muzyka
tradycyjna
w kontekstach
wspotczesnosci
30-31.03.2017
‘akademia muzyezna w krakowieter ("hod stole rg Urn The Peep or pating
openness ingroup (lnm dln)
Copal structure ~ Te Hous of Dae in arn. Mote ted hee
opera new pats which were cornu, en the arm of werkshops
“rang on Own a Te Sap
Sowhen you get to heaven the rel know what odo wth yo
(Augustine of tgp, 3 coeur AD)
Stoning ~The the cet te for the proces ef seprton at
Ss the cong oe for quran of pats mason
‘AS resto pening the seme fas othe boom ad he hie
Substance remains atthe too Ine, he pening dare worshapot
Jace sas sea the sane bate.
Wife — epaceole enon inthe prac of dance leader
prot drRytis Ambrazevigiue
‘Styles and techniques of Lithuanian
traditional singing.
fee out Luin nl a, tony ie to
lets, vadton, aed ether cul elements Auk fst
ema (west Oak utes snd Suva southwest Mus
ales aporoumatey covespond ta hace etinaerphie dvison
Inedusng soo performance, monophony (eterophon eohon,
{ndhomephony rand wore characteris of vatiow hua singing
-adepiee wisnegoogonaw tech eta
0, owe, cst,
‘he be wien co Toba pace
(ausunyes Horo)
worse ie otedkowg do sybigo osadania se castecek
erosworn Ways procsi wrowania oad opacs no, r=
Pavone sutton wae go tego somo cel prowadie
ja wars feu wiomych acta las
2a ~ Osobarenstapiona worker wos.
prot dr Rytis Ambrazevitius
Style! technikitradycyinego épiewu litewskiego.
Foie te, 28 Uva le newline, wl babi ia
‘sary loune ron stopratcine Rainy te Yona sg dem,
{tesa ore iy element ukurouyn: Akay (wr,
Yamaisja. eh) Drie (pociony wechds) ort Saas
(eoudriowy sab) Oiety musyene Ww proewaaac) mir
dpowidoy pedo etogatarym. Zadyidualtowane onan
Selene, moratoria (heterafana, goon rar harofona bl 153
‘aca haar rh Mews Sakehow murach
Dna es adyynle wonawana 2 rein modslomy ees cho
2 slompliowane wjonaie slow Indra mienra Ina meen
mote pose rine waranty, Mae u fatdego weonawey URS
owe semen. Munysadsy try, t Ono jet myn egarem,
fl amy taro rznorednose tbe, oper presen” bowdialects Duohie is wadonsy consid a te exemplary region of
inte slo performance, On exe rly can ve many vis
‘hat aque new meancrng elements om one singe a ne toe
nest Musiolopss 97 that tee wie erty of medes ony extn
‘aula: ation to the "snp major and minor ype mages, hese
‘cle the soealeg Aart Greek modes Howeves, rece teste
studies showed that usualy such modes ae mere misiereretaions
oF more afta, “oosehyanr™ quasequistmt sees. Gute 9 we
Dales of vrs tecniae found in tuk, yet cera warts,
Somewhat terse voc commen nts elon only runclton sea.
‘vowlsatenotmuchcoeredandiarcats quite dic Performances
by themest ecamplshesingersinZematis cou probaly be garde
1 even mre elaborate than thot in Oki, Geeta the eth
IMemorecomolated,ustrucare, ad uneven, chee peck of
Jaman x et tennant carrer fe
tongs in ceoventins! ruil notation. Another prton of Eman
Songs are hytmcaly Spl ana perfnmed inten se Compared
to Dwi, voles ate charactetisily deeper, i. emunctian rot
that lar This olds for aula and Sioa os wel Monaghan
Uveterophony im ensemble perfomance wadtoraly atte anos
‘chsiey to Drubja and Suh. The esiental carcerstis of
fmenbie monophory ae of couse, the ane 3 thas of oo sgn
‘wih the exception of fs space for improvsaton, smecthes hm
rusts and somewtit mated or Bled deal, cuding wontons
{nd embelshmers. Nowados,hanoptony isthe preva sv
Seren Uthuaian regions, Ua, one sige perms the adhe
Part white the resto 2 ou 268 the lowe “background ar, thereby
making ofthis forts, o ths withthe een art. acoaing
tothefurcoralharmony Sth "hgh and iow mae singing conn,
Tiemann tot inthe re of mos aia an emt) eee, ale
ingr 368 ter inter of third ou, AR. ote eleventh
‘weith) blow the lading fae voc, Te homeprone met
Shar n rita fetes th major ier spd ring e mes. nthe
‘ther raion 3 mete mode Ie common. Staring conte 3
important ach part of tthuann polyphonic song. Many stares
‘te read 2nd of Sehmebungaaphone. Tey ar ated on
Polya ar pleythmie pts ruling rom ering ves
irom | malowych nia tate by sargrecie. Tym omni
rledoune badninaaryeane yaa 2 the By bly Bost
edna terse are) artseareh nc” sta ale 0
‘earamrn tempera. W regan Dade wyetgpije dele Stra
Neprewadnony do prc | nape ges, Wena fest wana, tn
‘Smog! ne 9 myn sreane a4 mara est sve wre
‘Spew w wyonaie naps pest? Fegan Lema ve OF
ata 2a jet ara exbudowany tw elon Dah. Casa
‘myst bara) stomplonane, peewee suktury / eréwne,
Ppominsace mows mista Sema Tho jest pasar
awe charter ch ell utymjetadyeyneg capi muryanego
Inne plein 7 regina Zemuja s rtmicie poste 1 wykonpvane
“temple woth Wperdarans regione Dobe sjstrratne
tebe. tn wows ie jt afk wai. Ones to ake Fegan
‘ator Savas. Moofons(heterfrijert onan pes
Draypeywarym paktcnie wien epenor ake orr Saha
Ctowne cacy mansion! wyanjuane)sspeone 54 cry tae
same fk inlew 0+ within br ogranecone pets ls
Imponicch wypacionyeh nuanséw ryt | nica zanashonanh
Lib str spl, temic tIntnaet | sdobitaml. Obceie
homo et peenatey tem w wiso. teonda iewsieh
2ayle jeden spewot won egtsowa, Dost gay FS gFUDY
oase maz eg stanowgcs 0" Yen Sst WOE Pay EEG.
‘oar wnt osm pronaacyn, cele hamoni fon
Papuan sew mes jet owns eso fk is” OBB 1 2
vw prepa merplumisaneg bit mee), mei mye
odo erg wary bint) ib sec (undecyng, duodecyng)
onim prowsdraepagrutoieege omolericmy spew wiloason
Winch ronch omssehny et nb aor. Sutrtnes sanow,
ain stcincarg cise ewok piesthweloglsowyeh. Wide
{ruarnes mata ura 2 oa Schaebungsdlophonie Oper no
polfoicyen:poiymicryen tlre wyeiagch ?preenana
Sig prt otal Zawya dn losy 53 wranywane drone,
Iworage Sewerje terval, Mace te wigs na obecne » Ch
und mig bray punk widens echo or may0. Tipe, wo wie pvormsimataneouthy casi caquences of
hod hat nthe featuring second, ace mosy~ of cue om ne
Wewpoint of Western mus theory ~ cana
‘Sven Ahlback
“Your notes are false, man’ — an introduction
to tonality in Swedish Folk musi.
Swedish ok muse vadton 2 eh bong traton that compres both
Insuumetalanavoca muse tetany dominnedby st pereemance
ImeansPlshdace Theron ofsapecie norton prt inSwesh
Fotkmusc ws recogni by the et ok msc alesis ale ithe
2 18th eur si here have Been nasser scot fe
practice wnt gute recent Rater ol muse calectors haven gee
tad protiems now relat to itanation an only tht es from
‘Wester mor mieortonaty athe pba ofthe age coleton
fa tings Flr by Hating that he was ploig “out of tne
rmustwas tte ei nat genera change ae the fierce ofthe eat
Showing the wanserins tat muse etherin major or minor made,
ave hd strong inuene on resent oy performance pati thi
lec wl reser resus of ecetsterata sty of orton
Sd tosly In vss and istrurensl er Sweaeh fase, whieh
‘eval concen of oat nd ination pater that have rove 0
be succes in the presen ew devloment of fk muse i Sedo,
Iti demonstrated, how concepts deed rom studs of perormance
pace, an be ued n desopren of potent gerformance practice
Inlerring teaching srangement and composton bated on waar
Sie llbedscssehom eonept bot mise actlyeluencesthe
bande sonansone
‘Sven Ahiback
Czlowieku. ty fatszujesz” — wprowadzenie
{do tonalnosel w szwedzkiej muzyce ludowe}.
Seana traycja mun ladows jest zw bog; obj ona
‘fola" 1 arses wail pah aie. Foie secre prt
iraraeyie) w seweey munce dows) oslo po ra perwsy
‘autone pre oejnerow muy lowe) na pocata XC wk,
Ty nie do nisbuna ne anaysadre sptematyeme rele
rsp tl liv Relay wh hah ply
‘osretian toni tontot tigen od aod pon
atonlno dura af wydowen raja or rstumertans
muy ade Ws Andersson Zteagowa! na wystepuatareno kyoha
bmi 2 te Jae” Tym ner heypek bf UpeyHelekjoner
stony bf arewdowacswoe pola a teat zamiez0e Ina
Inara peso 2spayuaia mayne aacrzcym mano, 9s
potanunes ope transept mura et sibo w tons alba
‘ona mol aja nee any pra women pay
‘eyonpsna utwow march Paden my rset wi
edowrje bade stenatyerh poslgcnyeh tora | torn
W eased muzyeeIotowe} potarech once wow
{onan irtanacyeh rea powetzenimsasowane w oraoh
Iudowe| mys w Sawa. Zaneream sademontowat a pod
oncepde wracdace 2 Beda nad pray won Moga
tye wtorasywane W fotolu wspakaeine) rats! wpa
1 prayvaans, maven, araniowant | konpanewnis ops
"a sy tye. Ope rewnet Jk Kocepde na test mune
‘wy WB nose, wah os eS | pomuer ma 2
10, ot ors maz mat ogre w wyrtans element si £0