The purpose of this monograph is to provide a picture of what clothes
used to look like at the time of the Second Bulgarian Empire in the most comprehensive way possible. In order to do this, it uses 18 full-colour illustrations, 55 coloured drawings of clothing reproductions and 20 photos of recreated medieval Bulgarian clothes in about 189 pages. The text comprises about 130 standard typewritten pages. All of the above-mentioned illustrations and reproductions are products of the author’s attempts to recreate medieval Bulgarian clothing. They are based on over 90 scientific papers, 15 online forums and websites, the Serbian Wall Paintings Dated to the 13th and 14th Centuries paper at the end of this book, and 81 photographs and reproductions of medieval wall paintings and archeological findings. The text is split into introduction, five parts and conclusion. This paper also contains 184 footnotes and several lists of abbreviations, cited works and illustrations.
The book is styled as a full-colour album depicting civil clothes dated to
the Second Bulgarian Empire (excluding military and priestly clothing). It contains descriptions of men’s, women’s and children’s clothes belonging to tsars, boyars and common people. It offers analysis of all surviving portraits of medieval Bulgarian nobles and of findings from 17 medieval necropoleis in different parts of the country. The text takes into consideration previous research on medieval Bulgarian costumes, however it presents the most comprehensive research on this topic carried out so far. Kalina Atanasova’s reconstruction work is based on her experiments in which she strives to emulate the appearance of the clothing, as portrayed in the various sources, the design and sewing patterns and the manner in which the clothes were worn, while paying special attention to the wearer’s movements and to the combination of insignias and decorations and their construction.
Kalina Atanasova has been working on Medieval Bulgarian Clothing
since 2005.
Her book is addressed to any reader who is interested in history and in
clothing reconstruction. At the same time, it has a scientific value which would be of use to various experts and humanitarian students, such as archeologists, art specialists, cultural anthropologists and historians.