be son Desig Ber ‘5. otro Noy Sk Sih odaye Espaning Ages ear the weight of anothes ba ren mote importa, ust mane A shy go ah the Bo” Bosh comactinproatonand Danan echnsque ast he teacher ine ole fico and both ak eet appeal encour neath ‘Each thr tecigues crcl purpurea whuerver thee ageor sel ofertas a embers f+ community of dances nl, ‘seth cacy acs ential fess ad compa, inte choreography acl, din its viewer’ response alice compettoe Ano sneent Teacher they sodue the ator sandads for so ‘Svan nk the sade pesormanceagaet them, ody te ato tthe asec cls Gram ee 00 eocerhand place {lectin compete wi exch chr but aso with hemes Coen for “nce evolve ound he ice abo perfor fl Graham rade lato moveret but he dance ea asked iene motvaon with pyc lnm The teacher ncurage the eae to mesure hich ‘and pial arcat dhogh comment thar urn ne comes ‘mente dcp, Cane techn, wth is empha on compu on cocurspes dancers cere themcen nmin ance a elo performing Sede ake om eae whatever ugh ay Be evant throw eer an chorea: dane “The sce of auhony deve i each cas lp connect dhe unin boty st ashes projec Bales presed paige of poss iu saps ands empasson outed outed le an arms conroc+ fen gang if bod tar play the sil Een and aera ors that ae the hala of waon The acer onde dete le ‘he ston din ta rdson Dunars walks and up, een fom he ‘oti th yen snd quay, embody anneal of satus. The {Folded ithe set to render the bod espe oh [ows incnatons of the sol The ech emhunasm andconvision lp Incorporate dancing communi The ered utes ‘ive movements of Gran cotton an eae Bald new ee “namic oc tases ello lent eng and he Se Inherenrin expressing tho fring. The tech innmaton ofthe aos trang ahead wan sta of dir nad for comment 9 summons theo the dance Canraghar's mater of inentry ofthe boy fur eapabies produce ky, ele, le by tha aque de ‘laine tow plein Cunningham aches tend approach th ‘Soma juno lees toring hem whe presen th aon {Spore rst Coot inpeorasons atea, Het body easel Deng Bass 255 shrough he ef contac with thers cher mst conse empower ftude' eh the aiiy to mprovie an moran and sense espns © fhe calecve gubering of dancer. 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