Cover feature

Rhythm and
timing exercises
Work on strumming different
File Date: subdivisions
09:11 06/07/2017
TGR296.coverfeature.fig04b.musx

Page 1 of 1
and feels and expand
Notes:
your rhythmic
potential by adding syncopation to your
TGR296.coverfeature.fig04a.musx
playing
Rhythm - 8th note syncopation
File Date: 09:12 07/07/2017 Cover Feature
eighth
Pagenote
1 of syncopation
1 TRACK 45-46 16th note syncopation Contributor: CharlieTRACK 47-48
Griffiths
Notes: q =120
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œ œ by DigitalMusicArt.Com
œ œ œ œ
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a bar of eighth notes is counted ‘1 & 2 & 3 & 4 &’ evenly. each of these syllables
represents an event within the bar. each eighth note can either be a note, a chord or a
## # 4 . œ ‰ œ ‰ œ œ ≈ œ œ ≈ ≈ œ ≈ œ .
rest. this motown-style part goes: rest, chord, chord, rest, rest, chord, rest, chord.
the chords are most often landing on the up beats, which means it is ‘syncopated’. & 4 . .

q =120

œœ œœ œœœ œœœ T . 12 12 12 12 12 12 12 12
.
. .
C F

4 œ œ A 9 9 9 9 9 9 9 9

.
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&TGR296.coverfeature.fig04c.musx J ‰ J .. B
54
≥ ≤ Rhythm
≥ -≤ Occasional
≤ ≥ 32nd≤ notes≤
File Date: 21:20 12/07/2017 sixteenth notes are twice as fast as 16th notes: ‘1 e & a, 2 e & a, 3 e & a, 4 e &
Cover Feature

. .
Page 1 of 1 8 8 8 8
eighth notes. even though this example Contributor: Charlie
a’. lock in your Griffiths
strumming hand so it is
T Notes:
. .
8 8 10 10 is exactly the same tempo as the moving in constant down and up
Engraved by DigitalMusicArt.Com
A 9 9 10 10
previous one, there are twice the strokes. even when there is a rest, keep
B amount of ‘note events’. you can count your hand moving to stay in the groove.

adding 32nd notes TRACK 49-50

q = 90

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E5 N.C.

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B 2

File Date: 21:20 ≥12/07/2017≥ ≥ ≤ ≥ ≤ ≥ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ Cover

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twice the 1 of
speed of16th
1 notes are 32nd notes, within a 16th-note rhythm, like you can find here with Contributor:
16th note so that you can playCharlie
them withGriffiths
a quick ‘down
however, playing 32 notes per bar can be a little too this tom morello-inspired scratching riff. the 32nd up down’. keeping your wrist loose and the pick attack
Notes: Engraved
TGR296.coverfeature.fig04e.musx by DigitalMusicArt.Com
much. it is more common to add occasional 32nd notes notes are always grouped in pairs and followed by a light is essential when playing this.
File Date: 09:10 07/07/2017
triplets TRACK 51-52 shuffle
Pagefeel
1 of 1 TRACK 53-54

Notes:
this bluesy riff is played with a shuffle as long as the upbeats. see this as
E/G #
q =100
Asus 2 E5 feel. rather than the eighth notes being triplets taking out the middle note

##
& # # 44 .. œœ œœ œœ œœ œœ œœ œœ œœ œœ
3 3 3 3 straight the downbeats should be twice leaving just the first and third notes.

œœ œœ œœ .. j
œ œ œ œ œ œ œœ œœ œœ œœ œœ œœ
3

q = 95 q q =q q
G7

. 4 4 4 4 4 4 4 4 4 . # œ œœ œœ b œœ n œ
& 44 .. n œœœœ œœ œœ œ œ œ ..
3
T
A . 2 2 2 2 2 2 2 2 2
4
2
4
2
4
2 . œœ œ œ œ
B
œ
0 0 0 2 2 2 2 2 2
4 4 4 0 0 0 0 0 0
let ring

. .
triplet rhythms have three notes per beat and are counted: ‘1 & a, 2 & a, 3 & a, 4 & a’. 3 3
T
. .
strum this dave grohl-style part with alternate down and up strokes. notice that the 3 3 5 3 3
first downbeat lands with a downstroke but the 2nd downbeat starts with an A 4
3
4
3
5
5
3
3
4 4
3 5 3
upstroke. notice that the emphasis of your down and up strokes alternates. B 5
3
5
3
5

ToTal GuiTar summer 2017