My Name Is Jonas ‘Words and Music by Rivers Cuomo, Jason Cropper and Patrick Wilson. ES FS “Tune Down 2 Step Q- @-n+ O-n O-ab @-c5 O-es Intro Moderately Slow d-= 62 ,c (ork Ry Figs Gs a Ry Fig os Imp etsing tvoushout | Cas = = = ——— ~ pitch: E as s oe am : s Vm car-sy-ing the wheel. got a box full of your toys. ad thy Fig 2 SS aS ‘Thanks for all you've shown us, Fresh out of bat ~ ter- ies, Copyright © 1994 E. O. Smith Music, Cropper Retains Rights and Fie! 6 Imernational Copytignt Secured ‘ll Fights Fesarvedthis is how we feel Come sit_next to me, pour your-self some tea but they're still mak-in’ noise, — Tell me what 10 do, how the tank is dy. cs os as Fs 2 — = Just like grand-ma made when we could-n’t find sleep. ‘Things were better then, once but_nev-er a gain, Now this wheel is flat, and you know what else? Guess what 1 received inthe mailto day. cs Gs As FS co as as We've all left the den, let me tell you "bout it, __Choo-choo train left right on time. A Words of deep con-eern from my lit-te brother. ‘The build-ing's not go-in’ as it's planned, ‘The cg 2 RO. (iy, 26 Ry Fg. 3. ies cs AS os cs AS Gs —— tick — et costs on = ly your ‘The driv - er said, “Hey man, we go all the way.” or foreman has in jured his hand The dozer will not clear its path The co Interlude (i. 1m Ry Fig. 1.2 mex cs AS Gs Cc GeB Am GOB c Ge course we were will = ing to pay’ div = er swears he leamed his math Gir 340) pitch: FPChorus An G6 Nee @ ° gf ft - ppp ip of 6 Sp SS £ — = 2. My name is workers we g0- ing home, etre ae t£e ie uu ee PP re x FH 4 home. ‘The work-ers are go - ing home, the work-ers are go - ing p66 6 £££ Gar | 40- 10—10-Interlude a Pe = : Lee oust gett t iF , 6 16 16 6. S55 ot : as 4 = | (i, 4 Rhy Fig. 4,3 es ¢s AS 80-8 pura % a9 289 10 10 10 | 2% 4 4 4 te Tat oe 8 10 oS tyre Eemeree 2p Pa - a2 ¢s AS on? fa a 5 — 5565 6 w Fe eee eee A2AZAZ AZ ADA2 12-42-42 cs AS as End RTA (comin stat)Chorus Gis, 28 Rhy. Figs SSA, 3 tes Gie wR, Sines ES Fs as ES FS ys Fg. End Rhy. Fig $A Work-ers are = go. ing_——_home, the work-ers are go. - ing Ge 2 Rov Fle. Bnd Rhy Fig S| home. The work-ers are go - ing home, _ yeah, yeah, yeah. Harmonica Solo Outro Gin 28S WRIBARAL Gir ace ir. 4 w/ Rhy Fig. 4 times ES BS Gs ES BS 8 a2 (tr. Ray Fig. 1, 2eimesGus.2& 3 cet Gs c Gen Am G6B CGSB Am G6 c Gis. 283 ich "No One Else Words and Music by Rivers Cuomo BDt Intro, Verse Moderately Fast ¢ = 139 BS BIDE ce B AS ES ® oO ae me mid 17) 7) 7% TWyTTy (contin otin) pag ae = - ut 82 j big mouth with which she_blab-bers a Tot. — | she Naughs at most ev = ty = thing. whether iS fanny of noe ight © 1994 £0. Smith Music 12 Ineratonal Copyght Secured Al ights ResrvedPre-Chorus Bs cs Fas And nd Rhy Fig Ly. Fg. 2 Chorus cas, Pas. as Bs BS Bnd Way. Fig.2 Rhy Fig 3 Bs ces As ES BS cescas AS 4—— = — = i gil who Iaughs for os = no one els, i SSS See : — SSS ee SEE eee Ss VennFas BS FWA EGE As BGt inthe back of her head. — She ooks_ a ~ round anda ~ round, _ you know it Pre-Chorus (Gs. 12: 0 Ry. Fg. 2, 21imes Bs ces makes me sad 0 see her Tike that. Please Jo 34680) as ces FS GH BS HS says that for Chorus ir. cet (ir 1 2: Rhy. Fig. 3 Fas ces FAS Ges Bs OES i's a hey, Bs cas, As ES Bs irl who will laugh for no one else. When I'm a = way she puts her 15cas AS Es Bs chs make-up on the shelf When I'm a - way she never leaves the ha (the Fas Gas Bs OES Bs ces - ha | ha = ha ~ house, 1 want a git! who laughs for no one else, — house.) Bridge Guitar Solo Gis. 182: W/Rhy. et AS ots Bs ES AS EGt (182 (ast)Pas Bs FHA EGt tt Pre - Chorus ‘Gan, 12: Rhy Fig. 2. 2smes cas Fas ces Fes G#s BS i Ace i, S wet, cs Fas: cas Fas Gas Bs if you watch her go, __________ watch her, watch her, watch her, watch her. (and if you watch her. go.) 7Chorus Gis 1 & 2:0 Rhy Fg 3 3 Bs ces as crt —— ~;— : 0 plese —— 1 vam kit ec i) oa coe ee oe Es Bs cts 5 ———— ft—_¢ —- Ft Fe Wien gre tee ee eee pee ee the As 5s ptt 4 . shat When Tm a ons a z E - we «33333533 om ft = 9-7 5 — | — —- 04 i —_ Hise hee i FAS G35 BS ES BS cHs AS £ a ra hachachachouse, 1 want agit) who laughs for noone else. Noone eke, house) gi es outro so Bip ca B AS est! 2 g ort eee eae eae ‘Yeah! 7 on.The World Has Turned and Left Me Here Words and Music by Rivers Cuomo and Patrick Wilson “Tune Down 12 Step Gs GB cs, O-e @-ps i O-0» @-as fal a f O-0» ©-2 Intro ‘Moderately 4 = 99 ca. 3 DIA BSIFH csiG lay 4 mes ee) nd Rhy Fig (eums) “patos jos = ro" 3 ? t $ ~ 5 — | a 3 EE oor oe ad Rhy. Fig 1A | raft let sog trouphout FF 5 = = 2 : — A —t ao ot os B— : 5 5 - 3 Chorus (Gir I Rhy ig. ies ir et Gs DA BSF csiG os DA 4 asa As v. 55 z e = : a> + f= 3 SS 52 was tumed__ and Feft___ me____ here just where was csi os DA BSE CHG te fore yon appeared, And in your pce an emp» ape Verse Bert osc “En? * aos = f === SSS aa et jut made dove ee ote yee ARE RG mee se HA = a = 3 o— we | Teng tobe “Coeciomon epee el emt capygtt© 1994 0. mth Mus andi! ox 7 International Copyright Secured All Fights Reservedmaj? Asus2 Cmajr = : - = =: SSE i $e —H Sr 7 = i eee ee es Ee . : © _ £8 — =e SSS Se =; ve aan 7 =I v¥ 5 |e. ny. rg. 3 —— —_ = = z SS Fe Ss ; : — = E + = ¢ +t ¢ + $—+ tt +t =| SS Chorus x é $f = fae SS The world has tumed and left me__ here,DA Bt cs os DA 2% ro =: = f—t oo 5 SS # p SS SSS — a E jw whee Twas ve = fore you appeal dod in your place ToCota BSF CHG ® = 5 mn emp = ty apuce_ohS filed the Wokd__ be = hind omy— fe, Guitar Soto cs oe cs whDPVAD DA ITTV STF) FTF] FTF 4,3 (eed ‘sdepress ing being at tm rm I le limi tim lm a, eM ‘i ——=tr 4 ‘6 * = Pre-Chorus (te te Rhy Fi. 3 6 AS cs Bs ae # i) mm H 24DS. cs = fr =] # - ther ev ty day, act ft # £/€5455 t fer = of ao K = = : ae +a we ae - = = 0 ¢ +6 = — O Coda Chorus A Bsr c5i6 cso BSFE CSIG ae = =e z a fet f— The world has tur jst where 1 was be-fore . you ap-peaed 7). ee SSS =F = + =| (Bo yoube-tieve— what 1 sing now? Do you believe what sing?) os DA BSIFE 8G os DA BSFH CSG os oDA ‘And in — your place — anemp ~ ty has filled the void — bbe-hind — my. Do you be-lieve - what 1 (Do you be- lieve? le. ) Outro Gi 2 Ry. ig DA BSF} CSIG © GS_~DYA.BSIFECSG GS DIA Goo — eee = : =| - : = sing — now? —_ Do you be-lie voy emcees BSIFS SIG Gs DAG DIA BSIFe sig ie.) Gai? Icing roughout “Chord symbol eects combined oralBuddy Holly Words and Music by Rivers Cuomo Tune Down 1/2 Step: Cim FAS Dm DSiA ESB @-» @-vs teghee tal cere Ov O-w nr v Ea re 1 O-c> ©-e Verse Moderate Rock = 120 Ts 1. Whar's with hese hom = dis av yg? | a bone You “ore te tm on ea. oe tH payer ef, f 2+ - - 74 ~—— 2:6 FA stim $ Fes ie 1 wit Fg AS ptt } Why do they got = ta front? —__ What did we ev e T know that you need help. — Your tongue is wist ed, End Ry. Fig Copyright @ 1994 E.0, Smith Music 24 International Copyright Secured All Rights Reserved(6 FL 2 EGE AS do to these guys that made them so wi ~~ _Ient?__| your eyes are slit, Avon iced ale gard eee el nee ProChores nes ae 77) erm 7 [77] «woo =m) [Eaiow tow — Pw a —- 2-7 Gn F levingtouphout nd Ry Fig.2 con nto —— dap dd ci rag Gir, 3g) orsas boa sm as ~ . Woo = ee sia ESB Fis DSA ESB AS ptt —— - =a —— ee SS = ra rte Mary Ty ler Moore oe el ee eye ea ete Prppiire z = = = Pee ee oS oe ae eee st + + oF a: 3 + ¢ ett = + s ToCoda Interlude (i, w/ Rly Fig. SA ESIB as ESAS Fs $ toe 5 7 7 : & =i bas z = = ° F 1 don't are "bout that. * secs. = ot SS ES a nt string ——————— 26as psa SB as Ons at ‘ Gite ae — or 1 dont cae ota BN “Tl i om ae rm 4 wa oiem rm aud “| | ri oH + + 4 8 + + + > —— : + t $ t | Bridge aS NC FS ONC RIS NC Fes AG BS Bs NC. pete ¢ ror f rues t er [6 2Se —— — = — J ——— a Bing eng, ‘nook on the don, ‘romeo big tang you're down — on the flor, fe ime boo 4 @ 4 aw oem uw + 4 re ie (CB) Pi A "llc in pense playes by Ot N.C. FES NC. FES N.C. FHS AG BS ces BS NC £ ft. a a. pp ¥ if —— == a — —S SSS = SS— ‘ — a —— > = om Keay $ ; = 4 + rick as NC FS NG FES ONG Fis a6 BS CHS BS NG. eee ae potffot ep tor of get. == 5 ——— = = = — SS 7 SS" — T cant nm and I ean kick What's @ matter babe, are you feel - in’ sick? sma. = PG 7 Se 28} 5 27Fis Ne. FES NC. sts d ‘ap alee] 3 —— go 3 For Fe E $ r { at == —t- t—f Guitar Solo Gy, 18.3: 0 Rhy Fi. 2, ie FesOutco-Chorus ne ra DSA ye = 2 = Ce = - f ——- 6 ; = | | Woo - ee - 00, 1 look just like Bud-dy Hol yy. oe 13 2 = espemome, 3 3 7 3 ; ————=} 7 5 : | i - $5 $- 4 ra | fall : I~ 2 eed rece orice temic cee 9 015 : * — “*Doabled 8va by kybd. - i: oa Gx tees SS bya Esp res ‘ * _ _ é = f 2 = SSS] | Oh ~ oh andyoue Marsy Ty ler Moore 1 dove cae what dey ea - SS ri = se 2 # | SE = = = == Pe 0 SSS A ae r - a | 74 4 pe ee { $ $4 = $ + I Pet DSA ESB. pat: ——— 6 = : je 1 don't cae “bout tatirs. 1 3 Rhy Fig. 3.2m AS 7G DS/A ESB 2. =r 1 don't care "bout that. Care End Ry Fig 3 a bi. pt ; = s 2s 4 au AAS ESAS AS (DSA ESB As E FASE FHS ® ® een epen mah? ?)¢4 47? yepes?Undone — The Sweater Song Words and Music by Rivers Cuomo Bb Eb/Bb FIC “Tune Down 1/2 Step @- @-ps @-2 @-a5 O-c O-e Intro Slow Rock = 80 *G6adae9 Cmajradat6) DB Cmaadse6) lay ies 4, Se) kitten a ty Fig ———— SS °F lerving throughout dao and sound ffs on ees. “Chor symbos represent orl oral Verse Gr. ct G c D c G oo we SSS ——- te = Lim me, me be, Goddamn, 1am. 2 Ohm. it a0, it gone, bye bye Who LT think, | on Chorus Gi. ae D c G csc DSA csc == re = = =| I — — — tere ow me I you want to de - stoy my sweater, ie = = = ASS Copyright® 1994 E.0, Smith Muse International Copyright Secured ~All Rights Reserved 3amr RT Riu Bip bins (wi ad Lib dato) G C5IG DsiA csiG G csiG SS o — hold this thread = as. walk 4 = + = S$ 4 4g gg ge ae a Te § Dsia csiG G c5iG DSIA c5iG oa zat Cae cb od Guitar Soto Bb EbIBD Fic EbIBD Rhy. Fig 2 End Ry. Fig.2 “ED EEE Ee Tali TT)(ir. 2.835 Rhy. Figs 28 2,3 ime, sie Bb Eo/B> Gut ———= = eS = oa we a tr FA as a Chorus Gtr 2 tse (iw i, tt time sw ad Li bg oe, 2 time G csiG DSIA c5iG =p — a i, 3:0 Ry Fig. 3, 3s G cs = SSS SS We you want (0 de say my sweater, (Whom, whoa) old tis thead as ns mere nd. 3 ie ee a= = - sss SS = —— zee f 3 ge 3 iF Fes F == — § E : == P34 oot C $3 B55 3% A fi | ‘Rhy. Fill ] ou : Purses He A PAA rs K ae 1412-44 iy ‘B— — — — | 5 pepe FPP 33Ge eet hy 2 sia esc sic DSA eG fat ——a xt —=" > a f = = eC a wak gS Wa OAS L valk away TM soon be raked Ly-in' on the (Watch me unravel) T 2. en 6 csc sia cic BA csc Bbs ~——— git fap gp fp pe Oe o = Sat = toot ee ao come un = done etek) = = ft = ia = — 21 outro eS / Ry i ines Go 2 wy. Fe 45m sie ¢ ¢ on Csi whith TAR Mn —_, ——_.. #3Ce. 5 (vous) wR Fi, 10cimes Gi, 0 Rhy 2, 1s sia csc G sic Vou Fit # : eS U uw oko Wien eae oo ene EN oo EER MT O0 by a e peepee nee eee r pepe ee eee et == aaa aaaaaee == Saaaa==ae Ss - — wt 1818 oo 44 = e4 6515 z oe a8 : igo. Ve. Fg, Sie sia csiG 6 esa _——— nd Vo Fig et ~ ae) rE = 7 on, om — - - £ feeepeeeeee np eeee nen eee ee ee > i 2 =| 29-9 20-20-2929 1910181016 181618 1818 018 we 151516 66 515 65 Gir 28 3 Rhy. Fill 3& 3A, times oe mex paged G = yee = 2 = j| | ‘B— %- cs 35G cxG G CHG DSA SIG G CG DNA csIG G “Gir 9 4 | LITA IT | | os y.em34Surf Wax America ‘Words and Music by Rivers Cuomo and Patrick Wilson “ane Down 12S O-u O-»» Q-16 O-w» @-cr O- Intro Verse Fast d= 168 Or. 0 Ry ies “eat c op 6 Dada c —— = SSS ~ —— 1. The sea is foam ike 8 eam End Ry Fig = - = - = = = = = ef erengoughout 7 3 — 7 7 i = _ a — ——— "Cayman o D c on c = : SS — SS SS tor tle of ber Te we is aint got no fear, — on c aot c Vm wax-in’ down so that ‘Gx 21a) 15a Tl Tim wax in’ down be-cause it's @- i o = = t — ~ “*Microphonic fébk.. not caused by string vibration, c Ba ee &s - =: 5 # = —_——— = te £ £ ny. Fig 2 _ = : ; —— =——— aS z= = oe oa PEPPe ies PPPs es == = EE = =a t —— = ek D Copyright © 1994 E.0. Smith Music and Fi International Copyright Secured All Rights Reserved 37ie 26 yg. 2 DA oc os Di 1G Tm bail-in’ out because 1 hate the race of atts that nin Round and ‘They seem in - vinci - ble as they surf a ~ lon ‘The sea is rollin’ like a Ry Fig? Gs DA cs. Gs Round inthe maze. — Vm go - in’ su thou sand pound keg. —— We're go - in’ surf % crar Tm go - in’ We're go - in™ Gs c Gs (Gi 2 wr hyip 3 c Gs c Gs And when you're out-of _—“fuel tm still a= float 1 Interlude (G.I Rly. Fig. 2m, Dawud Ga OG Dada c GB G Gna iz Chorus (hr. 2: Ry Fi. 3, 2mes c as cboard. And when you're out of fuel Bridge Gr 3 eet c Gs AS cs “Bd. vo. 2nd me only nd Rhy Fie (2 Ry. Fi as cs Gs AS cs 1 nev = er thought it would come to this. Now 1 can never go 39Interlude Freely 4= 125 Half-Time Feel ir, 2 weet, SSS ‘wlamplier vito OP py atime ony * Org ao Ce RAPA, 4 ir, cet And when you're out of ‘fuel rm sill a= float strength - en = ing its. hold. ri take my board.) 190 ae fron, 40Ds. al Coda End Half-Time Feet : 44 | ccc 1 ner-erthnght i'd came oth sev 1 an myer go toe i Shee ye “on Sal tm a 2 i _ = = ove ie ———— @ Coda Chorus ‘e273 20mes c Gs c Gs cs Gp G5 Gis” Gs orm. 283Say It Ain’t So Words and Music by Rivers Cuomo cim at A “aype2 ear ae ae gai “Tune Down 12 Sie: “ a u a 7 O-e @-vs ES = Q-s @zas ft fe tae Q-c ©-— He 4 HE Hi Slowly ¢ = 76 ea ee j . Get eay “SS fn Sep . : St v u ieee (ete Ry, Fi chm Gt A E Cim GH Ry. Fig 2 nd Ry. Fig? Rhy. Fig. 3 wer 277 I) ede) rt) } yeah — Allright, copyright © 1994 €.0. Smit Muse 4 Intrnasonal Copyright Secured Al gh ReservedVerse (ir. 2:0 Rhy Fig. 2 dues, sine Gtr. 2: Rhy. Fig 2,3 mes, 2d ie A E “cm Gt A E nd Ry Fig 3 TI 1, Some-bod - y's Heine - € is crowd-in’ my jee 2. Flip on the tel wres = tle with Jim Chord symbols resent combined only. (ie REA, 2 es Ctm Gt A E cm Gt —in Ss ‘Some-bod-y"s cold one — is givin’) me chills. — Guess I'l just close my eyes. - Some-thing is a bub - ling my back The bottle is read - yo (e157 Ry Fig 1 152 mes, A E Chm? Haase A E Oh yeah. — AIL right. — Feels i. 2: w/ Ry Fig. Chm Gt A EChorus (tr 1 & 2st (Gi 4 wR, 2m (Gr. § 6 Fl, 2 tie A E cts Gas, AS BS blow. Say it ain't so, ea Ry Fig En Rhy ig 4 P stag. else %—— pene = “Teo ma forom.* Mierophonc fk. ot aed sng oration (Ge Sw Rhy. Fig 4212s (& WRU, 2d tie i. w/ RAT, 2 time cas ts AS Es cas GES Your drug isa heart = break = er, To Coda as ES Pers Ges as EsInterlude (ie 2 wi Rly Fig 2 cin? Gtaaako = Gr te, 20 Rhy FS cém ot 2 A Verse (Gu. 2 wi Rhy. Fie 2, Ate cam Ge 3.1 can't con - front you. chm Ge that which might hurt — you, — A E cm +, 2 a —— FF = a - + se a ad ee ty and be cook When 1 say this way eaie 1! Rip Fig A E cm Gt oo wa-ter slide a way fom me that takes you fur-ther ev - er - y End Ry. Fig S Chorus ‘ir, & 213 Git, 3: w! Ry Fig. 4,3 mes A E ces ots ou. 4st) Two gw for one ** Random bk, mie on. sw Rit As ES cas cts As Es Say it ain't so, Your dug— is a_heart - break er, Gir wr Rit cis Gts As ES cas GeBridge Ae? ES E ese Bmaj7 ES GS 2 j oad DD IDS pit eS SS Ss fe 7 _— =. Dest daddy, 1 weke you pte of years of sien, mane mampres ‘ea SaaS es eee Car oo —s i ———t bt $ $ a Bs mai? 8 os You've cated wp, found Je ~ ms, a Pas Bait ss os ee 6 er er = Te tw te oe Se en's awk vem an len feel es Ep 4 = = | = = SS SS Ee 992 8 { i! : € ee ae % salt 2. 2 he =pig 2. : -— =5 2h —= 6 ° Like fa ther step - fa - ther the son is) drown — ing inthe cesica Ge ane # iy. Fie Rh. ? ) aa » d-) ) > a 4; F 4. e— fey = eet = | yeah, yeah, yeah, — yeah, yeah.Guitar Solo Or 7.2 4s Ge A E CHG Gt ee ore = DS Cote A E CHSIGE eee ane wT] TTT) TIT?! 6 — 2 ee T.46 (16) [ororeiny Coda (1 Rhy. 1 12 mew cHsict opr? ane JIT) TTT) TIT} — , ——— , ——~. o "andor bk“Tune Down 172 Step G Q-t) @-ps O-w on @-c O- Intro Moderately Slow: (wi bamovice) In the Garage Words and Music by Rivers Cuomo OR CIA G c5iG ir. 2(eee) Rhy. Fig 2 the Dun-geon Mas-ter's Guide ppos-ters on the ve got 2. Vee got wall. 3 7 Wii = HS } a a + ———- [SSS S = ss — % ¢$ ‘ ss saa ae Piiipari == > = — ES Prt cS es £ - ” International Copyegnt Seovted Al Rights Reserves6 osc 6 os¢ 6 sg ona fp 7 7/7)? >? y UU UY, y) 73 = = —_ =: =. + te i | se faNieheenweiet, wo | Waiting thee for me, yes 1 do, oe ais" ee en ooo eo — Oetiiiiitpitiiti: ‘atl . yee 33 3 L Fron a Pee ee ee + Pee Pee ers pe Benorus es bse gs os bs End Ry Fig 3 47 (com cation) Fs os sia cs GB AS os = — f £ Zz SS feel sae, mo one carts, kbar.ToCoda2Q) DSIA, As rs Gs Dsta ToCoda1 interlude (whe Gin 120A. Fe cs GB AS Gs as os G D Verse (tr, 1&2 eet Am Em G D C CBCAG —NC.ACSIG) (DSiA) (ES) 3, Fve got an e-lee-tric guitar. (cs'G) (Dsiay (5) (csiG) sia) G) a T play my stu-pid songs. — write these. stu-pid words, — and T love ev-1y-0ne.- Gis 283 eee escarar nets eee) os — 1 1 (ee Se re cS eee 5 Waiting there for me, yes 1 do, 1 do,@ Code! Guitar Soto ‘Gir Roy: Fig 2 ir, 24350 Rhy. Fig ist? ess i. Socet AS as Gs sia Gi. dee) BS 1G DSA, Es csi DSA is. 2.43 Ry. Figs 38 34 So aroma dn 908) G c51G G cvG G os Ds 2 eaeve —_~ Tron mes DS. al Coda?© Coda2 Outro-Chorus (ts 24 3: w Ry. Fig. 4. st 7 mes cs GB AS Gs Gs DsiA AS BS feel sae, Gs Dsia, cS GAS Gs Dia, AS ES noone laughs about’ «my ways. Inthe grtage where Tbe = long, Gs DsiA Es Ds cs Gs Dsia (oi nari) cs GB AS Gs AS Gs AS Gs J (sing this. song.) * As hor is ut lok toggk swe omy 53Holiday Words and Music by Rivers Cuomo ces ES HS AS ESB i BE a fe Ei @-e @-ps BS, aa @-sb ©-ab HE Sa Oo 4 i Intro “Moderately 4: = 80 Ne Fas Gas 1st) yo ae eta —_ 4 i i (1B - = = 7 Fag 7 z St 54 sapyright © 1984 E.0. Smith Musi Inematonal opytoh Secured Al Paghts ReservedVerse ‘Gi wees Ist ime (G1 12nd As Bs AS BS AS ES Fas Gas SSS = Se — F oa 1. Le’s go a- way for a while you and 2. Don't bother to pack your bags Nat = f oe git. == ee fo ov ¥—t ona runtAS Bs Ges rat, i ws mt an ect any - wap, woo blowin’, ot knowin” where wee gon = oma a dehy ox.2 Ba (cont inst) »>———— f AS ESB. ots mimmmimmil a way le’s go to - day beat,Est! FAS HS stl! As BSW As minimmmminiyy ES Gass, Immil Immrlnm1 Gs Esl Bs cs Bs oy Fig 28 End Ry Fig, 24 aay in a eam beat, heart : beat, End Ry. Fie? (Gi. 2:0 Ry. Figs 2 2A, 2 es & iS cs oe ws cs as wees ; a ; ; fit eS : 7 a 2 beat, heart . ‘beat, nd RITA Bridge Altes tc ces, NG. four friendsfriends oi. 3 (ity in free and fam card. to fiends in tree and fam ‘bk a post i- ly Ge 440) Fa. oo af card 10 will write in free versein. 3 tact iy. 2: ny Fig. 24, mes ES Bs cs BS ES Bs cs BS ont (i: wR A, 2, sie ES Bs cs Bs BS Bs CS Bs Verse (oe 2 why Fig Es Fas G#s AS BS AS BSAS ES Fas Gas > 3. Let's go away for a while, youand 1, to astrange and distant Tand, where they speak no word of Chorus AS. Bs cs! ats AS Hol bat we don’t un = der-stand an — y (way.ES/B AS Esl! GH AS TTISITISITIV AT) / T7i STi ee a | we oa tol 1 day, fra (SS a ee st, a Gee —— = —S= Sj fp ere ee ee ee Ss —— ae t : Het $ 4 AS ESB AS Es" Gts / S33 F00 FF) STV STI) t ree » ee ee Fs bee 6 e —? te Sj = app pe SS = SS =| Poi eae E | = 9 =m = = + ‘ C 3 3 at 3 t pt i S|mmr" so (contin otion) Gey en vs owe o = = Gr a *osenn bOnly in Dreams Word and Muslby Rivers Cuomo “Tune Down 1/2 Step O-8 @-v Q-th O-rs @-c) ©- Intro Moderately J = 78 Gir, wR. Fig NC cw cada9 Asuss D7 DS DT D6 GB Caddo hy Fig ‘Bod Ry Fig (bass & mba) Gi & GIB $— 5 + = = = a Sa - (SS a ae —— st Ey oy ry e ——— ight © 1994 E.0, Smit Muse International Copyright Secured AI Rights Reserved 63Verse (Gi. Ry. i. 181s Gi 2st GB ‘cadso Asusé. D7 D6 D7. DS GiB Caddo Asuss D7 D6 DT DS 1. You can't re - sist__ her, she’s in your bones. — (oe 2 RA GB cad Asus D7_D6 D7 D6 GIB cada9 Asus D7 D6 D7 D6 She is your mar row and_-your side home, Gp cade Asusd D7 DS D7 D6 GB ‘cad Asus D7 Ds D7 Ds You can't_ a ~ void__ her, she's inthe os cadaa Asuss DT DS D7 D6 GIB cada9 eg eee ee eee en ee $% crores Avot br Ds Dr Ds 88 as os ees = bon di- ox - ide, On-ly in dreams — we see what it means. Gin 384000) Fang voc 2d tne only. BS AS Gs cs BS AS Fs Bhs Reach out our hands, — hold on to hers, But when we wake, . Jos 384 GisGs cs Bs AS Gs cs cs Ds And soit seems, — ToCoda irc 3 tact NC. GB cada Asus DI Ds D7 Ds Ry. Fig 2 Hen, leiVerse ‘i, cet 2c 2. You walk up to her, ask her tw dance. — loa Grn 7 (ie 20) RATA SS SS SS SSS J ? “Se v—? z She says, “Hey ba by T just might take the chance” — (tre Ry. Fig 1 mes GB Caau9 Asuss D7 D6 D7 Ds GiB ‘caaao that you float — Asus D7 D6 DTDs GB cada Asus DI Ds DI D6 “Page igh behing the betDS. al Coda GB cada Asust DT ps DTDs nails in ta thous - and piec - oa...) @ Coda Gt. Ry Fig. 2,3 tes i. 2 eet GiB Codd) Asusd D7-D6 D7 D6 GIB Cadd9 Asust D7 -D6 D7 DS GIB Cadd9 Asusd D7 _D6 D7 _D6 On-ly in dreams, on-ly in dreams, only in Gin. & dtc (r/R. Fig. 3, Sims N.C.B5) (5) (as) C5) 8S) ES) (A) @8)_ (C5) 2. ‘dreams, Rhy Fig 3 66} jeg ca Bs) ES) (as) 3) BS) e+ (as) Ds) (C3) mae———eeeee—eese—E ey dreams, only in dreams. orOutro (i. 3: why Fig. 3,4 es NC BS) ES) as 5) BS) (es) ons as) os Bs) 5) (as) (Ds) 5) Bs) es) as) ©) C5) gy CD Nc. @ BP /cesn one Jeng toughoy.2 © NC. 70RRR RM aM pH Oo RRRRRR Rw 2 010 010 0 nee 1000 Pttrtee eee ee eee] $98 69 9 9 9 9 9 faeeeeene eee eeeee 58999 8 8 RRRRRRRROH DH OD OO [E SOE EO B66 6 6 686 OO 50 6 0 0 0 0 0 RRR RRR RRR ee eee68 51515151518] RAR ee O89 9 9 8 8 8 Ht tt 2 i 22 Ret ee A HIE dd et) ee Wo ho 8 8 ep eT 7 Te ee ee |ee ee ee ee DW 0 0 OO oe ee Re eo ses on HH 10-10-10 Hoe oo oecs fESsteeesees —— — if | nw ewww enw eee wemee eset EE ce ee eee ‘wie Ree Rw ti feet ESSERE! SES SEEESESELESSEEES 5 6 5515 m4 w sm eet a4 21 2 2 eee + 8 15515 —15— 6 8 SGSPeeEEEEEEEEeE. Se ee wt 4 6 66% ® 6 36te Seppe eeeeeeeeee se sepeeeeeeeee RQURRRRnenenene ee ee “Let oveions of bk rng oughCte mR. Fig 3, 7s & GEEEEEEPERSCSSES CSESSSESES SSS SSS cing hechuseagerttbettitscecssep ee ee on 7 664 7 ee ee we 24 eos a : Pit 7 7-2 pe RB eRe -2 2 toa eperpe ret tt ee es | SS SSS fe + Fa eee ep eee eee eenne SSS 48-19-18. 18-18-4848 plea eee ne eepeeen fe APSE SPAS EP ES —— 2-2-85 15 55 S154 ert e a an ny = _ oun) 6 pet —— f+45)<- « So 2 { ® : EJ Ee $e 6 = { = i %