Charlie Parker ee en ee thoroughly recommended ta learn abaut woy he’ peer) in America. The books are BIRD PARKER by Max Horrlson (British) and BIRD by born, beta ard ee Kanses hy Monts a peor omy wit hm her heading th lly, the father jong gone for other pastures. His mother managed to see thet h a rekemtet eemar the cho saxophone and it war even a 40 buy him c horn and get him lessons. In soma ways, he was like Picasso, aver searching for new ways of expres- sion, bored with the Mosca aon oa aia, ieee he experi- Goi eee roits ohana cacreleiae oe a And like Picasso, once arrived at his ubimate style, he stayed there could not comfortably or naturally follow his direction, Just at you can look at a mod- ‘arn Picasso work, you can eg era ood ay Uketiaotet Parker lived 35 years, Picosse almost live. living i ‘ pensible to hear him with his own or all-star groups. An old friend Billy Show, his manager, was kind enough fo entrust my company with his copyrights and this ‘A great deal of preparation went into the production of thls book. eel solos were transcribed by Jamey Aebersolct ane Ken Slone, a monumental task. ‘very proud fo be the publisher of the most important collection Sear ee ot iheleos ‘of Charlie Parker. Mie! PublisherCHARLIE PARKER OMNIBOOK For All Bass Clef instruments + Transcribed From His Recorded Solos * Transposed To Concert Key . CONTENTS Title AH-LBU-CHA (AH LEV CHA) ANOTHER HAIRDO ANTHROPOLOGY AU PRIVAVE (No. 1) AU PRIVAVE (No. 2) BACK HOME BLUES BALLADE, BARBADOS: : BILLIE'S BOUNCE (BILLS BOUNC "HE BIRD BIRD GETS THE WORM BLOOMDIDO BLUB BIRD BLUES (FAST) BLUBS FOR ALIGE BUZZY CARD BOARD CRLBRIT CHASING THE BIRD CHERYL : CHL CHT CONFIRMATION CONSTELLATION COSMIC RAYS. DEWEY SQUARE, DIVEI DONNA LEE | KC. BLUES KIM (No. D) KIM (No. 2) KLAUN STANCE KOKO LAIRD BAIRD LEAP FROG MARMADUKE MERRY.GO ROUND MOHAWK (No. 1) MOHAWK (No. 2) MOOSE. ‘THE, MOOCHE MY LITTLE SUEDE SHOP NOW'S THE TIME. (No. 1) NOW'S THE TIME (No. 2) ORNITHOLOGY AN OSCAR FOR TREADWELL PARKER'S MOOD PASSPORT PERHATS. RED CROSS : RELAXING WITH LEE SCRAPPLE FROM THE APPLE SEGMENT SHAWNOFF SHE ROTE (No. 3) SHE ROTE (No. 2) BLSI : STEEPLECHASE THRIVING FROM A RIFF ‘All Righte Reserved Page 36 104 10 2 2% 106 uz 0 Cy Mo 94 08 124 VISA 100 WARMING UP A RIFF 136 YARDBIRD SUITE a Charlie Parker (Biography a Introduction iy Scale Syllabus ua ©1978 ATLANTIC MUSIC CORP Connery ROLDOR Is loternational Copyright Secured Made in US.AINTRODUCTION The solos in this book represent o cross section of the music of Charlie Parker. In presenting these solos, we hope to bring musicians closer to the true genius of "Bird. These solos are in C concert key, bass clef. The book was originally published in Eb key and this new concert version should allow many more people to explore the won: dorful world of music that Charlie Parker gave us. ‘Most Jazz musicians have leamed to play by listening to records aind.imitating the notes, articulations, vibrato, etc. of the masters, We encourage you to play these with the actual recording. Listen to the record firs, then play through the solo slowly, gradually increasing the speed until you are at the recorded tempo Bird played it. | don’t feel the idea is to Hy to play the solos exactly as Bird did, but rather to find phrases, articulations, scoops, turns, ete. that you feel you would like to incorporate inlo your own playing. By being able to see and play the actual notes, it should help speed up the learning process, Many ployers play like Bird but retain their own personality. Practice with a metronome, Each day try to increase the tempo a litle, all the while retaining the inflections, articulations, ete. that you would use at the slower tempo. Try practicing some of these solos with the Aebersold Play A Long records. Take @ slow blues solo in F and play it with one of the records in the series that has a slow F blues, then move to a record that has a foster F blues. Itis fun to work towards play- ing the solos with Bird clong with the actual Parker recorded version. Blues make up the largest portion of this book. Rhythm changes come next. Some compositions have the two versions recorded by Porker in separate solos. When 4 measure occurs without a chord symbol above it, the chord is the same as the meas- ure preceeding it ‘Most players like to analyze solos in order to find out what the musician is do- ing. Our ears cannot always HEAR what is happening so we slow the music down: transcribe it, onalyze it, practice the licks, pattems and phrases we like best, and end up playing them in our own way on our instruments, We hove put chord symbols over most all bors fo encble you to analyze the notes in relation fo the chord, Remem- ber, each chord symbol represents a series of tones called o scale. Older musicians Used to improvise mainly on chord tones; Charlie Parker was one of the first to broaden that to include seales and substitute scales. For information on secle substitution refer to the Scale Syllabus chart.” Bird loved to use the b9 over the Dom. 7th chord/scole. The Blues scale and its accompanying licks was an important part of his music, even when playing songs other than blues! When you find licks or patterns that you enjoy, practice them in several keys so the melodic phrase becomes @ part of you. t should become automatic in order to really be useable in o playing situation. Only @ minimum of articulations have been put in this book. We feel that jazz, being an aural art form, is often times best imitated by listening over and over, and then playing the notes the way you hear it on the record. This might seem like the long way $0 do it, but experience has proven reliable. After all, who would object to listening conyway? Listening is what music is all about, The records from which these solos are taken are listed of the top of each solo page. They are contained in approximately eight records (some ore two record sets) and most all are stil available. The two record sets are a bargain! We hope you have as much enjoyment with this book as we have had putting it together. * For SCALE SYLLABUS see poge 143, Jamey Aebersold Editor’s note: ‘The tompos that these songs were performed at are indicated at the beginning of each piece. Bass clef instruments generally ore not as fast responding as treble clot instruments (such os the saxophone or trumpet). Try to play these as comfortably as possible using « metronome. Most of these songs will not be playable at Charlie Parker's, tempo on bass clef instruments, but great strides can be made with constant practice,Confirmation By Charlie Parker weave ons 42208 Fa? 697 7 Doi? G6? Cmi? £7 Gq? Gmi? C7 Fe be a7 Omi? G7 Cmi? 7 oo a y Bb? Ani? D7 Gi? Cr Cmni7 f7 Bbug? Eni? Ab Dbma? Gmi? ¢7 e Eo7 a7 Dmi? G7 Cmi? 67 Gmi? C7 = ©1946 ATLANTIC MUSIC CORP. TURN PAGE © Revewed and sesigned 1974 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. AI Rights Reserved, ww.Fina? EOC eee in eGt ee Came ice 6, Am7 ~~ 7 a a7 Dm? G7 Cni FT Fua™ £e7 Bb? Ani OT om ae Giang Cmi7 fe Ma? 3, Ab? Dbua? oni? 697 AW Om? G7 Lm? bb7 Ani? 07 Gai? C7 Fe EE? | ae ft Saree ie ; Fog? oo7 on Dm? G7 mi?Fina? £0'A7 Dm? G7? Cm? ba gb? Ami7 07 Gni7 (1 F Bbna? Cmi7 67 2 Ebni7 3 nb? Dba? Gmi7 C7 Fug? £97 AT Omi? G? = Cmi? £7 6b? Ami? 97 Gmi? C7 F e “34Moose The Mooche By Charlie Parker craReer BP 47224 Piao Bor Cmi7 7 Emi? £07 a Cni? Ff? 6b Cmi? £7 gb Cni7” £7 6O7 £7 Abr gb pb Ami? Qo Dmi? corr, ATLANTIC MUSIC CORP, RP wowCmi? FB (mi? F7 Be Cmi?f7 Bb? Cpe Aba Ci? F7 gb? 6b” pb gb dni? Q7 Gg) Gmi? Cmi? Cri?, £7 Dimi? cmt mi? fF? BB? £67 Bb Cni?_F7 BbOrnithology By Charlie Parker and Benny Harris src 2236 Gua? Gmi? Daur / c7 Fina? _fimi7 gb7 be I Ag7 DT Wig aee Wa ~ Diag tae é7 Ami? D7 (4 4 Peet . tM PEL Bmi? £7 An? 07 Gua 67 Ami?D? lok © 1046 ATLANTI MUSIC CORP, ied 1974 ATLANTIC MUSIC CORP. TANTIC MUSIC CORP. All Rights Reserved, wow,Bmi? £7 bp Ami? 07 #, Fun? Emi? ab? A poeghe ti bebe ee Sete oeYardbird Suite By Charlie Parker ree dam C% Lai? Bb7 c7 gb? Py — i q7 07 q7 Emi? A? an fA Gr G7 Brb9 hi? 5 Emi? £4919789 Emi? ar Omni? £67 97 Q” ce cy mid ert Cdt 60a nd Qo’ gl c% Dmi? G7 yy.07 Di? G7 Emi7 AT Di? G7 C's fi? BP7 07, BT. gn Ea 07 Dmi7 G7 Cy C7 grb? a Emi? pe 87 Emi? a7 3 £07 07 7 Dmi _ —! Omi? G? C% fini? pb? £ a ise eee a ab? Ale MY Omi7 G7 Ch Omi? Gr10 Anthropology By Charlie Parker and John ‘Dizzy’ Gillespie 47300 ‘DRUMS 8 jb Ci? F7 G7 Ci? =? ~~ gh? £67 b7 Dmi? “ab : Dmi? Gr 3 or a es ab Cmi7 £7 Denil G7 (mi? £7 cone, ATLANTIC MUSIC CORP, ne,gb? £57 6b GI Cmi7 £7 gb ph 4 sb F7_, | Dm? G7 Oeil Creer i 8b? we ow 8 Abr Ci? £7 c1 f7 oe eter Bb Cmi7 if Bb GG? mi? £7 67 £b7 9b7 gh og? Cmi? mi? FT — imi? FT ; Dmi? G7 _Lni7 F’ gb12 a cb) phy pb Cri? £7 f.. £ 4 rpecettchet pet EE Bt pats b> Ci? 7 Dmi7 G7 Cmi7 £7 go? fb br pb 07 ie 1 ar 2 C1 fo be fl omg ————— e prog or BE abr a Cmi? £7 BP Cri? £7 Dntcd Gm? Ci? £7ani? ab gb? hy Cmi? 67 Bb BPG? pene a a rr) Cmi7 61 gbT cbr OP). gb o o 67 cr £7 Bb Cmi? FT Bb (mi? =F. : —~ Bb gh? £57 hy p> BI Cmi? f7 Bb Cmi? F7a5 Dewey Square By Charlie Parker Jaa GREATS 40-617/8LU8 wIBsC dei EPaa? Abni? 667 br 7 rb é7 fyi? Bb C7 Emi? Bb? ‘Eb Eo aT Aya? éb f7 fi? Ey? Abmi7 £87 £7? Eni? Bb? eb bug? Abn? chr pb? ©1958 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.f7 Emi? of" 3 Bb 7 eI Dy? a) Fini,? Abni eb pb? 7 (7 Fi? BP Bb MA mi E b y Ab, 7 Abn16 Scrapple From The Apple By Charlie Parker ‘UE RIBSON G01/UP FRONT YT/CHARLIE PARKER RECORDS 497/50 Gmi? a1 Gri #200 7 a ‘©1957 ATLANTIC. MUSIC CORP, ©1978 ATLANTIC MUSIC CORP, A Rights Reserved wwBb gol op Ami? 07 Gmi? _. cq Gmi? Ce c en a Emi? a7 ; oO’ iYBlues For Alice By Charlie Parker Soy #1b8 £97 AT Dmi7G7 Lm? , £7 Bini? Abni? bb? eo Ami 7 Gmiz 7 67 Omi? C7 FE £97 Dmi?, G? _Cmi? 7 Bhi 7 Ani? Db? Ami? Gmi7 c fr £9? 97 Di? %G7 Bri? a Ini? ©1956 ATLANTIC MUSIC CORP, ©1978 ATLANTIC. MUSIC CONP, AN Bila Reversed wavAbmi? Db? Gmi? c7 FE Gmi7C7 e EAT, dni? G? Cm er Bhi? 667 Ami a Abni7D4? Gmi7 ee Fr Gmi7 C7 Fr20 K.C. Blues By Charlie Parker eta teeta cena are 4 126 a fT ©1956 ATLAI 1078 ATLABt a Fe Ge " C3 THE PROFESSIONAL ARRANGER COMPOSER {800K ONE} By Russell Garcia fi JONAL SEeancee © Best seling text Book usd by leasing universes ‘COMPOSER © Bosis for course in Practical Arranging and Composing BOOK ONE in the professional field, For the advanced arranger, © Endorsed by leoding music educators and composers cond arrangers, RUSSELL GARCIA —-—~ AND NOW! ~~-———— THE PROFESSIONAL ARRANGER COMPOSER = {BOOK TWO} By Russell Gercia © Discusses contemporary trends in Jazz, Pop and "Modern Classical" Techniques. New scales, chords, progressions, free improvisation, vocal effects, using fone rows in proctical music, etc. © Contains a record of many of the 169 examples and the recording of o complete score of an exciting contemporary composition by Garcia. (Musicians used are the top instrumentalists on the Wost Coast) The both books complement each other! You need both books for a complete course! CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, 90028 Calif.2 Celerity By Charlie Parker verve soozrvenve 25 #0 Bb Cmi7 #7 Dmi? G7 Cmi?_ £7 mi? Bb gb Ebmi BP (a 7 Cmi7 7 Dmi? 3 Cmi7 F7 ni? b7_ Dor wh a Bb o” g? Gq? Cmi7 6 7 8 gt mi? 67 ni? BBP cb hy? © 1958 ATLANTIC MUSIC CORP. ©1978 ATLANTIC CORP, ail ww.28 ¢7 gb Cmi7 Ri ot 3 b - Dmi7? G7 8 ales (Bs) don) = Cmi? _ F7 Cmi? A BOT Caiaky, q Cmi? f7 Bb Cai 7 Di, Db? mi? £7Au Privave (No. 1) By Charlie Parker 2220 fp? Cmi? FT Gmi AboT pr ee —~! ET DT VGnie7 "G7 C7 3 z I Cmi? 87 O7 Gm? qr ¢7 Gmi?” c7 fr fm 6b £ Ami? D7 © 1988 ATL > MUSIC CORP. © 19TH ATLANTIC MUSIC CORP. All Rights Reserved wow.25 FT ot Omi? CT en SSTAGE DANCE BAND =Au Privave (No. 2) By Charlie Parker eave por0/veRve aaee/veRvs $20 oy c7 B.ves f oT, f7 Amit 79 Gmi? FILA BRKT Gm? 07 35 1 Cmi? £7 bm) o1.-— -7 C7 © 1951 aTiaxTic Music Cone wav.£7 ‘Any Musicion Con Arrange With This Book! a7 Gmi7 C7 FI An Important Elementary Arranging Book For Schools Contains two records of charts in the book “Moonlight tn Vermont” for full orc. and. 4 examples of contemporery ples by 9 leading university oreh. BAANEY KESSEL says: "This book ‘opens the door fo an arranging ce. oer for muisielens, Van's first Book i this for me.”Chi Chi By Charlie Parker ‘VERVE 905/maM 6040/68 47220 fbr Bhi? £67 pba Ebni? ab 0b7 dpi 7657 Cmiz Chi? Bhni? &b7 Cmi? £7 Abr ob? "Bhai? £27 AP, Lbyji7 br pb? cn a Cm? pt pb mit £b7 Boni? £7 me i fbr pb7 ob? Ah7 Ci? £7 Bi? © 1855 ATLANTIC. MUSIC Cone. ©1978 ATLANTIC MUSIC COR,29 67 Ab? Bbni7€07 fb? ob? Abr Ebi? b7— hr Cmi? £7 Bbni? 3 ABT ober wy - eb7 aby Boni? gb7 Abr Ebmi Ab7 Bbni7 Boni? £67 | pb? Ebmi? 9b? ob? by pb7 Cmi? Chmi? —, Boi? (4aaH Pace)30 Chi Chi - cont. eb, abi Bbyi? 67 4b? 20 Eby? —b7——b7 2 Cmi? £7 yond eh ab Bbyi? £67 br Cosmic Rays By Charlie Parker ‘VeRve anaowvek #132 g oa 0 $ Gr 0? Fa Fini Em Em? A? = Dm? 6? 5 Gh” aw Ar Dm? 67 c f7 C7 © 1956 ATLANTIC MUSIC CORP. © 1975 ATLANTIC MUSIC CORP, i All Rights Reserv ww.Cosmic Rays- cont. Gmi? c C7 £7 Gbo Cle ch ath tm? 4, 5 G7 Eni? «£61 bg? 07 Fhe 6 qh p7e7eb1Gb7 e p71. Gbo7 8 Cc (6b) (Dn?) Dni?, q Gt ce” A M2 G2 C7 0 { [CRITERION Music CORPORATION PUBLICATIONS | rATON PuaticaTONS |az Laird Baird By Charlie Parker 2162 ab apy? Ps Gmi7C7 Emi? gb, pba Eby! Dmi? Dbni Cmi7 f7 ab 3 G7 ob f1 , BP 7 Diminisnen S¢ i a ” 07 Gal 9 1086 amLaNtiC Music cone ©1978 ATLANTIC MUSIC ‘All Rights Re ww.338% She Rote (No. 1) By Charlie Parker 42210 Peon Concert Ab Cmi pb? ab C7 Cmi? £7 gb Ebpi? @ Dmi? Gg? © 1956 ATLANTIC MUSIC Cone. ©1975 ATLANTIC MUSIC Cone. All Rights Reserved ww.Cmi? 9b b gb gala Cm) 7 Bb, Cmil_ 7? BDShe Rote (No. 2) By Charlie Parker verve forme 42265 Pena. Codceer Ab E%j Dmi? 2 1888 ATLANTIC Muste COMP MU wav37 Cmi) Ebi? Bb g? c? Cmi? £7 Bb Cmi) £7 Bb38 Mohawk (No. 1) By Charlie Parker : ‘VERVE 6006/VERVE 8040/VERVI 2 (68 gb? £07 Boma? Eni? 92. gb ' rl Qo 2 bail f7 Bb? > ral 3 Bb? £7 gb) Bri? Bb? £7 Bh Om? Obi? Cmi? £7 Bh Ci? £ B07 ob Bown? Ani? Bb? eb7 BP g7 (kau Bac _ ©1956 ATLANTIC MUSIC CORP. 1978 ATLANTIC MUSIC CORP, All Rights Reserve. wavCmi? p7 Bb £b7 ‘ Bb? : Bb? Be Bb? eb7 8b? Bb 7 (obmi7) Cmi? 67 Cmi? & 7 fini? Bb? ec G? f7 Dmi? 6? Bb40 Mohawk (No. 2) By Charlie Parker ‘eave sxsveev 42184 Buves 37 eh I we, £b7 Z gb? 6 mi? e7 8 7 go Cni? £7 Bb? % © 1950 ATLANTIC MUSIC 1978 ATLANTIC. MUSIC RP Al Rights Reserved(Dbmi7) eb Bbua? Be? 0 Cmi 67 Boa? Cmi? ghae An Oscar For Treadwell By Charlie Parker mer nenyvnv moyvave 2: d= 230 Piodo Ineo Com? Di? G? 57 Emi? A? Dmi? G7 a? 2 "Emi? A769 Dmi?_G? 3 8 &? by a 01 Dmi? G? . Dmi? G7 Emi? Dmi? 7 o Fe BY CHA te agate ©1956 ATLANTIC MUSIC CORP. ©1978 ATEANTIC MUSIC Corr. AIL Rights Reseeved www.Dmi? 3,4 4 Emi? a? Dmi? @? Cc? e mi 4 B i Di ni 1? Gb 67 Emi? 97 7? 42 ic > Dmi? G7 Emi?, A? Dmi? Gg? C7 F Bb" C &7 bo? pj? Dmi?7_~ G7 c Omi? 6” Emi? A7 Dmi? G? Bb? c Dmni? Q7 Q fc Omi? g) Emir A Dmi? bes fal - Bb? Emi? 97 Dmi? G7 (Ton Age)a An Oscar For Treadwell - cont. c Dmi? G7 Emi? 97 Dm? G7 v SADR SERIE ESE RR A ARERR PIANO & VOICEConstellation By Charlie Parker savor 201 en Gi? f7 Dmi? G7 Qmi? 01 fp? a7 Dmi? 67 7 Omi? G? Emi} ©1948 ATLANTIC MUSIC CORP. © Renewed and assigued 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. Al Rights ReservedConstellation - cont. ami? C7 f? a a7 Dmi? 6? Gmi7 £7 £7 Bb 0 Gmi? if 07 Omi? Q” Q Dmi? 6? Em? 07 ~~ Dmi? 6? 14 C1 gh £7 Fai? ¢ Dei a Emi? A? 7 ee c Oni? 6? Dmi? 6? o 2 Dmi? G?a Q? Omi? G1 c? Polynesian Cieron’s —aeok ew sours sta rouos HAWAIIAN rxS ONG, BOOK HA\ K “FOR ALL ORGANS wa en ee Eee Citerion's aoe Cites EXOTIC BOOK ICA48 Donna Lee By Charlie Parker vor m8 #230, on 67 ab b ae Bbmi? £67 pb Emi? . 467 OBna? gb? gbrbs Boni? eb7 iC CORP. 5 ATLANTIC MUSIC CORP. ©1878 ATLANTIC Mi RP. AIRBhi? Dus Bb7 Cmi? ab Bbmi? £7 Bbmi 7 £7 £67 £7 Be? Ab E bmi? ab7 £7 Y £b7 Bhi? £7 Elni? 987 (Torn Page,50 Donna Lee - cont. . Dba abr Ab + gb? Boni? £7 C7 Emi? Be Cmi? 67 23 Bhi? LY 24 == ORGAN ——— HAWAIIAN BOOK FOR ALL ORGANS54 Kim (No. 1) By Charlie Parker eave sosveve 840 47320 gyn Cmi? £7 Di? G7 Ci? £7 Fri? B67 £87 (0b) Di? G7 Ci? P7 ab? Cmi?, £7 Omi? G7 Cag? £7 Fri? Bb? £b? (cb)? Fmt? be? Cmi? £7 Omi? 6) Cmit_ £7 a” £0? Bb? 7 © 1956 ATLANTIC MUSIC ©1978 ATLANTIC MUSI All Rights ww.Kim (No. 1) - cont. f7 —S" Co we? Omi? G? Cmi? = F2 Fini? — 6b? £67 fbi? Di? G? Cm Om a7 Cnit 7 fini? BOT £b7 (0b) gh? Cm? £7 gb? Cmi? F7 beyCmi) 67 | Bb? £7 (eb) gb? gb? Crit? 1 Dei? GP” Emi? PP Fi? Bb? gb? (ab) gh? G? 0? a c) Cmi? f? gb Cmi? =F? Di? G2 Cmi?_, F? Emi 87 G7 Cmi? pr gh 24 ORCHESTRATIONS.Bk Kim (No. 2) By Charlie Parker vo conic 4320 gp Ce Emi? Bb? £67 Ebi? gb Omi? £7 8b Ci? FE? ~ Dwi? G2 Ci? 6? Fi? gb? £07 Ebi? Bb Ami? 0? G7 C1 Cmi f7 ee : b fni? Bb? ge? Bb 87h, Omi? £7 © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, ww.pb Cmit £7 Di? G7 Cmi? £7 Fi? Bb? gb? Oni? G?. i? £2 gb? Cm? £7 Dwi? G? Cni? £7 Fri? 87, Bb» Bb Gil Cmi? f7 mi? £7 Cmi? 7 Bb Cmi? £47 Dmi? G79 (om PageKim (No. 2) - cont. Cmi? 67 fi? Bn hn 6b Bb Cmi? £7 a Cel iia ant Be nee gb a7 20 Cmi? £7 Agi? o G? Zi o Cmi? f7 22 ab Cog ET, OM a7 Cui? £7 23 Fni? Be? £67 bi? BD eG? Lmi7— FF aA a Piso Save Pale 77 25 Bb Cmi? £7 Doni? (ORiNG? Ci? 7 Fini? 867 gb7_ Ebi? Bb G7 Ci? 7B7 Bb Limi? 67 ee ee 28 Fi? Bb? by bo gb 24 yi? 19 Q) 30. ci Cmi f7 4l bb Ci? F7 Dm? G7 Cm? 32 Fmi? gb? gb éb7 bb 33 Bb 34 Aitieaniee A GUITAR METHOD THAT A SHORT CUT— TEACHES READING & PLAYING —NOT A GIMMICK — INSTANTLY! ‘AN APPROVED MUSICAL METHOD < simplified YOU HAVE TO SEE TO BELIEVE! NTE raved vy For: THE BEGINNER BARNEY KESSEL THE SLOW READER eet GLE THE “PLAY BY EAR” MUSICIAN Freie! Contains these solos—THESE BOOTS ARE MADE WALKIN" “LET THE GOOD TIMES RO! "TINY BUBBLES," ond 15 ol Edited by Durdell MathisCheryl By Charlie Parker sav 4180 Buves ! q f7 c7 Emi? a7 Dmi? 6? Ca Dmi? G7 _ 0? Omi? G7 fl ©1947 ATLANTIC MUSIC CORP. ‘© Renewed and sasigned 1975 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP, Al Rights Reserved,ao Dmi? &7 7 i Dmi? G7 C? dui? G? C7 Gmi? C7 £7 07 it ” i 67 Q? Dmi? q? c7 GUITAR GUITAR FOLIOS VENTURE FOLIOS au0rs* FoR oUmAR 1 — Mls He WALK 0ONT RUN Guta avzpements ah compete en tor fie ie JOURNEY To THe sTARS Sol" gia Baek =3— Mise JOSE, INSTANT GUDARS fea niieuinl ie bok 24. Mts ke OUMOND HERD, GRIND nce gta sie sarees bam tinned ap ben. me Onan woos fossa curren sor rece Soe ote ng Laure Almada ne ‘i Si thd nbs ooasious & ANGRY GENERATION autteas ¥ CANCION ‘S sues” gurTaR TeAvaeaN Ss ‘irk ones gmeed by. ewe Haskell fares and gsr tte ‘COUNTRY GUITAR His rem the Cont Field {OURSY SONGS FOR GUITAR Simple 0 Advanced) GUITAR BOOKS Padeloia Lawyer ee pik tauenna GUITAR TUTOR by Lavin Almeida 20 GHLAT TUNES FOR GUITAR Pick tye ‘eomlete Concert Gute Mead 18 Goent Arangenents by Oo Fos, telurng ‘Moog in Vernon ME GUITAR by Baier Kas scan mooRe eUTAR sou0s ‘iq gle for gts60 Thriving From A Riff By Charlie Parker . ee Cn? =F? Bb Cm? 2 Fri? $ gb? £e7 Bb Bb A Cmi? 7 a 8 bb Pri? Bb? fri? 87, ED EA? gb mi? £7 Ic MUSIC CORP,ab Cmi? £2 Bb (Obn) Cmi? £7 Fni? gb? gb Go? mi? £7 Bb Cmi? £7 Bb Cmi? 67 Grit, 87 £67 by? gb G7 7 f7 a ett e7 ee kni? f? 3 Fi? Bb? £67 bmi? Bb mF? Bboz Ko Ko By Charlie Parker Pon 4408 4b Fini? ge? & ©1946 ATLANTIC MU! © Renewed and assigned ATLANTIC MUSIC CORP, All Rights Reserved one, ATLANTIC MUSIC CORP,(torn RageKo Ko - cont. mi? fl Bb Fmi? ab? 6bCmi? 7 Bb (ae aCeni ee 8 Cri? bene BP Cmi? £7 6b66 Red Cross By Charlie Parker savor 4210 BbJACKSON BROWNE FOLIO68 Marmaduke By Charlie Parker nar 4 208 Gmi? Gmi7 07 Gmi? Cry, F Aniby oa? Gmi? Gmi? C7 F Gm? 0?,, F F mi? f7 Bg fan £ Gmi? 07 F Gmi? SIC. CORP. (976 ATLANTIC MUSIC CORP, SIC CORP, Bights Reserved.69 P- (Beings) ia ab (to Age,70 Marmaduke - cont. Gmi? 7 Fe Gm? C7, & Barbados By Charlie Parker oo . f Gn? 0? £7 Buves Lmi? f7 bb? F Gmi? C74 Fe Gmi? C7 91848 ATLANTIC MUSIC CORE wed and assigned 1978 ATLANTIC MUSIC CORP ols7e ATLANTIC MUSIC CONF All Rights Reserved.na f1 Cw,» £7 Bb? alec. = - f7 Ami? Abi? Gri? - SHAPING FORCES IN MUSIC By Ernst Toch [An inquiry into harmony, melody, counterpoint and form. A complete ‘advanced musie course now being used by many leading colleges as their text book.2 Perhaps By Charlie Parker a 4200 Gves £7 cy -, aa] fF? Cz (7 4709 Omi? &? (Emi? 6?) Dmi? G7 Q Gmi? 0? © 1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved,Dmi? G7 CRITERION’S BOOKS & ‘JAZZ PUBLICATIONS. FIRST CHART by Van Alexandr (Edited and Contributed to by Jimmy Haskell) ‘Aa umportant elementary artanging book. Fea tures step-by-step instruction to Nelp musicians. {through that "irs chart Includes all the rmogern styles, Jazz Rock, Blues-Rock, Contam: poraty Latin, etc. Includes a record of two of the ‘Charts including Jon C. Fogerty hit for Grodence Clearwater Revival, "Lookln’ Out My Back Door” 112 pp. Price $14.05 ‘THE PROFESSIONAL ARRANGER COMPOSER, (Book One) by Auss Garcia Text book used by leading senools. Basis for ccoutse for practical arranging and composing in the commercial field. For the advanced and pro. fessional arranger. 72 pp, 1951 Price $14. ‘THE PROFESSIONAL ARRANGER COMPOSER, (Book Two) by Russ Garcia Discusses contemporary trends In Jazz, Pop and “Modern Classical" Techniques. New scales ‘chords ete. using tone rows in practical music. Contains a record of many of tho 169 examples and the recording of a compiete.score of acomp- Seitionby Garcia, 91 pp, 1078 Price $14.05, 73 c7 Dmi? G? EW HOT DISCOGRAPHY by Charlos Delaunay ‘The standard directory of recorded jazz. Tits, personnel, dates and numbers of 20,000 records, 606 pp. Price $24.95, ‘THE STECHESON CLASSIFIED SONG DIRECTORY by Anne & Anthony Stecteson A classified rectory of aver 100,000 song til 395 diflerent categories, Used by every major ‘ecard company. £03 pp. incl. 68 pg. supplement Price $40.00, CHARLIE PARKER OMNIBOOK 160 Recorded Solos — 4 Books €>...C.. Bb. Bass Clel New!) Price $11.95, ‘Now! CHARLIE PARKER FOR PIANO 415 Plano Solos Based on His Recordings ‘Acranged by Paul Smith and Moris Feldman Price $7.95 CHARLIE PARKER FOR PIANO Recorded by Tho Paul Smith Trlo Cassattes avaliable $8.98 by mall ‘CRITERION MUSIC CORPORATION {6124 Selma Avenue, Hollywood, CA 90028Th Now’s The Time (No. 1) By Charlie Parker J 132 Buses (Soo, F7 © 1945 ATLANTIC MUSIC CORP. © Renewed snd assigned 1973 ATLANTIC MUSIC CORP. ©1975 ATLANTIC MUSIC CONR. All Rights Reserved,By Frank Skinner ‘A complete course in scoring for motion pictures and television, featuring an factual score that wes writtern, arranged and recorded for # motion picture, with timing sheats, orchestra sketches and orchestrations.76 Now’s The Time (No. 2) By Charlie Parker #220 Buses fy (Hen0) I 7 BH) go? f7 Gmi? 7 f7 7 fr FTL gb? fr Gmi? +6 fi Gm? ¢7 ft? gb? 3 gb? bet ©1945 ATLANTIC MUSIC CORP. © Revewed and vssigned 1973 ATLANTIC MUSIC CORP. ©1975 ATLANTIC MUSIC CORP. Al Rights Reserved28 Buzzy By Charlie Parker 42230 Bb? Buves B £b7 gor 6) Cmi7 0 8b? Cmi? £7 8b? eb gb? eb 6b? G? SIC CORP. ATLANTIC MUSIC CORP, CORP, All Rights Reserved79 Cmi? p gb? Cui? 67 gb? eb 60? Fi? 6b80 Billie’s Bounce (also known as BILL'S BOUNCE) By Charlie Parker #7105 Brus fa Bo? go? f a” f7 0 f? ce i ©1945 ATLANTIC MUSIC CORP. © Renewed and assigned 1978 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. Ail Rights Reserved,at Devaded by ~82 Chasing The Bird By Charlie Parker 42210 6 Gai C7 e 0 mi? Cc? pf abr gov Fe 7 Bi? 07 Ao" & Gomi) C7 Emi? A? 07 4) © 1048 ATLANTIC MUSIC CORI P, 8 Removed and assigned 1078 ATLANTIC MUSIC Cont, ©1918 ATLANTIC MUSIC Co! ‘A Righs ReservedGm? c7 Cm £7 Gm? C7 £ DeesBlue Bird By Charlie Parker nee 42108 s mi? gb? Gmi? 0 Bves - 1 Bee ais =e Ses Fini? ah? eb Devavet © 1948 ATLANTIC MUSIC CORP Renewed and aesigned 1978 ATLANTIC MUSIC CORP. 91978 ATLANTIC MUSIC CORP. All Rights Reserved,Fi? fb? gb? eb? pbrAh-Leu-Cha (also known as AH LEV CHA) By Charlie Parker d= [9p Me.oo4- tives Davis Gun Gm? Gi? o) Gi? co? (Mies Davis) a mi? Gmi? 07 C (Bigo Soro) Gmi? Gmi? » © 1948 ATLANTIC MUSIC CORP. © Renewed ard assigued 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. Al Rights Reserved,87 gb? £ Ani 0? Gry? ‘ 3 mi? 4 Gri 07, Gmi? bmi? 07 8b? f7 0? ZLAYED f1 (tual Phat88 Ah-Leu-Cha - cont. 7 ft Emi? (iss tas89 Klaun Stance By Charlie Parker savor z201 47800, 07 Spi 07} fF Abmi? — Gmi? 0? c Bhi £5790. Klaun. - cont. ab FH) beens Sri, cbr b ab ee) bb? cb? (hi? Bhign o> phy? Ab a F Q? Gmi? Gr F 7 Gmi? c a : a oh (c) D mid, Ahm? co re (et) (cy, Fr Ami? Abni? Gmi? (Gb)2h 23 a” Gmi? c7) 0 (Ami? P Almi? —Gmi? Gmi? Bbmi? 0 a ris (Rot, Sava Ami? > £7 o? 0792 Card Board By Charlie Parker ae ae B07) Dy? Omi? (97) Gq? c Di? G7 i7 ic eb07 fei 67 Omi? 67 c £607 mi? 7 Omi? 61 c Dmi? G7 © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. ‘AIL Rights Reserved ww.9% Bird Gets The Worm By Charlie Parker savor 72 +5340 py | =o Fri? fo? ab Bri? Bhai? eb? ab i? pb ab mit Q? Fo7 Ab pte gb eh? D> pbs? ab Gms 07 uses aLawric Music, cone ‘© Renewed and assigned 1976 ATLANTIC MUSIC CORP. © 1978 ATLANTIC MUSIC CORP. A Rights Reserved,Dini? AR ASS + Deum: (fire Page)96 Bird Gets The Worm - cont. ab Gmi? a97 Segment By Charlie Parker 322l00 Boni? Cmi? Ce Bhi 4) Bbysi? cus la “the Gri? #7 ahi? Cn? 6? 3 Bhi p1ba Abi? — 87 Y bai? nb? ob £19 Bhi? Cmi? «£7 Bhi? Cm? = £7 Bh. b £709 Bhi? £709 (Torn Fage) D189 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, ww.98 Segment - cont. Boni? Cm? 367 Bbmi? Bhi? Cmi? £7 fF? f7 Coi? au Bbni? Cmi? £7 Boni? p1b4 Bbmi? dni? Ebi? bo pb f7a4 Beni? p7b4 ap Cmi2PS £7 Bhi! Boni? Bhi? Fly Cmi? £2100 Visa By Charlie Parker 42200 4 7 7 7 Buves c F c CH veave aoooinve 96, f Oni? Dmi? G7 07 'g? iz G7 ©1953 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww.q C7 G7 Dmi? Dmi? G 4 ct i Gmi? cq) 07 Om, G? 7 a7108 Passport By Charlie Parker ‘VERVE 9000/vERVE 47200 gb Cui? 67 Bb Ci? 67 oS Fri? Bb gb 8 87 Omi? £7 a Cmi? €7 Bb Cmi? £7 fmi? 67 gb g fi? 807 gb 8 G7 Ci? F(a) ©1953 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. AL Rights Reserved ww.Bb ni? Ff 6b Cmi? £7 Fini? Be? eb f? Bb mi? £7 Bb fbAnother Hairdo By Charlie Parker ssver = 184 Buves Be eb7 Cmi? f7 Bb Bb? (2) gb? £b7 ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. Al Rights Reserved,105 mi? Ff? 30? (mi? fF? gb? eb? ab? £67 Bb : Di? __ (Dbni7? Cni? a Br Oe? br108 Back Home Blues By Charlie Parker ‘VERVE 8840/vERVE 8000/VERVE oto VERVE d= 192 1 Bives C7 ow ¢ C1 7 a Emi? Ar Dmi? 3 Gq) , dat = 0? C7 e& 0 36 (bad Back) ©1056 ATLANTIC MUSIC CORP. ©1978 ATCANTIC MUSIC CORP. All Rights Reserved ww.c Gmi? 07 pr f7 Cc Emi? 4768 on G? c7 G (Peoor) a fq c? Gmi? \¢ 9 7 Gbe c Emi? yrb9 Dmi? ee c Omi? GT Cc?4108 Bloomdido By Charlie Parker VERVE 8040/MOM 4949/VERVE 8006/VERY 20 Bives_» 8 Bb? gb? 6Ri? gb? Dbni? oe "oni? Fomi? 67 Bb £57 67 Bb+7 607 07 g7b4 Cmi? £1 30? Cmi? 67 Bb? £b7 gb? Emi? gb7 eb? © 1953 ATLANTIC MUSIC CORP. © 1978 ATLANTIC MUSIC Cone. Ai Rights Reserved ww.110 The Bird By Charlie Parker ALE nib 08? G7 mi? os7 Gt cms, é7 G7 Cmi7 Fini? 074 Pro) i 3b? eb Cmi? 0¢7 G7 Cmi? G7 Cio 0¢7 67 Cmi? Gr ©1956 ATLANTIC MUSIC CORP. ©1878 ATLANTIC MUSIC CORP. All Rights Resewved wwG7 o¢7 G7 0¢7, G7 Cmie Cmib Cmi? G? ri? 09? (67) 67 097 Cmi? iti) Cmi? a G? G7 m1Az Steeplechase By Charlie Parker sav. ae gp Cm? 6787 G7 Cai? F? a gb Ci? Cm? £7 Bb? 67 «gb? G7 0? 6? ai 7 gb Ceri? f? Bb? G? Cmi? £7 fr gb Cmi? £7? Cmi? Gg? go? emi? £7 g BO? GT Ogi? p7 Ci? gf? 6b? Dmi? 6? 3ei8 atLanmic music, cone ed 1976 ATLANTIC MUSIC CORP. ois ATANTIC MUSIC CORP. Rights Resorved.Bb? Fmi? 7 ab” 87 gb? Cmi? £7 £7 Cmi? =f? ARPA. Sou. 2 Om? G? gb? Q? 7 gb? q? 8b? Cmi7 f7 Cmi? £7 13ua Diverse By Charlie Parker 42260 BPmi? Cmi? £7 Bbni? Cmi? 7 e7b9 Bbni? Bh, Cmi? £7 Boni? Cmi? £764 Bi. £704 Boni? ;7 Em gb? 9b? bb £79 Bb h Cmi? Fr Bh Cmi? £7 Bhp F708 Bbmi? i) ©1087 ATLANTIC MUSIC CORE, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww.U5 Bbmi? F7b9 Bi? 0 Bbmi? Cmi? f? Bbni? Cmi? f7 f? Boni? _ Cmi? bn f7 Boni? / Cmi? cy £7 (Tm Page)Diverse - cont. Brig Cui? 7 Bhi? (mi? £7 Bhi? £764 Bhi? : i? bg 5 Fri? 7 Atte the fee 2 = Bhi? ya 4 Ab” ob f? by a 22 Boni? Ci? fF? Boni? Lmi? £7 23 Bbni? F7b9 Boni? a) fini ? 2da Merry-Go-Round By Charlie Parker savor 201 45400 gb Memeo: Ue TUT SUM qi = Cai? _£7 4 fri? BO? ob C267 gb emi? F7 Dy? Dbni? ni? 6? fri? Br gb Ge Bb ab Fini? , & & , a? Cori f? 8 Cy? £7 ab Cm? £7 fi? Bb? fb = fo Bb (fom Page) ©1948 aTLantig stUsIG. cone Shee AU OTS ATLANTIC MUSIC CORE ists © MUSIC CORP. All Rights Reserved,us, Merry-Go-Round - cont. Cmi? 2, Cmi7 £7 ab be ami? F4 fri? Bb? gb £07 mi? G? Cmi? £7 gb Coirpafe gs, 67 C? 67 gy bmi 7 Pap £07 mi? Chua ab Fmi? a7 bb 6 c7 3 Cmi?Piano. ab 184, SoroMy Little Suede Shoes By Charlie Parker ‘veeve soooivenve 2 (Heao) a7 MB Fri? ab? fb Fai? 6b? 6 Fri? Bb? fi? 667. Gri? iz Ab Gmi? Eb Fi? 6b A bri? C7 Fini? Bb? 6 fui? gb? 6b Fri? gb) gb Pri? 8? Gai? 7 (Soo, fri fri? orb gb? fb BP? nen mi Fri? c? © 1958 ATLAN’ ©1978 ATLAN’ ww.Fi? , B67 &b fi? gb7 Bb mi? gb? fb 4, Fai? 3, Bb? Fmi? 867 __£b Fi? 0? gb Pri? gp? Gmi? C7 Fi? gb? 2 Fmi?wee Relaxing With Lee By Charlie Parker ese auao/VERve 8009/veRvE #7180 Ob Fi? gb? bai? Abr ob Cty? ob Fri? Bb? Ebi? tog ty : Gt it i » a jana D 6) gh cb? C07 £7 a7 pb b7 Frni? Ebi? Abr ©1959 ATLANTIC MUSIC CORP. 1978 ATLANTIC MUSIC CoRP. ‘Il Rights Reserved ww.abi? ee b7 (KE4 Moves UPA V2 Sree) Dios A TAM. ob Fri? BB? Ebi? a= Monk Piano. ob yo a 7 ob , Ae? ob a ny eg - my por ob an yp 7B... FI? gh ba ” Ab7 op Eby? Ab? 18a4 Blues (Fast) By Charlie Parker 42208 a? gb? £67 / 6h a ©1977 ATLANTIC MUSIC Con! ©1978 ATLANTIC MUSIC CORP. Al Rights Reserve. ww.(Dini?) Cmi? ‘7 37 £7 gb? 667 37 Bb? pb) 6b? 87, (bri?) Omi f? 6b? f? Bb? 6b? ob b7 pb? 6? 61 (Piano? (taal Page?Blues (Fast) - cont. f7 AO ab gh? gb? eb? B57 3 enna 67 Bo? = Pe? ab? eh —~6) 3 Bb? £0? 6b? bt or Sh BS?Shawnuff By Charlie Parker and John ‘Dizzy’ Gillespie 4326 Boni? oo a Bb? av A) i ic 8 Cmi? #7 Omi? G? Cmi? .F7 3 £b7 £07 Bb? BY mi? 7 £7 4, £07 Bb7 o7 67 ©1948 ATLANTIC MUSIC CORP. @ Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC COKP. ‘All Rights Reserved,Ro c7 rig f7 67 om? Cmi? f? A, bee 3 Fri? Bb? gb? 4g G07 Bb? Cmi? 7 Dmi? G? (om?) Omi? £7 Emi? 4b? £b? go? gb? Gi? py 3 Cmi? a bmi? G7 Cmi? £7 8? £67 G07 br 9 0” G? C7, 3 (T0RN PAGE)130 Leap Frog By Charlie Parker ‘VERVE 9840, VERVE 8002/VERVE 8006/VER) 42320 2 Ami? 0? Gn? ni? 7 2 F Ani? 0? © 1956 ATLANTIC MUSIC CORP. © 1978 ATLANTIC MUSIC CORP, Al Rights Reserved ww,Leap Frog - cont. P Ami? 0? 2 ee y? (C1orn Poe7 G7 aR Gait 3a’, . mi c e 2 oy te Ami? Abniz 18 ES - a = is : Gmi? c? ale “eaves Some) eee e eee enn ag Fe “ oY 07, Gmi? C7 Ps F Ami? 0? ——— Bmmi? CarLeap Frog - cont. Gmi? 3 C7 cP Gmi? C7 ums fo Exo13 Parker’s Mood By Charlie Parker savor 5 Cmi? bo a 277% Ant? ues Ban A Awe 7 Ran go? i bya a gb? Dini? Gb? Cmi? y Ci? f? BO? bby £7 BP? Omi?gb? 6b7 cor gh = 7 gb? 3 5b? £07 Bb? 3, Fri? «897g ee £07 Sb Bb? (emi?) Dmi? Dbni? Cmi? f? Bb? b7 07 gb? O ZeWarming Up A Riff By Charlie Parker savor siiz201 d= 286 py 8 Fi’? ab? ie ab c? q Cmi? 47 a137 (foal Page )Be C7 Cmi?Si Si By Charlie Parker d= (88 vane! £97 A? Dm? G? FE Piano | Cmni? F? gb? Fe Ami? 97 Gmi? a P Gwe? F £07 97 bmi? G? Cmi? 67 gb? Bhi? E67 fc pe Gi? D? Lmi? Gmi c? F? Bmi? 07 f Gri? 4 FL we Omi? FP co ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC CORP, all rv ww,ah CHARLIE PARKER FOR PIANO Recorded by The Paul Smith Trio Cassettes available $8.98 by mail CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, CA 90028Ballade By Charlie Parker 4210 Omi? Bhi? eb? Omi? Gmi? 074 Gi? 8 ce 7 : Dmi? Av SS : 07 1958 ATLANTIC MUSIC ConP 8 Sine loi ATvaNTIG Mste Cone ANI Rights Reserved wow, izC= Major scale/chord €7 = Dominant 7th scale/chord C= Minor scale/chord (Dorian) Co = Half diminished scale/chord SCALE SYLLABUS WORD SOO GUIDE FoR SCALE £9 Lams ACE SYA heen a. rapouhg ae ss csr sear areneCHARLIE PARKER OMN IBOOK For AN Bast Oia{[nstrumorts = Tranaeiibed Fm His Retarded on Te concen Key (FAST) ‘BlUES FOR ALICE CARD BOARD ‘THE BIRD ATLANTIC JOE GOLDFEDER vai renenses Eten eh 11563.